The Scheepers era (1989–1995)
The original line-up released the album Heading for Tomorrow in February 1990 and, later that year, the Heaven Can Wait EP, with new guitarist Dirk Schlächter and new drummer Uli Kusch.
In February 1991, the band began rehearsing for the recording of their second album in a small, remote house in Denmark. With some brand new songs written, Gamma Ray entered the studio under the supervision of producer Tommy Newton and recorded their second album Sigh No More, which was released in September 1991. The style differed vastly from that of Heading for Tomorrow, featuring darker lyrics inspired by the Persian Gulf War that was raging at the time. A 50-date worldwide tour followed.
After the Japanese tour at the beginning of 1991, Gamma Ray underwent another personnel change: the rhythm section (Wessel and Kusch) left due to a personal disagreement and were replaced by Jan Rubach (bass) and Thomas Nack (drums), both from the Hamburg band Anesthesia. The band also began to build their own studio, so work on their new album did not start until 1993. The album Insanity and Genius was released in June 1993, with a style which was closer to that of Heading for Tomorrow than Sigh No More. In September 1993 Gamma Ray, along with Rage, Helicon and Conception, embarked on the Melodic Metal Strikes Back tour. The tour contributed to the release of the double CD Power of Metal, and the videos Power of Metal and Lust for Live, in December.
Land of the Free to Majestic (1995–2006)
More changes in the line-up were to follow for Gamma Ray. Vocalist Ralf Scheepers, who lived far away from the other band members hometown of Hamburg, was attempting to become the new Judas Priest singer after Rob Halford left. He felt that his position in the band had been strained due to the distance between him and the other members. Hansen and Scheepers agreed to an amicable departure. After failing to be recruited for Judas Priest, Scheepers started his own band, Primal Fear.
Hansen said in an interview 1999 about why Scheepers left: There were two main reasons. One was after the first three Gamma Ray albums we said - now we want to do a really, really good album, something really killer. But Ralf was not living in Hamburg, he was living 700km away from here. For that reason he only came up for a while for rehearsal or for the recordings. But to do an album which was really good we needed him there constantly. In years before we had been talking about him moving to Hamburg but at that time he still had a job going on...he still does and he's never going to leave it somehow. He could not really make up his mind to move to Hamburg and there was one problem with that because when we wrote the songs I was always trying to think of his voice but on the other hand it would have been a lot better if he write his own vocal lines, melodies and lyrics. When he came to Hamburg most of the times I was singing in the rehearsal room when he was not there and I was singing on my demos so it was like everything was more or less fixed and he could not really change it. We wanted that to change, therefore we wanted him to move to Hamburg, he could not make up his mind. Then we said either you do it or you die somehow you know...like putting the pistol to his chest. Well....on the other hand he had this Judas Priest thing going on. He wanted to be given a chance. I was the idiot who told him maybe for fun just try it out when it was clear they were searching for a singer because Judas Priest was always his favorite band. We were thinking about him doing the Gamma Ray album and then going to Judas Priest. All in all it led to the point where we said we'd rather split our ways at that point because it doesn't make sense to go on like that.
Hansen then began to search for a new vocalist but, due to demand from friends and fans, took on the guitar-vocal duties himself as he had done for Helloween's first EP and album.
In a 2008 interview, Hansen spoke about the importance of the Land of the Free album and what it represented: We made it exactly at a time point when this kind of metal was proclaimed to be dead as can be. Where it was almost like if a drummer came up with a double bass drum people would say 'ya dooga daga yourself out of here man.' Everything was ruled by Kurt Cobain and the alternative to the alternative and all that kind of stuff. So at that point we made an album like this and it went down very successful. That was cool, that was something special. I think it was the album that gave Gamma Ray the acceptance as being a band not only a Kai Hansen project.
In 1995 the fourth album, Land of the Free, the first to feature Hansen on vocals, was released. The album was praised by critics and fans alike. The tour following the album, Men on a Tour, brought the recording and release of the live album Alive '95 in 1996.
Soon after, there was yet another major lineup change. Jan Rubach and Thomas Nack both left in order to return to Anesthesia and in came new drummer Dan Zimmermann. Zimmerman is also known for being a founding member of the German power metal band Freedom Call. Schlächter, who was originally a bass player, as can be seen on the 1990 video Heading for the East, left the second guitar spot and took back his original instrument, being replaced on guitar by Henjo Richter.
Work started on the next album, and 1997 saw the release of Somewhere Out in Space, which marked the beginning of the band's thematic concentration on space. The album featured the hit "Valley of the Kings" and entered in the charts of many European countries. After two years of touring came the album Power Plant, which was a continuation of Somewhere Out in Space's lyrical approach, but a new direction musically. The album was highly acclaimed throughout the world and gained even more chart success than its predecessor.
