In a career dating back to the 1960s he has played with bands including Thin Lizzy, Colosseum II, Greg Lake and Skid Row as well as having a successful solo career.
Moore started performing from a young age and got his first good guitar at the age of 14. In a career lasting over 30 years he has demonstrated that he is a fine musician, and his unique style of playing has adapted to very different music genres, including jazz rock jazz, blues, electric blues, hard rock, celtic rock and heavy metal.
One of his most famous non-blues records is Wild Frontier, his first studio album after a trip back to his native Belfast, Northern Ireland in 1985, this album has several songs about Ireland and even the music itself is steeped in Celtic roots. The title track was intended to be sung by Phil Lynott, however Lynott's death in January 1986 prevented that. The album is dedicated to Lynott's memory, with the words "For Philip" on the rear cover.
Wild Frontier contains the hit "Over the Hills and Far Away", which reached #20 in the UK as well as a cover of the Australian band The Easybeats' hit of the middle of the 1960s, "Friday on My Mind". The Max Middleton-penned "The Loner" was originally recorded by Cozy Powell for his Over the Top album in 1979 (which Moore did perform on, albeit not on Powell's recording of "The Loner"), but was substantially altered by Moore for his own recording, thus he was credited as a co-writer.
For blues fans, Moore's best recorded, live performance on video is "LIVE BLUES" recorded in a small night club in London and was released in 1992 on VHS. It is now available on DVD as well. "LIVE BLUES" also features two songs with B.B. King appearing on stage with Moore. "The Thrill Is Gone" on this recording is probably the best version of this, complete with More's Midnight Horns, female backup singers and dueling guitars. Many of Moore's standard songs are on this 90 minute show and were mixed better than most of the studio versions of the same tunes for a very rich and full sound. Even Moore's voice sounds better than it usually does in the studio. Moore did not seem interested in touring the United States.
Connection with Peter Green
According to numerous interviews he has given to guitar magazines, he was the protege of British Blues pioneer Peter Green, whom he had always admired ever since the Bluesbreakers days. When Green quit Fleetwood Mac and the entire music scene, he sold his famous nasal-sounding 1959 Gibson Les Paul to Moore for the same price that Moore had managed to sell his then guitar (a Gibson SG) for. The nasal sound of the neck pickup on Green's guitar was not, as used to be believed, the result of the pickup having been turned backwards, but instead its two coils had been - perhaps accidentally - reconnected in parallel and out of phase, as per the "in between" positions of a Fender Stratocaster. Moore has used this guitar in the recordings of some songs of his albums Still Got The Blues, After Hours and Blues For Greeny. Green and Moore also reportedly had a disagreement regarding what guitar the former was playing in the song "Albatross". Moore insists it was the Les Paul, because the guitar tone was particularly warm and rich in the bass, while Peter Green maintains he was using a Strat, as the vibrato in that song was not finger vibrato, but subtle tremolo arm vibrato. Up to the day of his death, Green and Moore remained good friends.
Guitars used
Over the years Gary has used numerous guitars. These include: Peter Green's 1959 Gibson Les Paul, Peter Green's 1961 Fender Stratocaster and 1950s Gibson Les Paul Junior. He has also used guitars from Charvel, Ibanez, Hamer, Jackson and Heritage. Amplification has generally come from Marshall, though Soldanos and Fender have also been used, as well as transistor-driven Dean Markley units (especially in the studio). He also has used numerous effects over the years. these include; Delay units such as the Echoplex, Overdrive/Booster units such as the Boss DS-1, Ibanez Tubescreamer variants, Marshall Bluesbreaker and Guv'nor pedals as well as Wah-Wah pedals such as the Vox Wah. He appears nowadays to favour Gibson and Fender Guitars through Marshall amps with any of the above Overdrive pedals and Wah pedals to make his sound.
Solo career
In 1973 he released his first solo album as the Gary Moore Band. In 1979 his solo career started again with help from Phil Lynott, the combination of Gary's blues based guitar and Phil's voice produced "Parisenne Walkways" which reached the UK Top Ten in April 1979 and the no.2 album 'Black Rose'. After a series of powerful rock records Gary returned to blues music with Still Got the Blues, with contributions from B. B. King, Albert King and Albert Collins the album was well received by fans and a huge success. Gary stayed with the blues format until 1997 when he decided to experiment with modern dance beats in Dark Days In Paradise; this left many fans as well as the music press confused. Back to the Blues saw Gary return to the tried and tested blues format.
