In a career dating back to the 1960s he has played with bands including Thin Lizzy, Colosseum II, Greg Lake and Skid Row as well as having a successful solo career.
Moore started performing from a young age and got his first good guitar at the age of 14. In a career lasting over 30 years he has demonstrated that he is a fine musician, and his unique style of playing has adapted to very different music genres, including jazz rock jazz, blues, electric blues, hard rock, celtic rock and heavy metal.
One of his most famous non-blues records is Wild Frontier, his first studio album after a trip back to his native Belfast, Northern Ireland in 1985, this album has several songs about Ireland and even the music itself is steeped in Celtic roots. The title track was intended to be sung by Phil Lynott, however Lynott's death in January 1986 prevented that. The album is dedicated to Lynott's memory, with the words "For Philip" on the rear cover.
Wild Frontier contains the hit "Over the Hills and Far Away", which reached #20 in the UK as well as a cover of the Australian band The Easybeats' hit of the middle of the 1960s, "Friday on My Mind". The Max Middleton-penned "The Loner" was originally recorded by Cozy Powell for his Over the Top album in 1979 (which Moore did perform on, albeit not on Powell's recording of "The Loner"), but was substantially altered by Moore for his own recording, thus he was credited as a co-writer.
For blues fans, Moore's best recorded, live performance on video is "LIVE BLUES" recorded in a small night club in London and was released in 1992 on VHS. It is now available on DVD as well. "LIVE BLUES" also features two songs with B.B. King appearing on stage with Moore. "The Thrill Is Gone" on this recording is probably the best version of this, complete with More's Midnight Horns, female backup singers and dueling guitars. Many of Moore's standard songs are on this 90 minute show and were mixed better than most of the studio versions of the same tunes for a very rich and full sound. Even Moore's voice sounds better than it usually does in the studio. Moore did not seem interested in touring the United States.
Connection with Peter Green
According to numerous interviews he has given to guitar magazines, he was the protege of British Blues pioneer Peter Green, whom he had always admired ever since the Bluesbreakers days. When Green quit Fleetwood Mac and the entire music scene, he sold his famous nasal-sounding 1959 Gibson Les Paul to Moore for the same price that Moore had managed to sell his then guitar (a Gibson SG) for. The nasal sound of the neck pickup on Green's guitar was not, as used to be believed, the result of the pickup having been turned backwards, but instead its two coils had been - perhaps accidentally - reconnected in parallel and out of phase, as per the "in between" positions of a Fender Stratocaster. Moore has used this guitar in the recordings of some songs of his albums Still Got The Blues, After Hours and Blues For Greeny. Green and Moore also reportedly had a disagreement regarding what guitar the former was playing in the song "Albatross". Moore insists it was the Les Paul, because the guitar tone was particularly warm and rich in the bass, while Peter Green maintains he was using a Strat, as the vibrato in that song was not finger vibrato, but subtle tremolo arm vibrato. Up to the day of his death, Green and Moore remained good friends.
Guitars used
Over the years Gary has used numerous guitars. These include: Peter Green's 1959 Gibson Les Paul, Peter Green's 1961 Fender Stratocaster and 1950s Gibson Les Paul Junior. He has also used guitars from Charvel, Ibanez, Hamer, Jackson and Heritage. Amplification has generally come from Marshall, though Soldanos and Fender have also been used, as well as transistor-driven Dean Markley units (especially in the studio). He also has used numerous effects over the years. these include; Delay units such as the Echoplex, Overdrive/Booster units such as the Boss DS-1, Ibanez Tubescreamer variants, Marshall Bluesbreaker and Guv'nor pedals as well as Wah-Wah pedals such as the Vox Wah. He appears nowadays to favour Gibson and Fender Guitars through Marshall amps with any of the above Overdrive pedals and Wah pedals to make his sound.
Solo career
In 1973 he released his first solo album as the Gary Moore Band. In 1979 his solo career started again with help from Phil Lynott, the combination of Gary's blues based guitar and Phil's voice produced "Parisenne Walkways" which reached the UK Top Ten in April 1979 and the no.2 album 'Black Rose'. After a series of powerful rock records Gary returned to blues music with Still Got the Blues, with contributions from B. B. King, Albert King and Albert Collins the album was well received by fans and a huge success. Gary stayed with the blues format until 1997 when he decided to experiment with modern dance beats in Dark Days In Paradise; this left many fans as well as the music press confused. Back to the Blues saw Gary return to the tried and tested blues format.
Albums
* Grinding Stone, 1973
* Parisienne Walkways, 1977
* Back on the Streets, 1978
* Corridors of Power, 1982
* Live at the Marquee, 1983
* Rockin' Every Night - Live in Japan, 1983
* Victims of the Future, 1983
* Dirty Fingers, 1984
* We Want Moore, 1984
* Run for Cover, 1985
* Wild Frontier, 1987
* After the War, 1989
* Still Got the Blues, 1990
* After Hours, 1992
* Blues Alive, 1993
* Ballads & Blues 1982-1994, 1994
* Blues For Greeny, 1995
* Dark Days in Paradise, 1997
* Out in the Fields - The Very Best of Part 1, 1998
* Blood of Emeralds - The Very Best of Part 2, 1999
* A Different Beat, 1999
* Back to the Blues, 2001
* Power Of The Blues, 2004
* Old New Ballads Blues, 2006
* Close As You Get, 2007
* Bad For You Baby, 2008
Singles
* Parisienne Walkways
* Out in the Fields
* Empty Rooms
* Wild Frontier
* Still Got the Blues
The Future (2005-present)
Later on in 2006, Gary will support BB King on his 'Farewell UK Tour'. It unfortunately did not lead to a tour of the United States with BB King.
