In a career dating back to the 1960s he has played with bands including Thin Lizzy, Colosseum II, Greg Lake and Skid Row as well as having a successful solo career.
Moore started performing from a young age and got his first good guitar at the age of 14. In a career lasting over 30 years he has demonstrated that he is a fine musician, and his unique style of playing has adapted to very different music genres, including jazz rock jazz, blues, electric blues, hard rock, celtic rock and heavy metal.
One of his most famous non-blues records is Wild Frontier, his first studio album after a trip back to his native Belfast, Northern Ireland in 1985, this album has several songs about Ireland and even the music itself is steeped in Celtic roots. The title track was intended to be sung by Phil Lynott, however Lynott's death in January 1986 prevented that. The album is dedicated to Lynott's memory, with the words "For Philip" on the rear cover.
Wild Frontier contains the hit "Over the Hills and Far Away", which reached #20 in the UK as well as a cover of the Australian band The Easybeats' hit of the middle of the 1960s, "Friday on My Mind". The Max Middleton-penned "The Loner" was originally recorded by Cozy Powell for his Over the Top album in 1979 (which Moore did perform on, albeit not on Powell's recording of "The Loner"), but was substantially altered by Moore for his own recording, thus he was credited as a co-writer.
For blues fans, Moore's best recorded, live performance on video is "LIVE BLUES" recorded in a small night club in London and was released in 1992 on VHS. It is now available on DVD as well. "LIVE BLUES" also features two songs with B.B. King appearing on stage with Moore. "The Thrill Is Gone" on this recording is probably the best version of this, complete with More's Midnight Horns, female backup singers and dueling guitars. Many of Moore's standard songs are on this 90 minute show and were mixed better than most of the studio versions of the same tunes for a very rich and full sound. Even Moore's voice sounds better than it usually does in the studio. Moore did not seem interested in touring the United States.
Connection with Peter Green
According to numerous interviews he has given to guitar magazines, he was the protege of British Blues pioneer Peter Green, whom he had always admired ever since the Bluesbreakers days. When Green quit Fleetwood Mac and the entire music scene, he sold his famous nasal-sounding 1959 Gibson Les Paul to Moore for the same price that Moore had managed to sell his then guitar (a Gibson SG) for. The nasal sound of the neck pickup on Green's guitar was not, as used to be believed, the result of the pickup having been turned backwards, but instead its two coils had been - perhaps accidentally - reconnected in parallel and out of phase, as per the "in between" positions of a Fender Stratocaster. Moore has used this guitar in the recordings of some songs of his albums Still Got The Blues, After Hours and Blues For Greeny. Green and Moore also reportedly had a disagreement regarding what guitar the former was playing in the song "Albatross". Moore insists it was the Les Paul, because the guitar tone was particularly warm and rich in the bass, while Peter Green maintains he was using a Strat, as the vibrato in that song was not finger vibrato, but subtle tremolo arm vibrato. Up to the day of his death, Green and Moore remained good friends.
Guitars used
Over the years Gary has used numerous guitars. These include: Peter Green's 1959 Gibson Les Paul, Peter Green's 1961 Fender Stratocaster and 1950s Gibson Les Paul Junior. He has also used guitars from Charvel, Ibanez, Hamer, Jackson and Heritage. Amplification has generally come from Marshall, though Soldanos and Fender have also been used, as well as transistor-driven Dean Markley units (especially in the studio). He also has used numerous effects over the years. these include; Delay units such as the Echoplex, Overdrive/Booster units such as the Boss DS-1, Ibanez Tubescreamer variants, Marshall Bluesbreaker and Guv'nor pedals as well as Wah-Wah pedals such as the Vox Wah. He appears nowadays to favour Gibson and Fender Guitars through Marshall amps with any of the above Overdrive pedals and Wah pedals to make his sound.
Solo career
In 1973 he released his first solo album as the Gary Moore Band. In 1979 his solo career started again with help from Phil Lynott, the combination of Gary's blues based guitar and Phil's voice produced "Parisenne Walkways" which reached the UK Top Ten in April 1979 and the no.2 album 'Black Rose'. After a series of powerful rock records Gary returned to blues music with Still Got the Blues, with contributions from B. B. King, Albert King and Albert Collins the album was well received by fans and a huge success. Gary stayed with the blues format until 1997 when he decided to experiment with modern dance beats in Dark Days In Paradise; this left many fans as well as the music press confused. Back to the Blues saw Gary return to the tried and tested blues format.
