He began recording in 1970 with the LP Small Talk at 125th and Lenox with the assistance of Bob Thiele Flying Dutchman Records, co-writer Brian Jackson, Hubert Laws, Bernard Purdie (who later recorded "Delights of the Garden" with The Last Poets), Charlie Saunders, Eddie Knowles, Ron Carter and Bert Jones, all jazz musicians (see 1970 in music). The album included the aggressive diatribe against white-owned corporate media and middle-class America's ignorance of the problems of inner cities in songs such as Whitey On The Moon.
The 1971 Pieces of a Man used more conventional song structures than the loose, spoken word feel of his first, though he didn't reach the charts until 1975 with "Johannesburg". His biggest hit was 1978's "The Bottle", produced by Heron and longtime partner Brian Jackson, which peaked at #15 on the R&B charts (see 1978 in music).
In 2001, Gil Scott-Heron was sentenced to one to three years' imprisonment in New York State for possession of cocaine. While out of jail in 2002, he appeared on the Blazing Arrow album by Blackalicious. He was released on parole in 2003. On July 5, 2006, Scott-Heron was sentenced to two to four years in a New York State prison for violating a plea deal on a drug-possession charge by leaving a drug rehabilitation center. Scott-Heron's sentence was to run until July 13, 2009. He was paroled on May 23, 2007. The reason given for the violation of his plea was that the clinic refused to supply Scott-Heron with HIV medication. This story led to the presumption that the artist is HIV positive.
After his release, Scott-Heron began performing live again, starting with a show at SOBs in New York on September 13, 2007. On stage, he stated that he and his musicians were working on a new album and that he had resumed writing a book titled The Last Holiday, previously on long-term hiatus, about Stevie Wonder and his successful attempt to have the birthday of Martin Luther King Jr. declared a federally recognized holiday in the United States.
He was arrested October 10, 2007, the day before a scheduled (but ultimately cancelled) second SOBs performance, on felony possession of cocaine charges. However, he has continued to make live appearances at various US venues during the course of 2008 and 2009, including further appearances at SOBs in New York. He has also stated in interviews that work is continuing on his new album, which will consist mainly of new versions of some of his classic songs plus some cover versions of other artists' work.
Having originally planned to publish The Last Holiday in 2003, before it was put on hold, Canongate Books now tentatively intend to issue it in January, 2011. The book was due to be previewed via a website set to be launched on April 1, 2009, but this did not appear.
Mark T. Watson, a student of Scott-Heron's work, dedicated a collection of poetry to Gil titled Ordinary Guy that contained a foreword by Jalal Mansur Nuriddin of The Last Poets. The book was published in the UK in 2004 by Fore-Word Press Ltd. Scott-Heron recorded one of the poems in Watson's book Black & Blue due for release in 2008 as part of the album Rhythms of the Diaspora by Malik & the OG's on the record label CPR Recordings.
Gil Scott-Heron released his new album I'm New Here on independent label XL Recordings on February 9, 2010. Produced by XL label owner Richard Russell, 'I'm New Here' is Scott-Heron's first album in thirteen years.The pair started recording the album in 2007, with the majority of the record being recorded over the last twelve months with engineer Lawson White at Clinton Studios in New York. In 2009, a new Gil Scott-Heron website, www.gilscottheron.net , was launched with a brand new track 'Where Did The Night Go' made available as a free download from the site.
In 2011, Scott-Heron released "We're New Here" a remix album which was a collaboration with Jamie xx, a member of the British indie band The xx. Scott-Heron died in New York City on May 27, 2011.
I Was Guided
Gil Scott-Heron Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(I was guided
I was guided)
To get here
(To get here
To get here)
The first verse of Gil Scott-Heron's "I Was Guided" seems to suggest that he has reached a point in his life as a result of being led by fate or some unseen force. The repetition of "I was guided" emphasizes this feeling of inevitability or pre-destiny, and the frequent echoes in the background suggest a chorus of voices reinforcing this message. The second line of the verse, "To get here," indicates a sense of accomplishment or arrival, as if he has overcome some sort of obstacle or journeyed through a difficult path to reach this moment. The phrasing of "I was guided" also suggests that he is not in control of his own life, but rather being pulled along by some greater force.
Despite the apparent sense of destiny in the song, there is also a sense of exhaustion or weariness in the way the lyrics are delivered. The echoes and repetitions create a hypnotic effect, as if he has been repeating this mantra to himself for some time and is beginning to tire of it. The slow, deliberate pacing of the song reinforces this feeling of fatigue, as if he has been through a lot to get to this point and is now taking a moment to reflect on what has led him here. Overall, "I Was Guided" captures a complex mix of emotions, merging feelings of triumph, fate, and weariness into a single, haunting composition.
Line by Line Meaning
I was guided
I was led by a higher force or spiritual guide
(I was guided
I was guided)
The guidance was a continuous process and not a one-time event
To get here
The guidance helped me reach the present situation or circumstance
(To get here
To get here)
The guidance was necessary and repetitive for me to arrive at this point
Lyrics © O/B/O APRA AMCOS
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