Georg Friedrich Händel, born on February 23, 1685, in Halle, Germany, was a… Read Full Bio ↴Georg Friedrich Händel, born on February 23, 1685, in Halle, Germany, was a prolific composer and one of the most significant figures of the Baroque era. Händel's musical talent was evident from a young age, and despite his father's initial opposition, he received early musical training and excelled in playing the harpsichord and organ.
In his early 20s, Händel traveled to Hamburg, where he immersed himself in the opera scene. There, he composed his first operas and gained recognition for his talent. Seeking further inspiration and opportunities, Händel journeyed to Italy in 1706, where he studied under renowned composers and absorbed the rich musical traditions of the country. During his time in Italy, he composed numerous operas and sacred music, establishing his reputation as a skilled composer.
In 1710, Händel settled in London, England, where he initially composed Italian operas for the Royal Academy of Music. However, as public taste changed, he transitioned to composing English-language oratorios, which combined elements of opera and sacred music. His oratorio "Esther" in 1718 marked the beginning of his success in this genre.
Händel's fame soared with his composition of the oratorio "Messiah" in 1741. Despite its initial lukewarm reception, "Messiah" eventually became one of the most beloved and frequently performed works in the Western classical repertoire. Händel's oratorios, including "Samson," "Judas Maccabaeus," and "Israel in Egypt," showcased his ability to blend grandeur, emotional depth, and dramatic storytelling.
Beyond oratorios, Händel composed instrumental music, including concertos and orchestral suites. His famous "Water Music" and "Music for the Royal Fireworks" exemplify his skill in crafting joyful and celebratory compositions. Händel's works exhibited a mastery of counterpoint, rich harmonies, and expressive melodies, earning him admiration and patronage from British nobility and royalty.
In his later years, Händel faced financial struggles and health issues, including a gradual loss of vision. However, he continued to compose prolifically, adapting to changing musical trends. Despite setbacks, his final oratorio, "Jephtha," was completed in 1751.
Georg Friedrich Händel passed away on April 14, 1759, leaving behind an immense musical legacy. His compositions played a crucial role in shaping the development of Western classical music, and his influence extended to composers such as Mozart and Beethoven. Händel's music continues to be celebrated for its grandeur, emotional depth, and timeless beauty, ensuring his enduring status as one of the greatest composers in history.
In his early 20s, Händel traveled to Hamburg, where he immersed himself in the opera scene. There, he composed his first operas and gained recognition for his talent. Seeking further inspiration and opportunities, Händel journeyed to Italy in 1706, where he studied under renowned composers and absorbed the rich musical traditions of the country. During his time in Italy, he composed numerous operas and sacred music, establishing his reputation as a skilled composer.
In 1710, Händel settled in London, England, where he initially composed Italian operas for the Royal Academy of Music. However, as public taste changed, he transitioned to composing English-language oratorios, which combined elements of opera and sacred music. His oratorio "Esther" in 1718 marked the beginning of his success in this genre.
Händel's fame soared with his composition of the oratorio "Messiah" in 1741. Despite its initial lukewarm reception, "Messiah" eventually became one of the most beloved and frequently performed works in the Western classical repertoire. Händel's oratorios, including "Samson," "Judas Maccabaeus," and "Israel in Egypt," showcased his ability to blend grandeur, emotional depth, and dramatic storytelling.
Beyond oratorios, Händel composed instrumental music, including concertos and orchestral suites. His famous "Water Music" and "Music for the Royal Fireworks" exemplify his skill in crafting joyful and celebratory compositions. Händel's works exhibited a mastery of counterpoint, rich harmonies, and expressive melodies, earning him admiration and patronage from British nobility and royalty.
In his later years, Händel faced financial struggles and health issues, including a gradual loss of vision. However, he continued to compose prolifically, adapting to changing musical trends. Despite setbacks, his final oratorio, "Jephtha," was completed in 1751.
Georg Friedrich Händel passed away on April 14, 1759, leaving behind an immense musical legacy. His compositions played a crucial role in shaping the development of Western classical music, and his influence extended to composers such as Mozart and Beethoven. Händel's music continues to be celebrated for its grandeur, emotional depth, and timeless beauty, ensuring his enduring status as one of the greatest composers in history.
But who may abide?
Georg Friedrich Händel Lyrics
We have lyrics for these tracks by Georg Friedrich Händel:
Arrival of the Queen of Sheba Şu hercai hayata bir kere geldik Yedik içtik doyduk kalktık …
Behold the Lamb of God Behold the Lamb of God, that taketh away the sin…
For Unto Us a Child Is Born For unto us a Child is born, unto us a…
Hallelujah Niechaj z nami będzie Pan, clleluja! Niech obroną będzie nam…
Hallelujah! Niechaj z nami będzie Pan, clleluja! Niech obroną będzie nam…
Lascia ch'io pianga Lascia ch'io pianga mia cruda sorte, E che sospiri la libert…
Menuet from Suite in G Minor HWV 439 Стой! Пока ещё не выключен свет Я хочу услышать ответ Скажи,…
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@jennifercopley1626
But who may abide
The day of His coming
And who shall stand
When He appeareth
Who shall stand
When He appeareth
But who may abide
But who may abide
The day of this coming
And who shall stand
When he appeareth
And who shall stand
When he appeareth
When he appeareth
For He is like
A refiner's fire
For he is like
A refiner's fire
Who shall stand
When He appeareth
For he is like
A refiner's fire
For he is like
A refiner's fire
And who shall stand
When He appeareth
But who may abide
The day of his coming
And who shall stand
And who shall stand
When he appeareth
When he appeareth
For he is like
A refiner's fire
Like a refiner's fire
And who shall stand when He
When He appeareth
And who shall stand
When He appeareth
For he is like
A refiner's fire
And who shall stand
When He appeareth
When He appeareth
For he is like
A refiner's fire
For He is like
A refiner's fire
@MrBluedanube
The way he drops that vibrato at the bottom of every "shake" so geometrically is stunning and compelling.
@bonbonquest
Hilary's last note, singing the word "fire" just gives me the most awesome goosebumps!
@isaacmarasa1042
bonbonquest
@mitzypinks1338
Me too! Scary ! In a good way 😁
@whjk11b80
Everything is impressive here: the bass, the alto, the choir, music...
@therealtornadosam
The whole performance is VERY impressive.
@jandamskier6510
he is out of tune in the deep notes
@Fififogone
@@jandamskier6510 I’m sure he’s aware of that. You can’t guarantee perfection in every performance no matter the amount of talent and rehearsal.
@monteiroeduardo9338
A true and wonderful contralto.
@ua6523
Oh my Lord the Bass! His runs are frighteningly powerful!
I was NOT prepared for the Alto's voice! What a powerhouse!!
The choir! it's been a real while since I heard such clear and light voices at 5:30!!!
The orchestra and the conductor were magnificent indeed!!!!
I am duly pleased :)