Gil Evans was born in Toronto, Canada, as Ian Ernest Gilmore Green and early took the family name Evans from his stepfather. The family soon moved to California, where he spent the first decades of his life. From 1946 onwards he lived and worked in New York City.
In 1941-48 he worked as an arranger for the sophisticated Claude Thornhill Orchestra, from 1946 on in New York City. His modest basement apartment behind a Chinese laundry soon became a meeting place for musicians looking to develop the music from bebop, though Charlie Parker himself was among those involved. With Miles Davis, Gerry Mulligan and others Evans collaborated on a band book for a nonet starting in 1948, which had a booking for a week's appearance at the "Royal Roost" as an intermission group on the bill with the Count Basie Orchestra. Capitol Records recorded the group 12 titles at three sessions in 1949 and 1950; these recordings were reissued on LP-album as Birth of the Cool in 1957.
Later, when Davis was under contract to Columbia Records producer George Avakian suggested several potential arrangers to the trumpeter who immediately fixed on the option of working with Evans again. The three main albums constituting their association are Miles Ahead (1957), Porgy and Bess (1958) and Sketches of Spain (1960). Later, another collaboration Quiet Nights (1962) was issued, but against the wishes of Davis, who broke with his then producer Teo Macero for a time as a result. Although these four records were marketed primarily under the name of Davis (often credited as Miles Davis and the Gil Evans Big Band) Evans's contribution was just as important. Their work was a companionship of classic big band jazz with a skillful soloist. All these collaborations feature Evans's big-band arrangements, onto which Davis played with extraordinary melodic and stylistic skill. Evans also contributed behind-the-scenes help to Davis' classic quintet albums of the 1960s.
From 1957 onwards Evans recorded under his own name too, e.g. his impressionant albums Big Stuff (1957, aka Gil Evans & Ten), Out Of The Cool (1960) and The Individualism Of Gil Evans (1964). In 1965 he was responsible for the arrangements on the big band tracks on Kenny Burrell's Guitar Forms album. 1966 he took an 'special' Latin album with his orchestra for the Brazilian singer Astrud Gilberto Look To The Rainbow. In the 1970s, following Davis and many other jazz musicians, Evans worked in the free jazz and jazz-rock idioms, gaining a new generation of admirers. Evans had a particular interest in the work of rock guitarist Jimi Hendrix, and reportedly had a meeting scheduled with him to discuss building a big band around Hendrix, cut short by Hendrix's untimely death in 1970. His tours began not before 1972, two times to Japan and until 1987 many times for festivals and concerts in old Europe. In 1987, Evans recorded a live CD with Sting featuring big band arrangements of songs by Sting and The Police. He also played live with Jaco Pastorius in Japan.
Evans died in 1988 in Cuernavaca, Mexico, the same city in which Charles Mingus had died nine years previously.
Little Wing
Gil Evans Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With a circus mind
That's running wild.
Butterflies and zebras and moonbeams
And fairy tales
That's all she ever thinks about
When I'm sad she comes to me
With a thousand smiles
She gives to me free
It's alright she says
It's alright
Take anything you want from me
Anything
Fly on little wing
The lyrics to Gil Evans's song Little Wing depict a woman who seems to have a boundless imagination, living in a dream world filled with fantastical creatures like butterflies, zebras, and moonbeams. She is depicted as having a "circus mind that's running wild," suggesting that her inner world is a non-stop fantasyland. The singer of the song, likely a man, feels comforted by this woman's presence, especially when he is sad. She approaches him with a positive, cheerful attitude, and willingly offers him anything he wants to make him feel better.
The overall tone of the song is dreamy and ethereal, mirroring the wandering thoughts of the woman described in the lyrics. The repeated lines of "fly on, little wing" reinforce the idea of soaring above the mundane concerns of daily life and embracing one's imagination fully. The song could be interpreted as a paean to artistic creation, emphasizing the importance of letting one's mind roam free in order to create something truly beautiful.
Line by Line Meaning
Well she's walking through the clouds
She is living in a world of fantasy and imagination
With a circus mind
Her mind is full of creativity and wonder
That's running wild.
Her thoughts are chaotic and uncontrolled
Butterflies and zebras and moonbeams
Her world is filled with beauty and wonder
And fairy tales
She lives in a world of make-believe
That's all she ever thinks about
Her mind is constantly consumed by this world
Riding the wind.
She feels free and liberated in her fantasy world
When I'm sad she comes to me
In times of sadness, her imagination provides comfort
With a thousand smiles
Her positivity is infectious and uplifting
She gives to me free
She is generous with her love and support
It's alright she says
She brings reassurance and calmness to difficult situations
It's alright
Everything will be okay
Take anything you want from me
She is willing to give whatever is needed
Anything
Absolutely anything
Fly on little wing
Keep soaring and exploring your imagination
Lyrics © Universal Music Publishing Group
Written by: Jimi Hendrix
Lyrics Licensed & Provided by LyricFind