Martin in the 1943 film Stage Door Canteen
Backgrou… Read Full Bio ↴Freddy Martin
Martin in the 1943 film Stage Door Canteen
Background information
Born December 9, 1906
Origin Cleveland, Ohio, United States
Died September 30, 1983 (aged 76)
Genres Jazz
Occupations Musician, bandleader
Instruments Saxophone
Frederick Alfred (Freddy) Martin (December 9, 1906 – September 30, 1983) was an American bandleader and tenor saxophonist.
Early life
Martin was born in Cleveland, Ohio.[1] Raised largely in an orphanage and with various relatives, Martin started out playing drums, then switched to C-melody saxophone and later tenor saxophone, the latter the one he would be identified with. Early on, he had intended to become a journalist. He had hoped that he would earn enough money from his musical work to enter Ohio State, but instead, he wound up becoming an accomplished musician. Martin led his own band while he was in high school, then played in various local bands. After working on a ship's band, Martin joined the Mason-Dixon band, then joined Arnold Johnson and Jack Albin. It was with Albin's "Hotel Pennsylvania Music" that he made his first recordings, for Columbia's Harmony, Velvet Tone, and Clarion 50 cent labels in 1930.
Early career
Martin in 1943
After a couple of years, his skill began attracting other musicians. One such musician was Guy Lombardo, who would remain friends with Martin throughout his life. After graduation from high school, Martin accepted a job at the H.N. White musical instrument company. When Lombardo was playing in Cleveland, Martin tried giving Lombardo some saxophones, which proved unsuccessful. Fortunately, Lombardo did get to hear Freddy’s band. One night, when Guy could not do a certain date, he suggested that Freddy’s band could fill in for him. The band did very well and that’s how Martin’s career really got started. But the band broke up and he did not form a permanent band until 1931 at the Bossert Hotel in Brooklyn.
At the Bossert Marine Room, Freddy pioneered the "Tenor Band" style that swept the sweet-music industry. With his own tenor sax as melodic lead, Martin fronted an all-tenor sax section with just two brasses and a violin trio plus rhythm. The rich, lilting style quickly spawned imitators in hotels and ballrooms nationwide. "Tenor bands", usually with just the three tenors and one trumpet, could occasionally be found playing for older dancers well into the 1980s.
The Martin band recorded first for Columbia Records in 1932. As the company was broke and signing no new contracts, the band switched to Brunswick Records after one session and remained with that label till 1938. Afterwards Martin appeared on RCA's Bluebird and Victor Records. The band also recorded pseudonymously in the early '30s, backing singers such as Will Osborne.
Martin took his band into many prestigious hotels, including the Roosevelt Grill in New York City and the Ambassador in Los Angeles. A fixture on radio, his sponsored shows included NBC's Maybelline Penthouse Serenade of 1937. But Martin’s real success came in 1941 with an arrangement from the first movement of Tchaikovsky’s B-flat piano concerto. Martin recorded the piece instrumentally, but soon lyrics were put in and it was re-cut as "Tonight We Love" with Clyde Rogers' vocal - becoming his biggest hit.
The success of "Tonight We Love" prompted Martin to adopt other classical themes as well, which featured the band's pianists Jack Fina, Murray Arnold and Barclay Allen. At this time Freddy enlarged the orchestra to a strength of six violins, four brasses and a like number of saxes.
Musical style
Freddy Martin was nicknamed "Mr. Silvertone" by saxophonist Johnny Hodges. Chu Berry named Freddy Martin his favorite saxophonist. He has also been idolized by many other saxophonists, including Eddie Miller. Although his playing has been admired by so many jazz musicians, Freddy Martin never tried to be a jazz musician. Martin always led a sweet styled band. Unlike most sweet bands that just played dull music, Martin’s band turned out to be one of the most musical and most melodic of all the typical hotel-room sweet bands. According to George T. Simon, Freddy's band was,
"one of the most pleasant, most relaxed dance bands that ever flowed across the band scene."
Martin was probably one of the most respected tenor saxophonists of the dance band era.
He used the banner "Music In The Martin Manner." Ironically, Russ Morgan used a similar banner when he finally landed a radio series with his own band in 1936. (Morgan’s title was "Music In The Morgan Manner"!). Russ had been playing in Freddy’s band and the two were good friends for years. Russ even used some of Freddy's arrangements when he started his band. Did Martin let the "Music In The ------ Manner" and the arrangement thing go? Yes. "Freddy Martin is such a nice man," said Larry Barnett. "He’s almost too nice for his own good."
Later career
Martin also had a good ear for singers. At one time or another, Martin employed Merv Griffin, Buddy Clark, pianists Sid Appleman and Terry Shand, saxophonist Elmer Feldkamp, Stuart Wade (his most impressive male singer), violinist Eddie Stone, and many others. Helen Ward was a singer for Martin just before she joined Benny Goodman's new band.
Martin’s popularity as a bandleader led him to Hollywood in the 1940s where he and his band appeared in a handful of films, including Seven Days' Leave (1942), Stage Door Canteen (1943) and Melody Time (1948), among others.
