When formed in 1955, the band included Willie Williams on rhythm guitar (replaced in late 1956 by Paul Peek), Jack Neal on upright bass, Dickie Harrell on drums, and Cliff Gallup on lead guitar. The band quickly gained a reputation playing in various country bars in Norfolk, Virginia (where Vincent was born. There they won a talent contest organized by a local radio DJ, "Sheriff Tex" Davis, who then became Vincent's manager.
After "Be-Bop-a-Lula" became a hit, Vincent & His Blue Caps were unable to follow it up with the same level of commercial success, although they released critically acclaimed songs like "Race with the Devil" (number 96 on the US Billboard chart and number 50 on the US Cash Box chart) and "Bluejean Bop" (number 49 on the US Billboard chart and another million-selling disc).
Cliff Gallup left the band in 1956, and Russell Williford joined as the new guitarist for the Blue Caps. Williford played and toured Canada with Vincent in late 1956 but left the group in early 1957. Gallup came back to do the next album and then left again. Williford came back and exited again before Johnny Meeks joined the band. The group had another hit in 1957 with "Lotta Lovin'" (highest position number 13 and spending 19 weeks on the Billboard chart and number 17 and 17 weeks on the Cashbox chart). Vincent was awarded gold records for two million sales of "Be-Bop-a-Lula", and 1.5 million sales of "Lotta Lovin'".
On November 17, 1957, Vincent & His Blue Caps performed "Be-Bop-a-Lula" on the nationally broadcast US television program The Ed Sullivan Show. The song spent nine weeks on the Billboard chart and peaked at number 23 on January 23, 1958 and reached number 36 and spent eight weeks on the US Cashbox chart. It was Vincent's last American hit single. The song was used in the movie Hot Rod Gang for a dance rehearsal scene featuring dancers doing the West Coast Swing.
Vincent & His Blue Caps also appeared several times on Town Hall Party, California's largest country music barn dance, held at the Town Hall in Compton, California. They appeared on October 25, 1958, and July 25 and November 7, 1959.
By the end of 1959 the Blue Caps were no longer part of the billing on Gene Vincent records. The late 1959 single "Wild Cat" was credited solely to Gene Vincent, and this would be the case on all subsequent Gene Vincent releases.
Gene Vincent, real name Vincent Eugene Craddock, (February 11, 1935 – October 12, 1971) was an American rockabilly pioneer musician, best known for his hit “Be-Bop-A-Lula”.
Early life:
His parents, Ezekiah Jackson and Mary Louise Craddock, were shop owners in Norfolk, Virginia. He grew up in Virginia under the influence of country, Rhythm and Blues and Gospel music. He received his first guitar as a gift from a friend at the age of 12.
In 1952 Gene left school and joined the Navy. In 1955 he was stationed in Korea, where he suffered a severe motorcycle accident that shattered his left leg. He refused to have it amputated, the leg was saved, but left him with a permanent limp and considerable chronic pain for the rest of his life.
Early career:
He left the Navy and started playing in various country bands in his native Norfolk, Virginia. In 1956 he wrote "Be-Bop-A-Lula", which helped him sign a contract at Capitol Records with his backing band The Blue Caps.
After "Be-Bop-A-Lula" had become a huge hit, Gene Vincent & the Blue Caps were unable to follow it up with the same level of commercial success but recorded critically acclaimed songs like "Bluejean Bop" and "Race with the Devil". That year, Vincent was reputedly convicted of public obscenity and fined $10,000 by the state of Virginia for his live performance of the erotic song, "Woman Love", although this is now believed to have been just a rumor.
The group had another hit with 1957's "Lotta Lovin'." Vincent also became one of the first rock stars to star in a film, The Girl Can't Help It together with Jayne Mansfield.
There were numerous changes of personnel in his backing group, The Blue Caps. However, a dispute with the US Tax Authorities and The American Musicians' Union over payments to his band and his having sold the band's equipment to pay a tax bill led him to leave the USA and try his hand in Europe.
Following a tour through Europe in 1959, Vincent managed to attract a new huge and discerning audience there, especially in England and France. By that time his career had mostly ended in the US. Consequently, he moved to England in 1960. His stage shows became "must see" events and his bands through those years were to spawn some of the most respected players in the world today. It was during his early tours of Britain that he adopted the trademark leather outfit, at the suggestion of British Rock 'n' Roll impressario, Jack Good.
