Orie Frank ("Frankie" or "Tram") Trumbauer (May 30, 1901 – June 11, 1956) w… Read Full Bio ↴Orie Frank ("Frankie" or "Tram") Trumbauer (May 30, 1901 – June 11, 1956) was one of the leading jazz saxophonists of the 1920s and 1930s. He played the C-melody saxophone which, in size, is between an alto and tenor saxophone. He also played alto saxophone, bassoon, clarinet and several other instruments.
He was a composer, notably of technically sophisticated sax melodies, and was one of the major jazz bandleaders of the 1920s and 1930s. His landmark recording of "Singin' the Blues," with Bix Beiderbecke and Eddie Lang in 1927, is regarded as one of the greatest jazz performances ever recorded. This 1927 Okeh 78 was one of the top jazz recordings of the 1920s. This classic recording was inducted into the Grammy Hall of Fame in 1977. His major recordings included "Krazy Kat", "Red Hot", "Plantation Moods", "Trumbology", "Tailspin", "Singin' the Blues", "Wringin' an' Twistin'", and "For No Reason at All in C" with Bix Beiderbecke and Eddie Lang, and the first hit recording of "Georgia On My Mind" in 1931.
Born of part Cherokee ancestry in Carbondale, Illinois, Frank Trumbauer grew up in St Louis, Missouri, the son of a musical mother who directed saxophone and theater orchestras. His first important professional engagements were with the Edgar Benson and Ray Miller bands, shortly followed by the Mound City Blue Blowers, a local group that became nationally famous through their recordings on Brunswick.
"Tram" was one of the most influential and important jazz saxophonists of the 1920s and 1930s. He is also remembered for his musical collaborations with Bix Beiderbecke, a relationship that produced some of the finest and most innovative jazz records of the late 1920s. Trumbauer and Beiderbecke also collaborated with jazz guitarist Eddie Lang.
In 1927, Trumbauer signed a contract with OKeh and released a 78 recording of "Singin' the Blues", featuring Beiderbecke on cornet and Lang on guitar. "Singin' the Blues" was a jazz classic originally recorded and released by the Original Dixieland Jazz Band in 1920. The Okeh recording became a smash hit and became one of the most influential and recognizable jazz recordings of the 1920s. Fletcher Henderson and His Orchestra covered the song in 1931 in the Trumbauer-Beiderbecke version. (His contracts with Goldkette and then Whiteman's orchestras, allowed him to be a recording artist for OKeh.)
Frankie Trumbauer recruited Bix Beiderbecke for Jean Goldkette's Victor Recording Orchestra, of which he became musical director. In the late 1920s he cut several popular sides with Beiderbecke, including the legendary "Singin' the Blues." After leaving Goldkette, he and Beiderbecke worked briefly in Adrian Rollini's short lived "New Yorkers" band, then joined Paul Whiteman in 1927. He played with Whiteman for eight of the following nine years. He had a separate contract with OKeh Records from 1927 through 1930, he recorded some of the most legendary small group Jazz recordings of the era, usually including Beiderbecke until the April 30, 1929 session. He recorded a handful of sides in 1931 for Brunswick. In 1932 he organized a band in Chicago and recorded for Columbia, but gave up the orchestra and returned to New York late in 1933. During 1934–1936, while again a member of Paul Whiteman's Orchestra, he also made a series of recordings for Brunswick and Victor, often including Jack Teagarden. (All of the OKeh's, plus most of the Brunswick's and Columbia's continue to be highly collected.)
In 1936 he led The Three T's, featuring the Teagarden brothers; in 1938, he and Manny Klein started a band which they co-led. In 1940, Trumbauer, a highly skilled pilot, left music (after recording a series of records for Varsity) to join the Civil Aeronautics Authority. During World War II he was a test pilot with North American Aviation, and trained military crews in the operation of the B-25 Mitchell bomber. He continued to work for the CAA after the war, and also played in the NBC Orchestra. After 1947, although he continued to play and record, he earned most of his income in aviation.
