Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.
His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.
The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of Jazz Fusion instrumentation and Rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He received uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa in New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.
Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of Synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway to Heaven becoming a word-of-mouth favourite.
Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.
In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.
His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.
The Air
Frank Zappa Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Escaping from your mouth
The hair
Escaping from your nose
My heart
Escaping from the scraping
And the shaping
Of the draping
In a T-shirt
In a Chevy
At the beach
And I'm freezing
And I'm wheezing
And I know
You were only teasing
I hit you
Then I beat you
Then I told you
That I love you
In my car
In a jar
In my car
In a jar
The air
Escaping from your pits
The hair
Escaping from my teeth
My hands
Are gripping
But they're slipping
And they're dripping
'Cause I'm tripping
I got busted (wasted)
Coming through customs (I'm so wasted)
With a suitcase (wasted)
Full of tapes (I'm so wasted)
It was special
Tape recording
And they grabbed me
While I was boarding
Yes, they grabbed me
Then they beat me
Then they told me
They don't like me
And I crashed
In my Nash
We can crash
In my Nash
We can crash
In my Nash
We can crash
In my Nash
We can crash
In my Nash
The lyrics of Frank Zappa's song The Air describe a surreal dream-like experience with nonsensical and absurd imagery. The song's main theme revolves around the chaos and confusion that results from disorientation, as illustrated by the first verse's description of waking up in a T-shirt and a Chevy at the beach, freezing and wheezing, and the sense of being teased. The second verse is equally disorienting with the air escaping from pits, hair from teeth, and hands slipping and dripping from tripping. This verse highlights a run-in with authority and the fear of being caught. The song ends in a repetition of verses and the line, "We can crash in my Nash."
Zappa's lyrics are expressive of his radical approach to music, which was experimental and genre-bending. The Air is a good example of his use of absurdity and unconventional themes in his music. Some fans interpret the song as commentary on the hedonistic lifestyle of the 1960s and 1970s, while others see it as a critique of America's values and the system. However, Zappa was not keen on explaining his lyrics and often said they were simply words that sound good together.
Line by Line Meaning
The air
The invisible substance that surrounds us
Escaping from your mouth
Fleeing out from your lips while you exhale
The hair
The thin protein filaments growing from the skin on your face
Escaping from your nose
Departing from the nostrils on your face, these filaments are called nose hairs
My heart
The organ in charge of pumping blood throughout the body
Escaping from the scraping
Breaking free from the roughness caused by rubbing of rough material
And the shaping
And the alteration of something to create the proper form
Of the draping
Of the loose fabric covering something
I'm awaking
I'm becoming conscious from my sleep state
In a T-shirt
While wearing a light cotton attire without a collar or buttons
In a Chevy
Inside the Chevrolet automobile
At the beach
Close to the sandy coast by the sea or ocean
And I'm freezing
And I'm feeling very cold
And I'm wheezing
And I'm making a whistling sound while breathing with difficulty
And I know
And I'm aware
You were only teasing
You were only joking or baiting me
I hit you
I struck you with my hand
Then I beat you
Then I badly hit you repeatedly
Then I told you
Then I uttered words to you
That I love you
That I have deep affection or admiration towards you
In my car
Inside my automobile
In a jar
In a glass or plastic container with a lid, often used to keep foods fresh or to preserve specimens
In my car
Inside my automobile
In a jar
In a glass or plastic container with a lid, often used to keep foods fresh or to preserve specimens
The air
The invisible substance that surrounds us
Escaping from your pits
Leaving the hollow beneath your armpits
The hair
The thin protein filaments emerging from my dentition
Escaping from my teeth
Running away from the bones in my mouth for eating or gnawing
My hands
My responsive organs on the end of my forearms employed in gripping and grasping
Are gripping
Are encircling or taking hold of something tightly
But they're slipping
But they're gradually losing their grasp or traction
And they're dripping
And they're leaking or oozing fluid, likely sweat
'Cause I'm tripping
Because I'm stumbling or losing my balance while walking
I got busted (wasted)
I got caught by the authorities (in a state of being inebriated)
Coming through customs (I'm so wasted)
Going through the immigration and security at the airport (I'm very drunk)
With a suitcase (wasted)
With a container used for carrying belongings (completely inebriated)
Full of tapes (I'm so wasted)
Containing a collection of tapes (I'm extremely intoxicated)
It was special
It was unique or distinctive
Tape recording
The preservation of sound or music signals onto a magnetic tape
And they grabbed me
And they caught hold of me
While I was boarding
While I was getting on the airplane
Yes, they grabbed me
Yes, they held me tightly
Then they beat me
Then they repeatedly struck me with great force
Then they told me
Then they expressed words to me
They don't like me
They do not have favorable sentiment towards me
And I crashed
And I collided or smashed into something
In my Nash
While driving my car model Nash
We can crash
We can collide or have an accident
In my Nash
In my automobile made by Nash
We can crash
We can collide or have an accident
In my Nash
In my automobile made by Nash
We can crash
We can collide or have an accident
In my Nash
In my automobile made by Nash
We can crash
We can collide or have an accident
In my Nash
In my automobile made by Nash
Lyrics © Kobalt Music Publishing Ltd.
Written by: Frank Vincent Zappa
Lyrics Licensed & Provided by LyricFind