Flying Saucer Attack were formed in Bristol, England in 1992. David Pearce … Read Full Bio ↴Flying Saucer Attack were formed in Bristol, England in 1992. David Pearce was the core member of the group, and Rachel Brook (of Movietone, another Bristol band) was a member for most of the band's lifetime.
The band were marked by quiet vocals and sheets of feedback with similarities to many of the so called "shoegaze" bands that pre-dated them such as Ride, My Bloody Valentine or the indie noise-pop group The Jesus and Mary Chain. FSA were able to create a small but enthusiastic fanbase as one of the more remarkable experimental rock bands of the day. The band was notable for its lo-fi approach to production, recording most of its output at home via a normal home stereo system and eschewing the traditional studio environment. This gave the music a DIY feel and allowed the band freedom to experiment as it wanted.
Other allied bands, often sharing musicians, were Crescent, Matt Elliott (a.k.a The Third Eye Foundation), Light and Amp. Many of the principal musicians involved, including Pearce, attended Farnham Art College in the late 1980s. Pearce collaborated in a variety of bands with Matt Elliott, Richard Walker (Amp) and Rachel Brook and Kate Wright (future partners in Movietone), before forming FSA with Brook (his girlfriend at the time) in 1992. Brook continued to play with Movietone throughout the history of Flying Saucer Attack, and is still a member of that group.
Early releases were limited edition vinyl 7" singles, often in handmade packaging. The first album (self-titled, but sometimes called Rural Psychedelia as those words appear on the cover) included a noisy cover of Suede's contemporary single "The Drowners", which provoked press interest in the record. The Third Eye Foundation (Matt Elliott) programmed beats, played bongos, drums, clarinet, & guitar on some tracks. Like the early singles, the album was released on FSA's own Heartbeat label, and was deliberately only made available on vinyl. Also like the singles it sold out very quickly despite minimal publicity, due to the band's cult reputation.
The album was released in the USA by VHF Records in early 1994, on CD and vinyl. The CD bore the phrase "Compact discs are a major cause of the breakdown of society" and other releases would carry messages such as "Keep vinyl alive", "Home taping is reinventing music" and "Less is more".
By 1994, the band had signed to Domino Records (which became home to many of the bands from Bristol's experimental music scene), and although records continued to be released on vinyl, CDs usually accompanied Pearce's preferred format. The first release for the new label was Distance, which collected the early singles and some unreleased material. Over the next three years the band released two albums and further singles including a cover of Wire's "Outdoor Miner", and a version of the folk song "Sally Free and Easy" which was initially only released on CD - the sleevenote explained that the pressing plant had been unable to cut it to vinyl (a US plant later achieved the feat by using a monaural master and it was issued on 12" by Drag City).
Another singles compilation followed alongside an album consisting of live tracks (mainly unstructured noise, released by Bruce Russell's Corpus Hermeticum imprint) and an LP with two long tracks constructed by fellow Domino act Tele:Funken from samples of the band. In 1995 Brook left the band to concentrate on Movietone. Chorus had a sleeve note "This album marks the end of FSA phase one", but subsequent releases (New Lands was described as "phase two") did not depart from the usual mixture of aggressive feedback and noise, and gentle folk-influenced melody.
After New Lands and a final vinyl-only 7" single, Pearce left Domino Records - one further album was released in 2000 on Pearce's own Heartbeat records, and this effectively marked the end of the group. Pearce subsequently collaborated with Jessica Bailiff under the name Clear Horizon, a self-titled album being released on Kranky Records in 2003.
The band were marked by quiet vocals and sheets of feedback with similarities to many of the so called "shoegaze" bands that pre-dated them such as Ride, My Bloody Valentine or the indie noise-pop group The Jesus and Mary Chain. FSA were able to create a small but enthusiastic fanbase as one of the more remarkable experimental rock bands of the day. The band was notable for its lo-fi approach to production, recording most of its output at home via a normal home stereo system and eschewing the traditional studio environment. This gave the music a DIY feel and allowed the band freedom to experiment as it wanted.
Other allied bands, often sharing musicians, were Crescent, Matt Elliott (a.k.a The Third Eye Foundation), Light and Amp. Many of the principal musicians involved, including Pearce, attended Farnham Art College in the late 1980s. Pearce collaborated in a variety of bands with Matt Elliott, Richard Walker (Amp) and Rachel Brook and Kate Wright (future partners in Movietone), before forming FSA with Brook (his girlfriend at the time) in 1992. Brook continued to play with Movietone throughout the history of Flying Saucer Attack, and is still a member of that group.