Trumbauer died of a sudden heart attack in Kansas City, Missouri, where he had made his home for some years. He was 55 years old.
Frankie Trumbauer suggested to Hoagy Carmichael that he compose the jazz and pop standard "Georgia on My Mind". In 1931, Trumbauer had the first hit recording of "Georgia on My Mind", which reached the top ten on the charts.
Trumbauer's cool, delicate style and slow vibrato influenced many important saxophonists, including Benny Carter, Lester Young and Art Pepper. According to the Red Hot Jazz website, "Trumbauer's solo on Trumbology is one of the most influential saxophone parts in the history of Jazz."
Lester Young acknowledged and cited Frankie Trumbauer as his main influence as a saxophonist. When an interviewer asked Young about his influences, he stated that Frankie Trumbauer was his major influence: "So, it's Trumbauer?" Young replied: "That was my man."
His life and career were documented in the biography Tram: The Frank Trumbauer Story by Philip R. Evans and Larry F. Kiner with William Trumbauer (Institute of Jazz Studies, Rutgers and Scarecrow Press Inc., 1994).
Compositions by Frankie Trumbauer:
His compositions include "Trumbology" (1927), "Plantation Moods" with David Rose, "Red Hot", "Wringin' an' Twistin'" with Fats Waller, "Barbed Wire Blues", "Troubled", "I Like That", "Bass Drum Dan", "Break it Down", "I'm Glad", "Choo Choo", "Sun Spots", "Eclipse", "Meteor", "Krazy Kat", "G Blues", "Tailspin" with Jimmy Dorsey, "Crying All Day", "Loved One", "Apple Blossoms" with Joe Venuti, Lennie Hayton, and Eddie Lang, "Three Blind Mice" with Chauncey Morehouse, "The Mayor of Alabam'", "Flight of a Haybag", "Cinderella's Wedding Day", "Runnin' Ragged", and "For No Reason at All in C" with Bix Beiderbecke in 1927, which was released as a single on Okeh, Columbia, and Parlophone.
Major Recordings
Okeh 78, 40772-B, "Singin' The Blues", with Bix Beiderbecke and Eddie Lang, early 1930s pressing.
Columbia 78, 35667, "For No Reason at All in C", with Bix Beiderbecke and Eddie Lang.
"I'm Glad"/"Flock O' Blues," Sioux City Six featuring Bix Beiderbecke and Miff Mole, recorded October 11, 1924, New York, released as Gennett 5569
"Clarinet Marmalade"/"Singin' the Blues," recorded on February 4, 1927, in New York and released as Okeh 40772
"Riverboat Shuffle"/"Ostrich Walk," recorded May 9, 1927, New York, Okeh 40822
"I'm Coming, Virginia"/"Way Down Yonder in New Orleans," recorded on May 13, 1927, in New York and released as Okeh 40843
"For No Reason at All in C"/"Trumbology," recorded on May 13, 1927, in New York and released as Okeh 40871, Columbia 35667, and Parlophone R 3419
"Wringin' an' Twistin'," recorded on September 9, 1927, in New York and released as Okeh 40916 and Vocalion 3150
"Krazy Kat (Tone Poem In Slow Rhythm)," recorded September 28, 1927, New York Okeh 40903
"Baltimore" b/w "Humpty Dumpty," recorded September 28, 1927, New York, Okeh 40926
"Mississippi Mud" (vocal by Bing Crosby)/"There'll Come a Time (Wait and See)," January 9, 1928, New York, Okeh 40979
"Ol' Man River" (From "Show Boat") recorded with Paul Whiteman and His Orchestra on January 11, 1928 in New York and released as Victor 21218-A and Victor 25249 with Bing Crosby on vocals and Bix Beiderbecke on cornet. No. 1 for 1 week
"Borneo"/"My Pet," recorded on April 10, 1928, in New York and released as Okeh 41039
"Georgia On My Mind," recorded September 24, 1931, Chicago, Illinois, Brunswick 6159
"Troubled"/"Plantation Moods," recorded November 20, 1934, New York, Victor 24834, HMV B.D. 158 in the UK
Honors:
"Singin' the Blues", released by Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet and Eddie Lang on guitar in 1927 as Okeh 40772-B, was inducted into the Grammy Hall of Fame in 1977. Frankie Trumbauer played the C-melody saxophone solos on the landmark jazz recording.
