Bodyguard
Ghost Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

A man walks down the street
He says "Why am I soft in the middle now?
Why am I soft in the middle?
The rest of my life is so hard
I need a photo-opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard
Bonedigger, Bonedigger
Dogs in the moonlight
Far away from my well-lit door
Mr. Beerbelly, Beerbelly
Get these mutts away from me
You know I don't find this stuff amusing anymore

If you'll be my bodyguard
I can be your long lost pal, hey pal
I can call you Betty
And Betty when you call me
You can call me Al
Yeah

A man walks down the street
He says, "Why am I short of attention?
Got a short little span of attention
And, whoa, my nights are so long
Where's my wife and family?
What if I die here?
Who'll be my role-model
Now that my role-model is
Gone, gone
He ducked back down the alley
With some roly-poly little bat-faced girl
All along, along
There were incidents and accidents
There were hints and allegations

If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty when you call me
You can call me Al

Call me
Na na na na, na na na na...

A man walks down the street
It's a street in a strange world
Maybe it's the third world
Maybe it's his first time around
Doesn't speak the language
He holds no currency
He is a foreign man
He is surrounded by the sound, sound
Cattle in the marketplace
Scatterings and orphanages
He looks around, around
He sees angels in the architecture




Spinning and spinning
He says, "Amen and Hallelujah!"

Overall Meaning

The song "Bodyguard" by Ghost is a cover of Paul Simon's "You Can Call Me Al" and maintains similar lyrics and themes. The lyrics of the first verse reflect the struggles of middle-age and the desire for a second chance at life. The singer wishes for an opportunity to redeem himself and avoid fading into obscurity. The mention of a "cartoon graveyard" further emphasizes the fear of becoming irrelevant and forgotten. The chorus then introduces the idea of finding a bodyguard, someone to protect and guide him as he navigates life's challenges. The verses that follow delve deeper into the singer's insecurities and personal struggles, addressing themes of mortality, family, and the search for a role model. The final verse portrays a foreigner in an unfamiliar land, surrounded by unfamiliar sounds and sights. Despite this, he discovers beauty in the architecture and the world around him and finds solace in the phrase "Amen and Hallelujah!".


Line by Line Meaning

A man walks down the street
The story starts with a man walking down a street.


He says "Why am I soft in the middle now?
He's wondering why he has a beer belly.


Why am I soft in the middle?
He repeats his question.


The rest of my life is so hard
He compares the difficulty of his life to his flabby midsection.


I need a photo-opportunity
He wants to be in the spotlight and have his picture taken.


I want a shot at redemption
He desires the chance to make things right.


Don't want to end up a cartoon
He doesn’t want to become a caricature of himself.


In a cartoon graveyard
This is where he fears he'll end up.


Bonedigger, Bonedigger
He's disturbed by the sight of what appears to be a grave robber.


Dogs in the moonlight
He sees dogs under the moonlight.


Far away from my well-lit door
This is where he is, far from the safety of his home.


Mr. Beerbelly, Beerbelly
He's talking about himself again.


Get these mutts away from me
He's afraid of the dogs and wants to be protected from them.


You know I don't find this stuff amusing anymore
He's fed up with his situation and wants things to change.


If you'll be my bodyguard
Here the man is asking someone to be his protector.


I can be your long lost pal, hey pal
In exchange, he'll be their friend and loyal companion.


I can call you Betty
He's giving his protector a nickname.


And Betty when you call me
She can call him by another name.


You can call me Al
This is his other name.


A man walks down the street
The story resumes with the same man walking down the street.


He says, "Why am I short of attention?
He is feeling neglected and ignored.


Got a short little span of attention
He has a short attention span.


And, whoa, my nights are so long
He's lonely and his nights seem never-ending.


Where's my wife and family?
He misses his loved ones.


What if I die here?
He fears he might not survive.


Who'll be my role-model
He's lost a role model and needs a new one.


Now that my role-model is
He doesn’t finish his sentence, indicating his inability to find a suitable replacement for his old role model.


Gone, gone
His role model is gone.


He ducked back down the alley
He quickly turns down an alley.


With some roly-poly little bat-faced girl
He meets a strange girl in the alley.


All along, along
This refers to things that have been happening in the background all along.


There were incidents and accidents
These are the events that have been happening all this time.


There were hints and allegations
These events were implied or hinted at, but not made overtly clear.


If you'll be my bodyguard
He's making the same request again.


I can be your long lost pal
He offers the same deal as before.


I can call you Betty
He repeats the nickname he has for his protector.


And Betty when you call me
He suggests what she should call him.


You can call me Al
He repeats his second name.


Call me
He repeats his name again.


Na na na na, na na na na...
This is the refrain that comes after the repeated names.


A man walks down the street
The narrative returns to the man on the street.


It's a street in a strange world
He's in a place that's unfamiliar to him.


Maybe it's the third world
He thinks that he might be in a developing country.


Maybe it's his first time around
He might be traveling for the first time.


Doesn't speak the language
He can't communicate with the locals.


He holds no currency
He has no money on him.


He is a foreign man
He's an outsider in this place.


He is surrounded by the sound, sound
He hears many loud and unfamiliar sounds.


Cattle in the marketplace
He sees cows in a busy area.


Scatterings and orphanages
There are things in the street that shouldn't be there like groups of people and orphans.


He looks around, around
He's trying to take in everything he sees.


He sees angels in the architecture
He notices significant beauty in unfamiliar places.


Spinning and spinning
The beauty he sees is overwhelming.


He says, "Amen and Hallelujah!"
He is moved to praise God for allowing him to experience this beauty.




Writer(s): David Robert Hinds

Contributed by Gabriel O. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it

Genre not found
Artist not found
Album not found
Song not found
Comments from YouTube:

@lifeofdejonaye9544

2023 and still love this song it never gets old

@Ogaramun

The song, the voice are all amazing but the beat bwoy the beat 🎢πŸ”₯

@cantstoplovingulav

I dont care if Ghost always a sing over ppl song.. i love his work and this is my favourite

@jeaninjules867

Very nice indeed

@Balla4ever

He be killin em though...so you overlook that...at times i think he even does a better job than the original.Β 

@sweetiepiebritt3130

+Rob Jones yes he does you can say that again

@momodoudanso8375

nice

@almightty1746

Lashawna Talaya in fact he sings it better

7 More Replies...

@inkabybianca1161

reminds me of when I was younger

@MrSniperific13

You still are ❀

More Comments

More Versions