For Gamma Ray's next work, Hansen decided to do things differently from the usual compilation of songs. He let the fans decide by voting on their website for their three favorite songs on each album, then the band went back to the studio to re-record the old tracks from the first three albums and made remixed versions for the songs on the later ones. Blast from the Past was the name chosen for this double album.
After a break of one year, when Hansen concentrated on his side project Iron Savior, the band was ready for the recording and release of the album No World Order!, which was stylistically similar to NWOBHM bands such as Iron Maiden and Judas Priest. Again, the album was highly praised and the No Order World Tour saw the band visiting dozens of European countries and Japan. After resting from the tour, the band went on with the Skeletons in the Closet tour, which saw the band performing songs that they never or rarely played live before. Once again, the setlist was voted by the fans on the band's website. Only a few shows were played on this tour but two of those were recorded for the live album Skeletons in the Closet.
Kai Hansen and Henjo Richter also participated in Tobias Sammet's project Avantasia, on both The Metal Opera and The Metal Opera Pt. II, along with various other musicians including Hansen's former bandmates from Helloween, Markus Grosskopf and Michael Kiske.
A live DVD, Hell Yeah The Awesome Foursome Live in Montreal was recorded on 6 May 2006 at Le Medley in Montreal, Quebec. The setlist contained songs drawn from all of their albums up to Majestic (excluding Insanity and Genius) and also a cover of the Helloween hit "I Want Out". The DVD finally saw release on 4 November 2008. It entered the German media control charts at No. 9 and the Swedish charts at No. 1, according to the band's official website.
Land of the Free II to Empire of the Undead (2007–2014)
In recent years, Gamma Ray have made use of touring keyboard players to fully augment their sound in a live environment. Axel Mackenrott of Masterplan fulfilled these duties in the past and was followed by Eero Kaukomies, a Finn who also plays in a Gamma Ray tribute band named Guardians of Mankind. His bandmate Kasperi Heikkinen also played on part of the Majestic tour in 2006 following an injury to Henjo Richter. On their most recent "To The Metal" tour, Kasperi Heikkinen replaced Henjo Richter once again for shows scheduled in Germany and Czech Republic in March 2010. Richter was hospitalized on 16 March 2010 due to retinal detachment. Heikkinen also shared stage with fellow axemen Hansen and Richter making "a three guitar special" for the encore numbers at the Nosturi club in Helsinki, Finland on 29 March 2010.
Land of the Free II was released in late 2007 as a sequel to the hugely successful Land of the Free album. To promote the album, Gamma Ray were the "very special guest" on Helloween's Hellish Rock 2007/2008 World Tour, on some shows along with the band Axxis. For the final encores of the evening, Hansen and members of Gamma Ray joined Helloween to play a couple of songs from when he was in the latter band. Hansen would also regularly join Helloween co-founder Michael Weikath at center stage to the delight of fans of both bands.
To the Metal! was released as the tenth studio album by the band. It was released on 29 January 2010 to modest critical praise, but disappointed some fans, who felt that it was uninspired and a weaker effort than Land of the Free II. On 31 May 2011, Gamma Ray released an EP entitled Skeletons and Majesties. It contains newly recorded, rarely played material (Skeletons) and acoustic versions of other older songs (Majesties). Hansen stated in an interview in February 2012 that he expected the next Gamma Ray album to be released in January 2013. On 1 September 2012, the band announced Michael Ehré as their new drummer, replacing Daniel Zimmermann who chose to retire after 15 years of band activity.
Kai Hansen revealed, in an interview with Metal Blast in April 2013 that their eleventh album, Empire of the Undead would have a "more thrashy" sound. In the same interview, Dirk Schlächter announced that the band would do a headlining tour following its release. Empire of the Undead was released in March 2014, despite Gamma Ray's studio being completely destroyed by a fire.
Additional vocalist and new album (2015–present)
In October 2015, it was announced that Frank Beck would be a new lead vocalist of Gamma Ray, in addition to Hansen. This was due to Hansen's degrading vocals due to lengthy tour schedules, as well as Hansen's desire to have more freedom onstage. On 10 August 2017, the band announced that they would be releasing a 25th anniversary edition of Land of the Free. In June 2021, on the Scars and Guitars podcast, Kai Hansen stated that despite his reunion with Helloween, he is not letting Gamma Ray die, and that he is preparing material for a new album to be tentatively released in 2022.