In 2006, his 1927 recording of "Singin' the Blues" with Bix Beiderbecke and Eddie Lang was placed on the U.S. Library of Congress National Recording Registry.
In 2008, his recordings of "Ostrich Walk" and "There'll Come a Time" with Bix Beiderbecke were included on the soundtrack to the Brad Pitt movie The Curious Case of Benjamin Button, which was nominated for 13 Academy Awards, based on the F. Scott Fitzgerald short story from Tales of the Jazz Age.
He was a composer, notably of technically sophisticated sax melodies, and was one of the major jazz bandleaders of the 1920s and 1930s. His landmark recording of "Singin' the Blues," with Bix Beiderbecke and Eddie Lang in 1927, is regarded as one of the greatest jazz performances ever recorded. This 1927 Okeh 78 was one of the top jazz recordings of the 1920s. This classic recording was inducted into the Grammy Hall of Fame in 1977. His major recordings included "Krazy Kat", "Red Hot", "Plantation Moods", "Trumbology", "Tailspin", "Singin' the Blues", "Wringin' an' Twistin'", and "For No Reason at All in C" with Bix Beiderbecke and Eddie Lang, and the first hit recording of "Georgia On My Mind" in 1931.
Born of part Cherokee ancestry in Carbondale, Illinois, Frank Trumbauer grew up in St Louis, Missouri, the son of a musical mother who directed saxophone and theater orchestras. His first important professional engagements were with the Edgar Benson and Ray Miller bands, shortly followed by the Mound City Blue Blowers, a local group that became nationally famous through their recordings on Brunswick.
"Tram" was one of the most influential and important jazz saxophonists of the 1920s and 1930s. He is also remembered for his musical collaborations with Bix Beiderbecke, a relationship that produced some of the finest and most innovative jazz records of the late 1920s. Trumbauer and Beiderbecke also collaborated with jazz guitarist Eddie Lang.
In 1927, Trumbauer signed a contract with OKeh and released a 78 recording of "Singin' the Blues", featuring Beiderbecke on cornet and Lang on guitar. "Singin' the Blues" was a jazz classic originally recorded and released by the Original Dixieland Jazz Band in 1920. The Okeh recording became a smash hit and became one of the most influential and recognizable jazz recordings of the 1920s. Fletcher Henderson and His Orchestra covered the song in 1931 in the Trumbauer-Beiderbecke version. (His contracts with Goldkette and then Whiteman's orchestras, allowed him to be a recording artist for OKeh.)
Frankie Trumbauer recruited Bix Beiderbecke for Jean Goldkette's Victor Recording Orchestra, of which he became musical director. In the late 1920s he cut several popular sides with Beiderbecke, including the legendary "Singin' the Blues." After leaving Goldkette, he and Beiderbecke worked briefly in Adrian Rollini's short lived "New Yorkers" band, then joined Paul Whiteman in 1927. He played with Whiteman for eight of the following nine years. He had a separate contract with OKeh Records from 1927 through 1930, he recorded some of the most legendary small group Jazz recordings of the era, usually including Beiderbecke until the April 30, 1929 session. He recorded a handful of sides in 1931 for Brunswick. In 1932 he organized a band in Chicago and recorded for Columbia, but gave up the orchestra and returned to New York late in 1933. During 1934–1936, while again a member of Paul Whiteman's Orchestra, he also made a series of recordings for Brunswick and Victor, often including Jack Teagarden. (All of the OKeh's, plus most of the Brunswick's and Columbia's continue to be highly collected.)
In 1936 he led The Three T's, featuring the Teagarden brothers; in 1938, he and Manny Klein started a band which they co-led. In 1940, Trumbauer, a highly skilled pilot, left music (after recording a series of records for Varsity) to join the Civil Aeronautics Authority. During World War II he was a test pilot with North American Aviation, and trained military crews in the operation of the B-25 Mitchell bomber. He continued to work for the CAA after the war, and also played in the NBC Orchestra. After 1947, although he continued to play and record, he earned most of his income in aviation.
