Led by singer-songwriter Robin Pecknold, the band came to prominence in 2008 with the release of their second EP Sun Giant and their debut album Fleet Foxes on Sub Pop. Both received critical praise and reviewers often noted the band's use of refined lyrics and vocal harmonies. Fleet Foxes' second studio album Helplessness Blues was released on Sub Pop in 2011. Following a hiatus between 2013 and 2016, during which Pecknold pursued an undergraduate degree, Fleet Foxes reunited to record their third album, Crack-Up, released on Nonesuch Records in 2017. The band's fourth album, Shore, was released on Anti- in September 2020.
Formation and early years (2005–06)
Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over an appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on—Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.
Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals.
Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.
With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house.
Sun Giant and Fleet Foxes (2007–08)
Fleet Foxes were becoming increasingly popular and by late 2007, they had attracted over a quarter of a million song plays over two months on their Myspace site. Although the band had not released any of their recordings, they benefited from word of mouth exposure and their success soon translated into a record deal, signing with Warner Music subsidiary record label Sub Pop on January 18, 2008. According to Sub Pop's A&R, Sue Busch, at the time of signing the band was still a relatively primitive set-up, being without manager or legal representation. Robin's sister Aja Pecknold then assumed the role of band manager. The band's frontman, Robin Pecknold, attributes much of their success and popularity to illegal file sharing.
The band tracked their second EP, Sun Giant, at Bear Creek Studio and performed overdubs and mixed at Seattle's Avast! Recording Co., around the same time in preparation for upcoming tours. Fleet Foxes began their spring tour with another Northwest band Blitzen Trapper on February 28, 2008. Before the recording of the EP, bassist Curran was replaced by Christian Wargo, whose voice, like that of his predecessor, would become an important part of the band's harmony blend. The band's performances, first at the SXSW festival in March 2008, and then the Sasquatch! festival in May 2008, moved the band into the public consciousness, notably attracting attention from the European press for the first time.
Sun Giant was released internationally on April 8, 2008 and the group's brand of folk, rock and pop, marked by their use of vocal harmonies, was well received by the press. Despite the warm critical reception, the group said that the EP did not represent their full ambitions, serving merely as a CD to sell while on tour. In May 2008, the band chose to extend their North American and European tour until September in support of their forthcoming album. At this time Josh Tillman replaced Peterson on drums and backing vocals. Their first full-length album, Fleet Foxes, was released shortly afterwards on June 3, 2008. The album achieved similar critical success as the previous EP. Fleet Foxes received four out of five stars from Rolling Stone, which compared it to the likes of the Beach Boys, Animal Collective, and Crosby, Stills & Nash, and a 9.0 out of 10 in a review by Pitchfork Media, sharing the website's album of the year rank with the Sun Giant EP. The Guardian was particularly complimentary, awarding the album five stars and declaring it "a landmark in American music — an instant classic". On June 24, 2008, Fleet Foxes went to No. 1 on the CMJ Radio 200 Chart. The album achieved an average rating of 87/100 from 30 critic reviews on the aggregator website Metacritic.
While the group enjoyed moderate success in the United States, Fleet Foxes was better received in Europe, selling over 200,000 copies in the five months following its release. The sales were matched with critical plaudits and their debut album won Uncut's first ever Music Award 2008 prize. Uncut's editor, Allan Jones, said the album "showed impeccable musicianship, and although you could trace its antecedents, it sounded totally unique. Fleet Foxes was just a glorious debut." The band sold out music venues for their tours of Australia, New Zealand and the United Kingdom, reaffirming their growing popularity.
At the end of 2008, Fleet Foxes was rated album of the year by Billboard's Critic's Choice and in Metacritic's end of year best album round-up it appeared in 17 lists, topping six of them. Furthermore, it had sold over 408,000 copies in North America and over 100,000 copies in the United Kingdom, making it the first gold certificate record for UK label Bella Union. Their growing profile enabled the band to make televised appearances, playing on Vincent Moon's La Blogotheque in December 2008 and on Saturday Night Live the following January. In 2009, they toured in Europe to favorable reviews; the Dutch newspaper De Volkskrant said their show in Paradiso induced goosebumps. In 2008 and 2009, the band played globally ending the tour in September with a final European leg.
