The Scheepers era (1989–1995)
The original line-up released the album Heading for Tomorrow in February 1990 and, later that year, the Heaven Can Wait EP, with new guitarist Dirk Schlächter and new drummer Uli Kusch.
In February 1991, the band began rehearsing for the recording of their second album in a small, remote house in Denmark. With some brand new songs written, Gamma Ray entered the studio under the supervision of producer Tommy Newton and recorded their second album Sigh No More, which was released in September 1991. The style differed vastly from that of Heading for Tomorrow, featuring darker lyrics inspired by the Persian Gulf War that was raging at the time. A 50-date worldwide tour followed.
After the Japanese tour at the beginning of 1991, Gamma Ray underwent another personnel change: the rhythm section (Wessel and Kusch) left due to a personal disagreement and were replaced by Jan Rubach (bass) and Thomas Nack (drums), both from the Hamburg band Anesthesia. The band also began to build their own studio, so work on their new album did not start until 1993. The album Insanity and Genius was released in June 1993, with a style which was closer to that of Heading for Tomorrow than Sigh No More. In September 1993 Gamma Ray, along with Rage, Helicon and Conception, embarked on the Melodic Metal Strikes Back tour. The tour contributed to the release of the double CD Power of Metal, and the videos Power of Metal and Lust for Live, in December.
Land of the Free to Majestic (1995–2006)
More changes in the line-up were to follow for Gamma Ray. Vocalist Ralf Scheepers, who lived far away from the other band members hometown of Hamburg, was attempting to become the new Judas Priest singer after Rob Halford left. He felt that his position in the band had been strained due to the distance between him and the other members. Hansen and Scheepers agreed to an amicable departure. After failing to be recruited for Judas Priest, Scheepers started his own band, Primal Fear.
Hansen said in an interview 1999 about why Scheepers left: There were two main reasons. One was after the first three Gamma Ray albums we said - now we want to do a really, really good album, something really killer. But Ralf was not living in Hamburg, he was living 700km away from here. For that reason he only came up for a while for rehearsal or for the recordings. But to do an album which was really good we needed him there constantly. In years before we had been talking about him moving to Hamburg but at that time he still had a job going on...he still does and he's never going to leave it somehow. He could not really make up his mind to move to Hamburg and there was one problem with that because when we wrote the songs I was always trying to think of his voice but on the other hand it would have been a lot better if he write his own vocal lines, melodies and lyrics. When he came to Hamburg most of the times I was singing in the rehearsal room when he was not there and I was singing on my demos so it was like everything was more or less fixed and he could not really change it. We wanted that to change, therefore we wanted him to move to Hamburg, he could not make up his mind. Then we said either you do it or you die somehow you know...like putting the pistol to his chest. Well....on the other hand he had this Judas Priest thing going on. He wanted to be given a chance. I was the idiot who told him maybe for fun just try it out when it was clear they were searching for a singer because Judas Priest was always his favorite band. We were thinking about him doing the Gamma Ray album and then going to Judas Priest. All in all it led to the point where we said we'd rather split our ways at that point because it doesn't make sense to go on like that.
Hansen then began to search for a new vocalist but, due to demand from friends and fans, took on the guitar-vocal duties himself as he had done for Helloween's first EP and album.
In a 2008 interview, Hansen spoke about the importance of the Land of the Free album and what it represented: We made it exactly at a time point when this kind of metal was proclaimed to be dead as can be. Where it was almost like if a drummer came up with a double bass drum people would say 'ya dooga daga yourself out of here man.' Everything was ruled by Kurt Cobain and the alternative to the alternative and all that kind of stuff. So at that point we made an album like this and it went down very successful. That was cool, that was something special. I think it was the album that gave Gamma Ray the acceptance as being a band not only a Kai Hansen project.
In 1995 the fourth album, Land of the Free, the first to feature Hansen on vocals, was released. The album was praised by critics and fans alike. The tour following the album, Men on a Tour, brought the recording and release of the live album Alive '95 in 1996.
Soon after, there was yet another major lineup change. Jan Rubach and Thomas Nack both left in order to return to Anesthesia and in came new drummer Dan Zimmermann. Zimmerman is also known for being a founding member of the German power metal band Freedom Call. Schlächter, who was originally a bass player, as can be seen on the 1990 video Heading for the East, left the second guitar spot and took back his original instrument, being replaced on guitar by Henjo Richter.
Work started on the next album, and 1997 saw the release of Somewhere Out in Space, which marked the beginning of the band's thematic concentration on space. The album featured the hit "Valley of the Kings" and entered in the charts of many European countries. After two years of touring came the album Power Plant, which was a continuation of Somewhere Out in Space's lyrical approach, but a new direction musically. The album was highly acclaimed throughout the world and gained even more chart success than its predecessor.
For Gamma Ray's next work, Hansen decided to do things differently from the usual compilation of songs. He let the fans decide by voting on their website for their three favorite songs on each album, then the band went back to the studio to re-record the old tracks from the first three albums and made remixed versions for the songs on the later ones. Blast from the Past was the name chosen for this double album.
