Giacomo Antonio Domenico Michele Secondo Maria Puccini (December 22, 1858 –… Read Full Bio ↴Giacomo Antonio Domenico Michele Secondo Maria Puccini (December 22, 1858 – November 29, 1924) is regarded as one of the great operatic composers of the late 19th and early 20th century. Although he wrote only twelve operas, Puccini's works dominate the operatic stage, particularly in the United States, where, according to Opera America, Madama Butterfly and La Bohème are the two most frequently performed operas respectively, with Tosca being eighth and Turandot being twelfth on the same list. Known for his melodic ability, orchestra depth, and dramatism, in Italian opera, Puccini was the only true successor to Giuseppe Verdi.
Puccini was born in Lucca, Italy into a family with a long history of music. After the death of his father when he was only five years old, he was sent to study with his uncle Fortunato Magi, who considered him to be a poor and undisciplined student. Later, he took the position of church organist and choir master, but it was not until he saw a performance of Verdi's Aida that he became inspired to be an opera composer. He and a friend walked an entire 18.5 miles (30 Kilometers) to see the performance in Pisa. In 1880, Puccini travelled to the Conservatory of Music in Milan to begin his career by studying composition with Amilcare Ponchielli.
In 1880, the Messa composed at the age of 21, marked the end of Puccini's apprenticeship as a composer and the culmination of his family's long association with church music in his native Lucca. (Note: This name normally applies only to a "Gloria" mass, setting the opening two prayers of the Catholic Mass, the Kyrie and the Gloria. However, the Messa is a setting of the full Catholic Mass.) The work offers fascinating glimpses of the dramatic power that Puccini was soon to unleash on Milan's stages; the powerful arias for tenor and bass soloists are certainly more operatic in feel than is usually encountered in church music. The orchestration and the overall feeling of drama conveyed by his music establish a dialogue with Verdi's Requiem and perhaps already constitute a prediction of the future operatic career Puccini would embrace for life.
From 1880 to 1883 he studied at the Milan Conservatory under Ponchielli and Antonio Bazzini. In 1882, Puccini entered a competition for a one-act opera. Although he did not win, Le Villi was later staged in 1884 at the Teatro dal Verme; it also caught the attention of Giulio Ricordi, head of G. Ricordi & Co. music publishers, who commissioned a second opera, Edgar (1889).
From 1891 on, Puccini passed more and more of his time at Torre del Lago, in the Tuscan countryside. In this place on the border of the Massaciuccoli lake, where he passed lots of time hunting, he found refuge from the crowded city. Later he built a villa and moved there definitively in 1900. It was to remain his home and workplace until the very last years of his life. He is buried in the villa's chapel.
Puccini was born in Lucca, Italy into a family with a long history of music. After the death of his father when he was only five years old, he was sent to study with his uncle Fortunato Magi, who considered him to be a poor and undisciplined student. Later, he took the position of church organist and choir master, but it was not until he saw a performance of Verdi's Aida that he became inspired to be an opera composer. He and a friend walked an entire 18.5 miles (30 Kilometers) to see the performance in Pisa. In 1880, Puccini travelled to the Conservatory of Music in Milan to begin his career by studying composition with Amilcare Ponchielli.
In 1880, the Messa composed at the age of 21, marked the end of Puccini's apprenticeship as a composer and the culmination of his family's long association with church music in his native Lucca. (Note: This name normally applies only to a "Gloria" mass, setting the opening two prayers of the Catholic Mass, the Kyrie and the Gloria. However, the Messa is a setting of the full Catholic Mass.) The work offers fascinating glimpses of the dramatic power that Puccini was soon to unleash on Milan's stages; the powerful arias for tenor and bass soloists are certainly more operatic in feel than is usually encountered in church music. The orchestration and the overall feeling of drama conveyed by his music establish a dialogue with Verdi's Requiem and perhaps already constitute a prediction of the future operatic career Puccini would embrace for life.
From 1880 to 1883 he studied at the Milan Conservatory under Ponchielli and Antonio Bazzini. In 1882, Puccini entered a competition for a one-act opera. Although he did not win, Le Villi was later staged in 1884 at the Teatro dal Verme; it also caught the attention of Giulio Ricordi, head of G. Ricordi & Co. music publishers, who commissioned a second opera, Edgar (1889).
