When formed in 1955, the band included Willie Williams on rhythm guitar (replaced in late 1956 by Paul Peek), Jack Neal on upright bass, Dickie Harrell on drums, and Cliff Gallup on lead guitar. The band quickly gained a reputation playing in various country bars in Norfolk, Virginia (where Vincent was born. There they won a talent contest organized by a local radio DJ, "Sheriff Tex" Davis, who then became Vincent's manager.
After "Be-Bop-a-Lula" became a hit, Vincent & His Blue Caps were unable to follow it up with the same level of commercial success, although they released critically acclaimed songs like "Race with the Devil" (number 96 on the US Billboard chart and number 50 on the US Cash Box chart) and "Bluejean Bop" (number 49 on the US Billboard chart and another million-selling disc).
Cliff Gallup left the band in 1956, and Russell Williford joined as the new guitarist for the Blue Caps. Williford played and toured Canada with Vincent in late 1956 but left the group in early 1957. Gallup came back to do the next album and then left again. Williford came back and exited again before Johnny Meeks joined the band. The group had another hit in 1957 with "Lotta Lovin'" (highest position number 13 and spending 19 weeks on the Billboard chart and number 17 and 17 weeks on the Cashbox chart). Vincent was awarded gold records for two million sales of "Be-Bop-a-Lula", and 1.5 million sales of "Lotta Lovin'".
On November 17, 1957, Vincent & His Blue Caps performed "Be-Bop-a-Lula" on the nationally broadcast US television program The Ed Sullivan Show. The song spent nine weeks on the Billboard chart and peaked at number 23 on January 23, 1958 and reached number 36 and spent eight weeks on the US Cashbox chart. It was Vincent's last American hit single. The song was used in the movie Hot Rod Gang for a dance rehearsal scene featuring dancers doing the West Coast Swing.
Vincent & His Blue Caps also appeared several times on Town Hall Party, California's largest country music barn dance, held at the Town Hall in Compton, California. They appeared on October 25, 1958, and July 25 and November 7, 1959.
By the end of 1959 the Blue Caps were no longer part of the billing on Gene Vincent records. The late 1959 single "Wild Cat" was credited solely to Gene Vincent, and this would be the case on all subsequent Gene Vincent releases.
Gene Vincent, real name Vincent Eugene Craddock, (February 11, 1935 – October 12, 1971) was an American rockabilly pioneer musician, best known for his hit “Be-Bop-A-Lula”.
Early life:
His parents, Ezekiah Jackson and Mary Louise Craddock, were shop owners in Norfolk, Virginia. He grew up in Virginia under the influence of country, Rhythm and Blues and Gospel music. He received his first guitar as a gift from a friend at the age of 12.
In 1952 Gene left school and joined the Navy. In 1955 he was stationed in Korea, where he suffered a severe motorcycle accident that shattered his left leg. He refused to have it amputated, the leg was saved, but left him with a permanent limp and considerable chronic pain for the rest of his life.
Early career:
He left the Navy and started playing in various country bands in his native Norfolk, Virginia. In 1956 he wrote "Be-Bop-A-Lula", which helped him sign a contract at Capitol Records with his backing band The Blue Caps.
After "Be-Bop-A-Lula" had become a huge hit, Gene Vincent & the Blue Caps were unable to follow it up with the same level of commercial success but recorded critically acclaimed songs like "Bluejean Bop" and "Race with the Devil". That year, Vincent was reputedly convicted of public obscenity and fined $10,000 by the state of Virginia for his live performance of the erotic song, "Woman Love", although this is now believed to have been just a rumor.
The group had another hit with 1957's "Lotta Lovin'." Vincent also became one of the first rock stars to star in a film, The Girl Can't Help It together with Jayne Mansfield.
There were numerous changes of personnel in his backing group, The Blue Caps. However, a dispute with the US Tax Authorities and The American Musicians' Union over payments to his band and his having sold the band's equipment to pay a tax bill led him to leave the USA and try his hand in Europe.
Following a tour through Europe in 1959, Vincent managed to attract a new huge and discerning audience there, especially in England and France. By that time his career had mostly ended in the US. Consequently, he moved to England in 1960. His stage shows became "must see" events and his bands through those years were to spawn some of the most respected players in the world today. It was during his early tours of Britain that he adopted the trademark leather outfit, at the suggestion of British Rock 'n' Roll impressario, Jack Good.