The studio album entitled 'Old New Ballads Blues' was a follow up of 2004's 'Power of the Blues' and it featured new material as well as new versions of fan favourites 'Midnight Blues' and 'All your Love'
Gary Moore has also sold his Les Paul that was given to him by Peter Green to a private owner.
On February 6th 2011, he died from a heart attack in his sleep while on holiday in Spain.
External links
* The Official Gary Moore World Wide Website: http://www.gary-moore.com/
* The Lord Of The Strings - World Wide Gary Moore Fansite: http://www.garymoore.hu/eng.htm Thanks for the music.
Really Gonna Rock
Gary Moore Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To find a woman just like you.
Come on over to my place, baby,
I tell you what we're gonna do.
We'll be rockin', rollin',
Really gonna feel alright.
Rockin', rollin',
Really gonna rock tonight, yes that's right.
I been lookin' for a good time, baby,
Someone that can see me through.
I been living for the first bite, baby,
You gotta see me give it to you.
'Cause I'm rockin', rollin',
Really gonna feel alright.
Rockin', rollin',
Yes, I really gonna rock, really gonna rock,
Really gonna rock tonight.
Some people tell me what to do and say.
I never listen to them anyway.
Don't care if it's wrong or it's right.
I'm gettin' blown away,
I'm gonna try tonight, yeah, ooh.
Ooh, that's right.
'Cause I'm rockin', rollin',
Really gonna feel alright.
Rockin', rollin',
Yes, I really gonna rock, really gonna rock,
Really gonna rock tonight.
Some people tell me what to do and say.
I never listen to 'em anyway.
Don't care if it's wrong or it's right.
I'm gettin' blown away,
I'm gonna try tonight.
Is that right.
Oh, gonna rock tonight.
Yeah, yeah-yeah-yeah, really gonna feel alright.
I'll tell you what, I'll tell you what I'm gonna do.
I'm really gonna rock tonight with you.
Oh yeah, ooh-ooh yeah-yeah.
I'm just gonna have a really good time.
'Cause I'm rockin', rollin',
Really gonna feel alright.
Rockin', rollin',
Yes, I really gonna rock tonight.
'Cause I'm rockin', rollin',
Really gonna feel alright.
Rockin', rollin',
Yes, I really gonna rock,
Really gonna rock, really gonna rock,
Really gonna rock, really gonna rock,
Really gonna rock, really gonna rock tonight.
Yeah, rock tonight.
The lyrics of Gary Moore's "Really Gonna Rock" describe the excitement of meeting someone special and the anticipation of spending time together. The singer has been waiting for a woman like the one he has met and is eager to show her a good time. He wants to rock and roll with her, feeling truly alive and free. The song is about letting go of inhibitions and embracing the moment, no matter what other people may say or think.
The verses are filled with energy and enthusiasm, using repetition and rhyme to create a sense of urgency and excitement. The chorus is a powerful declaration of the singer's intentions, promising a night of non-stop partying and pleasure. The repeating phrase "Really gonna rock tonight" acts as a sort of rallying cry and a reaffirmation of the singer's determination to have a good time.
Overall, "Really Gonna Rock" is a fun, upbeat song that celebrates the joy of living in the moment and letting loose with the people you care about. It's a reminder to focus on the things that bring us happiness and to cherish the time we spend with others.
Line by Line Meaning
I've been waiting such a long time, baby,
I've been waiting for the perfect woman for a while now
To find a woman just like you.
To find someone like you who can make me feel special
Come on over to my place, baby,
Why don't you come over and spend some time with me?
I tell you what we're gonna do.
Let me show you what I have in mind for us.
We'll be rockin', rollin',
We'll be having the time of our lives
Really gonna feel alright.
We're going to feel so happy and content
Yes, I really gonna rock, really gonna rock,
Yes, I'm going to have a blast, really enjoy myself
Really gonna rock tonight, yes that's right.
I'm going to party hard tonight, that's for sure.
Some people tell me what to do and say.
Some people try to control me and my actions
I never listen to them anyway.
I don't pay attention to them because I like to do things my way
Don't care if it's wrong or it's right.
It doesn't matter if I'm making a mistake, I still want to do it
I'm gettin' blown away,
I'm getting carried away by the moment.
I'm gonna try tonight, yeah, ooh.
I want to give it a shot tonight, see where the night leads us
'Cause I'm rockin', rollin',
Because I'm going to enjoy my life to the fullest
I been looking for a good time, baby,
I've been searching for something fun to do
Someone that can see me through.
Someone who can help me have a good time tonight
I been living for the first bite, baby,
I'm always eager to try something new
You gotta see me give it to you.
Let's see what we can make of tonight together
Yeah, rock tonight.
Let's have a wonderful night full of fun and music.
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
M Weems
This album is terrific! Gary only sings lead on Nuclear Attack. Charlie Huhn sings lead on the rest and plays rhythm guitar. If memory serves me correct, Tommy Aldridge is the drummer, and maybe Neil Murray on bass? I could be adjusted on that!
StefanJann
Jimmy Bain on bass.
Cunninglinguist
I do believe you have it close . No guitar credit for Charlie Huhn . Gary Moore – guitar, co-lead vocals on track 10, backing vocals
Charlie Huhn – lead vocals
Don Airey – organ, keyboards
Jimmy Bain – bass
Tommy Aldridge – drums
Ruben De La Rosa
This song rules
Vanei Pontes
Robert William Gary Moore. ..R.I.P
Floyd Rose
Jok, moj deda Miladin ust'o iz groba :D Garyjevi heavy dani, covek d'uzme ovu oklagiju iz moje kujne, odsvirao bi zmureci, laka mu zemlja :/