Front Line Assembly is composed of Bill Leeb (vocals, synthesizers) and Rhy… Read Full Bio ↴Front Line Assembly is composed of Bill Leeb (vocals, synthesizers) and Rhys Fulber (synthesizers and samplers), one of many groups formed by the prolific Vancouver, Canada-based duo. After working in the mid-'80s under the pseudonym Wilhelm Schroeder with Skinny Puppy, the Austrian-born Leeb formed the industrial/ebm-based Front Line Assembly in 1986 with Fulber -- who initially joined on as a studio assistant -- and synth player Michael Balch. After a handful of compilation appearances and cassette-only releases, Front Line Assembly issued its first three full-length efforts -- The Initial Command, State of Mind, and Corrosion -- on a monthly basis between December 1987 and February 1988. Later in 1988, Corrosion was reissued, along with a subsequent mini-album titled Disorder and a number of exclusive bonus tracks, as Convergence.

In 1989, the group returned with the album Gashed Senses & Crossfire, which contained the dance-flavored singles "Digital Tension Dementia" and "No Limit." A European tour in support of the record yielded a live album -- titled simply, Live -- that was released and deleted on the same day in a limited edition of 4,000 pressings. After Balch departed Front Line Assembly in 1990, Fulber stepped in as a full partner; the streamlined duo soon released the electro-styled album Caustic Grip, while 1992's Tactical Neural Implant found the group's music moving in a more hard-edged disco direction. By 1994, the sound evolved yet again, with the album Millennium displaying a newfound reliance on guitars; both the title track and "This Faith" scored as club hits. Fulber departed the lineup by 1997, while his replacement Chris Peterson debuted with 1998's Flavour of the Weak. A best-of/remix compilation, Monument, was released the same year, as well as Re-Wind, a re-mix collection of material from Flavour of the Weak. Implode appeared one year later. Sticking with a heavy dose of synth-pop trance and throbbing melodies,Leeb and Peterson issued Epitaph in fall 2001.

Once again re-united as FLA, Bill And Rhys released a killer single 'Maniacal' (2003) as a precursor to the new album 'Civilization' (2004) and the sighs of relief amongst FLA fans were audible across the globe. 'Maniacal' is good old-fashioned FLA bought up to date whilst B-side 'Anti' shows that messers Leeb and Fulber can still produce stark and dark Industrial.

For the first time, Bill Leeb, Rhys Fulber, and Chris Peterson have joined ranks. The trio, with new members Jeremy Inkel and Adrian White, began work on Artificial Soldier in early 2005, and it was time well spent. Just release in June 2006 the newly re-formed line-up managed to create a release that should live up to the expectations of Front Line Assembly fans. Heavy pounding beats, atmospheric strings, percolating melodies, dynamic synths and Bill Leeb's trademark vocals are the norm here. Two guest vocalists also appear on Artificial Soldier. Eskil Simonsson from Covenant (on “The Storm”) and Jean-Luc De Meyer from Front 242 (on “Future Fail”).

Other projects include: Conjure One, Delerium, Pro-Tech, Synaesthesia, Will, Intermix, Noise Unit, Equinox, Cyberaktif and Mutual Mortuary.

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Condemned
Front Line Assembly Lyrics

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This time we'll fight back
This time we'll know
Implant hysteria
Who really knows?
This time we'll kick back
This time we'll see
A bullet right
Between the eyes

Takes down the enemy
No use in hiding
No use to run
Finger on the switch
Blinded by the sun
Lock down
Shut down
Hang on
Condemned for life
No use in praying
No use to hope
The straps are tightening down
Wrists are bound with rope
Stand up and face it
Stand up to see
Carnaged bodies
Everywhere
No, just you and me
Lock down
Shut down hang on
Condemned for life
Cut the ropes
Break the line
Stand tall
Don't take the fall
Can't see the daylight
From this cell

No more second chances
From this living hell

Overall Meaning

The lyrics of Front Line Assembly's song Condemned seem to portray a story of a person who is in a desperate and hopeless situation, possibly held prisoner. The singer decides to put up a fight, promising that "this time we'll fight back" and that there will be "no more second chances from this living hell". The lyrics suggest that the enemy is already aware of the singer's attempt to fight back and that they are in danger, with a "bullet right between the eyes" awaiting them. The singer seems to be angry, determined, and ready to face the enemy, knowing that they might end up getting "condemned for life".

The lyrics of the song may also relate to themes of power, control, and oppression. The singer is limited in their choices and is aware that their situation is grim. They are aware of the futility of running and hiding, and it seems that they are resigned to the fact that they are going to have to fight for their freedom. They are powerless and are aware of their predicament, which is reflected in the line "no use in praying, no use to hope". This could suggest that they feel abandoned or have lost faith in a higher power.

Overall, Condemned is a powerful and emotional song that portrays themes of rebellion, desperation, and struggle. It tells a story of a person who is trapped in a hopeless situation and actively decides to fight back, even though they know that there will be consequences for their actions.

Line by Line Meaning

This time we'll fight back
We will not just let things happen, we will take action

This time we'll know
We will be informed and aware

Implant hysteria
Instill fear in people's minds

Who really knows?
It's hard to discern what is really happening

This time we'll kick back
We will fight and resist

This time we'll see
We will be aware and vigilant

A bullet right
A direct hit

Between the eyes
In the forehead

Takes down the enemy
Defeats the opposing side or person

No use in hiding
It's pointless to seek refuge

No use to run
It's futile to try to escape