Trumbauer died of a sudden heart attack in Kansas City, Missouri, where he had made his home for some years. He was 55 years old.
Frankie Trumbauer suggested to Hoagy Carmichael that he compose the jazz and pop standard "Georgia on My Mind". In 1931, Trumbauer had the first hit recording of "Georgia on My Mind", which reached the top ten on the charts.
Trumbauer's cool, delicate style and slow vibrato influenced many important saxophonists, including Benny Carter, Lester Young and Art Pepper. According to the Red Hot Jazz website, "Trumbauer's solo on Trumbology is one of the most influential saxophone parts in the history of Jazz."
Lester Young acknowledged and cited Frankie Trumbauer as his main influence as a saxophonist. When an interviewer asked Young about his influences, he stated that Frankie Trumbauer was his major influence: "So, it's Trumbauer?" Young replied: "That was my man."
His life and career were documented in the biography Tram: The Frank Trumbauer Story by Philip R. Evans and Larry F. Kiner with William Trumbauer (Institute of Jazz Studies, Rutgers and Scarecrow Press Inc., 1994).
Compositions by Frankie Trumbauer:
His compositions include "Trumbology" (1927), "Plantation Moods" with David Rose, "Red Hot", "Wringin' an' Twistin'" with Fats Waller, "Barbed Wire Blues", "Troubled", "I Like That", "Bass Drum Dan", "Break it Down", "I'm Glad", "Choo Choo", "Sun Spots", "Eclipse", "Meteor", "Krazy Kat", "G Blues", "Tailspin" with Jimmy Dorsey, "Crying All Day", "Loved One", "Apple Blossoms" with Joe Venuti, Lennie Hayton, and Eddie Lang, "Three Blind Mice" with Chauncey Morehouse, "The Mayor of Alabam'", "Flight of a Haybag", "Cinderella's Wedding Day", "Runnin' Ragged", and "For No Reason at All in C" with Bix Beiderbecke in 1927, which was released as a single on Okeh, Columbia, and Parlophone.
Major Recordings
Okeh 78, 40772-B, "Singin' The Blues", with Bix Beiderbecke and Eddie Lang, early 1930s pressing.
Columbia 78, 35667, "For No Reason at All in C", with Bix Beiderbecke and Eddie Lang.
"I'm Glad"/"Flock O' Blues," Sioux City Six featuring Bix Beiderbecke and Miff Mole, recorded October 11, 1924, New York, released as Gennett 5569
"Clarinet Marmalade"/"Singin' the Blues," recorded on February 4, 1927, in New York and released as Okeh 40772
"Riverboat Shuffle"/"Ostrich Walk," recorded May 9, 1927, New York, Okeh 40822
"I'm Coming, Virginia"/"Way Down Yonder in New Orleans," recorded on May 13, 1927, in New York and released as Okeh 40843
"For No Reason at All in C"/"Trumbology," recorded on May 13, 1927, in New York and released as Okeh 40871, Columbia 35667, and Parlophone R 3419
"Wringin' an' Twistin'," recorded on September 9, 1927, in New York and released as Okeh 40916 and Vocalion 3150
"Krazy Kat (Tone Poem In Slow Rhythm)," recorded September 28, 1927, New York Okeh 40903
"Baltimore" b/w "Humpty Dumpty," recorded September 28, 1927, New York, Okeh 40926
"Mississippi Mud" (vocal by Bing Crosby)/"There'll Come a Time (Wait and See)," January 9, 1928, New York, Okeh 40979
"Ol' Man River" (From "Show Boat") recorded with Paul Whiteman and His Orchestra on January 11, 1928 in New York and released as Victor 21218-A and Victor 25249 with Bing Crosby on vocals and Bix Beiderbecke on cornet. No. 1 for 1 week
"Borneo"/"My Pet," recorded on April 10, 1928, in New York and released as Okeh 41039
"Georgia On My Mind," recorded September 24, 1931, Chicago, Illinois, Brunswick 6159
"Troubled"/"Plantation Moods," recorded November 20, 1934, New York, Victor 24834, HMV B.D. 158 in the UK
Honors:
"Singin' the Blues", released by Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet and Eddie Lang on guitar in 1927 as Okeh 40772-B, was inducted into the Grammy Hall of Fame in 1977. Frankie Trumbauer played the C-melody saxophone solos on the landmark jazz recording.
