Frank Turner started solo acoustic shows prior to Million Dead's break up. The first official performance was at the first Small Town America all dayer at 93 Feet East on September 18th 2004. The solo performances were, in a sense, a sideline to Million Dead. They did allow Turner to display some of his own songwriting capabilities (without a band) as well as some covers of songs and bands he enjoyed, in some cases the songs were much re-worked to fit an acoustic atmosphere. Solo performances were also used to help bolster or expose Million Dead to new individuals as well, with some acoustic in-store and radio performances of Million Dead songs.
At the end of February and start of March (2006) Frank went to Oxford to record the "Campfire Punkrock" EP with Dive Dive as the backing band for three of the songs. This EP was released on May 15 2006 on a limited run through Xtra Mile recordings. It sold out after only a few weeks on sale and had to be re-pressed to meet demand.
With Jonah Matranga doing some touring in June 2006 in support of his CD/DVD album "Jonah Matranga" there was some discussion of Frank doing supports with Jonah, this only ended up with one show featuring both at The Peel in Kingston. The discussion however lead to the creation of the Jonah Matranga and Frank Turner split 12" vinyl. Released in the USA on Welcome Home Records and in the UK via Xtra Mile Recordings. The release features Frank covering two songs by American songwriters and Jonah covering two songs by British songwriters. He was recently (September 18 2006) the last ever artist to perform on BBC Radio 1's Lamacq Live program, unveiling two new songs from "Sleep Is For The Week".
The good sales of "Campfire Punkrock" meant good news as this allowed Frank to record his debut album "Sleep Is For The Week" in August and September 2006. Recorded in Oxford with Dive Dive as extra band on a selection of the 13 tracks. The last track, "The Ballad Of Me And My Friends", is a live recording from a sold out show at the London Barfly and features the vocal contribution of the (approximately) 200 strong audience during a verse. Those in attendance and gave their names to Xtra Mile Recordings will have their names credited as contributers to this track.
In April 2008, his second album Love, Ire and Song was released to critical acclaim.
His third full-length album, Poetry Of The Deed, was released September 7th 2009, and includes the singles The Road, Try This At Home and Isabel. An accompanying DVD, Take To The Road, was released in March 2010.
Amidst extensive touring in support of Poetry of the Deed, Turner and his then-untitled backing band recorded Rock & Roll, an EP consisting of tracks written at the same time as Poetry of the Deed alongside new material. Following its release, Turner and the band spent twenty days in January 2011, recording their next studio album with producer Tristan Ivemy. The result was England Keep My Bones, the fourth studio album by Frank, released on June 6, 2011, on Xtra Mile in the United Kingdom, and on June 7, 2011, on Epitaph Records worldwide. Preceded by the single, "Peggy Sang the Blues", the album was produced and mixed by Tristan Ivemy, who had previously mixed Love, Ire and Song, Rock & Roll and Campfire Punkrock.
The album's title is taken from William Shakespeare's play, The Life and Death of King John, with Turner noting, "I knew that the album was, for the most part, about mortality, and about Englishness. Shakespeare seemed like a good place to go hunting for some pearls of wisdom, and with a little help from my friend Ben we came across this one, and it just seemed to fit the work really well."
Following the completion of the album, Turner subsequently announced his backing band had named themselves The Sleeping Souls, after a lyric in the track, "I Am Disappeared". The Sleeping Souls are Nigel Powell, Ben LLoyd, Tarant Anderson and Matt Nasir.
