Flora Purim (born March 6, 1942) is a Brazilian jazz singer known primarily… Read Full Bio ↴Flora Purim (born March 6, 1942) is a Brazilian jazz singer known primarily for her work in the jazz fusion style. She became prominent for her part in Return to Forever with Chick Corea, Stanley Clarke. She has recorded and performed with numerous critically acclaimed artists, including Dizzy Gillespie, Gil Evans, Opa, Stan Getz, Mickey Hart of the Grateful Dead, Santana, Jaco Pastorius, and her husband Airto Moreira.

In 2002, Purim was the recipient of one of Brazil's highest awards, the 2002 Ordem do Rio Branco for Lifetime Achievement. She has been called "The Queen of Brazilian Jazz".

Purim was born in Rio de Janeiro to parents who were both classical musicians: her Romanian-born father played violin and her Brazilian mother was a pianist. Flora discovered American jazz, when her mother played it while her husband was out of the house. She would bring home those 78 vinyl RPMs and when my father was at work, she would play them. That was how I got exposed to jazz music... basically listening to Dinah Washington, Billie Holiday, and Frank Sinatra. But also a lot of piano players, such as Bill Evans, Oscar Peterson and Erroll Garner, those were my mother's favorites.

Purim began her career in Brazil during the early 1960s. During this period, she made a recording, entitled Flora e M.P.M., in which she sang bossa nova standards of the day by Carlos Lyra and Roberto Menescal. Later in the 1960s, Purim was lead singer for the Quarteto Novo, led by Hermeto Pascoal and Airto Moreira. After reaching young adulthood, Purim mixed jazz with radical protest songs to defy the repressive Brazilian government of that time. A 1964 military coup in Brazil led to censorship of song lyrics, and she later commented on this period of her life as follows: "I wanted to leave Brazil. There's a river there called the San Francisco River. I used to sing to the river, that, as it flowed out to the ocean, it would take me to America."

Shortly before leaving Brazil, Purim and Airto Moreira married. Around 1971, their daughter Diana Booker was born. In 1998, Diana married Krishna Booker, son of jazz bassist Walter Booker, nephew of saxophonist Wayne Shorter and godson of pianist Herbie Hancock. Diana later described life with her parents as "[growing] up on the road traveling the world like a gypsy".

Arriving in New York in 1967, Purim and Moreira became immersed in the emerging Electric Jazz. They toured Europe with Stan Getz and Gil Evans. In 1972, alongside Stanley Clarke and Joe Farrell, they were, for the first two albums, members of Chick Corea's fusion band Return to Forever, which released first a self-titled album, Return to Forever, in 1972, followed the same year as Light as a Feather; both received glowing reviews. In 1973, Purim released her first solo album in the United States, titled Butterfly Dreams. It was well received, and soon after she was chosen by the Down Beat reader's poll as one of the top five jazz singers. Purim also worked with Carlos Santana and Mickey Hart at outdoor festivals and on jazz and classical albums through the 1970s. In the early 1970s, Purim was arrested and briefly incarcerated for cocaine possession.

Throughout the 1970s, Purim released a string of albums for the Milestone label. She and her husband Airto were also involved with the Uruguayan band Opa (which means "hi" in Uruguay), Purim collaborated in vocals in the band's second album Magic Time, and in return, Opa played in "Corre Niña" on Flora's album Nothing Will Be as It Was... Tomorrow (Warner Bros. Records). On the other side of the globe, her biggest solo hit in Asia, particularly in the Philippines, is "Angels".

In the 1980s Purim toured with Dizzy Gillespie's United Nation Orchestra, culminating with Gillespie's Grammy Award-winning album Dizzy Gillespie and the United Nation Orchestra – Live at the Royal Festival Hall, London (10 June 1989) released in 1990, and then in the 1990s sang on Grammy Award-winning album for Mickey Hart, the former Grateful Dead drummer. Later in the 1990s Purim released her own album and world tour, Speed of Light starting with a month at Ronnie Scott's Jazz Club in Soho, London, with a new band with contributions from Billy Cobham, Freddie Ravel, George Duke, David Zeiher, Walfredo Reyes, Jr., Alphonso Johnson, Changuito, Freddie Santiago, and Giovanni Hidalgo, with important writing and performing contributions from Chill Factor and Purim's daughter Diana.