After a break of one year, when Hansen concentrated on his side project Iron Savior, the band was ready for the recording and release of the album No World Order!, which was stylistically similar to NWOBHM bands such as Iron Maiden and Judas Priest. Again, the album was highly praised and the No Order World Tour saw the band visiting dozens of European countries and Japan. After resting from the tour, the band went on with the Skeletons in the Closet tour, which saw the band performing songs that they never or rarely played live before. Once again, the setlist was voted by the fans on the band's website. Only a few shows were played on this tour but two of those were recorded for the live album Skeletons in the Closet.
Kai Hansen and Henjo Richter also participated in Tobias Sammet's project Avantasia, on both The Metal Opera and The Metal Opera Pt. II, along with various other musicians including Hansen's former bandmates from Helloween, Markus Grosskopf and Michael Kiske.
A live DVD, Hell Yeah The Awesome Foursome Live in Montreal was recorded on 6 May 2006 at Le Medley in Montreal, Quebec. The setlist contained songs drawn from all of their albums up to Majestic (excluding Insanity and Genius) and also a cover of the Helloween hit "I Want Out". The DVD finally saw release on 4 November 2008. It entered the German media control charts at No. 9 and the Swedish charts at No. 1, according to the band's official website.
Land of the Free II to Empire of the Undead (2007–2014)
In recent years, Gamma Ray have made use of touring keyboard players to fully augment their sound in a live environment. Axel Mackenrott of Masterplan fulfilled these duties in the past and was followed by Eero Kaukomies, a Finn who also plays in a Gamma Ray tribute band named Guardians of Mankind. His bandmate Kasperi Heikkinen also played on part of the Majestic tour in 2006 following an injury to Henjo Richter. On their most recent "To The Metal" tour, Kasperi Heikkinen replaced Henjo Richter once again for shows scheduled in Germany and Czech Republic in March 2010. Richter was hospitalized on 16 March 2010 due to retinal detachment. Heikkinen also shared stage with fellow axemen Hansen and Richter making "a three guitar special" for the encore numbers at the Nosturi club in Helsinki, Finland on 29 March 2010.
Land of the Free II was released in late 2007 as a sequel to the hugely successful Land of the Free album. To promote the album, Gamma Ray were the "very special guest" on Helloween's Hellish Rock 2007/2008 World Tour, on some shows along with the band Axxis. For the final encores of the evening, Hansen and members of Gamma Ray joined Helloween to play a couple of songs from when he was in the latter band. Hansen would also regularly join Helloween co-founder Michael Weikath at center stage to the delight of fans of both bands.
To the Metal! was released as the tenth studio album by the band. It was released on 29 January 2010 to modest critical praise, but disappointed some fans, who felt that it was uninspired and a weaker effort than Land of the Free II. On 31 May 2011, Gamma Ray released an EP entitled Skeletons and Majesties. It contains newly recorded, rarely played material (Skeletons) and acoustic versions of other older songs (Majesties). Hansen stated in an interview in February 2012 that he expected the next Gamma Ray album to be released in January 2013. On 1 September 2012, the band announced Michael Ehré as their new drummer, replacing Daniel Zimmermann who chose to retire after 15 years of band activity.
Kai Hansen revealed, in an interview with Metal Blast in April 2013 that their eleventh album, Empire of the Undead would have a "more thrashy" sound. In the same interview, Dirk Schlächter announced that the band would do a headlining tour following its release. Empire of the Undead was released in March 2014, despite Gamma Ray's studio being completely destroyed by a fire.
Additional vocalist and new album (2015–present)
In October 2015, it was announced that Frank Beck would be a new lead vocalist of Gamma Ray, in addition to Hansen. This was due to Hansen's degrading vocals due to lengthy tour schedules, as well as Hansen's desire to have more freedom onstage. On 10 August 2017, the band announced that they would be releasing a 25th anniversary edition of Land of the Free. In June 2021, on the Scars and Guitars podcast, Kai Hansen stated that despite his reunion with Helloween, he is not letting Gamma Ray die, and that he is preparing material for a new album to be tentatively released in 2022.
Full Wikipedia article: https://en.wikipedia.org/wiki/Gamma_Ray_(band)
Studio albums
Heading for Tomorrow (1990)
Sigh No More (1991)
Insanity and Genius (1993)
Land of the Free (1995)
Somewhere Out in Space (1997)
Power Plant (1999)
No World Order! (2001)
Majestic (2005)
Land of the Free II (2007)
To the Metal! (2010)
Empire of the Undead (2014)
Demonseed
Gamma Ray Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I am a stranger in the dark
I am the beast that lives under your bed
I've come to tear your soul apart
I shout at the world
I've come to take you down to the dust
The demon lives within
Your very soul and deep inside your heart
Your pain is what I need
The suffering will feed
Demonseed
I am the ruler of your darkest dreams
I'll take you down into the fire
And I'll be here or all eternity
I am the spirit rising higher
I thrive on every sinner
I've come to you down into the dust
Fight, you'll never win
The demon lives within
Your very soul and deep inside your heart
Your pain is what I need
The suffering will feed
Demonseed
When the demonsoul is crawling out
And the sinner calls my name
See my mind just like an open book
With the words all rearranged
Smoldering inside of me
Growing flame from deep within
Blackened smoke that's wafting high
Bringing darkness, eating light
Oh, where do we go
Oh, where do we go
Where do we go
Where do we go from here
I thrive on all the sinning
And I was here from the beginning
And I make you bleed and crawl
I'm the end and your downfall
Fight, you'll never win
The demon lives within
Your very soul and deep inside your heart
Your pain is what I need
The suffering will feed
Demonseed
Demonseed
The lyrics of Gamma Ray's "Demonseed" are a testament to the darker side of human nature. The song is a metaphorical representation of the demon that resides within every person's consciousness. The monster, the stranger, and the beast mentioned in the lyrics are all manifestations of this demon that exist to tear apart the soul of the person it possesses. The lyrics suggest that the demon's goal is to make the person suffer, to feed on their pain, and to ultimately bring about their downfall.
