Living in the world today
GZA & Method Man Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Yo (yeah) Check it out son, check it out son
Yo, (Wu, can I get a soo) live in the place to be
You got the capital G
G to the A-M-C
Givin' a mad shout out to the Ranch Crew from the old school
And we gonna take why'all back, know what I'm sayin'?
Lyrical sorcerers right here, the fathers, the cream of the crop son
(Yo check it)

Well if you livin' in the world today
You be hearin' the slang that the Wu-Tang say
Niggaz that front we don't handle em
So we blast em, alright, well OK

Well if you like the wicked sound then clap man
And if the women love it too well then raise your hands
But only raise your hands if you're sure
(Punk niggaz shatter like a glass jaw, break it)

My rhyme gross weight be into combination
Was too heavy for the Chevy's is chased out the station
Double-edged was the guillotine that beheaded it and
Gassed up, fucking with some regular unleaded shit
Heads roll on hillsides behind ropes that
Bind-in, X marks the spot on the scope
Heavenly art, military is necessary, it's a gamble
Emcees bet they best at every
Power move, parable ditties might harm
If tampered with, set off and strike like pipe bombs
Flashbacks to the Duel of the Iron Mic
Look out for these fatal flying spikes, of massive
Sleep-holds, put strangle on commercial angle
Microphone cords tangled from being Star Spangled
Now who could ever say they heard of this?
My motherfuckin' style is mad murderous

Well what you know about emceeing?
Yo, I know a lot
Well can you demonstrate somethin' nigga?
Huh, I'd rather not
I'm talkin' 'bout stacks cousin
Nigga that's what I got
Cash rules over all
Well cash rules the spot

My preliminary attack keep cemeteries packed
Of niggaz who think it ain't like that
Emcees are gunned down like being run down with mad trucks
then God struck, religious niggas call it bad luck
Raps of led, you got caught up in the web
now bees are stingin', yo that niggas them singin'
I'll be swingin' swords strictly based on keyboards
Unbalanced like elephants and ants on see-saws
I throw raps that attack like the Japs on Pearl Harbor
Emcees be out like bank robbers
Fleeing the scene, to be a sole survivor
DJ the getaway driver
Tried to dip but he dive I socialize on vocal vibes
On tracks stabbed up with razor sharp knives
Criminal subliminal minded rappers find it
Hard to define it, when narrow is the gate
for fat tapes and then played out and out of date
Then I construct my thoughts on site to renovate
And from that point, the God made a statement
Draftin' tracements, replacements in basements
Materials in sheet-rock, to sound proof the beat box
And microscopic optics received through the boxes
Obnoxious topic, major labels, flavor tropical
Punchlines, that's unstoppable
Ring like shots from glocks that attract cops
Around the clubs and try to shut down the hip-hop
But we only increase if everything is peace
Father you see King the police

Well if you livin' in the world today
You be hearin' the slang that the Wu-Tang say
Niggaz that front we don't handle em
So we blast em, alright, well OK

Well if you like the wicked sound then clap man
And if the women love it too well then raise your hands
But only raise your hands if you're sure
(Punk niggaz shatter like a glass jaw, break it)

Well if you livin' in the world today
You be hearin' the slang that the Wu-Tang say
Niggaz that front we don't handle em
So we blast em, alright, well OK

Well if you like the wicked sound then clap man
And if the women love it too well then raise your hands




But only raise your hands if you're sure
(Punk niggaz shatter like a glass jaw, break it)

Overall Meaning

In the song "Living in the World Today" by GZA and Method Man, the lyrics touch upon various themes relating to the experiences of living in a chaotic world. From the very beginning, the lyrics establish a sense of pride and confidence, with references to their affiliation with the Wu-Tang Clan, known for their gritty and powerful rap style. The song also addresses the use of slang language used by the Wu-Tang Clan, suggesting that those who are not familiar with it will not be able to handle or understand them.


Throughout the song, GZA and Method Man showcase their lyrical skills and wordplay. They describe themselves as "lyrical sorcerers" and the "cream of the crop," highlighting their supreme talent in the rap game. The lyrics also touch upon the struggle and dangers of their craft, using metaphors and imagery to emphasize the risks involved. They mention using a "guillotine" to metaphorically behead their competitors and using a military-like strategy in their approach to their music. The lyrics also touch on the idea of being misunderstood and how their style is considered "mad murderous," indicating the intense and powerful impact of their words.


The song also addresses the importance of money and power in their lives. They mention "cash rules over all" and how financial success defines their position and influence. The lyrics mention the constant battles they face against their enemies, with references to being attacked like being "run down with mad trucks," indicating the constant threats they encounter in the rap industry. Through all the challenges, they assert their dominance and survival skills, highlighting their determination to overcome obstacles and thrive in the industry.


Overall, "Living in the World Today" explores themes such as the power of language and communication, the struggles and risks faced in the rap game, and the importance of money and success in their lives.


