Georg Friedrich Händel, born on February 23, 1685, in Halle, Germany, was a… Read Full Bio ↴Georg Friedrich Händel, born on February 23, 1685, in Halle, Germany, was a prolific composer and one of the most significant figures of the Baroque era. Händel's musical talent was evident from a young age, and despite his father's initial opposition, he received early musical training and excelled in playing the harpsichord and organ.
In his early 20s, Händel traveled to Hamburg, where he immersed himself in the opera scene. There, he composed his first operas and gained recognition for his talent. Seeking further inspiration and opportunities, Händel journeyed to Italy in 1706, where he studied under renowned composers and absorbed the rich musical traditions of the country. During his time in Italy, he composed numerous operas and sacred music, establishing his reputation as a skilled composer.
In 1710, Händel settled in London, England, where he initially composed Italian operas for the Royal Academy of Music. However, as public taste changed, he transitioned to composing English-language oratorios, which combined elements of opera and sacred music. His oratorio "Esther" in 1718 marked the beginning of his success in this genre.
Händel's fame soared with his composition of the oratorio "Messiah" in 1741. Despite its initial lukewarm reception, "Messiah" eventually became one of the most beloved and frequently performed works in the Western classical repertoire. Händel's oratorios, including "Samson," "Judas Maccabaeus," and "Israel in Egypt," showcased his ability to blend grandeur, emotional depth, and dramatic storytelling.
Beyond oratorios, Händel composed instrumental music, including concertos and orchestral suites. His famous "Water Music" and "Music for the Royal Fireworks" exemplify his skill in crafting joyful and celebratory compositions. Händel's works exhibited a mastery of counterpoint, rich harmonies, and expressive melodies, earning him admiration and patronage from British nobility and royalty.
In his later years, Händel faced financial struggles and health issues, including a gradual loss of vision. However, he continued to compose prolifically, adapting to changing musical trends. Despite setbacks, his final oratorio, "Jephtha," was completed in 1751.
Georg Friedrich Händel passed away on April 14, 1759, leaving behind an immense musical legacy. His compositions played a crucial role in shaping the development of Western classical music, and his influence extended to composers such as Mozart and Beethoven. Händel's music continues to be celebrated for its grandeur, emotional depth, and timeless beauty, ensuring his enduring status as one of the greatest composers in history.
In his early 20s, Händel traveled to Hamburg, where he immersed himself in the opera scene. There, he composed his first operas and gained recognition for his talent. Seeking further inspiration and opportunities, Händel journeyed to Italy in 1706, where he studied under renowned composers and absorbed the rich musical traditions of the country. During his time in Italy, he composed numerous operas and sacred music, establishing his reputation as a skilled composer.
In 1710, Händel settled in London, England, where he initially composed Italian operas for the Royal Academy of Music. However, as public taste changed, he transitioned to composing English-language oratorios, which combined elements of opera and sacred music. His oratorio "Esther" in 1718 marked the beginning of his success in this genre.
Händel's fame soared with his composition of the oratorio "Messiah" in 1741. Despite its initial lukewarm reception, "Messiah" eventually became one of the most beloved and frequently performed works in the Western classical repertoire. Händel's oratorios, including "Samson," "Judas Maccabaeus," and "Israel in Egypt," showcased his ability to blend grandeur, emotional depth, and dramatic storytelling.
Beyond oratorios, Händel composed instrumental music, including concertos and orchestral suites. His famous "Water Music" and "Music for the Royal Fireworks" exemplify his skill in crafting joyful and celebratory compositions. Händel's works exhibited a mastery of counterpoint, rich harmonies, and expressive melodies, earning him admiration and patronage from British nobility and royalty.
In his later years, Händel faced financial struggles and health issues, including a gradual loss of vision. However, he continued to compose prolifically, adapting to changing musical trends. Despite setbacks, his final oratorio, "Jephtha," was completed in 1751.
Georg Friedrich Händel passed away on April 14, 1759, leaving behind an immense musical legacy. His compositions played a crucial role in shaping the development of Western classical music, and his influence extended to composers such as Mozart and Beethoven. Händel's music continues to be celebrated for its grandeur, emotional depth, and timeless beauty, ensuring his enduring status as one of the greatest composers in history.
Messiah HWV 56: Overture
Georg Friedrich Händel Lyrics
We have lyrics for 'Messiah HWV 56: Overture' by these artists:
Leonard Bernstein For unto us a Child is born Unto us a Son…
We have lyrics for these tracks by Georg Friedrich Händel:
Arrival of the Queen of Sheba Şu hercai hayata bir kere geldik Yedik içtik doyduk kalktık …
Behold the Lamb of God Behold the Lamb of God, that taketh away the sin…
For Unto Us a Child Is Born For unto us a Child is born, unto us a…
Hallelujah Niechaj z nami będzie Pan, clleluja! Niech obroną będzie nam…
Hallelujah! Niechaj z nami będzie Pan, clleluja! Niech obroną będzie nam…
Lascia ch'io pianga Lascia ch'io pianga mia cruda sorte, E che sospiri la libert…
Menuet from Suite in G Minor HWV 439 Стой! Пока ещё не выключен свет Я хочу услышать ответ Скажи,…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@billace90
Gratos recuerdos de mi juventud.
Escuché El Mesías en junio de 1965, dirigido por el Maestro Pablo Casals, en el Festival Casals.
Olga Iglesias, Soprano
Maureen Forrester, Alto,
Leopold Simoneu, Tenor
Justino Díaz, Bajo
Y el Coro del Conservatorio de Música.
Una noche inolvidable y realmente parece que fue ayer.
@catherineluk2414
this piece is a french overture (usually used as an opening to an opera/oratorio. in two parts: 1 slow with fitted rhythms, 2 using imitative texture)
it is in 4/4 time, E minor
in the A section is written in homophobic texture
the tempo is “grave” and the strings play a dotted rhythm in
E minor. it’s creates a dramatic feeling
in the B section, the opening subject is introduced by 1st violins and oboes.
still in E minor, it how has 3 voices is polyphonic with a tonal answer (answers are not identical to the subject, slight variation in the intervals).
the tempo is “allegro moderato”
@JulianKingman
I used this piece in my wedding, for the procession. Breathtaking piece.
@anirbanmazumder5542
Not to be rude but this music is about a lot more than your wedding
@hank3339
Praised be Jesus Christ, now and forever! May God abundantly Bless and keep you all!
@lohaws2
At 1:39 when the violinists start that theme...ahh! it gives me goosebumps! :)
@inujosha
All I can say is...wow. It's amazing what music can do for the soul and these people did an absolutely fantasic job. They deserve major credit.
@BESTOFCLASSICALMUSIC
Unbelievably well, so does the recording. My favorite interpretation!
@Jeepnaut
This tempo is ideal
@Tragedyking
I am just happy that new generations continue to be exposed to this exquisite, sweet music.
@jusitke07
good hhhheavens...that is wonderfully beautiful. It's fantastic, brilliant, utterly delightful, indeed it is. God bless you all.
@cdswainey
THIS is exactly how Baroque overtures should be played. Bravissimi!