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Georges Brassens was a French singer-songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. Read Full BioGeorges Brassens was a French singer-songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. He realized very early however that poetry in the 20th century could hardly put bread on the table and instead set himself to become a singer.
He is much less famous internationally than contemporaries like Charles Aznavour, Edith Piaf and Yves Montand, as much of the impact of his songs came from the lyrics, which proved difficult to translate into other languages. He loved the Middle Ages and used a great deal of Old French vocabulary, as well as many classical - ie., Latin and Greek - references. Few people, even in France, possess the background to fully understand his songs.
Yet he was at the same time a hugely popular singer and many of his songs still carry a lot of appeal and relevance. In this sense, he can be compared to Boris Vian, to Jacques Brel, and to a lesser extent to Serge Gainsbourg.
He was very sophisticated, yet at the same time used profanity liberally. While he wasn't politically engaged, he was nevertheless unambiguously a leftist, many of his songs carrying blatant and buoyant anarchist overtones.
While his music was initially quite primitive, the 1950's St-Germain-des-Pres influence quickly made itself felt and while subdued and - in his mind - always secondary to the lyrics, it became increasingly sophisticated - to the point that many of his songs have been covered and reinterpretated by jazzmen (see for instance this UK site: www.projetbrassens.eclipse.co.uk)
He died in 1981, but up to this date (2006) there are few French people - including most of those born since - who can't sing along to his most famous song, Les Copains d'abord ("Friends foremost") or his "Bancs public" ("Public Benches").
For those interested, this site carries a number of (quite good) English tranlations of his songs: www.brassens.org
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. Read Full BioGeorges Brassens was a French singer-songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. He realized very early however that poetry in the 20th century could hardly put bread on the table and instead set himself to become a singer.
He is much less famous internationally than contemporaries like Charles Aznavour, Edith Piaf and Yves Montand, as much of the impact of his songs came from the lyrics, which proved difficult to translate into other languages. He loved the Middle Ages and used a great deal of Old French vocabulary, as well as many classical - ie., Latin and Greek - references. Few people, even in France, possess the background to fully understand his songs.
Yet he was at the same time a hugely popular singer and many of his songs still carry a lot of appeal and relevance. In this sense, he can be compared to Boris Vian, to Jacques Brel, and to a lesser extent to Serge Gainsbourg.
He was very sophisticated, yet at the same time used profanity liberally. While he wasn't politically engaged, he was nevertheless unambiguously a leftist, many of his songs carrying blatant and buoyant anarchist overtones.
While his music was initially quite primitive, the 1950's St-Germain-des-Pres influence quickly made itself felt and while subdued and - in his mind - always secondary to the lyrics, it became increasingly sophisticated - to the point that many of his songs have been covered and reinterpretated by jazzmen (see for instance this UK site: www.projetbrassens.eclipse.co.uk)
He died in 1981, but up to this date (2006) there are few French people - including most of those born since - who can't sing along to his most famous song, Les Copains d'abord ("Friends foremost") or his "Bancs public" ("Public Benches").
For those interested, this site carries a number of (quite good) English tranlations of his songs: www.brassens.org
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Le Modeste
by Georges Brassens
Les pays, c'est pas ça qui manque,
On vient au monde à Salamanque
A Paris, Bordeaux, Lille, Brest(e).
Lui, la nativité le prit
Du côté des Saintes-Maries,
C'est un modeste.
Comme jadis a fait un roi,
Il serait bien fichu, je crois,
De donner le trône et le reste
Contre un seul cheval camarguais
Bancal, vieux, borgne, fatigué,
C'est un modeste.
Suivi de son pin parasol,
S'il fuit sans mêm' toucher le sol
Le moindre effort comme la peste,
C'est qu'au chantier ses bras d'Hercule
Rendraient les autres ridicules,
C'est un modeste.
A la pétanque, quand il perd
Te fais pas de souci, pépère,
Si d'aventure il te conteste.
S'il te boude, s'il te rudoie,
Au fond, il est content pour toi,
C'est un modeste.
Si, quand un emmerdeur le met
En rogne, on ne le voit jamais
Lever sur l'homme une main leste.
C'est qu'il juge pas nécessaire
D'humilier un adversaire,
C'est un modeste.
Et quand il tombe amoureux fou
Y a pas de danger qu'il l'avoue
Les effusions, dame, il déteste.
Selon lui, mettre en plein soleil
Son cœur ou son cul c'est pareil,
C'est un modeste.
Quand on enterre un imbécile
De ses amis, s'il raille, s'il
A l'œil sec et ne manifeste
Aucun chagrin, t'y fie pas trop:
Sur la patate, il en a gros,
C'est un modeste.
Et s'il te traite d'étranger
Que tu sois de Naples, d'Angers
Ou d'ailleurs, remets pas la veste.
Lui, quand il t'adopte, pardi!
Il veut pas que ce soit le dit,
C'est un modeste.
Si tu n'as pas tout du grimaud,
Si tu sais lire entre les mots,
Entre les faits, entre les gestes.
Lors, tu verras clair dans son jeu,
Et que ce bel avantageux,
C'est un modeste.
Lyrics © Universal Music Publishing Group
Written by: GEORGES CHARLES BRASSENS, JOEL FAVREAU
Lyrics Licensed & Provided by LyricFind
by Georges Brassens
Les pays, c'est pas ça qui manque,
On vient au monde à Salamanque
A Paris, Bordeaux, Lille, Brest(e).
Lui, la nativité le prit
Du côté des Saintes-Maries,
C'est un modeste.
Comme jadis a fait un roi,
Il serait bien fichu, je crois,
De donner le trône et le reste
Contre un seul cheval camarguais
Bancal, vieux, borgne, fatigué,
C'est un modeste.
Suivi de son pin parasol,
S'il fuit sans mêm' toucher le sol
Le moindre effort comme la peste,
C'est qu'au chantier ses bras d'Hercule
Rendraient les autres ridicules,
C'est un modeste.
A la pétanque, quand il perd
Te fais pas de souci, pépère,
Si d'aventure il te conteste.
S'il te boude, s'il te rudoie,
Au fond, il est content pour toi,
C'est un modeste.
Si, quand un emmerdeur le met
En rogne, on ne le voit jamais
Lever sur l'homme une main leste.
C'est qu'il juge pas nécessaire
D'humilier un adversaire,
C'est un modeste.
Et quand il tombe amoureux fou
Y a pas de danger qu'il l'avoue
Les effusions, dame, il déteste.
Selon lui, mettre en plein soleil
Son cœur ou son cul c'est pareil,
C'est un modeste.
Quand on enterre un imbécile
De ses amis, s'il raille, s'il
A l'œil sec et ne manifeste
Aucun chagrin, t'y fie pas trop:
Sur la patate, il en a gros,
C'est un modeste.
Et s'il te traite d'étranger
Que tu sois de Naples, d'Angers
Ou d'ailleurs, remets pas la veste.
Lui, quand il t'adopte, pardi!
Il veut pas que ce soit le dit,
C'est un modeste.
Si tu n'as pas tout du grimaud,
Si tu sais lire entre les mots,
Entre les faits, entre les gestes.
Lors, tu verras clair dans son jeu,
Et que ce bel avantageux,
C'est un modeste.
Lyrics © Universal Music Publishing Group
Written by: GEORGES CHARLES BRASSENS, JOEL FAVREAU
Lyrics Licensed & Provided by LyricFind
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