La Hora Del Destino
Fito Páez Lyrics

Jonte y casi rivadavia
The location where the singer and the antagonist crossed paths

Tus excusas no me alcanzan
The singer is no longer willing to accept the antagonist's justifications for their behavior

Mala perra, que desgracia
The singer expresses their anger and disappointment with the antagonist's actions

Me metiste en un callejón
The antagonist has trapped the artist in a difficult situation

Callejón sin salida
The artist feels there is no way out of the situation

Fue cuando llegó la yuta
The arrival of the police marks a turning point in the encounter

Que quebraste hija de puta
The singer feels betrayed by the antagonist

Te quedaba una salida
The artist believes the antagonist had another option

Yo quería medio millón
The artist and the antagonist have conflicting interests

Vos quedarte con todo
The antagonist wants to take everything for themselves

Yo te dejé una cama caliente y un calefón
The singer provided for the antagonist's physical needs

Vos me dejaste una nada de amor
The antagonist did not reciprocate the artist's feelings

Es la hora del destino
The moment of truth has arrived

Me miraste, yo te miro
The singer and antagonist make eye contact

Y empezamos a los tiros
The encounter turns violent

Los baleamos o nos matan
The outcome of the confrontation is uncertain

Y ese fue el momento crucial
The turning point of the encounter

Y no te importó nada
The antagonist is willing to risk everything

En tu chumbo hay una bala
The antagonist is armed

No lo hagás, no seas tan mala
The artist pleads with the antagonist to refrain from violence

Vos sabés que yo estoy con vos
The artist wants the antagonist to know that they are on their side

No me rompas el corazón
The artist does not want to lose the relationship

Si disparás
The singer fears the worst

Va a ser una cosa que vas a llevar con vos
The antagonist will regret their actions forever

Pensalo bien
The singer hopes the antagonist will reconsider their course of action

Fui tu amor, por favor
The singer reminds the antagonist of their emotional connection

Yo te dejo todo el millón
The singer makes a desperate offer

No quiero más, andáte
The artist wants the antagonist to leave

No me mates, cuidado amor
The artist fears for their life

O te mato yo
The singer threatens the antagonist

Que le vas a decir a los chicos, amor
The singer reminds the antagonist of the consequences of their actions

No, no, no, no, no, no, no vale la pena
The artist believes that the situation is not worth the risk

Me agujereaste la remera
The antagonist has already caused physical harm to the artist

Frente a los pibes de una escuela
The violence is taking place in a public place

Pero fuiste la primera a quien le di mi amor
Despite the current situation, the singer still has strong feelings for the antagonist

Te llevaste el millón
The antagonist has already taken what they wanted

Me baleaste en un callejón
The singer has suffered a gunshot wound in the confrontation