Line by Line Meaning

Yo (yeah) Check it out son, check it out son
Hey, listen up, son, pay attention


Yo, (Wu, can I get a soo) live in the place to be
Wu-Tang Clan represents and dominates the hip-hop scene


You got the capital G
Referring to GZA, who is respected and powerful


G to the A-M-C
Spelling out GZA's initials


Givin' a mad shout out to the Ranch Crew from the old school
Showing respect and love to a previous rap group


And we gonna take why'all back, know what I'm sayin'?
We'll bring you back to the golden days of hip-hop


Lyrical sorcerers right here, the fathers, the cream of the crop son
We are highly skilled rappers, considered the best


(Yo check it)
Listen up, pay attention


Well if you livin' in the world today
If you're currently existing in this modern world


You be hearin' the slang that the Wu-Tang say
You would be familiar with the unique language spoken by Wu-Tang Clan


Niggaz that front we don't handle em
We don't tolerate people who pretend or act tough


So we blast em, alright, well OK
We respond by aggressively attacking and overpowering them


Well if you like the wicked sound then clap man
If you enjoy our raw and edgy music, show your appreciation


And if the women love it too well then raise your hands
And if the ladies also appreciate it, show your support


But only raise your hands if you're sure
But only show your enthusiasm if you truly mean it


(Punk niggaz shatter like a glass jaw, break it)
Weak individuals crumble easily, just like a fragile jaw


My rhyme gross weight be into combination
My lyrics are heavy and powerful


Was too heavy for the Chevy's is chased out the station
It was too intense for weak rappers to handle


Double-edged was the guillotine that beheaded it and
My words were so sharp and deadly, they destroyed the competition


Gassed up, fucking with some regular unleaded shit
They were foolish to challenge me with their mediocre skills


Heads roll on hillsides behind ropes that
Their heads are figuratively rolling down hills, defeated and humiliated


Bind-in, X marks the spot on the scope
They are targeted and marked for their inevitable downfall


Heavenly art, military is necessary, it's a gamble
My rap skills are divine, and a strong presence is required to succeed, even if it's risky


Emcees bet they best at every
Rappers constantly compete, gambling with their skills


Power move, parable ditties might harm
My impactful songs can have destructive effects on others


If tampered with, set off and strike like pipe bombs
If provoked, I will unleash my words with explosive force


Flashbacks to the Duel of the Iron Mic
Recalling a legendary rap battle, a classic moment in history


Look out for these fatal flying spikes, of massive
Beware of the deadly and powerful lyrics I deliver


Sleep-holds, put strangle on commercial angle
I suffocate and strangle the mainstream music industry's commercial approach


Microphone cords tangled from being Star Spangled
The microphone cables are knotted due to being caught up in the fame and American ideals


Now who could ever say they heard of this?
Who else could claim to have witnessed such skill and artistry?


My motherfuckin' style is mad murderous
My unique rapping style is intense and lethal


Well what you know about emceeing?
Do you have any knowledge or skills in the field of rap?


Yo, I know a lot
Yes, I have extensive knowledge and experience


Well can you demonstrate somethin' nigga?
Can you showcase your talent and skills?


Huh, I'd rather not
No, I prefer not to at the moment


I'm talkin' 'bout stacks cousin
I'm referring to earning substantial amounts of money


Nigga that's what I got
That's what I possess and have achieved


Cash rules over all
Money has significant power and influence


Well cash rules the spot
Money dominates and controls the situation


My preliminary attack keep cemeteries packed
The initial strike of my rhymes keeps graveyards full


Of niggaz who think it ain't like that
Those who underestimate my lyrical prowess


Emcees are gunned down like being run down with mad trucks
Rappers are annihilated similar to being hit by large trucks


then God struck, religious niggas call it bad luck
Their demise is seen as a result of divine intervention or unlucky fate


Raps of led, you got caught up in the web
My rap lines are fatal, entangling and trapping my opponents


now bees are stingin', yo that niggas them singin'
Now they face the consequences and pain, regretting their actions


I'll be swingin' swords strictly based on keyboards
I craft deadly verses solely using my computer keyboard


Unbalanced like elephants and ants on see-saws
My lyrics are creatively unpredictable, like the imbalance between elephants and ants on a see-saw


I throw raps that attack like the Japs on Pearl Harbor
My words strike with relentless force, comparable to the Japanese attack on Pearl Harbor


Emcees be out like bank robbers
Rappers flee and disappear like criminals after a bank heist


Fleeing the scene, to be a sole survivor
Escaping the consequences, striving to be the only one left standing


DJ the getaway driver
The DJ provides the means to escape and evades capture


Tried to dip but he dive I socialize on vocal vibes
They attempt to escape, but I maintain my presence and influence through my powerful voice


On tracks stabbed up with razor sharp knives
On my songs, I deliver piercing and intense lyrics


Criminal subliminal minded rappers find it
Rappers with hidden criminal intentions will recognize it


Hard to define it, when narrow is the gate
It's challenging to comprehend my style when the path to understanding is limited


for fat tapes and then played out and out of date
The popularity and relevance of cassette tapes have diminished over time


Then I construct my thoughts on site to renovate
I rebuild and improve my ideas on the spot


And from that point, the God made a statement
At that moment, I, as the skilled rapper, assert my dominance


Draftin' tracements, replacements in basements
I skillfully create new rhymes and replace the weak ones in the underground


Materials in sheet-rock, to sound proof the beat box
Using physical materials to enhance the quality and effect of the beat


And microscopic optics received through the boxes
The audience experiences the music through small speakers and audio devices


Obnoxious topic, major labels, flavor tropical
Controversial subject matter, major record labels, and a distinct tropical vibe


Punchlines, that's unstoppable
I deliver punchlines that are relentless and unstoppable


Ring like shots from glocks that attract cops
My rhymes resonate like gunshots, catching the attention of law enforcement


Around the clubs and try to shut down the hip-hop
They attempt to suppress and limit the influence of hip-hop music in clubs


But we only increase if everything is peace
However, our influence grows stronger when there is harmony and unity


Father you see King the police
Metaphorically, I am the ruler, and the police serve as my subjects




Lyrics © Universal Music Publishing Group
Written by: Clifford Smith, Gary E. Grice, Robert F. Diggs

Lyrics Licensed & Provided by LyricFind
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