Originally called the Rock Springs Six, Free Salamander Exhibit makes no bones about being influenced by the early work of Sleepytime Gorilla Museum. “Yeah, we all have that first record,” they mutter nonchalantly. Their new name is taken from the Sleepytime Gorilla Press’s 1916 leaflet distributed by Pentecostal snake-handler George Went Hensley of Tennessee, wherein the gospel dictum “They shall take up serpents and salamanders” was treated to more or less literal interpretation. “Yeah, we all handle them, salamanders that is,” they confess. Yes, they have renounced their snake handling ways in favor of the modern hair-shirt, i.e. the burlap gown. Certainly their outfits are uncomfortable and make playing difficult, especially for the non-rock instruments they sometimes employ, but what price beauty?
It seems the past is something this band of burlap brothers would rather put to rest. Free Salamander Exhibit gained some notoriety in the early 2000s by impersonating the members of Sleepytime Gorilla Museum, even going so far as insinuating themselves into the SGM members’ households. When it was announced in 2010 that SGM had been “subsumed” into the very bodies of Free Salamander Exhibit, the music press understood this to figuratively refer to a simple regrouping. Boy, were they wrong.
Currently based in Oakland, CA, Free Salamander Exhibit continues to shed its dead skin cells, casting off an accumulated detritus of metal, prog-rock, and art-rock influences. Nils, Dan, Michael, David, and Drew (at least these are the names they claim) meet regularly in an underground concrete shelter. Here they sit at an oval-shaped table in a spirit of constructive argumentation, poring over the nature of memory and the illusory promise of free will. Eventually they emerge, ready again to absorb the environmental stimuli that nourish their world-view. Through this circular process of absorption and molting, Free Salamander Exhibit hopes to augment the mass of your own pillow as well.
Shed some skin with Free Salamander Exhibit in your town soon!
-taken from http://freesalamanderexhibit.com
FREE SALAMANDER EXHIBIT is:
Nils Frykdahl – vocals, guitar, flute
Dan Rathbun – bass, sledgehammer dulcimer, vocals
Michael Mellender – guitar, trumpet, baritone, tangularium, spleen, double-bladed cat sneeze, percussion-guitar, vocals
David Shamrock – drums, glockenspiel
Drew Wheeler – guitar, glockenspiel, theremin, waterphone, vocals
The Gift
Free Salamander Exhibit Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I guess you think it's cool
I guess you like it
Utopian cyber-zombie shut the faaauuu
I guess it's free for everybody
I guess you made a little money
Walking around like victims in bad science-fiction
The borg is here now
The body-snatchers have come
And taken over what used to be cafe, a bus, a train, a classroom.
The body-snatchers have come
Utopian cyber-hippie this is your world now
Utopian cyber-zombie this is your day in the sun
Utopian cyber-hippie shut the door on the way out
Utopian cyber-zombie get that thing out of my face and run
Utopian cyber-hippie this is your world now
Utopian cyber-zombie this is your day in the sun
Utopian cyber-hippie shut the door on the way out
Utopian cyber-zombie get that thing out of my face and run
You've given the children a gift that keeps on giving
They will never have known the world without this gift
So here let us recall the malice of old gods... spite!
You've opened the door, opened the door, opened the door
And let in a world
That's been with us all along...
Watching, waiting, watching, waiting
Open the box, open the box, steal the fire
Taste it! Burn it! Break it!
O Pan! O Pandora! O Eve! O Eve!
Prometheus, Prometheus
Loki, Loki, Loki
Loki
Luce Fero
Lucifero
I bring the light, I bring the light
I bring the light
Placeless light
Faceless Eye
Cannot live
Never die
Let the earth
Let the earth swallow you whole
Placeless light
Faceless Eye
Cannot live
Never die
This gift is not mine
Google, Twitter, Podcast
I hate the poetry
Download, Myspace, Facebook
I hate the language
I can't believe I put this garbage in a song
Just because it's 2016 we don't all have to sing along
You can get laid on your virtual planet
I'll get mine where I don't have to plan it with the dead box
A dead box that blinks and talks and fakes the rock and might give you brain cancer
Ad for Dragon speech-recognition software:
"Give the gift that gets people talking"
"Give the gift that gets people talking"
"Give the gift that gets people talking"
People talking to a dragon
Leave the gift at the door
Shut it down, turn it off, drop out
Get out
Into the night, into the dark, into black silence
Into the night, into the dark, into black silence
Into the night, into the park, into the forest
Past the gate, past the fountain, into the cemetery
Into the night, into the dark, into black silence
Under the light of the moon we can dream of a world before and after science
Under the light of the sun we can live in a world before and after dreams
Into the night, into the dark, into black silence
Utopian cyber-hippie this is your world now
Utopian cyber-zombie this is your day in the sun
Utopian cyber-hippie shut the door on the way out
Utopian cyber-zombie get that thing out of my face and run
Utopian cyber-hippie this is your world now
Utopian cyber-zombie this is your day in the sun
Utopian cyber-hippie shut the door on the way out
Utopian cyber-zombie get that thing out of my face and run
The first verse addresses a "Utopian cyber-hippie," someone who is immersed in a virtual world and may find it cool and exciting. The second verse introduces a "Utopian cyber-zombie," who is blindly following the trend without questioning it. The following lines describe a society of people who are no longer fully human and have been taken over by technology. The line "The borg is here now" refers to 'The Borg,' a fictional, cybernetic hive mind in the sci-fi series 'Star Trek.' This verse draws an analogy between the present society and the futures depicted in bad science fiction movies. The singer accuses the "Utopian cyber-hippie" and "Utopian cyber-zombie" of being responsible for this malice that has taken over society. The final verse urges the listener to reject the gift that the "Utopian cyber-hippie" and "Utopian cyber-zombie" have given to children and to use nature to connect with reality rather than virtual reality.