In 1960, while on tour in Britain, Vincent and songwriter Sharon Sheeley were seriously injured in a high-speed traffic accident in a private hire taxi travelling through Chippenham, Wiltshire on the A4. The car, a Ford Consul, suffered a blowout causing it to swerve and crash into a lamp post. Vincent broke his ribs, collarbone, and added further damage to his already weak leg, and Sheeley suffered a broken pelvis. Both Vincent and Sheeley survived, but the accident killed Vincent's tourmate and Sheeley's fiancé, Eddie Cochran.
Later career:
His attempts to re-establish his American career by recording in folk rock and country-rock styles proved unsuccessful, and he is most remembered today for his recordings of the 1950s and early 1960s which originally appeared on the Capitol Records label.
On the album "I'm Back and I'm Proud" recorded for long-time fan John Peel's Dandelion label, Gene was backed by members of The Doors, whose lead singer, Jim Morrison, copied Gene's 'Leather Look'.
He has achieved a genuine legendary status and his work is respected, and often copied, by singers and groups worldwide. His major hit, Be-Bop-A-Lula has become what is considered to be one of the top three rock'n'roll records of all time and has rightly earned Gene a place in the history of modern music. Had he managed to survive through the Punk years, he would undoubtedly still be a leading figure in contemporary rock'n'roll.
On his final tour of the UK, he was backed by The Wild Angels, a British band who had previously worked at the Royal Albert Hall with Bill Haley & the Comets and Duane Eddy. Because of pressure from his ex-wife, the Inland Revenue and promoter Don Arden, Gene had to return rather swiftly to the USA.
Gene Vincent died from a ruptured stomach ulcer while visiting his father in California, and is interred in the Eternal Valley Memorial Park, Newhall, California.
He was the first inductee into the Rockabilly Hall of Fame on its formation in 1997. The following year he was also posthumously inducted into the Rock and Roll Hall of Fame.
Ain't that a Shame
Gene Vincent & His Blue Caps Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With the ruby red lips look and the jet black hair
With the autumn of smile and the eyes that shine
If you don't see her, then you must be blind
You can look my friend, but you better not touch
Ain't that too much
(Ain't that too much)
(Ain't that too much)
Everywhere we go, I feel oh, so proud
'Cause my baby draws, she draws a great big crowd
So we go dancin' about every night
I ain't got much bread loaf, but we make it alright
'Cause wherever we go, we go dutch
Ain't that too much
(Ain't that too much)
Ain't that too much
(Ain't that too much)
Oh, when I watch my baby dance
I just stand there in a trance
She's the cutest little girl I've ever known
Oh, when she's walkin' down the street
Hearts are fallin' at her feet
But my baby saves her love for me alone
Talkin' 'bout my baby, she's a prettiest sight
I'm in love with that girl, with all my might
She's so pretty, she just a knocks me out
She knows what lovin' is all about
She's my leanin' post, tower and my crutch
Ain't that too much
(Ain't that too much)
Ain't that too much
(Ain't that too much)
Hit it
She's my leanin' post, tower and my crutch
Ain't that too much
(Ain't that too much)
Ain't that too much
(Ain't that too much)
Ain't that too much, now
(Ain't that too much)
Ain't that too much
(Ain't that too much)
Ain't that too much, now
(Ain't that too much)
Lord, ain't that too much
(Ain't that too much)
In Gene Vincent's song "Ain't That Too Much," the singer is enamored with his girlfriend and describes her physical attributes and charisma in the chorus. He is proud to be with her and go out dancing every night, even though he doesn't have much money. He is so captivated by her that he stands in a trance watching her dance and knows that she saves her love for him alone. He declares that she is his everything, his "leanin' post," tower, and crutch. The chorus repeats, emphasizing that his love for her is overwhelming.
The song is a classic example of rockabilly, a subgenre of rock and roll that emerged in the early 1950s. The genre combined elements of country and rhythm and blues music and was known for its fast-paced, upbeat sound. Gene Vincent was a prominent figure in the rockabilly scene and is best known for his hit song "Be-Bop-A-Lula."
Interestingly, "Ain't That Too Much" was not originally released by Gene Vincent but was instead recorded by a fellow rockabilly singer, Marty Robbins, in 1956. However, Vincent's version, which was released in 1958, is arguably the more well-known of the two.
