nocturne in e-flat major op. 55 no. 2
Frédéric Chopin Lyrics


We have lyrics for these tracks by Frédéric Chopin:


Dwojaki koniec Rok się kochali a wiek się nie widzieli Zbolały serca oboje…
Gdzie lubi Strumyk lubi w dolinie Sarna lubi w gęstwinie Ptaszek lubi p…
Hulanka Szynkareczko szafareczko Co ty robisz stój Tam się śmiejesz …
Melodia Z gór gdzie dźwigali Strasznych krzyżów brzemię Widzieli z d…
Moja Pieszczotka Moja pieszczotka gdy w wesołej chwili Pocznie szczebiotać i …
Narzeczony Wiatr zaszumiał między krzewy Nie w czas nie w czas koniu Ni…
Nie Ma Czego Trzeba Mgła mi do oczu zawiewa z łona W prawo i w…
Nocturne My books lie unopened We’ve barely left a word unspoken Exp…
Nocturnes My books lie unopened We’ve barely left a word unspoken Exp…
Pierscien Smutno niańki ci śpiewały A ja już kochałem A na lewy palec…
Posel Rośnie trawka ziółko Zimne dni się mienią Ty wierna jaskółko…
Precz Z Moich Oczu Precz z moich oczu Posłucham od razu Precz z mego serca I se…
Sliczny Chlopiec Wzniosły smukły i młody O nielada urody Śliczny chłopiec cze…
Smutna Rzeka Rzeko z cudzoziemców strony Czemu nurt twój tak zmącony Czy …
Spiew Z Mogilki Leci liście z drzewa Co wyrosło wolne Znad mogiły śpiewa Jak…
Śpiew z mogiły Leci liście z drzewa Co wyrosło wolne Znad mogiły śpiewa Jak…
Wojak Rży mój gniady ziemię grzebie Puśćie czas już czas Ciebie oj…



Zyczenie Gdybym ja była słoneczkiem na niebie Nie świeciłabym jak tyl…


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Most interesting comment from YouTube:

SpaghettiToaster

It was just awful. He played the second concerto. His playing was riddled with mistakes, often in the top voice and in key passages. He didn't listen to the orchestra at all and just ploughed through it, often with extremely excentric rubato, almost grinding the music to a halt at the most inappropriate times, almost at random it seemed. It was clear the conductor was not informed about this and the orchestra had to constantly adjust to Pogorelich's antics. All throughout the concerto, Pogorelich maniacally stomped his foot on the ground whenever he wasn't pedalling, and it was so loud that it actually managed to distract from his playing (in hindsight, this might've actually been a good thing). From beginning to end, you could hear that he really was paying no respect at all to the music, or the audience for that matter.

Then he took the second movement at a ridiculous speed that made me want to walk out right then and there as soon as I heard the opening. The orchestra was really great and especially the first clarinet was amazing, so I was really looking forward to his solo. Needless to say I was pissed off when I had to witness Pogorelich force the poor guy to plough through his moment of glory at probably twice the correct speed and with the most lackluster accompaniment imaginable; not even a semblance of the beautiful interplay between clarinet and piano that Rachmaninoff has written. I know Rachmaninoff played his concerti fast, but I'm talking proper allegro here. And while Rachmaninoff always managed to pull off his fast tempi through his beautiful tone and perfectly controlled voicings that made everything sound natural, no matter the tempo, Pogorelich was pretty much the exact opposite. He played with an extremely abrasive and sometimes downright ugly tone, with extremely erratic dynamics and an utter lack of voicing in the accompanimental sections. The high trill in the piano solo was played so loud and shrill, it made you want to cover your ears, and to add insult to injury, P. then played a wrong note in the trill.

The third movement was pretty much the same, only this time the difficulty prevented Pogorelich from playing it too fast. This didn't stop him from trying and misplaying a lot of the more intricate figurations though, and also, he again hit a wrong note at the top of the opening flourish. This movement was the least terrible, but only because the orchestra, which was really good, was the most prominent here. He again played the slow theme too fast and without any kind of insight or nuance. The best part of the performance were the orchestral solos of the slow theme, which just made it all the more painful by showing how good a performance it could've been.

As soon as the orchestra finished playing, he got up, did a lackluster half-bow and left the stage with no encore. Clapping was sparse and there might've been some boos.

When the orchestra left for the break, I pulled the concertmaster aside and asked him what the hell was going on and if the conductor knew about Pogorelich's tempi. He told me they were on tour with Pogorelich and it had been like this every time and he never told the conductor anything. The second half of the concert (no Pogorelich) was really good.

I went in with great expectations because I'd only known Pogorelich from his young recordings, so you can imagine the shock this performance was. As far as I'm concerned, this performance was a pure ripoff, and if it had not been for the excellent orchestral half, I would've tried to get my tickets refunded (they were really expensive tickets, top seats and it was extra expensive because it was a "master's concert" - nice meme), and if I had been there alone, I would've most likely walked during the performance. To this day, it's by far the worst music experience I've had and the only time where I would've rather not been to a concert.



All comments from YouTube:

Connor Murphy

THIS is the superior E-flat nocturne. The 'popular' one doesn't even hold a candle. This one is so rich in intricacy and polyphony. And this recording truly showcases its beauty. Bravo

Gregory Snapplecock

its maturity is not moticed

Beth

utterly divine.. Chopin said "I wish I could throw off the thoughts which poison my happiness, but I take a kind of pleasure in indulging them" and that kind of describes how I feel when listening to this piece

Tha Nerrd

Beautiful :’)

Nicolás Sánchez

I have listened some of Chopin's nocturnes, but I didn't pay attention to some of the unpopular ones. Now that I take time to listen them, they're equally beatifull as the other ones, some even more. This one is my favorite until now.

Barbara Holland

This is perfection. The composition is in its self of an improvisational  nature....wonderfully felt and rendered in this recording. Back in the day....maybe 20 years ago......he was a divine pianist....

Isak Hungnes

4:28

My favorite moment in any nocturne

Francis De Smet

So peaceful after the animation.

Shrinidhi Prakash

Not the trills at 2:33?

Alan Leonel David

2:36

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