Full Wikipedia article: https://en.wikipedia.org/wiki/Gamma_Ray_(band)
Studio albums
Heading for Tomorrow (1990)
Sigh No More (1991)
Insanity and Genius (1993)
Land of the Free (1995)
Somewhere Out in Space (1997)
Power Plant (1999)
No World Order! (2001)
Majestic (2005)
Land of the Free II (2007)
To the Metal! (2010)
Empire of the Undead (2014)
No Return
Gamma Ray Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You'd never invite me but I will be your guest
Oh, no, no, don't be afraid of the Reaper
It's time to go I call your name and you follow
Fly with me
Take a look around and say you love me,
For everything you see there is a reason
The big wheel is turning like always before
There is no return from the other side of Heaven
For the big wheel turns and the circle must go on
Forever more
How do you like the Termination day? - So far -
Kiss me good bye, cause I must fade away
Oh, no, no, don't be afraid of your Master
It's time to go he's calling your name now you follow
Fly away
Take a look around...
There is no return...
[Solo Kai]
Welcome to eternal life, my friend
Now take your seat on your cloud
Enjoy your stay
But always remember
There is no return
There is no return...
There is no return...
No return, no return
From the other side of Heaven
The lyrics to Gamma Ray's song No Return seem to be centered around the theme of death and the afterlife. The first verse speaks to the idea of riding the wind, suggesting that the singer is ready and willing to move on to the next stage of existence. The line "don't need your request" further emphasizes this, suggesting that no one has the power to hold the singer back from what's to come. The second line, "You'd never invite me but I will be your guest," is interesting as it seems to suggest that the singer has been excluded from something (life, perhaps), but will be welcomed into the afterlife nonetheless.
The verse "Oh, no, no, don't be afraid of the Reaper" is likely a reference to the Grim Reaper, who is often depicted as a symbol of death itself. The following lines "It's time to go I call your name and you follow, fly with me" again emphasize the idea of moving on to the afterlife. The line "Take a look around and say you love me, and I will guide you through the Golden Door" is interesting because it suggests that the singer is offering guidance to someone who is passing on, perhaps a loved one.
The chorus repeats the idea that there is no return from the other side of heaven, and that the big wheel is always turning. The final verse seems to suggest that the singer is already on the other side, welcoming others into eternal life.
Line by Line Meaning
I'm riding the wind, don't need your request
I am confident and self-sufficient, I do not need your permission or approval.
You'd never invite me, but I will be your guest
Although you may not have explicitly invited me, I have entered and will make myself comfortable.
Oh, no, no, don't be afraid of the Reaper
Death is nothing to be feared, for it is a natural part of life's cycle.
It's time to go, I call your name and you follow
It is time to move on from this life, and I am beckoning you to follow me towards the afterlife.
Fly with me
Come with me, and we will journey together.
Take a look around and say you love me
Before we depart, take a moment to appreciate the world around us and express your love for me.
And I will guide you through the Golden Door
I will lead you into the blissful and peaceful afterlife.
For everything you see there is a reason
The world is full of meaning and purpose, even in death.
The big wheel is turning like always before
Life goes on, the cycle of birth and death continues to turn like it always has.
There is no return from the other side of Heaven
Once you have entered the afterlife, there is no going back.
For the big wheel turns and the circle must go on
The cycle of life will continue, as it always has and always will.
Forever more
Eternity awaits us, and the cycle will continue indefinitely.
How do you like the Termination day? - So far -
Are you enjoying the experience of departing this life so far?
Kiss me good bye, cause I must fade away
Bid me farewell with a kiss, as I must leave you and fade away.
Oh, no, no, don't be afraid of your Master
Do not fear the ruler of the afterlife, instead trust him and follow his guidance.
It's time to go, he's calling your name now you follow
It is time for you to move on, and the master of the afterlife is calling you to follow him.
Fly away
Depart this life, and journey into the afterlife with me.
Welcome to eternal life, my friend
Welcome to the afterlife, my companion.
Now take your seat on your cloud
Get comfortable in the afterlife, and make yourself at home.
Enjoy your stay
Bask in the peace and blissfulness of the afterlife.
But always remember
Do not forget the experiences of life, and the cycle that has led you to this point.
There is no return
Once you have entered the afterlife, there is no going back to the world of the living.
No return, no return
Reiterating that there is no way to undo the transition into the afterlife.
From the other side of Heaven
From the perspective of the realm beyond our own, the world of the living.
Lyrics © CONCORD MUSIC PUBLISHING LLC, Warner Chappell Music, Inc.
Written by: KAI HANSEN
Lyrics Licensed & Provided by LyricFind
adal kai
Impecable como siempre👌🏼