Turner recorded his fifth studio album in Burbank, California, in October 2012. The reason for recording first time abroad in California was, that producer Rich Costey wouldn't come to England with all his equipment so he convinced Turner to record it in Burbank. Frank Turner announced via Twitter on 28 October 2012 that recording was completed, and mixing and mastering would be done in time for a March 2013 release date. During the November and December UK tour a free CD titled Good Hangs from Xtra Mile Recordings was distributed for free at Frank Turner shows, this included a yet-to-be-released Turner song titled "Tattoos" plus the Möngöl Hörde song "Casual Threats From Weekend Hardmen". On Christmas Day 2012, the song "Four Simple Words" was released on Xtra Mile Recordings' website as a free download along with the b-side "Cowboy Chords". On 4 January 2013, a video was shot for what would be the first single. On the same day Frank announced on Twitter that the single was the song "Recovery". On 9 January, Frank uploaded a photo to his Instagram page showing the names of all 13 songs that would feature on his new album. This included songs played during the UK and US tours of 2012 such as "Anymore", "Plain Sailing Weather", "We Shall Not Overcome" and "Tell Tale Signs". Frank also posted on his fan forum that an extended edition of his new album would be released that includes an extra 5 or 6 songs. On 19 February 2013, it was announced that Turner had signed a licensing deal with Interscope Records in the US for Tape Deck Heart. Following the release of the album Frank Turner embarked on a short U.K tour.
[this section requires expansion, to cover the period 2013 to 2018]
Discography:
2005 - Frank Turner's Demo
2007 - Campfire Punkrock
2007 - The Real Damage
2007 - Sleep Is For The Week
2008 - Love Ire & Song
2008 - The First Three Years
2009 - Poetry Of The Deed
2010 - Take to the Road: Live 2009
2010 - iTunes Festival: London 2010
2011 - 2011-11-17: Daytrotter Session, Big Orange Studios, Austin, TX, USA
2012 - The Second Three Years
2012 - Last Minutes and Lost Evenings
2013 - Tape Deck Heart
2014 - Polaroid Picture
2014 - The Third Three Years
2015 - Positive Songs for Negative People
2017 - Songbook
2018 - Be More Kind
2019 - No Man's Land
2020 - West Coast vs. Wessex
2020 - Buddies II: Still Buddies
Thatcher Fucked the Kids
Frank Turner Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We're all scared of the kids in our neighboorhood;
They're not small, charming and harmless,
They're a violent bunch of bastard little shits.
And anyone who looks younger than me
Makes me check for my wallet, my phone and my keys,
And I'm tired of being tired out
Always being on the lookout for thieving gits.
We're all wondering how we ended up so scared;
We spent ten long years teaching our kids not to care
And that "there's no such thing as society" anyway,
And all the rich folks act surprised
When all sense of community dies,
But you just closed your eyes to the other sidev Of all the things that she did.
Thatcher fucked the kids.
And it seems a little bit rich to me,
The way the rich only ever talk of charity
In times like the seventies, the broken down economy
Meant even the upper tier was needing some help.
But as soon as things look brighter,
Yeah the grin gets wider and the grip gets tighter,
And for every teenage tracksuit mugger
There's a guy in a suit who wouldn't lift a finger for anybody else.
You've got a generation raised on the welfare state,
Enjoyed all its benefits and did just great,
But as soon as they were settled as the richest of the rich,
They kicked away the ladder, told the rest of us that life's a bitch.
And it's no surprise that all the fuck-ups
Didn't show up until the kids had grown up.
But when no one ever smiles or ever helps a stranger,
Is it any fucking wonder our society's in danger of collapse?
So all the kids are bastards,
But don't blame them, yeah, they learn by example.
Blame the folks who sold the future for the highest bid:
That's right, Thatcher fucked the kids.
Frank Turner's "Thatcher Fucked the Kids" is a political punk-folk song, that deals with the impact of Margaret Thatcher's conservative policies on British society. The opening lines pose a question to the listener about the state of childhood and how it has changed in contemporary society. Turner highlights a sense of fear and distrust towards young people in the neighborhood, who are perceived to be violent and dangerous, rather than innocent and playful. The song expresses a sense of exhaustion and weariness, caused by the need to be constantly on guard against theft and aggression. The chorus points the finger of blame at the Conservative policies of Margaret Thatcher which partly led to the decline of society.