Early releases were limited edition vinyl 7" singles, often in handmade packaging. The first album (self-titled, but sometimes called Rural Psychedelia as those words appear on the cover) included a noisy cover of Suede's contemporary single "The Drowners", which provoked press interest in the record. The Third Eye Foundation (Matt Elliott) programmed beats, played bongos, drums, clarinet, & guitar on some tracks. Like the early singles, the album was released on FSA's own Heartbeat label, and was deliberately only made available on vinyl. Also like the singles it sold out very quickly despite minimal publicity, due to the band's cult reputation.
The album was released in the USA by VHF Records in early 1994, on CD and vinyl. The CD bore the phrase "Compact discs are a major cause of the breakdown of society" and other releases would carry messages such as "Keep vinyl alive", "Home taping is reinventing music" and "Less is more".
By 1994, the band had signed to Domino Records (which became home to many of the bands from Bristol's experimental music scene), and although records continued to be released on vinyl, CDs usually accompanied Pearce's preferred format. The first release for the new label was Distance, which collected the early singles and some unreleased material. Over the next three years the band released two albums and further singles including a cover of Wire's "Outdoor Miner", and a version of the folk song "Sally Free and Easy" which was initially only released on CD - the sleevenote explained that the pressing plant had been unable to cut it to vinyl (a US plant later achieved the feat by using a monaural master and it was issued on 12" by Drag City).
Another singles compilation followed alongside an album consisting of live tracks (mainly unstructured noise, released by Bruce Russell's Corpus Hermeticum imprint) and an LP with two long tracks constructed by fellow Domino act Tele:Funken from samples of the band. In 1995 Brook left the band to concentrate on Movietone. Chorus had a sleeve note "This album marks the end of FSA phase one", but subsequent releases (New Lands was described as "phase two") did not depart from the usual mixture of aggressive feedback and noise, and gentle folk-influenced melody.
After New Lands and a final vinyl-only 7" single, Pearce left Domino Records - one further album was released in 2000 on Pearce's own Heartbeat records, and this effectively marked the end of the group. Pearce subsequently collaborated with Jessica Bailiff under the name Clear Horizon, a self-titled album being released on Kranky Records in 2003.
In Search of Spaces
Flying Saucer Attack Lyrics
We have lyrics for these tracks by Flying Saucer Attack:
02 In the Light of Time I see the leaves fall In times of change I see the…
A Silent Tide You are everything In the dream I walk away You are abov…
Chemicals I can't understand the sky today it's all gone blue…
Come and Close My Eyes Love, I wait for you tonight when all my dreams are…
Dark Wind There goes the light a few chimes tonight an echo…
Dust She is all that I could need, she is all…
flying saucer attack There's a threat approaching from the stars All the horrors …
For Silence How we take it for? How we use the time? And…
Forever The (?) comes there to (?), there goes (?) (?), my…
In the Light of Time I see the leaves fall In times of change I see the…
Islands These islands once made their trade, by building ships upo…
Light in the Evening I see the leaves fall In times of change I see the…
Make Me Dream with you i saw and i knew all of my thoughts make me, …
My Dreaming Hill Peace of tide, my heart and my mind are shining…
Night Falls She comes and they talk over us Night falls over us,…
Respect And you know I'm beginner, you are the hole that…
Rise Time has gone it rides it rides We believe that we…
River The river leads to my door as we look back…
She Is The Daylight She is the daylight, the cause after summer dream The drift…
Space 1999 They told us that space would be our home And we…
Star City There's something across the fields a place for lies whe…
Still Point Time flows by so slowly It sludges by ? ? How do you s…
Suncatcher These eyes that look out aren't mine anymore This waking dr…
The Drowners Won't someone give me a gun? Oh well it's for my…
The Season Is Ours And you are near me now You bring me peace See that…
Tides I would've thought that after all this time I could…
Up in Her Eyes In the way strange she (?) in the sleep And the…
Whole Day Song In this world theres no space for me In this world theres…
Winter Song She walks on the rocks on the shoreline of my…
Wish When I go camping I (?) for the sun But we…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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