Dinah-Moe Humm
Frank Zappa Lyrics
Dinah-moe
I couldn't say where she's coming from
But I just met a lady named dinah-moe
She stroll on over, say look here, bum
I got a forty dollar bill say you can't make me cum
She made a bet with her sister who's a little dumb
She could prove it any time all men was scum
I don't mind that she called me a bum
But I knew right away she was really gonna cum (so I got down to it)
I whipped off her bloomers and stiffened my thumb and applied rotation on her sugar plum
I poked and stroked till my wrist got numb
But I still didn't hear no dinah-moe
[Chorus]
Dinah-moe humm
Dinah-moe humm
Dinah-moe humm
Where this dinah-moe coming from
Done spent three hours
An' I ain't got a crumb
From the dinah-moe,
Dinah-moe,
Dinah-moe
From the dinah-moe humm
I got a spot that gets me hot
But you ain't been to it
I got a spot that gets me hot
But you ain't been to it
I got a spot that gets me hot
But you ain't been to it
I got a spot that gets me hot
But you ain't been to it
Cause I can't get into it
Unless I get out of it
And I gotta get out of it
Before I get into it
Cause I never get into it
Unless I get out of it
An' I gotta be out of it
To get myself into it
Just get me wasted
And you're half-way there
Cause if my mind's tore up
Then my body don't care
I rubbed my chinny-chin-chin
An' said my-my-my
What sort of thing
Might this lady get high upon?
I checked out her sister
Who was holding the bet
And wondered what kind of trip
The young lady was on
The forty dollar bill didn't matter no more
When her sister got naked and laid on the floor
She said dinah-moe might win the bet
But she could use a little if I wasn't done yet I told her...
Just because the sun
Want a place in the sky
No reason to assume
I wouldn't give her a try
So I pulled on her hair
Got her legs in the air
And asked if she had any cooties on there
She was buns-up kneeling
Buns up!
I was wheeling an dealing
Wheeling and dealing an
She surrendered to the feeling
She sweetly surrendered
An' she started in to squealing
Dinah-moe watched from the edge of the bed
With her lips just a-twitching an' her face gone red
Some drool rolling down
From the edge of her chin
While she spied the condition
Her sister was in
She quivered and quaked
And clutched at herself
While her sister made a joke
About her mental health
Till dinah-moe finally
Did give in
But I told her
All she really needed
Was some discipline...
Kiss my aura...
Dora...
M-m-m...
It's real angora
Would y'all like some more-a?
Right here on the flora?
An' how 'bout you, fauna?
Why want to?
Mmm...sound like why might be choking on something did you say you want some more?
Well, here's some more...
Mmm, sure...listen
Do you think I could interest you
In a pair of zircon-encrusted tweezers? mmm...tweezers!
Here, lemme sterilize 'em...
Gimme your lighter...
I couldn't say where she's coming' from
But I just met a lady named dinah-moe
She stroll on over, say look here, bum
I got a forty dollar bill say you can't make me cum
I whipped off her bloomers and stiffened my thumb an' applied rotation on her sugar plum
I poked and stroked till my wrist got numb
An' you know I heard some
[Chorus]
Lyrics © Kobalt Music Publishing Ltd.
Written by: Frank Zappa
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Frank Vincent Zappa (born December 21, 1940 in Baltimore, Maryland, United States – December 4, 1993 in Los Angeles, California, United States) was an American composer, guitarist, singer, bandleader and producer. He was one of the most prolific musicians of his time, releasing over fifty albums of original material spanning over a thirty-five year career.
Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. Read Full BioFrank Vincent Zappa (born December 21, 1940 in Baltimore, Maryland, United States – December 4, 1993 in Los Angeles, California, United States) was an American composer, guitarist, singer, bandleader and producer. He was one of the most prolific musicians of his time, releasing over fifty albums of original material spanning over a thirty-five year career.
Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.
His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.
The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of Jazz Fusion instrumentation and Rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He received uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa in New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.
Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of Synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway to Heaven becoming a word-of-mouth favourite.
Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.
In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.
His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.
Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. Read Full BioFrank Vincent Zappa (born December 21, 1940 in Baltimore, Maryland, United States – December 4, 1993 in Los Angeles, California, United States) was an American composer, guitarist, singer, bandleader and producer. He was one of the most prolific musicians of his time, releasing over fifty albums of original material spanning over a thirty-five year career.
Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.
His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.
The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of Jazz Fusion instrumentation and Rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He received uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa in New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.
Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of Synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway to Heaven becoming a word-of-mouth favourite.
Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.
In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.
His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.
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Patricia Eroz
I’ve Always Liked Zappa
& Today The Words Came To Me As ‘Dynamo-Hum’,
So I Thought I’d Mention It Here
For Those Who May Feel/Think
The Same About Where WTP
Are On The GameBoard,
That I Interpret As:
No Matter What The Againsters
Do At This Point,
(After All Of Our Collective
Hard Work
Over The Past 30+ Years),
WTP WIN
Simply & Magnificently
BECAUSE
All Of Our Actions
Are FOR THE GOOD OF ALL
INCLUDING OURSELVES
&
All Of Their Actions
Are AGAINST THE GOOD OF ALL EXCEPT Themselves.
& As We All Now Know,
(Being In ‘This’ Together,
With Players Acting In 2 Separate & Distinct Ways),
The Universe,
The Good Gods & Godesses, The Higher Power,
Or Whatever Name/Idea U Have
That Signifies
Someone Or Something
More Awake/Aware/
Advanced/Vast/Encompassing
Than U,
Favors Those Who Act
FOR THE GOOD OF ALL
INCLUDING THEMSELVES.
💃🏽
soberchimera61
They just don't make wholesome songs like these anymore, nowadays it's all about sex.
joe boyle
LMAO
Secret Agent Paul
If you have to add a wink or a /S, it kinda ruins the joke.
Zarion11 A Nobody
LMAO. And nice avatar bro.
Ernie Buchinski
Yeah, and just try to find a forty-dollar bill these days . . .
Titania Star
Zappa will always be the hottest eversssszzzzzz🐙
bob pete
I played this at our last family reunion. My little neices & nephews really seemed to enjoy it before I was asked to leave.
Lisa J. Morlachetta
🤣🤣🤣🤣
Kangaroo Cafe in Hanoi
Bob Pete is a legend.
TK-420 Carmine
😂😂😂😂
Brilliant.
😉