Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.
His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.
The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of Jazz Fusion instrumentation and Rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He received uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa in New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.
Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of Synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway to Heaven becoming a word-of-mouth favourite.
Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.
In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.
His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.
What Will This Morning Bring Me This Evening
Frank Zappa Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Bring me this morning?
What will this evening
Bring me this morning?
Dawn will arrive
Without any warning
What will I say
I drag to my hotel tonight?
(If things go all right!)
What will I say
The next day to whatever
I drag to my hotel tonight?
(Will she be out of site?)
What will this evening
Bring me this morning?
What will this evening
Bring me this morning?
A succulent fat one
A mod little flat one
Maybe a hot one (to give me the clap!)
Maybe a freak who gets off with a strap
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
If things go all right!
(If things go all right!)
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
Will she be out of site?
(Will she be out of site?)
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
If things go all right!
(If things go all right!)
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
Will she be out of site?
(Will she be out of site?)
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
If things go all right!
(If things go all right!)
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
Will she be out of site?
(Will she be out of site?)
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
If things go all right!
(If things go all right!)
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
Will she be out of site?
(Will she be out of site?)
What will I say the next day to whatever I drag to my hotel tonight?
(What will I say the next day to whatever I drag to my hotel tonight?)
If things go all right!
(If things go all right!)
What will I say the next day...
The lyrics to Frank Zappa's "What Will This Evening Bring Me This Morning" depict a man's concerns over what the future holds after a night of sexual encounters. The title itself is a paradox that points to the uncertainty of the upcoming events. The singer is wondering what the evening's activities will bring him the next day. The repetition of the lyrics implies the constant anxiety and uncertainty that the singer has.
The singer is preoccupied with the possible consequences of his actions with whichever woman he chooses to bring to his hotel room that night. He wonders what he will say to her the next day when she leaves - if she will be out of sight or if things go all right. The line "maybe a hot one (to give me the clap!)" highlights his careless attitude towards the possible consequences of his actions.
Though the song may seem to celebrate sexual liberation and promiscuity, it is actually a critical commentary on the dangers of casual sex and the toxic masculinity that often drives the behavior. The constant repetition of the lyrics and the anxieties of the singer suggest that it is not a happy-go-lucky situation, but rather one that carries consequences.
Line by Line Meaning
What will this evening
Bring me this morning?
What will the consequences of tonight's actions be, and how will they affect me in the morning?
Dawn will arrive
Without any warning
Morning will come whether I am prepared for it or not.
What will I say
The next day to whatever
I drag to my hotel tonight?
(If things go all right!)
What excuses or reasons will I give to justify my actions from the night before, assuming everything goes well?
What will I say
The next day to whatever
I drag to my hotel tonight?
(Will she be out of site?)
How will I react if the person doesn't want to stay or see me after tonight?
A succulent fat one
A mod little flat one
Maybe a hot one (to give me the clap!)
Maybe a freak who gets off with a strap
Describing the types of people he might be with tonight, ranging from someone attractive and curvy, to someone small and modern, to someone risky who could give him an STD or be into more unconventional sexual practices.
Lyrics © Kobalt Music Publishing Ltd.
Written by: Frank Vincent Zappa
Lyrics Licensed & Provided by LyricFind
froosh kun
amazing at how he was able to seemlessly come up with these structured and amazing pop hooks out of thin air and then resume his dabblings into musical chaos and experimentation
Tony Naturale
This song is actually one of the best composition featuring the vocals, orchestra and brass section. Very catchy and complex...I am willing to bet it is among the best musical compositions by F.Zappa...best to listen using vinyl and amp/stereo receiver for the crisp sounds..(the sound on YouTube is muddling at best)
lin reynolds
i agree, yet, hearing another piece, omg, same opinion, but, it is amazing, waves of chills :))
Jordan Peters
As much as you love it and I love it too, though less, I am all but certain Frank would have considered it as kind of a throw away song in his oeuvre.
Andy Thomas
It's a fantastic vocal arrangement and Mark and Howie completely nail it. Possibly the lewdest 'round' ever recorded! What more can you ask for?
George Wilson
Frank Zappa is a genius.
Andy Thomas
One of FZ's finest vocal arrangements ever. The performance is spot on and Aynsley drives the whole thing along nicely. Often overlooked, there are some extraordinary things on this album. It's no co-incidence that the only time FZ actually appears in the film is in a little separate clip (top right of screen) playing the solo from Magic Fingers! What a solo! In my opinion, one of his best. On a par with the one he plays on Grand Funks 'Out To Get You! This album also contains the dancefloor classic, She Painted Up Her Face! What can you say? Practice as you practice practicing!
mellotronage
Flo & Eddie belting it out as usual. Great stuff !
Oskar Klang
One of my favourite Zappa songs
Christian Lemelin
My favorite song by Frank Zappa, i often listen to this one 5 or 6 times in a row!