March, 1977. After the university riots some of them, start to live together in a flat in Bologna with other artists and friends. The aggregation place is an occupied house in Bologna where they lodge artists, musicians, designers, cartoonists and directors. At this time the name of the band is "Centro D'Urlo Metropolitano". With this band they write "Mamma dammi la Benza" the first and one track of "Centro D'Urlo Metropolitano" co-produced and distributed by the University Student Movement of Bologna in september 1977.
November, 1977. After a trip in London they decides to change name of the band into Gaznevada from the Raymond Chandler novel "Nevada gas". At this moment the official Gaznevada members are: Alessandro Raffini (aka Billy Blade), Ciro Pagano (aka Robert Squibb), Marco Dondini (aka Bat Matic), Giorgio Lavagna (aka Andy Nevada). There are also Giampiero Huber (aka Johnny Tramonta) and Gianluca Galliani (aka Nico Gamma), but they leave the band after a few months, in 1978.
1978. Gaznevada play Ramones covers live at Punkreas Club. The show was a great success and was replied for three days. From this moment they start to play live a lot of gigs in alternative and underground clubs. They record their first tape "Gaznevada". The tape contains a new release of "Mamma dammi la benza", songs like "Criminale", "Telepornovisione" and the first release of "Nevadagaz". In this year they realize the video of "Telepornovisione" directed by Renato De Maria and Giampiero Huber.
1979. Marco Bongiovanni (aka Chainsaw Sally) joins Gaznevada as bass player. The band now is completed. After the Bologna Rock Contests they signe a contract with the indie label "Italian records", they work with this company until 1984 and realizes the first single "Nevadagaz" b/w "Blue TV Set" in the summer 1979. The sound is influenced by Contortions, Ramones, Velvet Underground, Talking heads and Brian Eno. From here to 1983 they start to play live in clubs and rock contests. In this period Gaznevada becomes a cult band with a lot of fans.
1980. Its ready the first Gaznevada album "Sick soundtrack" for many people a reference point of italian new wave of this period. The album contains Oil tubes, Japanese Girls, Going Underground and more. In this year they play the song "Uffà Uffà" in the omonymous album of Edoardo Bennato and feature in the video of the song. They also feature in a small part of "Si salvi chi vuole" a Roberto Faenza movie with Claudia Cardinale
1981. Gaznevada publish an ep: "Dressed To Kill" inspired to the omonymous Brian de Palma movie. It sounds really electronic and dark. For the exit of the new Ep they play live at Electra 1, a rock contest with D.N.A., Lounge Lizards, Chrome, Magazzini Criminali, Peter Gordon and Bauhaus.
1982. Andy Nevada leaves Gaznevada. He says that the sound of the band is going to be too commercial for him and he starts to play with a new project: the Stupid Set. In this year Gaznevada write the new single "Ragazzi dello Spazio" b/w "Dolly" and the 12 inch "(Black Dressed) White Wild Boys".They feature like actors in the indie musical movie "Il Pirata" and write a song for the soundtrack. At the end of the year they are ready to write "I.C.Love Affair" the song that changes the sound direction of the band.
1983. "Psicopatico Party", the third Gaznevada album is out in record stores. The album contains "I.C.Love Affair" that will soon becomea club classic. From the album they realized a video of the song "Shock Antistatico". After this album Bat Matic leaves Gaznevada and a new drummer join the band: Gianni Cuoghi (from the Confusional Quartet).
From this moment they feature in many important musical tv shows like Festivalbar, Disco per lestate, Domenica in, Superclassifica Show and many more. "Psicopatico Party" contains also "Agente Speciale" the song that inspired the next Gaznevada single "Special Agent Man". This track will be remixed in 2005 re-edit by Morgan Geist and available in the collection album "Confuzed Disco" of Mantra Vibes, label of Expanded Music group.
1984. Comes out a new Gaznevada single: "Ticket to Los Angeles" it will be last for the Italian records label.
1985. Gaznevada sign a new contract with Emi Music and write a new album: Back to the jungle. "Living in the jungle" is the new single and also new video taken from this new album. The single goes on top of the charts and the video, directed by Renzo Martinelli, gains a special prize for realization and effects. From the same album the track "Mary is a Clerk" remixed by a french dj team becomes a success in France.
1986. Gaznevada feature in the film "Dolce Assenza" directed by Claudio Sestieri, and "Railway Station Boy", one song of "Back to the jungle" album, its chosen for the movie soundtrack. The single "Sex Sister" is published and for the first time Gaznevada become artistic producer. The mixing of the track was made in Munich at Paradise Studio, the famous studio where Giorgio Moroder has composed and mixed its songs.