In 1960, while on tour in Britain, Vincent and songwriter Sharon Sheeley were seriously injured in a high-speed traffic accident in a private hire taxi travelling through Chippenham, Wiltshire on the A4. The car, a Ford Consul, suffered a blowout causing it to swerve and crash into a lamp post. Vincent broke his ribs, collarbone, and added further damage to his already weak leg, and Sheeley suffered a broken pelvis. Both Vincent and Sheeley survived, but the accident killed Vincent's tourmate and Sheeley's fiancé, Eddie Cochran.
Later career:
His attempts to re-establish his American career by recording in folk rock and country-rock styles proved unsuccessful, and he is most remembered today for his recordings of the 1950s and early 1960s which originally appeared on the Capitol Records label.
On the album "I'm Back and I'm Proud" recorded for long-time fan John Peel's Dandelion label, Gene was backed by members of The Doors, whose lead singer, Jim Morrison, copied Gene's 'Leather Look'.
He has achieved a genuine legendary status and his work is respected, and often copied, by singers and groups worldwide. His major hit, Be-Bop-A-Lula has become what is considered to be one of the top three rock'n'roll records of all time and has rightly earned Gene a place in the history of modern music. Had he managed to survive through the Punk years, he would undoubtedly still be a leading figure in contemporary rock'n'roll.
On his final tour of the UK, he was backed by The Wild Angels, a British band who had previously worked at the Royal Albert Hall with Bill Haley & the Comets and Duane Eddy. Because of pressure from his ex-wife, the Inland Revenue and promoter Don Arden, Gene had to return rather swiftly to the USA.
Gene Vincent died from a ruptured stomach ulcer while visiting his father in California, and is interred in the Eternal Valley Memorial Park, Newhall, California.
He was the first inductee into the Rockabilly Hall of Fame on its formation in 1997. The following year he was also posthumously inducted into the Rock and Roll Hall of Fame.
Be Bop A Lula
Gene Vincent & His Blue Caps Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Be-bop-a-Lula I don't mean maybe
Be-bop-a-Lula she's my baby
Be-bop-a-Lula I don't mean maybe
Be-bop-a-Lula she's my baby doll
My baby doll, my baby doll
Well she's the girl in the red blue jeans
She's the one that I know
She's the woman that loves me so
Say be-bop-a-Lula she's my baby
Be-bop-a-Lula I don't mean maybe
Be-bop-a-Lula she's my baby doll
My baby doll, my baby doll
Let's rock!
Well now she's the one that's got that beat
She's the woman with the flyin' feet
She's the one that walks around the store
She's the one that gets more more more
Be-bop-a-Lula she's my baby
Be-bop-a-Lula I don't mean maybe
Be-bop-a-Lula she's my baby doll
My baby doll, my baby doll
Let's rock again, now!
Well be-bop-a-Lula she's my baby
Be-bop-a-Lula I don't mean maybe
Be-bop-a-Lula she's my baby
Be-bop-a-Lula I don't mean maybe
Be-bop-a-Lula she's my baby doll
My baby doll, my baby doll
The lyrics to Gene Vincent's "Be Bop a Lula" are a simple declaration of love and devotion to a woman. The singer repeats the titular phrase multiple times throughout the song to convey his intense feelings for her. The first verse establishes her as his special someone, using the repetition of "she's my baby" to reinforce the depth of his affection. The second verse describes her physical appearance, highlighting her status as the most desirable girl around. The third verse emphasizes her musical prowess and energy, presenting her as the embodiment of the rock and roll culture that the song celebrates. Through each verse, the singer repeats the chorus with escalating enthusiasm, culminating in the final "let's rock again, now!" as he invites the listener to join in his celebration of love and music.
Line by Line Meaning
Well be-bop-a-Lula she's my baby
I am in love with a girl named be-bop-a-Lula.
Be-bop-a-Lula I don't mean maybe
I am absolutely certain that I love be-bop-a-Lula.
Be-bop-a-Lula she's my baby
I am in love with a girl named be-bop-a-Lula.
Be-bop-a-Lula I don't mean maybe
I am absolutely certain that I love be-bop-a-Lula.
Be-bop-a-Lula she's my baby doll
I am in love with a girl named be-bop-a-Lula and I think she's great.
My baby doll, my baby doll
I love be-bop-a-Lula a lot.
Well she's the girl in the red blue jeans
Be-bop-a-Lula is a cool girl who wears red blue jeans.
She's the queen of all the teens
Be-bop-a-Lula is very popular with teenagers.
She's the one that I know
Be-bop-a-Lula is my personal acquaintance.
She's the woman that loves me so
Be-bop-a-Lula loves me very much.