The chorus of the song repeats the lines "Fight, you'll never win, the demon lives within, your very soul and deep inside your heart, your pain is what I need, the suffering will feed, Demonseed." The lyrics imply that no matter how hard the person fights, they will never be able to fully defeat the demon within them. The demon, in turn, feeds on the person's pain and suffering, making it stronger and more powerful.
The verse about the demonsoul crawling out and the sinner calling the demon's name is also a powerful metaphor. It suggests that when a person succumbs to their darker impulses and engages in sinful behavior, they are calling out to the demon within them, inviting it to take control. The line "see my mind just like an open book, with the words all rearranged" also implies that the demon is able to manipulate and control the thoughts and emotions of the person it possesses.
Overall, "Demonseed" is a haunting and powerful portrayal of the darkness that resides within every human being. The lyrics effectively use metaphor and imagery to convey the idea that our own worst enemy is often ourselves.
Line by Line Meaning
I'm the monster deep inside your head
I represent the evil thoughts and desires that reside within your mind
I am a stranger in the dark
I am an unfamiliar entity that lurks in the shadows
I am the beast that lives under your bed
I am the primal fear that you associate with the dark and unknown
I've come to tear your soul apart
I am here to cause immense emotional and psychological damage
I shout at the world
I make my presence known to everyone, spreading fear and chaos
I've come to take you down to the dust
I aim to bring you down to your knees, reducing you to nothing
Fight, you'll never win
Your attempts to resist me are futile, I will always triumph over you
The demon lives within
I am a part of you, residing within your soul
Your very soul and deep inside your heart
I exist on a fundamental level within your being
Your pain is what I need
I feed on your suffering and misery
The suffering will feed
Your agony is my sustenance
Demonseed
I am the embodiment of evil, a seed that has been planted within you
I am the ruler of your darkest dreams
I hold sway over your most terrifying nightmares
I'll take you down into the fire
I will drag you down into the abyss of pain and agony
And I'll be here or all eternity
I am an ever-present force, always lurking in the shadows
I am the spirit rising higher
I am a malevolent force that continues to grow and strengthen
I thrive on every sinner
I am nourished by the sins and misdeeds of others
When the demonsoul is crawling out
When the darkness within you starts to emerge
And the sinner calls my name
And you give in to your wicked desires
See my mind just like an open book
My twisted thoughts and intentions are laid bare for all to see
With the words all rearranged
But my warped perception of reality distorts everything I say and do
Smoldering inside of me
My inner fire burns bright, fueling my evil intentions
Growing flame from deep within
My power and malevolence continue to grow and strengthen
Blackened smoke that's wafting high
A symbolic representation of my all-consuming darkness
Bringing darkness, eating light
My presence represents the annihilation of all that is good and pure
Oh, where do we go
A rhetorical question that reflects the uncertainty of this dark and twisted reality
Where do we go
The imagery of going somewhere represents the journey towards the inevitable end
Where do we go from here
As the darkness and evil intensifies, the only direction left to go is towards the abyss
And I was here from the beginning
I have been a part of the human psyche since the dawn of time
And I make you bleed and crawl
I revel in the pain and suffering that I cause, watching my victims writhing in agony
I'm the end and your downfall
I represent the ultimate downfall of humanity and all that is good in the world
Contributed by Nolan B. Suggest a correction in the comments below.
Helena Ticháčková
Amazing...when Kai sings that part "where do we go"....I must listen it over and over again!
Fabio Azevedo
Hansen , além de cantar , toca demais !!!
MrMegaFredZeppelin
This is awesome. Reminds me of garage jam sessions. ROCK ON!!!!!!!!!
taciane fatima
A letra da música é maravilhosa :D
bernh grinder
Kai Hansen said in an interview that "Empire of the undead" was the first song he composed when he was in the band SECOND HELL with Piet Sielck in 1978.
Rafael Isac
Kai nunca muda velho
steel from hell 669
genial! \m/
Ricardo Lamadrid S.
Amazing!
Nelson Oyarzun
Hansen el Dios del Power Metal!
Jhanmarínjoyeria
LO MAXIMO !!!!!!!!!!!!!!!!!!!!!!