Freddie Hubbard (Frederick Dewayne Hubbard, Indianapolis, Indiana, April 7,… Read Full Bio ↴Freddie Hubbard (Frederick Dewayne Hubbard, Indianapolis, Indiana, April 7, 1938 - Sherman Oaks, California, December 29, 2008) was an American jazz trumpeter.
Hubbard was born in Indianapolis, Indiana, and associated in his youth with various musicians in Indianapolis, including Wes Montgomery and Montgomery's brothers. Chet Baker was an early influence, although Hubbard soon aligned himself with the approach of Clifford Brown (and his forebears: Fats Navarro and Dizzy Gillespie).
Hubbard's jazz career began in earnest after moving to New York City in 1958. While there, he worked with Sonny Rollins, Slide Hampton, J. J. Johnson, Philly Joe Jones, Oliver Nelson, and Quincy Jones, among others. He gained attention while playing with the seminal hard bop ensemble Art Blakey & The Jazz Messengers, appearing on such albums as Mosaic, Buhaina's Delight, and Free For All. He left the Messengers in 1964 to lead his own groups and from that time maintained a high profile as a bandleader or featured as a special guest, but never merely a sideman.
Along with two other trumpeters also born in 1938, Lee Morgan (d. 1971) and Booker Little (d. 1961), Hubbard exerted a strong force on the direction of 1960s jazz. He recorded extensively for Blue Note Records: eight albums as a bandleader, and twenty-eight as a sideman. Most of these recordings are regarded as classics. Hubbard appeared on a few early avant-garde landmarks (Ornette Coleman's Free Jazz, Eric Dolphy's Out to Lunch and John Coltrane's Ascension), but Hubbard never fully embraced free jazz, though it did influence his playing.
After leaving Blue Note, Hubbard recorded for the Atlantic label and moved toward a more commercial style. His next label was CTI Records where he recorded his best-known works, Red Clay, First Light, and Sky Dive. By 1970, his fiery, melodic improvisation and phenomenal technique established him as perhaps the leading trumpeter of his day, but a series of commercially oriented smooth jazz albums spawned some negative criticism. After signing with Columbia Records, Hubbard's albums were almost exclusively in a commercial vein. However, in 1976, Hubbard toured and recorded with V.S.O.P., led by Herbie Hancock which presented unadulterated jazz in the style of the 1960s Miles Davis Quintet (with Hubbard taking the place of Davis).
1980s projects moved between straight-ahead and commercial styles, and Hubbard recorded for several different labels including Atlantic, Pablo, Fantasy, Elektra/Musician, and the revived Blue Note label. The slightly younger Woody Shaw was Hubbard's main jazz competitor during the 1970s and 1980s, and the two eventually recorded together on three occasions. Hubbard participated in the short-lived Griffith Park Collective, which also included Joe Henderson, Chick Corea, Stanley Clarke, and Lenny White.
Following a long setback of health problems and a serious lip injury in 1992, Hubbard played and recorded occasionally, but not at the high level that he set for himself during his earlier career.
On December 29, 2008, Hubbard's hometown newspaper, Hubbard died from complications from a heart attack suffered on November 26 of the same year.
Hubbard was born in Indianapolis, Indiana, and associated in his youth with various musicians in Indianapolis, including Wes Montgomery and Montgomery's brothers. Chet Baker was an early influence, although Hubbard soon aligned himself with the approach of Clifford Brown (and his forebears: Fats Navarro and Dizzy Gillespie).
Hubbard's jazz career began in earnest after moving to New York City in 1958. While there, he worked with Sonny Rollins, Slide Hampton, J. J. Johnson, Philly Joe Jones, Oliver Nelson, and Quincy Jones, among others. He gained attention while playing with the seminal hard bop ensemble Art Blakey & The Jazz Messengers, appearing on such albums as Mosaic, Buhaina's Delight, and Free For All. He left the Messengers in 1964 to lead his own groups and from that time maintained a high profile as a bandleader or featured as a special guest, but never merely a sideman.
Along with two other trumpeters also born in 1938, Lee Morgan (d. 1971) and Booker Little (d. 1961), Hubbard exerted a strong force on the direction of 1960s jazz. He recorded extensively for Blue Note Records: eight albums as a bandleader, and twenty-eight as a sideman. Most of these recordings are regarded as classics. Hubbard appeared on a few early avant-garde landmarks (Ornette Coleman's Free Jazz, Eric Dolphy's Out to Lunch and John Coltrane's Ascension), but Hubbard never fully embraced free jazz, though it did influence his playing.
After leaving Blue Note, Hubbard recorded for the Atlantic label and moved toward a more commercial style. His next label was CTI Records where he recorded his best-known works, Red Clay, First Light, and Sky Dive. By 1970, his fiery, melodic improvisation and phenomenal technique established him as perhaps the leading trumpeter of his day, but a series of commercially oriented smooth jazz albums spawned some negative criticism. After signing with Columbia Records, Hubbard's albums were almost exclusively in a commercial vein. However, in 1976, Hubbard toured and recorded with V.S.O.P., led by Herbie Hancock which presented unadulterated jazz in the style of the 1960s Miles Davis Quintet (with Hubbard taking the place of Davis).
