More
Flying Lotus Anderson .Paak Lyrics
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Oh, where'd you get the thing from? (Thief and beggar)
Uh, get it off me (Leash and chain)
Ooh, they did you wrong (Oh, yes they did)
Look at your heart broke (What's in your pocket?)
You don't need it more than me, though (You a king, though)
Come off your gold chain
What's in your pocket? (Profit and wage)
I'm takin' debit cards (Thief and beggar)
Yeah, get it off me (Leash and chain)
Yes, lawd
Someone hit me the other day for a rendezvous
"Long time no see" was the line she used
Bright eyes like the lights at the carnival
Held convos, but never held accountable
How's your Mama Duke? How ya papa doin'?
Oh, me? I been freer than the sample food
But like a sample loop, around and 'round I move
Until it's clear, then I'm back to baggin' bags of loot
Spent years tryna steer both hands on you
'Til I finally understood that I was spinnin' my hoop
Rather spinnin' my wheels, gettin' up in my years
But still I feel like a kid when I'm fuckin' with you
Young nigga gotta live, that's the motto they use
But all them niggas still live in they mama's backroom
So I'm back in my stu', lookin' up at the stars
When they reminisce over you, my God
That's when I caught light of myself (My God)
Gotta be somethin' more that I can't tell
Breakin' you down to size
There's gotta be more to life than myself
That's when I caught light of myself
Gotta be somethin' more that I can't tell
Breakin' you down to size
There's gotta be more to life than myself
That's when I caught light of myself
Gotta be somethin' more that I can't tell
Breakin' you down to size
There's gotta be more to life than myself
That's when I caught light of myself
Gotta be somethin' more that I can't tell
Breakin' you down to size
There's gotta be more to life than myself
It won't fade
Won't fade, won't fade
It won't fade
Won't fade, won't fade
Yeah, yeah, huh
And if you would've showed me more than one time
It wouldn't've been clear, I would've just played it off like
"Alright, I'll deal with it when it gets here"
And I remember when I used to live for more
Than just the useless fix, before the allure of sin
Would cast the black mask over the consequence
I did right by you from within, and all of a sudden
After I run in, it all starts comin', comin' back
To what love is, and it don't fade (Don't fade)
It don't fade (Don't fade)
And it don't fade, don't fade (Don't fade)
And it won't change (Won't change)
Kinda like a dream away the way it all happened
When all the laws of attraction
Break all the walls I was trapped in
I can see you comin' back to back with me
I wanted to learn more (More)
I wanna love more, more (More)
I wanna get further (Move further)
It's not too far from home (Too far from home)
The song More by Flying Lotus, featuring Anderson .Paak, is a reflective piece that touches on themes of self-realization, accountability, and growth. The lyrics in the first verse take a critical look at societal values and norms, pointing out the ways in which wealth and material possessions are often prioritized over personal growth and fulfillment. The lyrics also touch on themes of exploitation and oppression, with lines like "thief and beggar" and "leash and chain" calling attention to power dynamics and the ways in which marginalized groups are often oppressed and taken advantage of.
The second verse shifts the focus to the singer's personal journey, detailing his struggles with finding purpose and direction in life. The lyrics touch on themes of youth, innocence, and nostalgia, with lines like "still I feel like a kid when I'm f\*\*\*\*\*\* with you" and "when they reminisce over you, my God." The song culminates in a call to action, urging listeners to prioritize self-growth and personal development over material possessions and societal expectations.
Overall, More is a complex and thought-provoking piece that encourages listeners to reflect on their own values, priorities, and aspirations.
Line by Line Meaning
(Oh yeah)
Expression denoting agreement/enthusiasm
Oh, where'd you get the thing from? (Thief and beggar)
Asking where the item was acquired, with imagery of someone who stole or begged for it
Uh, get it off me (Leash and chain)
Requesting to remove the item with language of feeling restricted and controlled
Ooh, they did you wrong (Oh, yes they did)
Empathizing with someone who was wronged
Look at your heart broke (What's in your pocket?)
Observing the person's emotional state, followed by an unrelated question
You don't need it more than me, though (You a king, though)
Suggesting that the person is above material possessions and royalty-like
Come off your gold chain
Requesting to give up the gold chain, possibly as a symbol of wealth and status
What's in your pocket? (Profit and wage)
Asking what's in the person's pocket, followed by imagery of money and work
Come off that lil' tennis bracelet (Increase the pay)
Asking to give up the tennis bracelet, followed by a call to increase pay
I'm takin' debit cards (Thief and beggar)
Announcing the act of taking debit cards, with language of stealing and begging
Yeah, get it off me (Leash and chain)
Repeating the request to remove the item, with the same imagery of feeling restricted and controlled
Someone hit me the other day for a rendezvous
Beginning a narrative that someone initiated a meeting with the artist
"Long time no see" was the line she used
Quoting what the person said as the opening line
Bright eyes like the lights at the carnival
Describing the person's eyes with imagery of brightness and excitement
Held convos, but never held accountable
Indicating that conversations were had, but with no responsibility or follow-up
How's your Mama Duke? How ya papa doin'?
