Brooker grew up in the seaside resort of Southend-on-Sea, Essex, England, as did most of the other founding members of Procol Harum.
He founded The Paramounts in 1962 with his guitarist friend Robin Trower. The band gained respect within the burgeoning 1960s British R 'n' B scene, which yielded The Beatles, The Animals, The Spencer Davis Group, The Rolling Stones, and many others. The Stones, in particular, were Paramounts fans, giving them guest billing on several memorable shows in the early 1960s.
In 1966, Brooker founded Procol Harum. "A Whiter Shade of Pale" is the worldwide hit that Procol Harum is best known for, but Brooker's melancholy vocals and emotive, eclectic piano playing were a key part of Procol's musical mix for the entire course of the band's career. In the early years Brooker, Hammond organist Matthew Fisher, and Trower were the guiding musical forces behind the band, but after disparities in style became too much and Fisher and Trower left, Brooker was the clear leader until the band broke up in 1977.
Brooker sang lead vocal on the Alan Parsons song "Limelight", on their 1985 album, Stereotomy.
A new incarnation of the Procol Harum, led by Brooker, and including Fisher for most of the tours from 1991 through 2003, has continued touring the world. Brooker also toured with Ringo Starr's All-Starr Band in 1997 and 1999, and he was also a member of Bill Wyman's Rhythm Kings for several years, appearing on three of their albums and touring with the band.
In November 2002 he was among musicians and singers participating in the George Harrison tribute concert, Concert for George, at which he took vocals on their version of "Old Brown Shoe".
Brooker died from cancer at his home on 19 February 2022, at the age of 76.
A Whiter Shade Of Pale
Gary Brooker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, 'There is no reason
And the truth is plain to see.'
But I wandered through my playing cards
And would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open
They might have just as well've been closed
She said, 'I'm home on shore leave,'
Though in truth we were at sea
So I took her by the looking glass
And forced her to agree
Saying, 'You must be the mermaid
Who took Neptune for a ride.'
But she smiled at me so sadly
That my anger straightway died
If music be the food of love
Then laughter is its queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
The song βA Whiter Shade of Paleβ by Gary Brooker features cryptic lyrics that have been debated and analyzed for decades. The song starts with the imagery of dancing and cartwheels, but the singer feels unwell amidst the excitement. The room becomes disorienting and surreal, leading to a confrontation with a woman. The woman speaks in riddles about the lack of reason and truth, causing the singer to act irrationally by insisting that she is a mermaid who once rode Neptune. Despite their conflicting perspectives and experiences, the interactions go on. The conclusion of the song involves the metaphor of diving into the ocean, implying a resolution of sorts, but leaving the listener with a heavy sense of mystery.
The lyrics of βA Whiter Shade of Paleβ have been the subject of many interpretations, but the main consensus is that the song doesn't have a straightforward narrative. The lyrics are full of rich metaphors, ranging from mythology to playing cards. It is widely speculated that the song may have taken inspiration from a variety of literary works, such as Chaucerβs βThe Millerβs Taleβ or Macbethβs sleepwalking soliloquy. However, the creators of the song reportedly treated the lyrics as abstract wordplay rather than a story with a clear plot.
Line by Line Meaning
We skipped the light fandango
We danced lightly and joyfully.
Turned cartwheels 'cross the floor
We were so giddy and happy, we did cartwheels across the room.
I was feeling kinda seasick
I was feeling a bit unwell or uncomfortable, perhaps from all the spinning.
But the crowd called out for more
Despite feeling unwell, the audience wanted us to keep performing.
The room was humming harder
The atmosphere was growing more intense and frenzied.
As the ceiling flew away
The sense of disorientation and excitement was so strong, it felt like the roof was lifting off.
When we called out for another drink
We were so caught up in the moment that we wanted more alcohol to keep the high going.
The waiter brought a tray
A server brought more drinks to us.
And so it was that later
At a later point in the night, after more drinking and dancing.
As the miller told his tale
As a storyteller or singer began recounting their experience.
That her face, at first just ghostly,
As the story progressed, a woman's face seemed to gradually appear before us.