The song's mood is a commentary on the influence of technology on society. The vocalist uses various mythological references, such as Prometheus and Lucifer, paired with cultural literary icons, like O Pan and O Pandora, to emphasize how innovation can lead to both blessing and curse. While the cyber-world provides opportunities for connections and potential growth, it also creates a tool that could distance us from our true selves. The vocalist takes a stand against virtual reality and exposes its dangers in a world that is becoming more and more automated. The song suggests that the way out of this situation is to connect with nature and find balance in life.
Line by Line Meaning
Utopian cyber-hippie this is your world now
Addressing the audience as if they were a 'Utopian cyber-hippie' and saying that they have created the current world.
I guess you think it's cool
I guess you like it
Suggesting that the audience has created a world they find cool, but not necessarily one that is actually desirable or sustainable.
Utopian cyber-zombie shut the faaauuu
I guess it's free for everybody
I guess you made a little money
Continuing to describe the audience as having created the current world, and accusing them of being mindless and focused on profit over the well-being of others.
A nation of what should be human beings
Walking around like victims in bad science-fiction
The borg is here now
The body-snatchers have come
And taken over what used to be cafe, a bus, a train, a classroom.
The body-snatchers have come
Using vivid imagery to criticize how humans have become dehumanized, like characters in a bad sci-fi story, by technology and commercialization of public spaces.
You've given the children a gift that keeps on giving
They will never have known the world without this gift
Referring to modern technology and the commercialization of public spaces as a 'gift' that has become so omnipresent that future generations will assume it has always been around.
So here let us recall the malice of old gods... spite!
Eliciting mythological references to express dissatisfaction with the current state of affairs and a desire for a radical return to nature.
Open the box, open the box, steal the fire
Taste it! Burn it! Break it!
O Pan! O Pandora! O Eve! O Eve!
Prometheus, Prometheus
Loki, Loki, Loki
Loki
Luce Fero
Lucifero
I bring the light, I bring the light
I bring the light
Invoking various mythological and literary figures who challenged the status quo and brought positive change to humanity, with the intention of urging the audience to do the same.
Placeless light
Faceless Eye
Cannot live
Never die
Let the earth
Describing an intangible force (technology, commercialization) as something that can't be physically destroyed, but encouraging its removal or negation.
Google, Twitter, Podcast
I hate the poetry
Download, Myspace, Facebook
I hate the language
I can't believe I put this garbage in a song
Just because it's 2016 we don't all have to sing along
Expressing disdain for the commercialization of technology and social media, and seeking to distance oneself from it despite feeling influenced by it.
Leave the gift at the door
Shut it down, turn it off, drop out
Get out
Advocating for disconnecting from technology and returning to nature, as opposed to seeking to change the current technological paradigm.
Into the night, into the dark, into black silence
Into the night, into the dark, into black silence
Into the night, into the park, into the forest
Past the gate, past the fountain, into the cemetery
Into the night, into the dark, into black silence
Under the light of the moon we can dream of a world before and after science
Under the light of the sun we can live in a world before and after dreams
Suggesting that there is a world beyond the current technological paradigm, and that one can access this through introspection and connection with nature.
Utopian cyber-hippie this is your world now
Utopian cyber-zombie this is your day in the sun
Utopian cyber-hippie shut the door on the way out
Utopian cyber-zombie get that thing out of my face and run
Repeating the message that the audience is responsible for the world as it is, but also encouraging them to turn away from it and toward a more nature-centered existence.
Contributed by Elliot L. Suggest a correction in the comments below.