Helplessness Blues (2009–12)
Pecknold said that he would have liked the album to be released in 2009; however, the band's touring schedule delayed rehearsals of the new songs until February 2009. These sessions took place in a rented house outside Seattle, but were mostly scrapped, losing the band $60,000 of their own money. Further delays ensued because the drummer, Tillman, was scheduled to play a solo tour in Europe and North America throughout the 2009–10 winter. Pecknold later sent some demos to producer Phil Ek and expressed the hope that the second LP would emerge in late 2010.
In December 2009, Pecknold said he wanted the new LP to sound "less poppy, less upbeat and more groove-based". He referenced the 12-string guitar sound from Roy Harper's folk album Stormcock, saying, "That will be the primary sonic distancing from the last record." He wanted the band to record very quickly, with "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling." The band eventually began recording in April 2010 in various locations (including West Hurley, New York) under the label Reciprocal Recording and decided to scrap the earlier idea of a fast recording (though according to the band many of the initial vocals were done in one take). The album features a new six-piece band line up, with the addition of the former Blood Brothers bassist Morgan Henderson on upright bass and woodwind instruments.
The album, Helplessness Blues, was released on May 3, 2011 with a cover illustrated by the Seattle artist Toby Liebowitz and painted by Christopher Alderson. The title track was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie", was premiered in the UK on Zane Lowe's radio show on March 22, 2011. The Sub Pop record label released a downloadable music video of the track "Grown Ocean", with footage of the album's recording, on its website in support of the album. A 12" vinyl double A-side single of "Helplessness Blues" and "Grown Ocean" was released for Record Store Day on April 16, 2011. On November 1, 2011, Pecknold's brother, Sean Pecknold, released the official music video for "The Shrine / An Argument".
Helplessness Blues was nominated as Best Folk Album at the 2012 Grammy Awards, held February 12, 2012.
Departure of Tillman and hiatus (2012–2016)
On January 18, 2012, after the band had finished touring for the album, drummer Tillman announced that he had left the band. He would go on to reinvent himself and record several albums as Father John Misty, notable for his ironic sense of humor in lyrics and media as well as often criticizing both the record industry and society in interviews and on stage.
In October 2020, Pecknold reflected on Tillman's departure during a Reddit AMA: "[Josh] "quit" the band after recording drums for Helplessness, got into narcotics and made his first Father John Misty album while I was making Helplessness in Seattle. Then Sub Pop offered to put out his album, but only if he delayed it for a year or so and toured Helplessness with us. Which we all weakly agreed to going through with, but it quickly became obvious he'd rather have just been doing that project instead, and I would have rathered that as well. So that tour I had to endure being around a lot of substance abuse, sabotaged shows, just general ill treatment, shit-talking, all while paying him for songs he didn't have anything to do with. It sucked!"
On June 15, 2013, an image of a home recording set-up–including a laptop computer, microphone and guitar–was posted on the Fleet Foxes Facebook page with the caption "Step one". On June 16, 2013, an image of a broken mandolin with the caption "Step two" was posted. These images were later deleted, but led to speculation that the group was working on a new project, possibly a third studio album. On April 23, 2014, Robin Pecknold posted to the band's Facebook page that he had moved to New York to get his undergraduate degree at the Columbia University School of General Studies, a liberal arts college of Columbia University in New York City.
Crack-Up (2016–2018)
On May 18, 2016, while answering fan questions on his Instagram account, Pecknold confirmed that Fleet Foxes were working on new material with drummer and frequent collaborator Neal Morgan, best known for his work with Joanna Newsom and Bill Callahan. Describing Morgan as a "full Fox", Pecknold also admitted he "had to up my songwriting game for homeboy." However, when Pecknold posted a photo of the band minus Morgan on Instagram, he clarified that Morgan was one of three drummers involved in the new album, and that for the time being Fleet Foxes would consist of Pecknold, Skjelset, Wescott, Wargo, and Henderson as a "five-piece 'core band'", but they would still use a drummer for live performances and additional musicians for certain shows. Pecknold also said that the new material would be "a different vibe" compared to Fleet Foxes' previous output. On November 14, 2016, the band confirmed (via their Facebook account) that their new album was nearly complete.
On December 25, 2016, Pecknold posted a photo on his Instagram account which showed four albums in the Fleet Foxes' queue in his iTunes library: the first studio album Fleet Foxes; the Sun Giant EP; the second studio album Helplessness Blues; and an unknown third album entitled Ylajali. This led to speculation that the band's third album would: 1) be named after a character from Knut Hamsun's novel Hunger; 2) contain a photo from Japanese photographer Hiroshi Hamaya as the cover art; and 3) be released through Nonesuch Records, since the label's logo can be seen on the album cover.
