Georges Brassens was a French singer and songwriter known for accompanying … Read Full Bio ↴Georges Brassens was a French singer and songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. He realized very early however that poetry in the 20th century could hardly put bread on the table and instead set himself to become a singer.
He is much less famous internationally than contemporaries like Charles Aznavour, Edith Piaf and Yves Montand, as much of the impact of his songs came from the lyrics, which proved difficult to translate into other languages. He loved the Middle Ages and used a great deal of Old French vocabulary, as well as many classical - ie., Latin and Greek - references. Few people, even in France, possess the background to fully understand his songs.
Yet he was at the same time a hugely popular singer and many of his songs still carry a lot of appeal and relevance. In this sense, he can be compared to Boris Vian, to Jacques Brel, and to a lesser extent to Serge Gainsbourg.
He was very sophisticated, yet at the same time used profanity liberally. While he wasn't politically engaged, he was nevertheless unambiguously a leftist, many of his songs carrying blatant and buoyant anarchist overtones.
While his music was initially quite primitive, the 1950's St-Germain-des-Pres influence quickly made itself felt and while subdued and - in his mind - always secondary to the lyrics, it became increasingly sophisticated - to the point that many of his songs have been covered and reinterpretated by jazzmen (see for instance this UK site: www.projetbrassens.eclipse.co.uk)
He died in 1981, but up to this date (2006) there are few French people - including most of those born since - who can't sing along to his most famous song, Les Copains d'abord ("Friends foremost") or his "Bancs public" ("Public Benches").
For those interested, this site carries a number of (quite good) English tranlations of his songs: www.brassens.org
He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.
Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. He realized very early however that poetry in the 20th century could hardly put bread on the table and instead set himself to become a singer.
He is much less famous internationally than contemporaries like Charles Aznavour, Edith Piaf and Yves Montand, as much of the impact of his songs came from the lyrics, which proved difficult to translate into other languages. He loved the Middle Ages and used a great deal of Old French vocabulary, as well as many classical - ie., Latin and Greek - references. Few people, even in France, possess the background to fully understand his songs.
Yet he was at the same time a hugely popular singer and many of his songs still carry a lot of appeal and relevance. In this sense, he can be compared to Boris Vian, to Jacques Brel, and to a lesser extent to Serge Gainsbourg.
He was very sophisticated, yet at the same time used profanity liberally. While he wasn't politically engaged, he was nevertheless unambiguously a leftist, many of his songs carrying blatant and buoyant anarchist overtones.
While his music was initially quite primitive, the 1950's St-Germain-des-Pres influence quickly made itself felt and while subdued and - in his mind - always secondary to the lyrics, it became increasingly sophisticated - to the point that many of his songs have been covered and reinterpretated by jazzmen (see for instance this UK site: www.projetbrassens.eclipse.co.uk)
He died in 1981, but up to this date (2006) there are few French people - including most of those born since - who can't sing along to his most famous song, Les Copains d'abord ("Friends foremost") or his "Bancs public" ("Public Benches").
For those interested, this site carries a number of (quite good) English tranlations of his songs: www.brassens.org
Stances %C3%A0 un cambrioleur
Georges Brassens Lyrics
Prince des monte-en-l'air et de la cambriole
Toi qui eus le bon goût de choisir ma maison
Cependant que je colportais mes gaudrioles
En ton honneur j'ai composé cette chanson
Sache que j'apprécie à sa valeur le geste
Qui te fit bien fermer la porte en repartant
De peur que des rôdeurs n'emportassent le reste
Les voleurs comme il faut c'est rare de ce temps
Tu ne m'as dérobé que le stricte nécessaire
Délaissant dédaigneux l'exécrable portrait
Que l'on m'avait offert à mon anniversaire
Quel bon critique d'art mon salaud tu ferais
Autre signe indiquant toute absence de tare
Respectueux du brave travailleur tu n'as
Pas cru décent de me priver de ma guitare
Solidarité sainte de l'artisanat
Pour toutes ces raisons vois-tu, je te pardonne
Sans arrière-pensée après mûr examen
Ce que tu m'as volé, mon vieux, je te le donne
Ça pouvait pas tomber en de meilleures mains
D'ailleurs moi qui te parle, avec mes chansonnettes
Si je n'avais pas dû rencontrer le succès
J'aurais tout comme toi, pu virer malhonnête
Je serais devenu ton complice, qui sait
En vendant ton butin, prends garde au marchandage
Ne vas pas tout lâcher en solde au receleurs
Tiens leur la dragée haute en évoquant l'adage
Qui dit que ces gens-là sont pis que les voleurs
Fort de ce que je n'ai pas sonné les gendarmes
Ne te crois pas du tout tenu de revenir
Ta moindre récidive abolirait le charme
Laisse-moi je t'en prie, sur un bon souvenir
Monte-en-l'air, mon ami, que mon bien te profite
Que Mercure te préserve de la prison
Et pas trop de remords, d'ailleurs nous sommes quittes
Après tout ne te dois-je pas une chanson
Post-Scriptum, si le vol est l'art que tu préfères
Ta seule vocation, ton unique talent
Prends donc pignon sur rue, mets-toi dans les affaires
Et tu auras les flics même comme chalands
Toi qui eus le bon goût de choisir ma maison
Cependant que je colportais mes gaudrioles
En ton honneur j'ai composé cette chanson
Sache que j'apprécie à sa valeur le geste
Qui te fit bien fermer la porte en repartant
De peur que des rôdeurs n'emportassent le reste
Les voleurs comme il faut c'est rare de ce temps
Délaissant dédaigneux l'exécrable portrait
Que l'on m'avait offert à mon anniversaire
Quel bon critique d'art mon salaud tu ferais
Autre signe indiquant toute absence de tare
Respectueux du brave travailleur tu n'as
Pas cru décent de me priver de ma guitare
Solidarité sainte de l'artisanat
Pour toutes ces raisons vois-tu, je te pardonne
Sans arrière-pensée après mûr examen
Ce que tu m'as volé, mon vieux, je te le donne
Ça pouvait pas tomber en de meilleures mains
D'ailleurs moi qui te parle, avec mes chansonnettes
Si je n'avais pas dû rencontrer le succès
J'aurais tout comme toi, pu virer malhonnête
Je serais devenu ton complice, qui sait
En vendant ton butin, prends garde au marchandage
Ne vas pas tout lâcher en solde au receleurs
Tiens leur la dragée haute en évoquant l'adage
Qui dit que ces gens-là sont pis que les voleurs
Fort de ce que je n'ai pas sonné les gendarmes
Ne te crois pas du tout tenu de revenir
Ta moindre récidive abolirait le charme
Laisse-moi je t'en prie, sur un bon souvenir
Monte-en-l'air, mon ami, que mon bien te profite
Que Mercure te préserve de la prison
Et pas trop de remords, d'ailleurs nous sommes quittes
Après tout ne te dois-je pas une chanson
Post-Scriptum, si le vol est l'art que tu préfères
Ta seule vocation, ton unique talent
Prends donc pignon sur rue, mets-toi dans les affaires
Et tu auras les flics même comme chalands
Lyrics © Universal Music Publishing Group
Written by: Georges Charles Brassens
Lyrics Licensed & Provided by LyricFind
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