1987. In this year Billy Blade leaves and then Gianni Cuoghi leaves the band. At this point Marco Bongiovanni and Ciro Pagano are searching for a new singer. After a lot of test with mor singers they choose Nicola Guiducci from the club "Killer Plastic". Gaznevada now sign a new record contract with the CBS record company for a new Gaznevada album this time produced by Guido Elmi, artistic producer of Vasco Rossi, Steve Roger's Band, Alberto Fortis and more.
1988. "Strange Life", fourth and last Gaznevada album is published. From this album are extracted the singles and the video "Thrill of the Night" and the songs "Sometimes" and "Jimmy Boy". At this point Ciro Pagano and Marco Bongiovanni decide to freeze Gaznevada to start their personal career: Marco Bongiovanni aka Markino, DJH feat. Stefy, Kaliya and Ciro Pagano aka Do it, Masoko solo, Datura.
2002. After 14 years a new Gaznevada single is published by Emi record company: Dance No Dance. The song is produced by Datura and sounds really eighties and new wave.
2006. Special Agent Man, Oil Tubes and I.C. Love Affair are remixed by Morgan Geist, Kiki and Munk for "Confuzed Disco" a new compilation retrospective of italian eighties sound.
I.C. Love Affair
Gaz Nevada Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
Sweet little Ching
She′s looking for meSweet little Ching
She's looking for me (ah ahn)
(Ooh) Seventy seven
(Ooh) She gave me heaven
Secret police
Is looking for me
A latin lover
From Italy
(Ooh) Seventy seven
(Ooh) She gave me heaven
Sweet little Ching
She′s looking for me
A latin lover
From Italy
(Ooh) Seventy seven
(Ooh) She gave me heaven
Deng Xiaoping
Didn't say ok
Better for you
To like a Chinese guy
(Ooh) Seventy seven
(Ooh) Seventy seven
Deng Xiaoping
Didn't say ok
Better for you
To like a Chinese guy
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
(Ooh) Seventy seven
(Ooh) She gave me heaven
In Gaz Nevada's "I.C. Love Affair," the repetition of the phrase "Seventy seven" can be interpreted as a nostalgic reference, perhaps to a significant year in the context of love and relationships. The recurring lines about being given "heaven" imply that a particular connection or experience from that time is characterized by intense pleasure and beauty. The use of "Ooh" creates an almost euphoric tone, suggesting that these memories are cherished and evoke longing. This feeling of being swept away by love reflects a romantic idealization of the past, as the singer seems to be lost in their recollection of experiences linked to this year, suggesting that it was pivotal in shaping their understanding of love.
The character of "Sweet little Ching" introduces a personal narrative within the song, indicating a specific relationship the singer holds dear. The repetition of her name conveys an emotional attachment and emphasizes that she is actively searching for him, heightening the urgency and significance of their connection. The name "Ching" could symbolize a cultural reference to an individual whom the singer holds in high regard. Furthermore, the incorporation of the "secret police" searching for him introduces an air of intrigue and danger, weaving in themes of risk and secrecy that often accompany passionate affairs. This imagery alludes to the relationship potentially being taboo or frowned upon, adding complexity to the love affair.
Deng Xiaoping's mention and the line "Didn't say ok" draw upon political contexts, particularly in relation to China and its notion of cultural identity. This reference can be interpreted as a commentary on the intersection of love and politics, suggesting that societal norms and expectations complicate personal relationships. The singer’s insistence that it may be "better for you to like a Chinese guy" underscores the idea that love transcends cultural boundaries but also acknowledges the potential pressures from external societal forces. This juxtaposition highlights the contrast between individual desires and social expectations, illustrating how personal relationships can often be overshadowed by broader political realities.
Overall, the lyrics reflect a layered narrative that encompasses joyous reminiscence, personal plight, and political undertones. The central motif of "Seventy seven," paired with the feelings of heaven the singer associates with past love, allows for an exploration of the complexities of romantic relationships intertwined with cultural and societal dynamics. The song ultimately presents a yearning for connection that persists despite external pressures, embodying the timeless struggle between following one’s heart and addressing the ramifications of society’s expectations. As such, "I.C. Love Affair" becomes a poignant exploration of love’s transcendence amid the trials imposed by different cultural and political landscapes.
Line by Line Meaning
Seventy seven
A nostalgic reference to the year 1977, possibly indicating a significant time for personal or cultural events.
She gave me heaven
The singer expresses that a particular relationship or interaction brought immense joy and happiness, akin to a divine experience.
Seventy seven
Reiteration of the nostalgia tied to the year 1977, emphasizing its importance.