In the 1950s and 1960s Martin continued to perform on the radio and also appeared on TV. Untroubled by changing musical tastes, he continued to work at major venues and was musical director for Elvis Presley’s first appearance in Las Vegas. Still in demand for hotel work, Martin entered the 1970s with an engagement at the Ambassador Hotel in Los Angeles. In the early 1970s, he was part of two tours of one-nighters that were known as The Big Band Cavalcade. Among the other performers on the show were Margaret Whiting, Bob Crosby, Frankie Carle, Buddy Morrow, Art Mooney and George Shearing. When the tours ended, Martin returned to the West Coast. In 1977, Martin was asked to lead Guy Lombardo’s band when Lombardo was hospitalized with a heart condition.
Martin continued leading his band until the early 1980s, although by then, he was semi-retired. Freddy Martin died on September 30, 1983 in a Newport Beach hospital after a lingering illness. He was 76 years old.
The 1947 song "Pico and Sepulveda" was recorded by Martin under the alias of "Felix Figueroa and his Orchestra" and was frequently featured on Dr. Demento's syndicated radio show.[2] It was also featured in the surrealist film Forbidden Zone.
Sleigh Ride
Freddy Martin Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come on, it's lovely weather for a sleigh ride together with you.
Outside the snow is falling and friends are calling "Yoo hoo"
Come on, it's lovely weather for a sleigh ride together with you.
Giddy yap, giddy yap, giddy yap, let's go,
Let's look at the show.
Giddy yap, giddy yap, giddy yap, it's grand
Just holding your hand.
We're gliding along with a song of a wintery fairy land.
Our cheeks are nice and rosy and comfy cozy are we,
We're snuggled up together like two birds of a feather would be.
Let's take that road before us and sing a chorus or two
Come on it's lovely weather for a sleigh ride together with you.
The song "Sleigh Ride" is a classic wintertime tune that celebrates the joy and excitement of riding in a horse-drawn sleigh on a snowy day. The song starts with the sound of jingling sleigh bells, which immediately sets the tone for the festive and playful mood of the song. The lyrics invite a loved one to join in on the ride, noting that the weather is perfect for such an adventure. As the sleigh rolls on, the singer revels in the beauty of the snow-covered landscape, and the simple pleasure of holding hands with their partner. The song ends with a call to sing and enjoy the moment together, basking in the magic of this wonderful winter experience.
Line by Line Meaning
Just hear those sleigh bells jingle-ing, ring-ting tingle-ing, too,
Listen to the sound of the sleigh bells ringing and jingling, filling the air with a cheerful melody.
Come on, it's lovely weather for a sleigh ride together with you.
Let's go for a sleigh ride together in this beautiful weather.
Outside the snow is falling and friends are calling 'Yoo hoo'
The snow is falling outside and our friends are calling out to us.
Come on, it's lovely weather for a sleigh ride together with you.
Let's seize the opportunity and go for a sleigh ride together in this beautiful weather.
Giddy yap, giddy yap, giddy yap, let's go,
Let's urge the horse to move faster and get going.
Let's look at the show.
Let's take in the spectacle of winter scenery around us.
We're riding in a wonderland of snow.
We're traveling through a magical landscape of snow.
Giddy yap, giddy yap, giddy yap, it's grand
It's exhilarating to urge the horse to move faster.
Just holding your hand.
Feeling your hand in mine, I feel warm and happy.
We're gliding along with a song of a wintery fairy land.
As we float along, we feel as though we're in a magical winter wonderland.
Our cheeks are nice and rosy and comfy cozy are we,
Despite the cold, we're cozy and comfortable, and our cheeks have a healthy rosy glow.
We're snuggled up together like two birds of a feather would be.
We're cuddled up close to each other, like two birds snuggling in for warmth.
Let's take that road before us and sing a chorus or two
Let's take the road ahead of us and sing a few songs.
Come on it's lovely weather for a sleigh ride together with you.
Let's make the most of this beautiful weather and go for a sleigh ride together.
Lyrics © EMI Music Publishing, BMG Rights Management
Written by: Leroy Anderson, Mitchell Parish
Lyrics Licensed & Provided by LyricFind
@BigBingFan
I might add as a 40 year member of International Club Crosby--the oldest Fan Club dedicated to a performer--Bing Crosby--for many of my 40 years I searched for Bing's version of "Sleigh Ride." Don't know why it was so hard to come by, but I trust (hadn't searched yet), I trust you posted it, The78Prof?
@the78prof72
Sorry. I have it on a couple of CD's and see that it's been posted multiple times elsewhere on YouTube, but it's not a track that I've posted, myself.
@BigBingFan
@@the78prof72 Thank you! It was very hard to get, and I tried for 20 years. Thanks for your uploads!!!!!!!!!!
@madonnafitzgerald7840
Was this the first vocal version?
@the78prof72
I can't say, as there were at least two other vocal versions of "Sleigh Ride" released that year (Andrews Sisters & Johnny Desmond) but specific recording dates for them are not all available.