Line by Line Meaning
Well, that's my baby, right over there
I am pointing out my significant other who is nearby
With the ruby red lips look and the jet black hair
She has distinctive features like red lips and black hair
With the autumn of smile and the eyes that shine
My partner has a beautiful smile and her eyes sparkle
If you don't see her, then you must be blind
It's hard to miss her, she stands out and catches the attention of others
You can look, my friend, but you better not touch
She is mine and I wouldn't appreciate it if someone touched her without my permission
Everywhere we go, I feel oh, so proud
I feel happy and proud when we are together
'Cause my baby draws, she draws a great big crowd
She gets a lot of attention from others when we go out
So we go dancin' about every night
We love to dance and go out often to do so
I ain't got much bread loaf, but we make it alright
I don't have a lot of money, but we are still happy together
'Cause wherever we go, we go dutch
We split the cost of everything we do
Oh, when I watch my baby dance
I enjoy watching my partner dance
I just stand there in a trance
I am mesmerized and in awe of her dancing
She's the cutest little girl I've ever known
She is adorable and lovable
Oh, when she's walkin' down the street
She turns heads and attracts stares when she walks in public
Hearts are fallin' at her feet
Other people are attracted to her and her looks
But my baby saves her love for me alone
She only has feelings for me
Talkin' 'bout my baby, she's a prettiest sight
I love talking about and showing off my beautiful partner
I'm in love with that girl, with all my might
I love her deeply and with everything I have
She's so pretty, she just a knocks me out
Her beauty is so stunning that it leaves me speechless
She knows what lovin' is all about
She is great at showing affection and love
She's my leanin' post, tower and my crutch
She provides support and stability in my life
Ain't that too much
Isn't that amazing
Hit it
Let's start the music
Lord, ain't that too much
Goodness, isn't that incredible
Lyrics © Sony/ATV Music Publishing LLC
Written by: FULLER, KNIGHT, Jerry Fuller, Thomas Knight
Lyrics Licensed & Provided by LyricFind
@guikoi3101
My grandfather used to sing this all the time, just suddenly lean back in is chair, look to my grandmother and go "be bop a lula she's my baby" and it never ceased to make her smile. He unfortunately died about three years ago from pneumonia. One lung was completely full of fluid and the ambulance was taking him to the hospital.
I had the stay back and keep the dog good, because he has separation anxienty and will howl and bark and whine all night if grandma is not there with him, but he'll be alright if I'm there at least. I get a call from my grandma and she just says that grandad was dying. I was in shock.
I walked out of the room and a friend of my brother's was there (my brother was away at the time) and I just told him what was happening. After about a minute I broke down and he just let me hug him because I needed to hug someone.
We had no car so my uncle came by to pick me up and take me to the hospital. I saw my grandad's corpse. His tongue was hanging out like in the cartoons because they were trying to insert a pipe to help him breathe before he died, and didn't have enough time to fix it up.
Turns out that the reason he died was that the lung that didn't have pneumonia collapsed under the pressure of keeping the entire body going. If he didn't spend his entire life smoking (he quit only a few years before) he would have survived. But because he smoked his lungs were just too weak to handle that kind of stress. It wasn't the pneumonia that got him, it was cigarettes.
Listen here kids! DON'T FUCKING SMOKE! It might feel nice! It might take the stress away! But you will suffer in the future because of it! In the future, fifty years down the line, you will find your old habit is causing everything you've built up in your life to come crashing down around you.
@robdiana3983
I was four years old when this came out but my brother who was 14 had the 45 and played it a lot. He died when he was 20 so I have all his 45's and many of his albums. They are treasures to me.
@deborahburns424
So sorry your brother died at 20, so young. My heart goes out to you but what a nice memory he was.. plus you have his music😊
@100hooker
It goes without saying that you would rather have your brother around,but what better way to remember him than when you play his music. My wife has recently passed at 55 (last year)and when I hear her favorites come on the radio I tell her hello and that I miss her out loud. She loved Pat Benatar, Joan Jett, Heart and Fleetwood Mac. I took her to see all of them and still have great memories of those times. Funny how a song can spark a memory, moment or and emotion. I wish you well and nothing but the best for the rest of your journey through this life.
@carolinewoodward1016
I'm so sorry for your loss,but at least he left you the music.
@johnpastore7685
Very sorry about your brother
@carolinewoodward1016
@@johnpastore7685 So am I.
@selenabarnes11
My grandfather always bopped around singing this tune,....recently passed at 84. What a great grandpy he was.
@elizalove47
One of my all time favourites!
Brilliant lead Guitar playing by Cliff Gallup!
Cliff Gallup is to Gene Vincent!
like Scotty Moore is to Elvis Presley!
Wow! re-Wow!☆ ♡ ღ😃🌺 ヅ ♪♪ ♫
@elizalove47
April 23, 2023
@vindenjohnson887
David Lynch Weather Report brought me here! I wish BEAUTIFUL BLUE SKIES AND GOLDEN SUNSHINE...ALL ALONG THE WAY! Everyone have a great day!!!!