Georg Friedrich Händel, born on February 23, 1685, in Halle, Germany, was a… Read Full Bio ↴Georg Friedrich Händel, born on February 23, 1685, in Halle, Germany, was a prolific composer and one of the most significant figures of the Baroque era. Händel's musical talent was evident from a young age, and despite his father's initial opposition, he received early musical training and excelled in playing the harpsichord and organ.
In his early 20s, Händel traveled to Hamburg, where he immersed himself in the opera scene. There, he composed his first operas and gained recognition for his talent. Seeking further inspiration and opportunities, Händel journeyed to Italy in 1706, where he studied under renowned composers and absorbed the rich musical traditions of the country. During his time in Italy, he composed numerous operas and sacred music, establishing his reputation as a skilled composer.
In 1710, Händel settled in London, England, where he initially composed Italian operas for the Royal Academy of Music. However, as public taste changed, he transitioned to composing English-language oratorios, which combined elements of opera and sacred music. His oratorio "Esther" in 1718 marked the beginning of his success in this genre.
Händel's fame soared with his composition of the oratorio "Messiah" in 1741. Despite its initial lukewarm reception, "Messiah" eventually became one of the most beloved and frequently performed works in the Western classical repertoire. Händel's oratorios, including "Samson," "Judas Maccabaeus," and "Israel in Egypt," showcased his ability to blend grandeur, emotional depth, and dramatic storytelling.
Beyond oratorios, Händel composed instrumental music, including concertos and orchestral suites. His famous "Water Music" and "Music for the Royal Fireworks" exemplify his skill in crafting joyful and celebratory compositions. Händel's works exhibited a mastery of counterpoint, rich harmonies, and expressive melodies, earning him admiration and patronage from British nobility and royalty.
In his later years, Händel faced financial struggles and health issues, including a gradual loss of vision. However, he continued to compose prolifically, adapting to changing musical trends. Despite setbacks, his final oratorio, "Jephtha," was completed in 1751.
Georg Friedrich Händel passed away on April 14, 1759, leaving behind an immense musical legacy. His compositions played a crucial role in shaping the development of Western classical music, and his influence extended to composers such as Mozart and Beethoven. Händel's music continues to be celebrated for its grandeur, emotional depth, and timeless beauty, ensuring his enduring status as one of the greatest composers in history.
In his early 20s, Händel traveled to Hamburg, where he immersed himself in the opera scene. There, he composed his first operas and gained recognition for his talent. Seeking further inspiration and opportunities, Händel journeyed to Italy in 1706, where he studied under renowned composers and absorbed the rich musical traditions of the country. During his time in Italy, he composed numerous operas and sacred music, establishing his reputation as a skilled composer.
In 1710, Händel settled in London, England, where he initially composed Italian operas for the Royal Academy of Music. However, as public taste changed, he transitioned to composing English-language oratorios, which combined elements of opera and sacred music. His oratorio "Esther" in 1718 marked the beginning of his success in this genre.
Händel's fame soared with his composition of the oratorio "Messiah" in 1741. Despite its initial lukewarm reception, "Messiah" eventually became one of the most beloved and frequently performed works in the Western classical repertoire. Händel's oratorios, including "Samson," "Judas Maccabaeus," and "Israel in Egypt," showcased his ability to blend grandeur, emotional depth, and dramatic storytelling.
Beyond oratorios, Händel composed instrumental music, including concertos and orchestral suites. His famous "Water Music" and "Music for the Royal Fireworks" exemplify his skill in crafting joyful and celebratory compositions. Händel's works exhibited a mastery of counterpoint, rich harmonies, and expressive melodies, earning him admiration and patronage from British nobility and royalty.
In his later years, Händel faced financial struggles and health issues, including a gradual loss of vision. However, he continued to compose prolifically, adapting to changing musical trends. Despite setbacks, his final oratorio, "Jephtha," was completed in 1751.
Georg Friedrich Händel passed away on April 14, 1759, leaving behind an immense musical legacy. His compositions played a crucial role in shaping the development of Western classical music, and his influence extended to composers such as Mozart and Beethoven. Händel's music continues to be celebrated for its grandeur, emotional depth, and timeless beauty, ensuring his enduring status as one of the greatest composers in history.
Messiah Part Three: The trumpet shall sound
Georg Friedrich Händel Lyrics
We have lyrics for these tracks by Georg Friedrich Händel:
Arrival of the Queen of Sheba Şu hercai hayata bir kere geldik Yedik içtik doyduk kalktık …
Behold the Lamb of God Behold the Lamb of God, that taketh away the sin…
For Unto Us a Child Is Born For unto us a Child is born, unto us a…
Hallelujah Niechaj z nami będzie Pan, clleluja! Niech obroną będzie nam…
Hallelujah! Niechaj z nami będzie Pan, clleluja! Niech obroną będzie nam…
Lascia ch'io pianga Lascia ch'io pianga mia cruda sorte, E che sospiri la libert…
Menuet from Suite in G Minor HWV 439 Стой! Пока ещё не выключен свет Я хочу услышать ответ Скажи,…
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Alan Sanchez
Behold, I shew you a MYSTERY;
We shall not all sleep, but we shall all be changed,
In a moment, in the twinkling of an eye, at the last trump:
for the trumpet shall sound, and the dead shall be raised INCORRUPTIBLE,
and we shall be changed.
For this corruptible must put on incorruption,
and this mortal must put on immortality.
So when this corruptible shall have put on incorruption, then shall be brought to pass the saying that is written,
Death is swallowed up in victory.
1 Corinthians 15: 51-54
operasanger
Why does this not have more views? Why have I not heard of Dashon Burton before?!!! Let me say this man's name again: DASHON BURTON!!! Google him. I did! Thank goodness he's still performing.
My God, this man gives a MASTER CLASS on how this piece should be sung! Technically flawless, artistic perfection, effortless and glorious tone. And the all too rare quality among singers who know they're this good: restraint! What else is there to ask for?
I used to think the late, great Dietrich Fischer-Dieskau owned this piece like no one else could. I now stand corrected. Bravissimo, Mr. Burton. I could not be more effusive. But it is all well deserved.
One of the very few contemporary singers who's name can be said in the same sentence with the extraordinary Eric Owens.
Since he didn't post this, I know he'll never read it. But he has a new fan. I will find more of him work and certainly hope to hear him live one day. Bravo!
Robert Schober
Mr. Burton's rendition is by far the best I have ever heard. The power of his voice is simply stupendous. I feel blessed to have heard this.
Bob Schober
Jan Damskier
Philippe Sly does a good job as well
Neil Gastonguay
An absolutely wonderful rendition. A marvelous voice, he not only sang it beautifully, he captured the joyful anticipation of the promise the text describes.
C Gallagher
yes.
Dan McGlaun
I agree. He is so deeply joyful of the message he is sending, and this makes his music so wonderful to listen to. What a great performance!
Heraldo Silva Filho
Yes!!! beautiful
Jabari Jabari
Instablaster.
Afa HSIEH
@Dan McGlaun That's the goat of Messiah performing!
Bob Schilling
Every note hit dead center. Every word crisply enunciated. Every trumpet passage played with truth and authority. One can hear the Second Coming in the wings. Bravo!!
Gino Panthers
very well said