FLEURS
Gazo Lyrics

Mmh-mmh-mmh-mmh-mmh
The start of the song with no discernible meaning.

(Eh) mmh-mmh-mmh-mmh-mmh
Another line similar to the start with no discernible meaning.

Bah ouais
An affirmation of what has just been said, similar to "yes" or "of course".

(Hey) mmh-mmh-mmh-mmh-mmh
Another line similar to the start with a possible exclamation thrown in.

Bah ouais, hey
A combination of the previous two lines that doesn't add much to the overall meaning of the song.

J'ai pris différentes gues-dro
The singer has taken multiple drugs, which will be referenced repeatedly throughout the song.

J'arrive même plus à t'guer-dra
The drugs have made it difficult for the singer to communicate properly with someone else.

Faut qu'on finisse sous tes draps
The artist wants to have sex with the other person they can't communicate with due to their drug use.

(Faut qu'on finisse sous tes draps)
The previous line is repeated for emphasis.

Trop défoncé, j'suis sous codéine
The artist is very high and is specifically under the influence of codeine.

J'sens plus mon cœur, j'sens plus mon pouls
The drugs have made it difficult for the singer to feel their own bodily functions.

J'ai trop d'haine pour te faire l'amour
The artist is too full of hate to have sex with the other person, despite their desire to do so.

(On verra si haine et sexe)
The singer acknowledges the potential for hate and sex to coexist in their encounter.

On l'fera si on s'revoit
The decision of whether or not to have sex will be made if they see each other again.

À n'importe quel moment, à n'importe quel endroit
The decision of whether or not to have sex can happen at any time and any place.

(Wesh, à n'importe quel endroit)
The artist exclaims that having sex can occur anywhere.

J'sens qu'j'me rapproche de la mort (ah-ah-ah-ah)
The artist feels that they are getting closer to death, potentially from their drug use.

Tellement ma gue-dro m'guérit
The singer believes that their drug use is actually healing them.

Médicinale est ma beugeuh
The singer claims that their drugs are medicinal in nature.

J'ai des Gazos qui sont partis
The artist has friends or acquaintances who have died, potentially from drug use.

J'dois aller déposer des fleurs (fleurs)
The artist is going to leave flowers at the graves of their deceased friends or acquaintances.

De l'intérieur, ça me détruit
The artist is emotionally destroyed by the loss of their friends or acquaintances.

Tellement qu'j'arrive plus à pleurer
The singer is so emotionally devastated that they can no longer cry.

Pull up au-d'ssus de leurs ceintures
The artist is pulling up their pants above their waistband for a specific reason (which becomes apparent in the next line).

Crois-moi, c'est pas pour effleurer, nan (nan) eh (eh)
The singer is pulling up their pants to make sure that they don't accidentally touch or rub against a gun they are carrying.

Jusqu'à c'que j'ai plus mal (plus mal)
The singer will continue to drink and take drugs until they no longer feel the emotional pain caused by their loss.

Je me ressers et je bois (je bois)
The singer continues to pour and drink alcohol to numb their emotions.

Tous mes sentiments, je noie (eh, eh)
The artist is drowning all of their emotions using drugs and alcohol.

Lean dans ma baignoire (baignoire)
The artist is drinking lean (a drug containing codeine) while sitting in a bathtub.

Glock sous mon peignoir (grr)
The singer has a gun concealed under their bathrobe.

Fonce-dé mais j'me roule un joint
The singer is very high, but still has the capacity to roll a joint (a cannabis cigarette).

(J'suis loin, loin)
The artist repeats this line for emphasis, indicating how far gone they are due to their drug use.

(Aujourd'hui, elle s'rappelle de moi, hey)
The artist thinks that someone from their past might remember them from this point in their life due to their current behavior.

(De moi, moi, moi)
The artist repeats this line to emphasize their self-centeredness in this situation.

Laisser des frères ou des balles? Du roro pour la médaille
The singer is faced with a decision of whether to leave behind their friends or take a chance with danger, with the possibility of earning money or recognition for doing so.

Vivons comme Bonnie and Clyde avant qu'la mort nous sépare
The artist wants to live like the infamous couple Bonnie and Clyde, committing crimes together until death separates them.

Des ennemis, on s'épargne (charger mon cœur et le flingue)
The singer and their partner(s) in crime spare each other's lives even though they may have enemies or potential competitors, as indicated by their shared weapon, which represents their hearts.

Je récupère et je fly, et j'y vois flou au volant
The singer is recovering (presumably from their drug use), but still isn't clear or fully in control of their actions; they may be driving while impaired.

Perdu du temps et d'l'argent, on devient fou et violent
The singer and their partner(s) in crime have wasted both time and money, leading them to desperation and potentially violent behavior.

Bienvenue dans la violence, hey
The artist welcomes the listener to the violent world they have created for themselves.

Tic-tac, millions d'euros, tic-tac
The artist is aware of the ticking clock as they approach the potential to earn millions of euros through their illegal activities.

Diamants, Rolex, tic-tac, charbon, j'suis frais, tic-tac
The singer has acquired expensive items, including diamonds and a Rolex watch, yet they remain unchanged as a person, indicated by their use of 'charbon' (charcoal) which is common slang for 'weed'.

Elle veut qu'on s'capte
The singer has been contacted by someone (a woman, presumably) who wants to see them.

Car elle aime pas que j'lui dise "J'te rappelle"
This woman doesn't like when the artist tells her that he'll call her back, indicating that communication between them might be difficult or strained.

Tu me demandes c'que j'ai eu
The artist is being asked what they have been up to recently.

C'est la rue qui m'a laissé ses séquelles (yah)
The artist has been affected by the experiences they've had on the streets, potentially including crime or drug use.

C'est qu'une histoire de train d'vie (yah)
The singer dismisses their life experiences as just the way they live.

C'est qu'une histoire de train d'vie
The previous line is repeated for emphasis.

Baby, c'est qu'une histoire de train d'vie
The singer uses a term of endearment to address the woman, and repeats that their lifestyle is simply a matter of how they live.

C'est qu'une histoire de train d'vie, baby (hey)
The previous line is repeated for emphasis, with an additional exclamation added at the end.

(Ah-ah-ah-ah-ah)
A nonsense vocalization that add emphasis to the line before it.

(Ah-ah-ah-ah-ah) (hey)
The artist repeats the previous nonsense vocalization, with a possible exclamation added at the end.

J'suis sous différentes gues-dro
The artist is still under the influence of multiple drugs.

Faut qu'j'finisse sous tes draps, hey
The song ends on the same note it began, with the singer reiterating their desire to have sex with the other person they can't communicate with due to their drug use.