Asking about the well-being of the artist's parents
Oh, me? I been freer than the sample food
Responding to the question with language of freedom and sampling food
But like a sample loop, around and 'round I move
Using a music production metaphor to explain life feeling repetitive
Until it's clear, then I'm back to baggin' bags of loot
Continuing the metaphor, indicating that clarity leads to a productive rush
Spent years tryna steer both hands on you
Revealing a past effort to control the person or situation
'Til I finally understood that I was spinnin' my hoop
Realizing that the effort was pointless, with imagery of spinning a hoop
Rather spinnin' my wheels, gettin' up in my years
Choosing to avoid wasting time, with language of getting older
But still I feel like a kid when I'm fuckin' with you
Admitting that the person brings out a sense of youthfulness and joy
Young nigga gotta live, that's the motto they use
Referencing a common saying about living life to the fullest
But all them niggas still live in they mama's backroom
Indicating that some people talk about living life but don't actually act on it
So I'm back in my stu', lookin' up at the stars
Returning to the studio to work and reflect, with imagery of looking at the stars
When they reminisce over you, my God
Referencing a song by Pete Rock and C.L. Smooth that samples a line about remembrance
That's when I caught light of myself (My God)
Reaching a moment of self-awareness, with language of illumination
Gotta be somethin' more that I can't tell
Believing that there is something beyond what the artist knows
Breakin' you down to size
Indicating a humbling experience or realization
There's gotta be more to life than myself
Concluding that life must involve more than just the self
It won't fade
Stating that the feeling or experience won't disappear
Won't fade, won't fade
Repeating the previous line
And if you would've showed me more than one time
Positing a hypothetical situation, where the person showed the artist multiple times
It wouldn't've been clear, I would've just played it off like
Suggesting that the singer would have ignored or dismissed the action if it wasn't repeated
"Alright, I'll deal with it when it gets here"
Quoting language of deferral or procrastination
And I remember when I used to live for more
Remembering a past focus on something beyond the self
Than just the useless fix, before the allure of sin
Comparing a past state of being to a current focus on temporary or harmful pleasures
Would cast the black mask over the consequence
Using a metaphor of a mask to describe how pleasure obscures consequences
I did right by you from within, and all of a sudden
Explaining that the artist acted ethically towards the person, but something unexpected happened
After I run in, it all starts comin', comin' back
Clarifying that the unexpected event happened after rushing into something
To what love is, and it don't fade (Don't fade)
Identifying that the unexpected event is related to love, and it doesn't disappear
Kinda like a dream away the way it all happened
Using a dream metaphor to explain the unexpected event
When all the laws of attraction
Referencing a common idea about how attraction works
Break all the walls I was trapped in
Using a metaphor of walls to describe feeling trapped, but those walls are now broken
I can see you comin' back to back with me
Seeing the person come back, with language of partnership
I wanted to learn more (More)
Expressing a desire to know more about the person or situation
I wanna love more, more (More)
Expressing a desire to experience more love
I wanna get further (Move further)
Expressing a desire to go beyond the current state
It's not too far from home (Too far from home)
Suggesting that the desired change is reachable, not too far from where the person is now
Lyrics © Universal Music Publishing Group, Songtrust Ave, Warner Chappell Music, Inc.
Written by: Dennis Hamm, Justin Brown, Stephen Bruner, Brandon Paak Anderson, Steve Ellison
Lyrics Licensed & Provided by LyricFind
Flying Lotus
Watanabe has inspired me so much over the years and last year his work actually changed my life. I hope we keep GOING! 🖤
twominutenudels
brilliant work ♡
Crysisbai
tour to China? will this be a dream?
Danilo
Shinchiro Watanabe? Creator of Bebop and Champloo? That Watanabe?
Darius Talaat
@Danilo Yes that Watanabe man! Check out the Blade Runner Short they collaborated on last year! If you haven't watched Blade Runner (the original AND the new one) you should watch these anyways, I'm pretty sure you'll dig it, judging by the fact you like Flylo & Watanabe.
Darius Talaat
Hey Flylo, I really hope you'll get a chance to collaborate with Watanabe on the scale that Nujabes did on Samurai Champloo.
Give us some Flylo/Watanabe Horror please.
ANDREW HUANG
vibing so hard i didn't realize i was looking at an eyeball exploding
smexy ducc
The song is an absolute beauty
MonchInc
yes
Derrick
The acid is kicking