Georgia Gibbs (born Frieda Lipschitzin on 17 August 1919 in Worcester, Mass… Read Full Bio ↴Georgia Gibbs (born Frieda Lipschitzin on 17 August 1919 in Worcester, Massachusetts, USA – 9 December 2006) was an American popular singer and vocal entertainer rooted in jazz.

Gibbs was the youngest of four children of Russian Jewish immigrant parents.Her father died when she was six months old, and she spent her first seven years in an orphanage in Worcester, separated from her other siblings.

She revealed a natural talent for singing at a very young age, and was given the lead in the orphanage's yearly variety show. She was reunited with her mother (who had visited her once every other month) when the latter found employment as a midwife. However, her job often forced her to leave her daughter alone for weeks at a time with only a Philco radio for company.

Gibbs began her professional career at the age of thirteen, and was singing in Boston's Raymor Ballroom the following year. She cut her first record with the Hudson-DeLange Orchestra in 1936 (aged 16 or 17). "You don't really know loneliness unless you do a year or two with a one-night band, Gibbs said of her life on the big band circuit. sing until about 2 a.m. Get in a bus and drive 400 miles. Stop in the night for the greasy hamburger. Arrive in a town. Try to sleep. Get up and eat." (Worcester Telegram & Gazette, May 12, 1994.)

She soon found steady work on popular radio shows including Your Hit Parade, Melody Puzzles and The Tim And Irene Show. Gibbs freelanced in the late 1930s and 1940s singing with the bands of Frankie Trumbauer, Hal Kemp, Tommy Dorsey and Artie Shaw. It was with Shaw's band (then billed as Fredda Gibson) that she scored her first hit, Absent Minded Moon (1942).

In 1943, she changed her name to Georgia Gibbs and began appearing on the popular Camel Caravan radio program, hosted by Jimmy Durante and Garry Moore (it was Moore who bestowed the famous nickname "Her Nibs, Miss Georgia Gibbs" upon her). The nickname is a playful reference to her diminutive stature of barely over 5 feet. She was a regular performer on this show until 1947.

Gibbs signed with Majestic Records in 1946, and while she recorded many great records she would have to wait until 1950 for her first hit single, If I Knew You Were Coming, I'd Have Baked A Cake (on the Coral label). During this period she also was the featured singer on tours with comedians Danny Kaye and Sid Caesar. Miss Gibbs had a natural talent for comedy as well, and worked well in support of the immensely popular Kaye. But success as a singer continued to elude her. As noted in a 1952 Time article:

"Georgia," they kept telling her, "you gotta get a sound." Musical soothsayers were trying to get Songstress Georgia Gibbs into line with the latest fashion. Perhaps, they thought, she should sing mechanized duets with herself (like Patti Page), or she might try an echo chamber background (like Peggy Lee). But gimmicks were not Georgia Gibbs's cup of tea. She had a big, old-fashioned voice, a good ear, a vivacious personality, and she knew how to sing from the shoulder. She would stick with plain Georgia Gibbs.

And she eventually had success "sticking with plain Georgia Gibbs". Possessed of a versatile voice, she cut a long list of great records in every category from torch songs to rock-and-roll, to jazz, swing, old fashioned ballads and cha-chas. Her most successful record was Kiss Of Fire which reached the #1 position on the pop music charts in 1952. Kiss of Fire was adapted from the Argentinian tango El Choclo and the lyrics, arrangement and delivery communicate passion on a Wagnerian scale. It immediately became one of the defining songs of the era.

Sultry and throbbing, with a touch of vibrato, Georgia Gibbs' voice is best showcased on romantic ballads and torch songs like Melancholy Baby, I'll Be Seeing You, Autumn Leaves and You Keep Coming Back Like A Song. Yet she could be equally thrilling belting out a red hot jazz numbers like Red Hot Mama and A-Razz-A-Ma-Tazz, or jiving with tunes like Ol Man Mose and Shoo Shoo Baby. Her Swingin' With Her Nibbs album (1956) demonstrated her natural affinity for improvisation as well.

Gibbs continued to be a frequent visitor to the charts throughout the first half of the decade (with over 40 charted songs), and was briefly successful doing rock 'n' roll songs as well. She appeared on many television shows throughout the decade, including the legendary Ed Sullivan show, and hosted one of her own, Georgia Gibbs And Her Million Record Show. She cut her final album, Call Me (1966) and rarely performed after that.

She spent many years being best known for her cover versions of Etta James' The Wallflower (recorded by Gibbs with modified lyrics under the title Dance With Me Henry) and of LaVern Baker's Tweedle Dee (which created some ado due to Ms. Baker's vociferous complaints) and for her novelty number The Hula Hoop Song, which was her last hit, in 1958.

Georgia Gibbs died of leukemia on December 9, 2006, aged 87, at New York's Memorial Sloan-Kettering Cancer Center.

Tra La La
Georgia Gibbs Lyrics

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Rock bop bop...

Tra la la, tra la la
You're as sweet as a candy bar
Tra la la, tra la lie
I'm so happy that I could die

Tra la la, tra la la

You're as cute as a movie star
Tra la la, tra la lo
I'd be crazy to let you go

Tra la la, tra la lou
All my loving is just for you
Tra la la, tra la la
Wolf whistle goes
I don't know how
So I'm singing

Tra la la, tra la la
I love you just the way you are
Tra la la, tra la lee
I'm as happy as I can be

Rock bop bop...

Tra la la, tra la la
You're as cute as a movie star
Tra la la, tra la lo
I'd be crazy to let you go

Tra la la, tra la lou
All my loving is just for you
Tra la la, tra la la
Wolf whistle goes
I don't know how
So I'm singing

Tra la la, tra la la
I love you just the way you are
Tra la la, tra la lee
I'm as happy as I can be

Rock bop bop...
Tra la la, la la la

Overall Meaning

The lyrics to Georgia Gibbs's song "Tra La La" describe the intense infatuation that the singer has for someone she finds absolutely irresistible. The repetition of "tra la la" throughout the song serves to underscore her utter joy and excitement at being with this person. She sings that they are as "sweet as a candy bar" and "cute as a movie star," and that she would be crazy to let them go. She says her love is just for this person and that she is so happy that she could die. The lyrics are playful and fun, and the addition of a wolf whistle shows just how enamored she is with this person.

The song was released in 1955, and it reflects the upbeat, energetic sound of the time. It was a part of the rock and roll movement that was taking over the music industry in the mid-1950s, and it features a driving beat and catchy melody that are characteristic of the genre. The lyrics are simple and straightforward, but they capture the sense of youthful exuberance and passion that defined the rock and roll era.

Overall, "Tra La La" is a delightful romp through the world of young love and infatuation. Its infectious melody and joyful lyrics make it a perfect example of the rock and roll sound that was so popular in the 1950s.

Line by Line Meaning

Tra la la, tra la la
Expressing pure joy and happiness

You're as sweet as a candy bar
Comparing the person to something delicious and desirable

Tra la la, tra la lie
Continuing the joyous expression

I'm so happy that I could die
Feeling overwhelmed with happiness and contentment

You're as cute as a movie star
Comparing the person to someone famous and attractive

Tra la la, tra la lo
Expressing continued joy

I'd be crazy to let you go
Acknowledging the person's value and not wanting to lose them

Tra la la, tra la lou
Expressing devotion and love

All my loving is just for you
Declaring love and loyalty to the person

Wolf whistle goes
Noticing the person's attractiveness and expressing it through a sound

I don't know how
Admitting to not knowing how to express attraction in any other way