In an email newsletter on January 1, 2017, production company Mason Jar Music confirmed that Fleet Foxes was working on a new album, since they contributed to the production. The album was called Crack-Up, after an F. Scott Fitzgerald essay of the same name. The album is a concept album and was recorded at Electric Lady Studios and Sear Sound in New York City.
On March 7, 2017, Fleet Foxes announced their third studio album, Crack-Up, released on June 16, 2017 via Nonesuch Records, a new label for the band. The lead single, "Third of May / Ōdaigahara", was released the same day. On April 4, 2017, the band posted the album trailer for the new album on YouTube. The trailer briefly presents various songs from the album and shows some images while they were recording them. The video was made by Sean Pecknold, Robin's brother.
On May 15, 2017, Fleet Foxes made their live return at the Wilma Theatre in Missoula, in which they performed nine songs from Crack-Up along with a selection of older material and a cover of "In the Morning" by Bee Gees. The band's current live line-up includes Matt Barrick of The Walkmen, who is also the most heavily featured of the three guest drummers who contributed to Crack-Up. Barrick has continued to play with the band, but has not become an official member. The new album also included the sounds of a brass quartet called The Westerlies.
On October 10, 2017, the band announced the release of a new EP, entitled The Electric Lady Session, for Black Friday Record Store Day 2017. The EP was released on November 24 of that year, and is a collection of live performances of four songs from Crack-Up, originally recorded for their session at Fordham University’s radio station WFUV. For Record Store Day 2018, the band released another EP, entitled "Crack Up (Choral Version)"/"In The Morning (Live in Switzerland)", in collaboration with the Icelandic female choir, Graduale Nobili.
Shore (2019–present)
On December 31, 2018, Pecknold teased several new demos online for an upcoming new album. The album was announced in September 2020; titled Shore, it was released on September 22.
White winter hymnal 1
Fleet Foxes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I was following the, I was following the
I was following the, I was following the
I was following the, I was following the
I was following the pack, all swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads from falling in the snow
And Michael, you would fall and turn the white snow red
As strawberries in the summertime
I was following the pack, all swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads from falling in the snow
And I turned 'round and there you go
And Michael, you would fall and turn the white snow red
As strawberries in the summertime
I was following the pack, all swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads from falling in the snow
And I turned 'round and there you go
And Michael, you would fall and turn the white snow red
As strawberries in summertime
The opening verses of Fleet Foxes' 'White Winter Hymnal' evoke a sense of being caught up in the busy rush of winter. The repetition of "I was following the" highlights a feeling of being carried along by a wave of movement and energy, without any sense of direction or purpose, as if blindly following the crowd. The chorus also adds to this image of a frenzied winter storm, with the pack of people all bundled up in coats with red scarves tied around their throats for warmth. The line "To keep their little heads from falling in the snow" suggests a vulnerability and need for protection, as if they are all huddled together for survival in harsh conditions. The sudden turn in the chorus, with the mention of Michael falling in the snow and turning it red as strawberries, is a striking image that jars with the earlier sense of cozy comfort that the scarves and coats evoke. The reference to summertime also adds a feeling of wistfulness and longing for a different season, perhaps for the warmth and abundance that summer brings. This imagery of winter's hustle and bustle is a reflection of the chaotic modern world, where people can feel lost and disconnected amidst the frenzy of activity around them.
Line by Line Meaning
I was following the, I was following the
The singer repeated this sentence to emphasize that they were following something or someone.
I was following the pack, all swallowed in their coats
The singer was following a group of people who were bundled up in their winter coats.
With scarves of red tied 'round their throats
The group of people had red scarves tied tightly around their necks.
To keep their little heads from falling in the snow
The scarves were used to keep the group's heads up so they wouldn't fall into the snow.
And I turned 'round and there you go
The artist turned around and saw someone they knew.
And Michael, you would fall and turn the white snow red
Michael, who the singer knew, would fall in the snow and his red scarf would stain the white snow red.
As strawberries in the summertime
The red stain on the snow reminded the singer of strawberries in the summertime.
Lyrics © Kobalt Music Publishing Ltd.