1980s projects moved between straight-ahead and commercial styles, and Hubbard recorded for several different labels including Atlantic, Pablo, Fantasy, Elektra/Musician, and the revived Blue Note label. The slightly younger Woody Shaw was Hubbard's main jazz competitor during the 1970s and 1980s, and the two eventually recorded together on three occasions. Hubbard participated in the short-lived Griffith Park Collective, which also included Joe Henderson, Chick Corea, Stanley Clarke, and Lenny White.
Following a long setback of health problems and a serious lip injury in 1992, Hubbard played and recorded occasionally, but not at the high level that he set for himself during his earlier career.
On December 29, 2008, Hubbard's hometown newspaper, Hubbard died from complications from a heart attack suffered on November 26 of the same year.
Gibraltar
Freddie Hubbard Lyrics
We have lyrics for 'Gibraltar' by these artists:
Abd Al Malik Sur le détroit de Gibraltar, y'a un jeune noir qui…
Acyl O Berber warriors, where to hide? The enemy is facing you,…
Band of H.M. Royal Marines Acá estoy nuevamente frente a ustedes buscándole otra vuelta…
Beirut Everything should be fine You'll find things tend to stand i…
Beirut - www.musicasparabaixar.org Everything should be fine You'll find, things tend to stand …
Bilderbuch Distanz Long Distanz Du sagst, du gehst nach Gibraltar Dist…
D. R. Mirant aquella aigua fosca es preguntava quants quilòmetres,…
DJ El-P Acá estoy nuevamente frente a ustedes buscándole otra vuelta…
François-Henri L'amour est mis à mort ce soir L'amère ivresse de ce…
H.M. Royal Marines Acá estoy nuevamente frente a ustedes buscándole otra vuelta…
Hippie Hourrah Le bateau dans mon bain Pris à mes couilles par ses…
José Luís Instrumental Esta es la verdad, la pura verdad esta es la ve…
Obnoxious Kas Στο κόκκινο χαλί με της πλατείας τις λάσπες βία από…
SCH Je vous ai parlé de sa capacité à survivre en…
The Band Of H.M. Royal Marines Acá estoy nuevamente frente a ustedes buscándole otra vuelta…
We have lyrics for these tracks by Freddie Hubbard:
All or Nothing At All All or nothing at all Half a love, never appealed to…
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
Bob's Place Rúguǒ yǒu yītiān wǒ huì zǒu yuǎn Don′t you worry don't…
But Beautiful Love is funny or it's sad, Or it's quiet or…
Caravan Night and stars above that shine so bright The myst'ry…
Cold Turkey Temperature's rising Fever is high Can't see no future Ca…
Golden Earrings There's a story the gypsies know is true That when your…
Hang 'Em Up Once I was a sentimental thing Throw my heart away each…
Here Maybe I should have saved those left over dreams Funny, but…
I Got It Bad Though folks with good intentions Tell me to save my tears W…
I Wished I Knew I wish I knew someone like you could love me I…
If I Were a Bell Ask me how do I feel, Now that we're cosy and…
Love Is a Many Splendored Thing Love is a many splendored thing It's the April rose that…
Love Me or Leave Me Love me or leave me and let me be lonely You…
Misty Look at me I'm as helpless as a kitten up a…
Moment to Moment From moment to moment, every moment that I live I live…
On Green Dolphin Street It seems like a dream, yet I know it happened A…
Red Clay If you told me that you loved me I would…
Skylark Skylark Have you anything to say to me? Won't you tell me…
Star Eyes Star eyes, That to me is what your eyes are, Soft as…
The Intrepid Fox Ooo ooo, natural beauty, she is No I never met someone…
The Nearness of You Its not the pale moon that excites me That thrills and…
Up jumped spring Once I was a sentimental thing Throw my heart away each…
Weaver Of Dreams You're a weaver of dreams You and your strange fascination …
Wichita Lineman I am a lineman for the county And I drive…
Without A Song Without a song the day would never end Without a song…
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Luciano Wajman
3:37 - One of the most beautiful trumpet solos I’ve ever heard in my life!
jonsilence
One of Freddie's greatest tunes and this performance KILLS!
Jeffrey Rappold
No one plays the trumpet like Freddie did. Amazing that he played French Horn in High School.
jibsmokestack1
Well he's kind of influenced by Fats Navarro and Clifford Brown even though him, Lee Morgan and Booker Little were the first Browniephiles to transcend Clifford's influence and bring their own innovations to the mainstem of Bop trumpeters I'm! Btw Booker, Lee and Freddie were all born within a couple of months of each other!
Marc Levy
Freddie Hubbard - trumpet, flugelhorn
Harold Land - tenor saxophone, flute
Billy Childs - keyboards
Larry Klein - bass
Steve Houghton - drums
Buck Clarke - percussion
J Eshun
Awesome is the word from the former member of Art Blakey's Jazz messenger, Freddie Hubbard Jazz trumpeter really excels on this brilliant fusion track, a real sidewinder played at a blistering pace for the dance floor, best known for his earlier hard bop be bop material, but just like Donald Byrd soars so high with killer tracks like this
Joey Hardin
0:48 head
2:13 tenor solo
3:37 trumpet solo
5:02 percussion solo
6:59 link and piano solo
7:28 head
8:11 flugel and tenor solo
10:03 outro jam
Summer Laverdure
It just never gets better than this honestly
Basheer Muhammad
Stanley Turrentine's version...
Aristoincurate
Just heard this on Solar Radio! What a piece!