Pénélope
Georges Brassens Lyrics
Toi, l'épouse modèle
Le grillon du foyer
Toi, qui n'a point d'accrocs
Dans ta robe de mariée
Toi, l'intraitable Pénélope
En suivant ton petit
Bonhomme de bonheur
Ne berces-tu jamais
En tout bien tout honneur
De jolies pensées interlopes
Derrière tes rideaux
Dans ton juste milieu
En attendant l'retour
D'un Ulysse de banlieue
Penchée sur tes travaux de toile
Les soirs de vague à l'âme
Et de mélancolie
N'as tu jamais en rêve
Au ciel d'un autre lit
Compté de nouvelles étoiles
Compté de nouvelles étoiles
N'as-tu jamais encore
Appelé de tes vœux
L'amourette qui passe
Qui vous prend aux cheveux
Qui vous compte des bagatelles
Qui met la marguerite
Au jardin potager
La pomme défendue
Aux branches du verger
Et le désordre à vos dentelles
Et le désordre à vos dentelles
N'as-tu jamais souhaité
De revoir en chemin
Cet ange, ce démon
Qui son arc à la main
Décoche des flèches malignes
Qui rend leur chair de femme
Aux plus froides statues
Les bascul' de leur socle
Bouscule leur vertu
Arrache leur feuille de vigne
Arrache leur feuille de vigne
N'aie crainte que le ciel
Ne t'en tienne rigueur
Il n'y a vraiment pas là
De quoi fouetter un cœur
Qui bat la campagne et galope
C'est la faute commune
Et le péché véniel
C'est la face cachée
De la lune de miel
Et la rançon de Pénélope
Et la rançon de Pénélope
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Georges Charles Brassens, Jean Favreau
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Georges Brassens was a French singer and songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. Read Full BioGeorges Brassens was a French singer and songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. He realized very early however that poetry in the 20th century could hardly put bread on the table and instead set himself to become a singer.
He is much less famous internationally than contemporaries like Charles Aznavour, Edith Piaf and Yves Montand, as much of the impact of his songs came from the lyrics, which proved difficult to translate into other languages. He loved the Middle Ages and used a great deal of Old French vocabulary, as well as many classical - ie., Latin and Greek - references. Few people, even in France, possess the background to fully understand his songs.
Yet he was at the same time a hugely popular singer and many of his songs still carry a lot of appeal and relevance. In this sense, he can be compared to Boris Vian, to Jacques Brel, and to a lesser extent to Serge Gainsbourg.
He was very sophisticated, yet at the same time used profanity liberally. While he wasn't politically engaged, he was nevertheless unambiguously a leftist, many of his songs carrying blatant and buoyant anarchist overtones.
While his music was initially quite primitive, the 1950's St-Germain-des-Pres influence quickly made itself felt and while subdued and - in his mind - always secondary to the lyrics, it became increasingly sophisticated - to the point that many of his songs have been covered and reinterpretated by jazzmen (see for instance this UK site: www.projetbrassens.eclipse.co.uk)
He died in 1981, but up to this date (2006) there are few French people - including most of those born since - who can't sing along to his most famous song, Les Copains d'abord ("Friends foremost") or his "Bancs public" ("Public Benches").
For those interested, this site carries a number of (quite good) English tranlations of his songs: www.brassens.org
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. Read Full BioGeorges Brassens was a French singer and songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. He realized very early however that poetry in the 20th century could hardly put bread on the table and instead set himself to become a singer.
He is much less famous internationally than contemporaries like Charles Aznavour, Edith Piaf and Yves Montand, as much of the impact of his songs came from the lyrics, which proved difficult to translate into other languages. He loved the Middle Ages and used a great deal of Old French vocabulary, as well as many classical - ie., Latin and Greek - references. Few people, even in France, possess the background to fully understand his songs.
Yet he was at the same time a hugely popular singer and many of his songs still carry a lot of appeal and relevance. In this sense, he can be compared to Boris Vian, to Jacques Brel, and to a lesser extent to Serge Gainsbourg.