From 1891 on, Puccini passed more and more of his time at Torre del Lago, in the Tuscan countryside. In this place on the border of the Massaciuccoli lake, where he passed lots of time hunting, he found refuge from the crowded city. Later he built a villa and moved there definitively in 1900. It was to remain his home and workplace until the very last years of his life. He is buried in the villa's chapel.
Puccini: La Bohème Act 4: "Sono andati? Fingevo di dormire"
Giacomo Puccini Lyrics
We have lyrics for these tracks by Giacomo Puccini:
Act II: Un bel di vedremo Un bel dì, vedremo Levarsi un fil di fumo Sull'estremo confi…
Act III: E lucevan le stelle E lucevan le stelle E olezzava la terra Stridea l'uscio dell…
Gianni Schicchi: "O mio babbino caro" O mio babbino caro, Mi piace è bello, bello; Vo'andare in Po…
Gianni Schicchi: O Mio Babbino Caro O mio babbino caro, Mi piace è bello, bello; Vo′andare in Po…
Gianni Schicchi: O mio babbino caro' O mio babbino caro Mi piace è bello, bello Vo' andare in…
La Fanciulla del West: Ch'ella mi creda Ch'ella mì creda libero e lontano Sopra una nuova via di…
La Tosca: E Lucevan Le Stelle E lucevan le stelle E olezzava la terra Stridea l'uscio dell…
Madama Butterfly Un Bel Di Vedremo Di Cataldo Massimo Anime Un Giorno Vedrai Ci sono certi gior…
Madame Butterfly Un bel dì, vedremo Levarsi un fil di fumo Sull′estremo confi…
Manon Lescaut: Act 1: Donna non vidi mai Donna non vidi mai simile A questa! A dirle: io t′amo, A nuo…
Musetta's Waltz Quando me'n vo' Quando me'n vo' soletta per la via, La gente…
Nessun dorma Nessun dorma! Nessun dorma! Tu pure, o, principessa, Nella t…
Nessun dorma (Andrea Bocelli) Nessun dorma! nessun dorma! Tu pure, o, principessa, Nella t…
Nessun dorma! Nessun dorma! Nessun dorma! Tu pure, o, principessa, Nella t…
O mio babbino caro O mio babbino caro, mi piace, è bello, bello. Vo'andare in…
O mio babbino caro from "Gianni Schicchi" O mio babbino caro Mi piace è bello, bello Vo′andare in Port…
O mio babbino caro (Gianni Schicchi) O mio babbino caro, mi piace è bello, bello; vo'andare in Po…
O Mio Babbino Caro from Gianni Schicchi O mio babbino caro Mi piace è bello, bello Vo'andare in Port…
O Mio Bambino Caro O mio babbino caro Mi piace è bello, bello Vo' andare in…
One Fine Day Weeping? And why? And why? Ah, ′tis faith you are lacking He…
Puccini : O Mio Babbino Caro O mio babbino caro Mi piace è bello, bello Vo' andare in…
Quando Me'n Vo Quando me'n vo' Quando me'n vo' soletta per la via, La gente…
Tosca : E lucevan le stelle E lucevan le stelle E olezzava la terra Stridea l'uscio dell…
Tosca: Act 3: E Lucevan Le Stelle E lucevan le stelle Ed olezzava la terra Stridea l′uscio del…
Tosca: E lucevan le stelle E lucevan le stelle E olezzava la terra Stridea l'uscio dell…
Tosca: Recondita armonia CAVARADOSSI (Al Sagrestano) Dammi i colori! (Il Sagrestano …
Turandor: Nessun dorma! Nessun dorma! Nessun dorma! Tu pure, o, principessa, Nella t…
Turandot: "Nessun dorma" Nessun dorma! Nessun dorma Tu pure, o, principessa Nella tua…
Turandot: Act 3: Nessun Dorma Nessun dorma! Nessun dorma! Tu pure, o, principessa Nella tu…
Turandot: Nessun dorma Nessun dorma! Nessun dorma! Tu pure, o, Principessa Nella …
Turandot: Nessun dorma! Nessun dorma! Nessun dorma! Tu pure, o, principessa, Nella t…
Un bel di bedremo Un bel dì, vedremo Levarsi un fil di fumo Sull'estremo confi…
Un bel dì vedremo Di Cataldo Massimo Anime Un Giorno Vedrai Ci sono certi gior…
Un del di vedremo Un bel dì, vedremo Levarsi un fil di fumo Sull'estremo confi…
Vissi d'arte Vissi d′arte, vissi d'amore, non feci mai male ad anima…
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@catherine1004
[Mimi]
Sono andati, fingevo di dormire
他們已經離開了嗎 我剛假裝睡著了
Perché volevo con te sola restare
因為我想單獨跟你在一起
Ho tante cose che ti voglio dire
我有許多話要跟你說
O una sola ma grande come il mare
也許只有一件事但大到像海洋一樣巨多
Come il mare profondo ed infinito
像大海一樣深闊無邊際
Sei il mio amore e tutta la mia vita
你是我一生挚愛
[RODOLFO]
Ah Mimì, mia bella Mimì!
