There is more than one artist with this name.
1) Flat Earth Society … Read Full Bio ↴There is more than one artist with this name.
1) Flat Earth Society was founded in 1998, when no-nonsense artist, former architect, clarinettist, saxophonist, keyboard player, composer and producer Peter Vermeersch, wanted to explore new horizons after having convinced music lovers all over the word with Maximalist! and the cult legend band X-legged Sally. Vermeersch, who worked with international artists like Josse De Pauw, Wim Vandekeybus, Vincent Bal, Anne Teresa De Keersmaeker, Fred Frith, The Simpletones and Jazzwork from Berlin and wrote music for the Arditti Quartet, PrimaLa Musica and theSmithQuartet, assembled a pack of inspired and inimitable musicians, forming a big band which has nowadays become much more than just a big band. Peter Vermeersch included, the band now consists of a permanent group of 15 musicians: Stefaan Blancke (trombone), Benjamin Boutreur (saxes), Berlinde Deman (bass tuba), Bart Maris (trumpet), Michel Mast (saxes), Marc Meeuwissen (trombone), Kristof Roseeuw (double bass), Luc Van Lieshout (trumpet), Bruno Vansina (saxes), Peter Vandenberghe (keyboards & compositions), Teun Verbruggen (percussion), Pierre Vervloesem (guitar), Wim Willaert (accordion), Tom Wouters (clarinet, percussion).
The music of Flat Earth Society, varying from strictly written sheet music to liberating improvisation, is 95% homemade. Streaks of music of other composers are used as inspiration, frequently arranged, adapted and integrated into Flat Earth Society compositions, adding a wide range of atmospheres and styles to the eclectic Flat Earth Society universe. Flat Earth Society, who dare to flirt with other disciplines such as theatre and film and have the ability to seduce a number of different audiences, from more select jazz listeners to a wild young rock public, is at its best live on stage.
Mike Patton discovered the music of Flat Earth Society. He immediately proposed the band to release their next album and in attendance of that album he wanted to bring out a compilation album in the US. Isms was compiled by Mike Patton himself. Flat Earth Society joined Patton’s band Fantômas on their European tour in Italy, Belgium, Holland, France, Switzerland and England.
2) Flat Earth Society is a 60s psych pop/rock band from Lynn, just North of Boston. Flat Earth Society were notable for their crispy, clear vocal sound. In early 1968 they were approached by the Boston advertising firm Quinn and Johnson to make an album and a jingle for the manufacturer of the 'Waleeco' candy bar - the F. B. Washburn Candy Company. That year every 'Waleeco' bar carried a coupon advertising the Flat Earth's Society's album Waleeco for $1.50 and six 'Waleeco' bar wrappers.
Recorded at Fleetwood Recording Studio in Revere, most of the material was written by Kerivan, the only non-original being a slow melodic version of Midnight Hour. The album covers quite a wide rock spectrum with goodtime (I'm So Happy), folk (When You're There and The Prelude For Town Monk), hard rock (Four & Twenty Miles and Shadows), as well as psychedelia, but each track has the band's own style about it. Aside from Feelin' Much Better, the best tracks are arguably on the second side of the album. Dark Street Downtown has some haunting vocals superimposed upon swirling piano. Portrait In Grey is a haunting piano-oriented instrumental and Satori, a very strange psychedelic instrumental.
The band made a few appearances after making the album but broke up soon after.
1) Flat Earth Society … Read Full Bio ↴There is more than one artist with this name.
1) Flat Earth Society was founded in 1998, when no-nonsense artist, former architect, clarinettist, saxophonist, keyboard player, composer and producer Peter Vermeersch, wanted to explore new horizons after having convinced music lovers all over the word with Maximalist! and the cult legend band X-legged Sally. Vermeersch, who worked with international artists like Josse De Pauw, Wim Vandekeybus, Vincent Bal, Anne Teresa De Keersmaeker, Fred Frith, The Simpletones and Jazzwork from Berlin and wrote music for the Arditti Quartet, PrimaLa Musica and theSmithQuartet, assembled a pack of inspired and inimitable musicians, forming a big band which has nowadays become much more than just a big band. Peter Vermeersch included, the band now consists of a permanent group of 15 musicians: Stefaan Blancke (trombone), Benjamin Boutreur (saxes), Berlinde Deman (bass tuba), Bart Maris (trumpet), Michel Mast (saxes), Marc Meeuwissen (trombone), Kristof Roseeuw (double bass), Luc Van Lieshout (trumpet), Bruno Vansina (saxes), Peter Vandenberghe (keyboards & compositions), Teun Verbruggen (percussion), Pierre Vervloesem (guitar), Wim Willaert (accordion), Tom Wouters (clarinet, percussion).