Through the 1990s, Purim worked on a number of broader projects. One such project was a heavy Latin jazz group called "Fourth World", which consisted of her, her husband Airto Moreira, Gary Meek, Gary Brown, Jose Neto and Jovino Santos-Neto. They released a number of albums and 12" singles: "Fourth World", "Encounters With the Fourth World", "Last Journey" and an album featuring remixes to their songs by several popular electronic DJs from around the world called Return Journey. The band's last album release was in 2000. In 1996, Purim and her husband Airto collaborated with P.M. Dawn on the song "Non-Fiction Burning" for the AIDS-Benefit album Red Hot + Rio produced by the Red Hot Organization.

The new millennium saw the release of two recordings: Perpetual Emotion (2001) and a crossover homage to one of Brazil's great composers, Flora sings Milton Nascimento (2000). In 2005, she reunited with her old Return to Forever bandleader, Chick Corea. As of 2010, Purim is still actively touring.

One of her major musical influences is the Brazilian musician Hermeto Pascoal. Purim has said that Pascoal "play[ed] the Hammond B3 organ, flute, saxophone, percussion, and guitar. He is one of the most complete musicians that I ever met." He also helped train her voice. She also owes a great debt to Chick Corea, discovering the fusion jazz style for which she is best known when Corea asked her to add vocals to some recordings of his compositions.

Purim has a rare six-octave voice. Her vocal style is influenced by Sarah Vaughan and Ella Fitzgerald, which drifts from lyrics to wordlessness without ever losing touch with the melody and rhythm. She expanded her vocal repertoire during early tours with Gil Evans. While touring the world for three years with Gillespie's United Nation Orchestra in the 1980s, she broadened her repertoire to include traditional mainstream jazz, bebop, and doing numbers in 4/4 time instead of the traditional Brazilian 2/4 beat.

Purim has confided that, in recent decades, "There are two albums that are at my bedside. They are Miles Ahead, the first collaboration between Miles Davis and Gil Evans and Blow by Blow, by Jeff Beck. They are with me every night."

Dindi
Flora Purim Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Céu, tão grande é o céu
E bandos de nuvens que passam ligeiras
Pra onde elas vão
Ah, eu não sei, eu não sei
E o vento que fala nas folhas
Contando as histórias que são de ninguém
Mas que são minhas
E de você também

Ah! Dindi
Se soubesses o bem que eu te quero
O mundo seria, Dindi
Tudo Dindi, lindo Dindi

Ah! Dindi
Se um dia você for embora
Me leva contigo, Dindi
Fica, Dindi, olha Dindi
E as águas desse rio
Aonde vão eu não sei
E a minha vida inteira
Esperei, esperei
Por você, Dindi

Ah! Dindi
Se soubesses o bem que eu te quero
O mundo seria, Dindi
Tudo Dindi, lindo Dindi

Que é a coisa mais linda que existe
Você não existe, Dindi

Deixa Dindi
Que eu te adore, Dindi

Overall Meaning

The lyrics of Flora Purim's song Dindi describe the beauty of nature and the love the singer has for Dindi, who is likely a romantic interest or partner. The first half of the verse paints a picture of a vast sky and passing clouds, with the wind telling stories through rustling leaves. The second half switches focus to Dindi, with the singer expressing how much they love and want Dindi. They imagine a world where everything is Dindi and if Dindi were to ever leave, they would want to go with them. The bridge repeats the sentiment of how beautiful Dindi is and expresses a desire to adore them.

Line by Line Meaning

Céu, tão grande é o céu
The sky, vast and boundless,

E bandos de nuvens que passam ligeiras
And flocks of clouds that drift quickly,

Pra onde elas vão
To where they are headed,

Ah, eu não sei, eu não sei
I do not know, I do not know,

E o vento que fala nas folhas
And the wind that whispers among the leaves,

Contando as histórias que são de ninguém
Telling stories that belong to no one,

Mas que são minhas
Yet they are mine,

E de você também
And yours as well.

Ah! Dindi
Oh! Dindi,

Se soubesses o bem que eu te quero
If you knew how much I love you,

O mundo seria, Dindi
The world would be, Dindi,