Albums
* Grinding Stone, 1973
* Parisienne Walkways, 1977
* Back on the Streets, 1978
* Corridors of Power, 1982
* Live at the Marquee, 1983
* Rockin' Every Night - Live in Japan, 1983
* Victims of the Future, 1983
* Dirty Fingers, 1984
* We Want Moore, 1984
* Run for Cover, 1985
* Wild Frontier, 1987
* After the War, 1989
* Still Got the Blues, 1990
* After Hours, 1992
* Blues Alive, 1993
* Ballads & Blues 1982-1994, 1994
* Blues For Greeny, 1995
* Dark Days in Paradise, 1997
* Out in the Fields - The Very Best of Part 1, 1998
* Blood of Emeralds - The Very Best of Part 2, 1999
* A Different Beat, 1999
* Back to the Blues, 2001
* Power Of The Blues, 2004
* Old New Ballads Blues, 2006
* Close As You Get, 2007
* Bad For You Baby, 2008
Singles
* Parisienne Walkways
* Out in the Fields
* Empty Rooms
* Wild Frontier
* Still Got the Blues
The Future (2005-present)
Later on in 2006, Gary will support BB King on his 'Farewell UK Tour'. It unfortunately did not lead to a tour of the United States with BB King.
The studio album entitled 'Old New Ballads Blues' was a follow up of 2004's 'Power of the Blues' and it featured new material as well as new versions of fan favourites 'Midnight Blues' and 'All your Love'
Gary Moore has also sold his Les Paul that was given to him by Peter Green to a private owner.
On February 6th 2011, he died from a heart attack in his sleep while on holiday in Spain.
External links
* The Official Gary Moore World Wide Website: http://www.gary-moore.com/
* The Lord Of The Strings - World Wide Gary Moore Fansite: http://www.garymoore.hu/eng.htm Thanks for the music.
King of the Blues
Gary Moore Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He was born in Mississippi 1924.
Left his home with no money.
He had to pay his dues,
but he knew the time was comin'
when he'd be king of the blues.
King of the blues!
Lost his heart to a woman, Lucy was her name.
When he hears her sing so sweetly,
he knows he just can't lose.
When he holds her in his arms he knows that
he's the king of the blues.
He's a Hunter with a Crosscut Saw.
Born Under A Bad Sign.
Caught his baby messin' down the Laundromat.
He Almost Lost his Mind.
Yeah!
He was born in Mississippi 1924.
He was born in Indianola, Mississippi 1924. Yes, he was!
He doesn't need no jester to keep him amused.
He's got Lucy by his side,
he's making headline news.
Doesn't need no palace,
like Freddie down in Dallas.
You can call him what you like,
I call him king of the blues.
That's right, mister Albert King of the blues.
Yeah!
King of the blues.
Let me hear ya!
The lyrics of Gary Moore's song "King of the Blues" present the life story of a legendary musician, who was born in Mississippi in the year 1924. The song emphasizes the fact that the musician had to face numerous struggles and hardships before he became famous. He left his home with no money and had to pay his dues, but he was determined to become the King of the Blues one day. Despite facing numerous setbacks, he persevered and became successful in the end.
The song also sheds light on the musician's love life. He fell in love with a woman named Lucy, who inspired him and gave him the courage to pursue his dream of becoming the King of the Blues. The lyrics bring out the depth of their love and how it motivated him to work harder and become a better musician. He became famous for his music and was loved and respected by many.
In conclusion, "King of the Blues" is a tribute to the legendary musician who overcame all odds to become successful in the Blues industry. It showcases the struggle, the pain, the joy, and the love that he went through in his journey to greatness.
Line by Line Meaning
He was born in Mississippi 1924.
The person being referred to was born in the state of Mississippi in the year 1924.
Left his home with no money.
He left his home with no money in order to pursue his dreams and aspirations.
He had to pay his dues,
but he knew the time was comin'
when he'd be king of the blues.
King of the blues!
He had to work very hard in order to establish himself, but he always knew that he would eventually become the king of the blues.
Lost his heart to a woman, Lucy was her name.
Lost his heart to a woman, Lucy was her name. Yes, it was.
When he hears her sing so sweetly,
he knows he just can't lose.
When he holds her in his arms he knows that
he's the king of the blues.
He fell deeply in love with a woman named Lucy, who also happened to be a great singer. Whenever he hears her sing, he knows that he has already won the battle and successfully established himself as the king of the blues.
He's a Hunter with a Crosscut Saw.
Born Under A Bad Sign.
Caught his baby messin' down the Laundromat.
He Almost Lost his Mind.
Yeah!
He is a great blues musician who is well known for his signature tunes such as 'Hunter with a Crosscut Saw', 'Born Under A Bad Sign', and 'Almost Lost his Mind'.
He doesn't need no jester to keep him amused.
He's got Lucy by his side,
he's making headline news.
Doesn't need no palace,
like Freddie down in Dallas.
You can call him what you like,
I call him king of the blues.
He is content with what he has and doesn't need any other distractions to keep him amused. Having Lucy by his side, he now grabs the attention of the media and is making headline news. He is not envious of the wealth that others have achieved and is happy with what he already has. He is the king of the blues, and no one can change that.
That's right, mister Albert King of the blues.
Yeah!
King of the blues.
Let me hear ya!
This is a shout-out and tribute to Albert King, who was revered by many as the true king of the blues. His legacy will always be celebrated, and his influence on the world of the blues will always be felt.
Lyrics © MUSIC SALES CORPORATION
Written by: GRAHAM GOULDMAN
Lyrics Licensed & Provided by LyricFind