Written by: Robin Noel Pecknold
Lyrics Licensed & Provided by LyricFind
@petersoliz5982
I was following the
I was following the pack
All swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads
From fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall
And turn the white snow red as strawberries
In the summertime
I was following the pack
All swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads
From fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall
And turn the white snow red as strawberries
In the summertime
I was following the pack
All swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads
From fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall
And turn the white snow red as strawberries
In the summertime
@lucyfoster4082
[Pecknold]: ‘I mean a lot of the record is about family and friends, very little of it is… I don’t think there’s any real love song that’s on the record, but that one is just like about my experience when I was a kid, you know, like I had my really tight group of friends. But as we grew up from grade school to junior high to high school, everybody just kind of split off, and everybody kind of changed. I went from like this tight-knit group to, seemingly for no reason, everybody was kind of going their own way. That song is just about that feeling.'”
–Later in the same interview:
[Interviewer]: ‘The song references a person named Michael. Is that someone specific, or is that just a name for a feeling?’
[Pecknold]: ‘A person named Michael.’
[Interviewer]: ‘It is?’
[Pecknold]: ‘[Laughs.] Yeah. Michael is a great buddy of mine from back when. We just totally, I don’t know, he was one of the kids I knew from grade school on. If I saw him now, I really don’t know what we would talk about. It’s just kind of that same thing that kind of happened really gradually.’ ”
@sylviebartusek5190
LYRICS:
I was following the, I was following the (4 times)
I was following the pack
All swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads
From fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall
And turn the white snow
Red as strawberries in the summertime
I was following the pack
All swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads
From fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall
And turn the white snow
Red as strawberries in the summertime
I was following the pack
All swallowed in their coats
With scarves of red tied 'round their throats
To keep their little heads
From fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall
And turn the white snow
Red as strawberries in the summertime
@MissDistarr60
Lyrics:
I was following the,
I was following the,
I was following the,
I was following the,
I was following the,
I was following the,
I was following the,
I was following the,
(The following verse repeats 3X)
I was following the pack,
All swaddled in their coats
With scarves of red tied 'round their throats
To keep their little heads
From fallin' in the snow
And I turned 'round and there you go.
And Michael you would fall,
And turn the white snow
Red as strawberries in the summertime.
Read more: Fleet Foxes - White Winter Hymnal Lyrics | MetroLyrics
@catspit892
Great speculations! Unfortunately, this beautiful song actually has a rather sad connotation. Here is what I believe the real meaning of the song is.
During the French Revolution, mobs of revolutionists beheaded those (such as royalty -- I'm sure you've heard of Marie Antoinette) who were against the revolution. Revolutionists would gather around the guillotines in "packs" to watch the beheadings. The fashion then was to wear high-collared coats, which may have appeared to "swallow" the individual. Also, I found a painting depicting a beheading scene in the French Revolution. The revolutionists in the illustration wore red scarves around their necks, perhaps to symbolize their loyalty to the revolution. Perhaps "Michael" didn't wear a red scarf or did not support the revolution, and thus he was quickly beheaded at the guillotine.
"I was following the pack all swallowed in their coats" -- someone was following the revolutionists on their way to the guillotine to behead those who opposed the movement. Perhaps this person was for the revolution and was a friend of Michael, or he too was on his way to the guillotine.
"With scarves of red tied 'round their throats" -- the revolutionists wore red scarves to symbolize their loyalty.
"To keep their little heads from falling in the snow" -- in order to keep from being beheaded, they wore the red scarves to show others that they were for the revolution.
"And I turned 'round and there you'd go, and Michael you would fall, and turn the white snow red as strawberries in the summertime." -- Michael did not wear a scarf or did not support the revolution, and thus he was quickly beheaded.
Hope this helps :)
@bonymacaroni3293
Funny thing- when im happy this song makes me sad, but when im really sad this song makes me happy.
@juliastraight4890
ultimate mood neutralizer
@deusvult6571
Listen to it twice to make you happy again
@schr4pnel
@@deusvult6571 beat the system
@MK-hj9de
@@deusvult6571 but what if they are happy rn
@akrobeau
Because it has a really happy sound to it but a really really dark meaning
@vminweddingcaterer3675
this would be perfect in a weirdly surreal and dark and sad but also heartwarming indie movie
@benjaminhuntergreen7142
ray watson yeah like an A24 movie
@flieds
thank you, fatal gonnorhea
@PetrMichalec
Give me the license and say no more!