In 2006, his 1927 recording of "Singin' the Blues" with Bix Beiderbecke and Eddie Lang was placed on the U.S. Library of Congress National Recording Registry.
In 2008, his recordings of "Ostrich Walk" and "There'll Come a Time" with Bix Beiderbecke were included on the soundtrack to the Brad Pitt movie The Curious Case of Benjamin Button, which was nominated for 13 Academy Awards, based on the F. Scott Fitzgerald short story from Tales of the Jazz Age.
Georgia on My Mind
Frankie Trumbauer Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Georgia, Georgia, the whole day through
Just an old sweet song keeps Georgia on my mind
Georgia on my mind
Georgia, Georgia, a song of you
Comes as sweet and clear as moonlight through the pines
Other arms reach out to me
Other eyes smile tenderly
Still in peaceful dreams I see
The road leads back to you
Georgia, Georgia, no peace I find
Just an old sweet song keeps Georgia on my mind
Just an old sweet song keeps Georgia on my mind
Georgia on my mind
Georgia, Georgia, a song of you
Comes as sweet and clear as moonlight through the pines
Other arms reach out to me
Other eyes smile tenderly
Still in peaceful dreams I see
Georgia, Georgia, no peace I find
Just an old sweet song keeps Georgia on my mind
The song “Georgia On My Mind” expresses the love and longing for the state of Georgia, described as an old sweet song that keeps playing in the singer's mind throughout the day. The lyrics paint a vivid picture of the singer’s separation from the state and his desire to return to it. The opening lyrics draw attention to how much the singer thinks about Georgia and how the state is constantly on his mind, even as he goes through his daily routine. The comparison to an old sweet song suggests that Georgia is a source of comfort and nostalgia for the singer.
The second verse of the song acknowledges that other people and their kindness reach out to him, but he remains committed to Georgia. Through his peaceful dreams, the singer sees himself following the road back to the state he loves. The final verse of the song emphasizes the singer’s struggle, for he finds no peace as long as he is away from Georgia. The lyrics reiterate the idea that the old sweet song playing in the singer’s mind is a constant reminder of his longing for Georgia. Overall, the song “Georgia On My Mind” is a tribute to the state's beauty, people, and atmosphere.
Line by Line Meaning
Georgia, Georgia, the whole day through
The state of Georgia is constantly on my mind all day long.
Just an old sweet song keeps Georgia on my mind
Listening to an old, sweet song reminds me of Georgia and keeps me thinking about it.
Georgia on my mind
Georgia is always on my mind.
Georgia, Georgia, a song of you
Thinking of Georgia reminds me of a specific song about the state.
Comes as sweet and clear as moonlight through the pines
This song about Georgia is beautiful and clear, much like moonlight shining through the trees.
Other arms reach out to me
Other people try to comfort me or show me affection.
Other eyes smile tenderly
Other people show me kindness and affection with their smiles.
Still in peaceful dreams I see
Even when I dream, I see Georgia and it brings me peace.
The road leads back to you
No matter where I go, my heart always leads me back to Georgia.
Georgia, Georgia, no peace I find
Even though I think of Georgia all the time, it also brings me some unrest and turmoil.
Just an old sweet song keeps Georgia on my mind
Once again, this beautiful song about Georgia keeps my thoughts constantly focused on the state.
Lyrics © Kanjian Music, Sony/ATV Music Publishing LLC
Written by: Hoagy Carmichael, Stuart Gorell
Lyrics Licensed & Provided by LyricFind
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