Front Line Assembly is composed of Bill Leeb (vocals, synthesizers) and Rhy… Read Full Bio ↴Front Line Assembly is composed of Bill Leeb (vocals, synthesizers) and Rhys Fulber (synthesizers and samplers), one of many groups formed by the prolific Vancouver, Canada-based duo. After working in the mid-'80s under the pseudonym Wilhelm Schroeder with Skinny Puppy, the Austrian-born Leeb formed the industrial/ebm-based Front Line Assembly in 1986 with Fulber -- who initially joined on as a studio assistant -- and synth player Michael Balch. After a handful of compilation appearances and cassette-only releases, Front Line Assembly issued its first three full-length efforts -- The Initial Command, State of Mind, and Corrosion -- on a monthly basis between December 1987 and February 1988. Later in 1988, Corrosion was reissued, along with a subsequent mini-album titled Disorder and a number of exclusive bonus tracks, as Convergence.

In 1989, the group returned with the album Gashed Senses & Crossfire, which contained the dance-flavored singles "Digital Tension Dementia" and "No Limit." A European tour in support of the record yielded a live album -- titled simply, Live -- that was released and deleted on the same day in a limited edition of 4,000 pressings. After Balch departed Front Line Assembly in 1990, Fulber stepped in as a full partner; the streamlined duo soon released the electro-styled album Caustic Grip, while 1992's Tactical Neural Implant found the group's music moving in a more hard-edged disco direction. By 1994, the sound evolved yet again, with the album Millennium displaying a newfound reliance on guitars; both the title track and "This Faith" scored as club hits. Fulber departed the lineup by 1997, while his replacement Chris Peterson debuted with 1998's Flavour of the Weak. A best-of/remix compilation, Monument, was released the same year, as well as Re-Wind, a re-mix collection of material from Flavour of the Weak. Implode appeared one year later. Sticking with a heavy dose of synth-pop trance and throbbing melodies,Leeb and Peterson issued Epitaph in fall 2001.

Once again re-united as FLA, Bill And Rhys released a killer single 'Maniacal' (2003) as a precursor to the new album 'Civilization' (2004) and the sighs of relief amongst FLA fans were audible across the globe. 'Maniacal' is good old-fashioned FLA bought up to date whilst B-side 'Anti' shows that messers Leeb and Fulber can still produce stark and dark Industrial.

For the first time, Bill Leeb, Rhys Fulber, and Chris Peterson have joined ranks. The trio, with new members Jeremy Inkel and Adrian White, began work on Artificial Soldier in early 2005, and it was time well spent. Just release in June 2006 the newly re-formed line-up managed to create a release that should live up to the expectations of Front Line Assembly fans. Heavy pounding beats, atmospheric strings, percolating melodies, dynamic synths and Bill Leeb's trademark vocals are the norm here. Two guest vocalists also appear on Artificial Soldier. Eskil Simonsson from Covenant (on “The Storm”) and Jean-Luc De Meyer from Front 242 (on “Future Fail”).

Other projects include: Conjure One, Delerium, Pro-Tech, Synaesthesia, Will, Intermix, Noise Unit, Equinox, Cyberaktif and Mutual Mortuary.

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Echogenetic
Front Line Assembly Lyrics

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Let me out
I'm caged
Like an animal
I can see - I can see the light
I'm caged like an animal

I see the pain, I feel the rain
I see the sadness, I feel the madness

Skewed deceptions, human protection
Cryptic contention, genetic overload

Listening for signals, in all directions
Stay alive
This perfect, demodernization
Find me, find out, to come alive

I see the pain, I feel the rain
I see the sadness, I feel the madness
Screw deceptions, human rejection
Predict conjection, to let it come alive

Let me out
I'm caged, like an animal
Let me out
I'm caged, like an animal
I can see, I can see the light
Let me out
A cage, like an animal

Let me out
I see the pain, I feel the rain
Let me out
I see the sadness, I feel the madness
Let me out
Screw deceptions, human protection

Let me out
Cryptic conjection, genetic overload

Overall Meaning

The lyrics of "Echogenetic" by Front Line Assembly express a sense of confinement and desperation. The singer is trapped and feels as though they are imprisoned like an animal. They are searching for a way out and trying to make their voice heard, as if they are shouting into the void for someone to hear them. The pain, sadness, and madness that they experience seem to be a result of the society and world around them, where human deception and protection have created a system that is overloaded and dysfunctional.

Despite the overwhelming chaos of this world, the singer is still trying to find some direction or signal to guide them towards survival. They are seeking a way to adapt in a world that seems to be constantly changing and moving towards a demodernization. They want to come alive and find a way to break free from the cage that they are trapped in.

Overall, "Echogenetic" explores themes of oppression, confinement, and the human struggle for survival in a chaotic and ever-changing world. The lyrics convey a feeling of desperation and isolation, but also a sense of resilience and the will to keep fighting against the odds.

Line by Line Meaning

Let me out
I am trapped and I need to be released

I'm caged
I feel confined and powerless

Like an animal
I feel dehumanized and stripped of dignity

I can see - I can see the light
I still have hope for escape and freedom

I see the pain, I feel the rain
I am aware of suffering and hardship around me

I see the sadness, I feel the madness
I am emotionally affected by the negativity around me

Skewed deceptions, human protection
People distort the truth and hide behind their own self-interest

Cryptic contention, genetic overload
There is a hidden conflict and burden caused by genetics or biology

Listening for signals, in all directions
I am searching for help or guidance from any possible source

Stay alive
I need to survive and not give up

This perfect, demodernization
The world is becoming too perfect and losing its humanity