The music of Flat Earth Society, varying from strictly written sheet music to liberating improvisation, is 95% homemade. Streaks of music of other composers are used as inspiration, frequently arranged, adapted and integrated into Flat Earth Society compositions, adding a wide range of atmospheres and styles to the eclectic Flat Earth Society universe. Flat Earth Society, who dare to flirt with other disciplines such as theatre and film and have the ability to seduce a number of different audiences, from more select jazz listeners to a wild young rock public, is at its best live on stage.
Mike Patton discovered the music of Flat Earth Society. He immediately proposed the band to release their next album and in attendance of that album he wanted to bring out a compilation album in the US. Isms was compiled by Mike Patton himself. Flat Earth Society joined Patton’s band Fantômas on their European tour in Italy, Belgium, Holland, France, Switzerland and England.
2) Flat Earth Society is a 60s psych pop/rock band from Lynn, just North of Boston. Flat Earth Society were notable for their crispy, clear vocal sound. In early 1968 they were approached by the Boston advertising firm Quinn and Johnson to make an album and a jingle for the manufacturer of the 'Waleeco' candy bar - the F. B. Washburn Candy Company. That year every 'Waleeco' bar carried a coupon advertising the Flat Earth's Society's album Waleeco for $1.50 and six 'Waleeco' bar wrappers.
Recorded at Fleetwood Recording Studio in Revere, most of the material was written by Kerivan, the only non-original being a slow melodic version of Midnight Hour. The album covers quite a wide rock spectrum with goodtime (I'm So Happy), folk (When You're There and The Prelude For Town Monk), hard rock (Four & Twenty Miles and Shadows), as well as psychedelia, but each track has the band's own style about it. Aside from Feelin' Much Better, the best tracks are arguably on the second side of the album. Dark Street Downtown has some haunting vocals superimposed upon swirling piano. Portrait In Grey is a haunting piano-oriented instrumental and Satori, a very strange psychedelic instrumental.
The band made a few appearances after making the album but broke up soon after.
Ich Kann Ohne Euch Nicht Sein
Flat Earth Society Lyrics
We have lyrics for these tracks by Flat Earth Society:
Black and Blue Cold empty bed, springs hard as lead Pains in my head,…
Lucky Ol' Sun Up in the mornin' out on the job, work like…
Lucky Old Sun Up in the mornin' out on the job, work like…
New Yes junior 24 woke up in the morning breaking news u…
St. Louis Blues I hate to see that evening sun go down I hate…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@victorfinberg8595
@@DX16 yes, the effect happens at the zenith, which can be anywhere. of course, it's easiest to observe with the moon, which is a large object, with features. but it's pretty easy to observe with a constellation.
pick any object near the zenith, but slightly forward. now walk forward 350 miles (*). the entire starfield shifts by about 5 degrees. the object is now near the zenith, but slightly BEHIND it. since your neck does not twist backwards, YOU TURN AROUND.
it's the fact that the observer turns around that causes the inversion, not the shape of the planet.
(*) as i write this, i realize that i've been SAYING this wrong ... a lot. the zenith inversion effect doesn't "tell you nothing about the shape of the observing platform", it tells you EVERYTHING about the shape of the observing platform.
Since everything you look at above you that is not in the earth's atmosphere is VERY far away (an assumption, but true), the LINEAR shift of the starfield as you walk along the surface requires the surface to be a sphere, and the magnitude of the shift tells you the radius.
nevertheless, the inversion effect remains an artifact of the physiology of the observer, and there is a well-known trivial method for removing it.
sorry for the confusion
@cmaej28
I shit you not, I had that conversation with a flerf before.
Flerf: Gravity isn't real! It's density and buoyancy!
Me: How the hell is the moon less dense than the air?
Flerf: We don't know what the moon is for sure.
Me: Get a good camera or a simple telescope. It's a damn rock. How is a rock just floating in the sky?
Flerf: You never touched the moon yourself, so you have no proof of that!
Flerfs are a waste of space. No pun intended.
@GuusStemerding
Join us at triangular earth, we have a point
@HustJere
4 points
@Endorcer
wow, do your research man
DONUT SHAPED EARTH is clearly the right one
@brugernavnhvaderdet
Wait... So we don't live on a giant balloon animal?
@aadi2260
@@Endorcer but donut shape has no point
@GuusStemerding
@@brugernavnhvaderdet we do in fact not, no
@tonytran8727
The moon is actually just a mirror and earth is the moon. I’m a moon earther.
@jakejohnson6954
Ok
@dusscode
Thanks, that’s now my new religion.
@bismuthn.9111
Wheeze