Turned a whiter shade of pale
She became increasingly pale or ghostlike herself, for reasons that are unclear.
She said, 'There is no reason
The woman claimed there was no explanation for her appearance or behavior.
And the truth is plain to see.'
It was obvious to everyone what was happening to her, but she still wouldn't explain.
But I wandered through my playing cards
The singer was lost in thought, perhaps trying to make sense of what was happening around him.
And would not let her be
He couldn't stop obsessing about the woman and her strange presence.
One of sixteen vestal virgins
The woman was said to be one of sixteen pure and chaste women.
Who were leaving for the coast
A group of them were apparently going on a journey towards the ocean.
And although my eyes were open
Despite appearing to see everything, the singer felt blind or disconnected from the world around him.
They might have just as well've been closed
He felt like he was in a dream or trance state, where sensory perception was irrelevant.
She said, 'I'm home on shore leave,'
The woman claimed to be on a break from military service, which didn't quite make sense.
Though in truth we were at sea
In reality, they were still on a ship or boat (perhaps triggering the singer's seasickness).
So I took her by the looking glass
The singer led the woman to a mirror, trying to get her to confront her own ghostly reflection.
And forced her to agree
He made her acknowledge what was happening, perhaps hoping she'd give an explanation.
Saying, 'You must be the mermaid
The singer teased her, insinuating she was a mythical sea creature instead of a human.
Who took Neptune for a ride.'
He joked she was a powerful seductress who had even charmed the god of the sea himself.
But she smiled at me so sadly
Instead of laughing along, the woman's expression betrayed a deep sadness or sorrow.
That my anger straightway died
The singer's own negative emotions suddenly evaporated in the face of her despondency.
If music be the food of love
The singer referenced a famous quote by Shakespeare, saying that music was the thing that fueled his passions and romances.
Then laughter is its queen
He further explained that humor and joy were the things that made love truly great.
And likewise if behind is in front
The singer played with the idea that everything is relative, and that things which seem opposite might actually be the same.
Then dirt in truth is clean
He went on to claim that things which seem dirty or bad might actually be pure and good, depending on your perspective.
My mouth by then like cardboard
The singer's physical state had deteriorated, perhaps from all the drinking, to the point where his mouth felt dry and uncomfortable.
Seemed to slip straight through my head
His thoughts were incoherent or disconnected, perhaps from the combined effects of alcohol and sensory overload.
So we crash-dived straightway quickly
As the night progressed, things got more and more intense, until they 'dove' headfirst into a new level of excitement.
And attacked the ocean bed
The metaphorical 'ocean' was their own delirium or madness, which they fully embraced with wild abandon.
Contributed by Wyatt B. Suggest a correction in the comments below.
@barbarashapiro3776
I'm so sorry for your loss .....l can't begin to imagine your pain .
In 2017 l lost my husband to a Brain Aneurysm......
He was my best friend,and my love.
In one minute l became single again
It's like all the years & life we shared together never existed....and here l am to pick up the pieces left of me, l had to learn who l am now all over again.
My sisters husband passed on 1 month before my husband died.
But he was 94 my husband was 46.
At least we grieved together somewhat.
She now has a boyfriend about 2 years.
I'm happy for her.
I would rather have a dog....
Im 64 now and l am not really interested in finding someone that fits.....
I don't think l can.πβ€
@margaretstutts4362
Lord it so beautiful with a full orchestra. Thank you! I love this song. Who else is listening in 2023?
@m.t.6969
Me!
@wonereshidayat9064
me
@peterermish3017
I will be listening in 2033, God willing.
@louarthur7648
I am... at 63 and have been since I was a little kid.
@fuilaevidetudo-viagensegas6573
When i buy a new phone, I came here for testing.
@CountryHits86
I'm 21. A lot of people are commenting about how they grew up with this song, but I think it's important to know that young people, though we may not have the nostalgia, are still discovering great music like this from generations before us. Songs like this truly are timeless.
@RalphCramden-tm2gi
From a 74 year old thank you. There still is hope.
@mattmoe2743
Welcome to proper music my young friend
@mkrbrtsn1
well said