She gave me heaven
Reiteration of the idea that this person's presence or love elevates the artist's experiences to blissful heights.
Sweet little Ching
A term of endearment directed at a beloved person, suggesting warmth and affection.
She′s looking for me
Conveys that the singer feels pursued or desired by this affectionate figure, evoking a sense of connection.
Sweet little Ching
Reaffirmation of affection towards the beloved individual, reinforcing the intimacy of the relationship.
She's looking for me (ah ahn)
Again emphasizes the feeling of being sought after, adding a playful note of desire to the longing.
Seventy seven
Repetition of the year as a backdrop for the love and experiences being described.
She gave me heaven
Continued affirmation that this relationship transforms ordinary moments into extraordinary ones.
Secret police
Possible reference to hidden surveillance or societal constraints that might affect the relationship.
Is looking for me
Indicates a sense of anxiety or pressure stemming from external forces that may be monitoring or judging the artist.
A latin lover
Refers to a romantic archetype, possibly indicating an identity filled with passion and charm.
From Italy
Geographical identification suggesting cultural influences, possibly connecting to stereotypes about romance and allure.
Seventy seven
Reiteration of the pivotal year, reinforcing its causes and connections to the singer's narrative.
Sweet little Ching
Continues to express affection and tenderness towards the cherished partner.
She′s looking for me
Reinforces the theme of being wanted, highlighting the bond shared between the artist and the beloved.
A latin lover
A reminder of the singer’s romantic persona, enhancing a blend of identities.
From Italy
Again acknowledging the cultural essence fed into the singer's romantic inclinations.
Seventy seven
Repeated emphasis on the year, signifying its continuous relevance.
She gave me heaven
Continued assertion that the affection received transforms life into a euphoric experience.
Deng Xiaoping
Mention of the Chinese leader could imply commentary on political influences impacting personal lives, especially in romantic contexts.
Didn't say ok
Implying a sense of disapproval or restrictions based on societal norms or expectations.
Better for you
Hints at advice or a suggestion concerning ideal choices in love or life.
To like a Chinese guy
The focus here may relate to racial or cultural identity in the context of love, suggesting prejudices or preferences shaped by societal standards.
Seventy seven
Yet again reaffirming the nostalgic anchor that serves as the foundation for the singer's narrative.
Seventy seven
A continuous loop back to the significant year that encapsulates the emotional journey of the singer.
Deng Xiaoping
Revisiting the mention of the political figure, perhaps indicating ongoing reflections on restrictions caused by politics.
Didn't say ok
Reemphasizing the idea of unsatisfactory acceptance regarding societal norms.
Better for you
Reiterating advice or suggestions based on societal expectations of love.
To like a Chinese guy
Referring back to themes of identity, love, and societal preferences shaping personal choices.
Seventy seven
Continued resonance of the year, a marker of personal and cultural significance.
She gave me heaven
Final affirmation encapsulating the transformative joy experienced through love.
Seventy seven
Repetition of the year, again underlining its thematic presence throughout the song.
She gave me heaven
Final reiteration of the euphoric emotions that love can bring, summarizing the song's core message.
Seventy seven
An enduring motif throughout, as it embodies both nostalgia and a landmark of emotional experiences.
She gave me heaven
Culmination of a love story that exalts the relationships that profoundly affect one's happiness.
Writer(s): Sandro Raffini, Ciro Pagano
Contributed by Noah G. Suggest a correction in the comments below.
@simonasalerni3642
Questo si che è ritmo , ti viene voglia di ballare...come nell'83 !!! Vorrei tornare indietro...
@paolocapitini5518
...e 40 anni dopo si rivà con ò'Italian Disco.
Grazie ragazzi
@andrealucan9070
Inizio estate 83 la si sentiva in radio e la si ballava in discoteca
@oldramon980
Underrated band, absolute gem.
@m.m.warburg5769
💯
@paoloventurin2472
R4, Ritmo e Dyane come piovesse. Che bei tempi che abbiamo vissuto.
@giuseppegiamundo1038
Ascoltavo sempre questo brano quando ero in vacanza a Taranto da parenti a campomarino.....bellissimo pezzo dei Gaz Nevada anno 1983
@thomasrope5155
l’Italia della mia infanzia . Un Italia di cui tutti abbiamo nostalgia ❤️😊
@thejoker-ie1mm
Bei tempi, sincere condoglianze ai ragazzi del terzo millennio, che inseguono "artisti" improbabili del calibro del testone tatuato e ipocondriaco. 😫
@anjunamarco
tranquillo, alcuni di noi ascoltano la musica giusta 😉