啊 咪咪,我美麗的咪咪
[Mimi]
Sono bella ancora?
我還是像一前一樣甜美嗎?
[RODOLFO]
Bella come un'aurora.
像清晨陽光一樣溫柔可人
[Mimi]
Hai sbagliato il raffronto
你譬喻的不對
Voleli dire bella come un tramonto
你應該說像夕陽餘暉
灑滿整個海岸般美麗
Mi chiamano Mimì
我的名字叫咪咪
Mi chiamano Mimì
我的名字叫咪咪
il perché non so."
我也不知為什麼
[RODOLFO]
Tornò al nido la rondine
燕子歸巢
e cinguetta.
唧唧啾叫
(Leva la cuffietta di dove l'aveva riposta in sul cuore.)
(他把小帽子從他心上拿出來)
[MIMÌ]
La mia cuffietta!
我的小帽子!
La mia cuffietta!
我的小帽子!
Ah! te lo rammenti
啊! 你還記得
quando sono entrata
la prima volta là?
我第一次進去你家
[RODOLFO]
Se lo rammento!
我當然記得!
[MIMÌ]
Il lume s'era spento.
當時燈火熄滅了
[RODOLFO]
Eri tanto turbata.
你很惱煩
Poi smarristi la chiave...
然後就弄丟了鑰匙
[MIMÌ]
E a cercarla tastoni ti sei messo!
然後你就開始幫忙找
[RODOLFO]
E cerca, cerca...
一直找一直找
[MIMÌ]
Mio bel signorino,
我親愛的先生
posso ben dirlo adesso,
我現在知道
lei la trovò assai presto.
其實你當時很快就找到了
[RODOLFO]
Aiutavo il destino.
我是在創造機會
[MIMÌ]
Era buio e il mio rossor
幸好當時很暗
non si vedeva...
你沒看到我害羞臉紅
"Che gelida manina...
妳那好冷了小手
Se la lasci riscaldar... "
且讓我來溫暖它
Era buio e la man
當時很暗,而那男人
tu mi prendevi...
你牽起了我的手
(Mimì è presa da uno spasimo di soffocazione.)
( 咪咪感到一陣窒息)
@operaloverhro3407
Schmerzhafter, gefühlvoller geht kaum, ich bin dankbar über/ für diese Aufnahme!!!
@LordAsney
my right ear loved this
@esterbruno8604
Meravigliosi entrambi! Puccini genio indiscusso 💖💖💖💖
@zitacoach980
Magnifique ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️
@ninaledkovsky5728
The quintessential Boheme... ❤️❤️❤️ MEMORY ETERNAL🙏🏼🙏🏼🙏🏼🙏🏼
@Sandra-hn5yl
Magnífico! Sublime!
@tsrs9900
Lasciatemi piangere...
@davideincerti6418
Commovente, ho pianto, insuperabili
@santiagomenasche9879
que animal pavarotti como ataca la cancion ... impecable señor .
@pieroarvizzigno7164
Puccini e sempre puccini. Grande