The song highlights how these attitudes were cultivated through policies that emphasized individualism and ignored the importance of community spirit. The reference to 'ten long years' refers to her period in office as Prime Minister. The lyrics suggest that this hostility towards younger generations is due, in part, to Thatcher's approach to society - creating a society where people were taught to fend for themselves and had no responsibilities to other members of the community. The line "And it seems a little bit rich to me, the way the rich only ever talk of charity," highlights the hypocrisy seen in those who champion such an approach whilst also being unwilling to acknowledge the plight of those less fortunate.
The song ends with a heartbreaking appraisal of British society as a whole, where he points out that people no longer smile and help each other out. Turner skews the responsibility of such a society towards politicians, businessmen, and those in power who have profited from the neoliberal policies of Thatcher. The line "That's right, Thatcher fucked the kids" is both a summary and a rallying cry for the charges against the former Prime Minister.
Line by Line Meaning
Whatever happened to childhood?
What has become of the happy and carefree days of our childhood?
We're all scared of the kids in our neighboorhood;
We now fear the same kids who used to play with us in our neighborhood.
They're not small, charming and harmless,
The kids we once knew as small, cute, and harmless are now a menacing group.
They're a violent bunch of bastard little shits.
The kids have turned into a vicious and disrespectful lot.
And anyone who looks younger than me
Makes me check for my wallet, my phone and my keys,
Even young children now look like potential thieves or attackers to me.
And I'm tired of being tired out
Always being on the lookout for thieving gits.
I am exhausted from constantly being vigilant against potential robbers and thugs.
We're all wondering how we ended up so scared;
We are all puzzled about how we became so fearful and wary of others.
We spent ten long years teaching our kids not to care
And that "there's no such thing as society" anyway,
We spent a decade instilling in our children apathy and disregard for the value of a community.
And all the rich folks act surprised
When all sense of community dies,
The affluent individuals seem shocked when the idea of communal living deteriorates.
But you just closed your eyes to the other sidev Of all the things that she did.
You refused to acknowledge the negative effects of the policies and actions of the leader in power at the time.
Thatcher fucked the kids.
Margaret Thatcher's policies and decisions had a harmful and hurtful impact on the British youth.
And it seems a little bit rich to me,
The way the rich only ever talk of charity
I find it ironic that wealthy people only discuss philanthropy.
In times like the seventies, the broken down economy
Meant even the upper tier was needing some help.
During times of economic hardship, even the richest individuals required assistance.
But as soon as things look brighter,
Yeah the grin gets wider and the grip gets tighter,
However, once the economy begins to flourish again, the affluent become greedier and more possessive of their resources.
And for every teenage tracksuit mugger
There's a guy in a suit who wouldn't lift a finger for anybody else.
For every young criminal in a hoodie, there is a suited individual who refuses to extend help to those in need.
You've got a generation raised on the welfare state,
Enjoyed all its benefits and did just great,
A generation grew up under the influence of the welfare state which provided them with numerous advantages and prospects.
But as soon as they were settled as the richest of the rich,
They kicked away the ladder, told the rest of us that life's a bitch.
However, once they acquired immense wealth, they refused to acknowledge the struggles of others and instead preached about the harsh realities of life.
And it's no surprise that all the fuck-ups
Didn't show up until the kids had grown up.
It's unsurprising that the true failure of Thatcher's policies only became apparent once the children had grown up into adults.
But when no one ever smiles or ever helps a stranger,
Is it any fucking wonder our society's in danger of collapse?
When there is no kindness or communal support for others, is it any wonder that our society appears to be at the brink of falling apart?
So all the kids are bastards,
But don't blame them, yeah, they learn by example.
The children are portrayed as unscrupulous, but they simply emulate what they have learned from their role models.
Blame the folks who sold the future for the highest bid:
That's right, Thatcher fucked the kids.
The fault lies with those who prioritized money over the wellbeing of future generations; Thatcher's policies were responsible for damaging the children's future.
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: FRANCIS EDWARD TURNER
Lyrics Licensed & Provided by LyricFind
@jamesstark2399
Sweet video, Frank slays live!
@cleganebowldog6626
Thanks for sharing!