Albums
* Grinding Stone, 1973
* Parisienne Walkways, 1977
* Back on the Streets, 1978
* Corridors of Power, 1982
* Live at the Marquee, 1983
* Rockin' Every Night - Live in Japan, 1983
* Victims of the Future, 1983
* Dirty Fingers, 1984
* We Want Moore, 1984
* Run for Cover, 1985
* Wild Frontier, 1987
* After the War, 1989
* Still Got the Blues, 1990
* After Hours, 1992
* Blues Alive, 1993
* Ballads & Blues 1982-1994, 1994
* Blues For Greeny, 1995
* Dark Days in Paradise, 1997
* Out in the Fields - The Very Best of Part 1, 1998
* Blood of Emeralds - The Very Best of Part 2, 1999
* A Different Beat, 1999
* Back to the Blues, 2001
* Power Of The Blues, 2004
* Old New Ballads Blues, 2006
* Close As You Get, 2007
* Bad For You Baby, 2008
Singles
* Parisienne Walkways
* Out in the Fields
* Empty Rooms
* Wild Frontier
* Still Got the Blues
The Future (2005-present)
Later on in 2006, Gary will support BB King on his 'Farewell UK Tour'. It unfortunately did not lead to a tour of the United States with BB King.
The studio album entitled 'Old New Ballads Blues' was a follow up of 2004's 'Power of the Blues' and it featured new material as well as new versions of fan favourites 'Midnight Blues' and 'All your Love'
Gary Moore has also sold his Les Paul that was given to him by Peter Green to a private owner.
On February 6th 2011, he died from a heart attack in his sleep while on holiday in Spain.
External links
* The Official Gary Moore World Wide Website: http://www.gary-moore.com/
* The Lord Of The Strings - World Wide Gary Moore Fansite: http://www.garymoore.hu/eng.htm Thanks for the music.
Gonna Break My Heart Again
Gary Moore Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Since the day I met you.
But no matter how hard I try,
I can't seem to forget you.
You've been turning me inside out
Since the day I found you.
So why do I spend all of my time
Just hangin' around you?
I don't care what you say to me.
From the way you been behaving,
Now it's plain to see.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
Like you broke my heart before.
Everybody tells me
That I'd be better off without you.
So why do I spend all of my time
Just thinking about you?
I don't care what you say to me.
From the things that I've been hearing,
Now it's plain to see.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
Just like you broke my heart before.
I don't care what you say to me.
From the way you been behaving,
Now it's plain to see.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
Just like you broke my heart before.
You're gonna break my heart again.
You're gonna break my heart again.
Just like you broke my heart before.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
In "Gonna Break My Heart Again," Gary Moore sings about being in a tumultuous relationship with someone who keeps hurting him. He describes how this person has "been turnin' me upside down" and "turning me inside out" since the day they met, yet he cannot seem to forget this person. Despite the warnings from everyone else that he would be better off without this person, he finds himself spending all his time thinking about them. Moore's lyrics are raw and honest about the pain he is experiencing and his fear of being hurt again, as he repeats the refrain "You're gonna break my heart again" throughout the song.
Moore's use of repetition in the refrain emphasizes the pain and uncertainty that he is feeling in the relationship. He is aware that history may be repeating itself, as he sings "Just like you broke my heart before" repeatedly. Despite his fears, he seems to be unable to leave the relationship, stating "So why do I spend all of my time just hangin' around you?" and "why do I spend all of my time just thinking about you?" These lines showcase the internal struggle that Moore is experiencing as he grapples with his emotions.
Overall, "Gonna Break My Heart Again" is a powerful expression of the pain and uncertainty that can accompany tumultuous relationships. Moore's raw lyrics and heartfelt delivery make this song an emotional gut-punch that will resonate with anyone who has experienced the difficulties of navigating a complicated relationship.
Line by Line Meaning
You've been turnin' me upside down
Since the day I met you.
You have had me completely disoriented and confused ever since we first met.
But no matter how hard I try,
I can't seem to forget you.
Despite all of my efforts, I cannot seem to get you out of my mind.
You've been turning me inside out
Since the day I found you.
You have completely changed me and turned my world upside down since the moment I discovered you.
So why do I spend all of my time
Just hangin' around you?
Despite all of the pain and confusion you have caused me, for some reason I cannot bring myself to leave you and I spend all of my time around you.
I don't care what you say to me.
From the way you been behaving,
Now it's plain to see.
I am no longer fooled by your words and am judging you by your actions, which are showing that you are going to hurt me again.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
Like you broke my heart before.
I am fully aware that you are going to hurt me again just like you did in the past.
Everybody tells me
That I'd be better off without you.
Everyone in my life is telling me that I would be better off if I left you and moved on.
So why do I spend all of my time
Just thinking about you?
Despite all of the advice that I am getting, I cannot stop thinking about you and am constantly fixated on you.
From the things that I've been hearing,
Now it's plain to see.
The things that people are saying about you are starting to make sense and I am starting to realize that you are going to hurt me again.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
Just like you broke my heart before.
I know with certainty that you are going to cause me pain all over again, just like you did in the past.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
You're gonna break my heart again.
The repetition at the end emphasizes the certainty and inevitability of the singer's pain, and how powerless they feel to stop it from happening once more.
Lyrics © BMG Rights Management
Written by: GARY MOORE
Lyrics Licensed & Provided by LyricFind