He was very sophisticated, yet at the same time used profanity liberally. While he wasn't politically engaged, he was nevertheless unambiguously a leftist, many of his songs carrying blatant and buoyant anarchist overtones.
While his music was initially quite primitive, the 1950's St-Germain-des-Pres influence quickly made itself felt and while subdued and - in his mind - always secondary to the lyrics, it became increasingly sophisticated - to the point that many of his songs have been covered and reinterpretated by jazzmen (see for instance this UK site: www.projetbrassens.eclipse.co.uk)
He died in 1981, but up to this date (2006) there are few French people - including most of those born since - who can't sing along to his most famous song, Les Copains d'abord ("Friends foremost") or his "Bancs public" ("Public Benches").
For those interested, this site carries a number of (quite good) English tranlations of his songs: www.brassens.org
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laylapontello
Se echan de menos la letra en francés, que es esta:
Toi l'épouse modèle
Le grillon du foyer
Toi qui n'a point d'accrocs
Dans ta robe de mariée
Toi l'intraitable Pénélope
En suivant ton petit
Bonhomme de bonheur
Ne berces-tu jamais
En tout bien tout honneur
De jolies pensées interlopes
De jolies pensées interlopes...
Derrière tes rideaux
Dans ton juste milieu
En attendant l'retour
D'un Ulysse de banlieue
Penchée sur tes travaux de toile
Les soirs de vague à l'âme
Et de mélancolie
N'as tu jamais en rêve
Au ciel d'un autre lit
Compté de nouvelles étoiles
Compté de nouvelles étoiles...
N'as-tu jamais encore
Appelé de tes vœux
L'amourette qui passe
Qui vous prend aux cheveux
Qui vous conte des bagatelles
Qui met la marguerite
Au jardin potager
La pomme défendue
Aux branches du verger
Et le désordre à vos dentelles
Et le désordre à vos dentelles...
N'as-tu jamais souhaité
De revoir en chemin
Cet ange, ce démon
Qui son arc à la main
Décoche des flèches malignes
Qui rend leur chair de femme
Aux plus froides statues
Les bascul' de leur socle
Bouscule leur vertu
Arrache leur feuille de vigne
Arrache leur feuille de vigne...
N'aie crainte que le ciel
Ne t'en tienne rigueur
Il n'y a vraiment pas là
De quoi fouetter un cœur
Qui bat la campagne et galope
C'est la faute commune
Et le péché véniel
C'est la face cachée
De la lune de miel
Et la rançon de Pénélope
Et la rançon de Pénélope.
Epicurien
Version remise au goût du jour :
Toi l'épouse modèle,
Le grillon du foyer,
Toi qui n'as point d'accrocs
Dans ta robe de mariée,
N'as-tu jamais jamais pensé
Être non appointée,
Pour un petit travail
Que tu n'as jamais fait ?
Toi l'intraitable Pénélope...
Lunapinot
Oui, un grand poète. Je suis italienne et quand je l'écoute et je traduis je sens la grandeur du poète qui parle la langue de tous les hommes et toutes les femmes de la terre, dans une forme merveilleuse.
Charlikke
Peut-être la plus belle chanson de Brassens. Enfin, une des cinquante plus belles.
josé cosoleto
quelle merveille ce texte !!! et le desordre à vos dentelles !!!!! bouscule leur vertu !!! merci tonton georges
Xavier Arcis
Écoutez-le les filles, les femmes, toutes celles qui attendent et espèrent, écoutez !
Emmanuelle Soria
Une des 161 plus belles chansons de Brassens!
CAMOUS JOEL
Une pure merveille !
angeluspunk
J'adore se monsieur, en plus t'a publier la video sur ma date d'anniversaire ^^
Selma Cyrine BELHADI
Irremplaçable...le coeur tendre de Georges comme au premier jour ! Merci, et chapeau bas !
Catherine Stora
C'est vrai que Barbara la chante, celle-ci !😋😉
Ghazi Gaham
Hymne à une race éteinte ...