Say be-bop-a-Lula she's my baby
I want to tell everyone that I love be-bop-a-Lula.
Be-bop-a-Lula she's my baby doll
I am in love with a girl named be-bop-a-Lula and I think she's great.
My baby doll, my baby doll
I love be-bop-a-Lula a lot.
Let's rock!
Let's have some fun and dance to the music!
Well now she's the one that's got that beat
Be-bop-a-Lula has a great sense of rhythm and dance.
She's the woman with the flyin' feet
Be-bop-a-Lula is very good at dancing and has fast feet.
She's the one that walks around the store
Be-bop-a-Lula likes to walk around stores.
She's the one that gets more more more
Be-bop-a-Lula likes to get more of everything.
Be-bop-a-Lula she's my baby
I am in love with a girl named be-bop-a-Lula.
Be-bop-a-Lula I don't mean maybe
I am absolutely certain that I love be-bop-a-Lula.
Be-bop-a-Lula she's my baby doll
I am in love with a girl named be-bop-a-Lula and I think she's great.
My baby doll, my baby doll
I love be-bop-a-Lula a lot.
Let's rock again, now!
Let's start dancing to the music again and have even more fun!
Be-bop-a-Lula she's my baby
I am in love with a girl named be-bop-a-Lula.
Be-bop-a-Lula I don't mean maybe
I am absolutely certain that I love be-bop-a-Lula.
Be-bop-a-Lula she's my baby
I am in love with a girl named be-bop-a-Lula.
Be-bop-a-Lula I don't mean maybe
I am absolutely certain that I love be-bop-a-Lula.
Be-bop-a-Lula she's my baby doll
I am in love with a girl named be-bop-a-Lula and I think she's great.
My baby doll, my baby doll
I love be-bop-a-Lula a lot.
Lyrics © MUSIC SALES CORPORATION, CONCORD MUSIC PUBLISHING LLC, Warner Chappell Music, Inc.
Written by: Gene Vincent, Tex Davis
Lyrics Licensed & Provided by LyricFind
@GWade1217
Well Be Bop A Lula she's my baby
Be Bop A Lula I don't mean maybe
Be Bop A Lula she's my baby
Be Bop A Lula I don't mean maybe
Be Bop A Lula she's my baby doll, my baby doll, my baby doll.
Well, she's the gal in the red blue jeans
She's the queen of all the teens
She's the woman that I know
She's the woman that (scream) loves me so.
Be Bop A Lula she's my baby
Be Bop A Lula I don't mean maybe
Be Bop A Lula she's my baby doll, my baby doll, my baby doll.
(Let's rock)
Well, now she's the woman that's got that beat
She's the woman with the flyin' feet
She's the woman that walks around the store
She's the woman that yells (scream) more, more, more, more.
Be Bop A Lula she's my baby
Be Bop A Lula I donÃ?t mean maybe
Be Bop A Lula she's my baby doll, my baby doll, my baby doll.
(Let's rock again, now)
Well Be Bop A Lula she's my baby
Be Bop A Lula I don't mean maybe
Be Bop A Lula she's my baby
Be Bop A Lula I don't mean maybe
Be Bop A Lula she's my baby doll, my baby doll, my baby doll.
@johnhudak3829
The guitarist with the Telecaster is a buddy of mine. 89 years old and still jamming. Russell Williford. Seriously cool dude.
@travonepleasant
Pick his mind brother. His inspiration, his drive, the stuff you prolly goin to wanna know. Please let me know as I'm an artist and fell off but trying to get back on the horse. Great recognizes great be that cornerstone of love and knowledge. Hope to hear from you.
@MusicWeRemember
Would love to jam sometime! :)
@jbwood3341
Cool..
@DAMmusicshow
Would he like to be a guest on our show? We have this YouTube channel and radio show out of Austin, Texas. Not a joke... this is a serious inquiry. Let me know.
@spadolli-1208
I’ve jammed with Russel several times. He’s a great guy and still playing at 90! Inspirational!
@annieperez4535
J'adore les chansons de Jean Vincent c'est mon chanteur préféré
@stephenvincent4989
I saw Gene in 60’s London he was on the same bill as Eddie Cochran, they were truly authentic and special.
Sadly it was just a week before Eddie died in a car crash - certainly the passing of a true
Rock-N-Roll legend.
@hothemeep1219
How weird the 60's were. They started with Cochran and Vincent. They ended with the hippies
@Conn30Mtenor
That's why British RnR is vastly superior to the American strain. Your frame of reference is Gene and Eddie. the USA was Elvis. A cartoon character.