ln Waterford, O'Sullivan's father worked in a meat factory while his mother ran a sweet shop. In 1958, at the age of 11, he moved with his family to Swindon in England in search of a better life. He attended St. Joseph's Comprehensive school in Swindon. While there he developed an interest in both music and amateur boxing. Musically he began with the guitar and progressed to the piano. In the boxing ring he had nearly 50 bouts. Meanwhile his painting and drawing had won him a place at Swindon Art College. He started there in September 1963. His aim was to be a graphic designer. He played drums in his first group The Doodles and left them to join The Prefects while attending Swindon Art College. It was while at college that he met Rick Davies, who was later a member of Supertramp. While at college he began writing songs and sending out demo tapes, alas they were always returned unopened. The first song he remembers writing was Ready Miss Steady.
After finishing college, O'Sullivan moved to London in 1967 to try and further his musical career. He took a part-time job as a salesman at the C & A department store in Oxford Street. Mike Ward who also worked at C & A, had a contract with CBS and Gilbert went with him one day and played his tapes for some of the CBS executives. Gilbert signed a five year publishing contract with CBS which called for one single a year, and released two singles Disappear/You in 1967 and What Can I Do/You in 1968. Gilbert was disappointed that he was not allowed any input into the arranging or production of the singles. Neither single did well. Disillusioned with CBS, O'Sullivan signed with the Major Minor label and released I Wish I Could Cry/Mr. Moody's Garden in 1969.
O'Sullivan came to the attention of BBC Radio 1 disc jockey, John Peel, who gave him a slot on his radio show Top Gear, little of note resulted, and O'Sullivan spent part of 1969 applying to other record labels and management companies. It was at this time that O'Sullivan formulated his 'Bisto Kid' image; grey flannel suit, flat cap, school boy tie, football socks and hobnail boots. In search of a manager he sent some demo tapes to Gordon Mills, an ex-pop singer and himself a songwriter of repute, who had successfully guided the careers of Tom Jones and Engelbert Humperdinck. Gordon Mills recognised something unique in the young Irishman and signed him for management as well as to a songwriting contract.
O'Sullivan made an irresistible impression with Nothing Rhymed, his first Top 10 hit and an introduction to his witty lyrics and original approach as a singer/songwriter. Signed to MAM Records, the label launched by Gordon Mills, who was also his record producer, great friend and surrogate older brother, O'Sullivan enjoyed four years of major success, incorporating a dozen more hit singles, ten of which reached the UK Top 10, and four Top 5 albums: Himself (1971), Back To Front (1972), I'm A Writer Not A Fighter (1973) and A Stranger In My Own Back Yard (1974).
Both Clair (written about Mills's infant daughter for whom Gilbert occasionally babysat) and Get Down were number one hit singles in Britain, and additionally, Back To Front topped the UK LP chart in 1972, emulating the success of the two million seller Alone Again (Naturally), a six week US chart-topper in 1972. O'Sullivan made his live debut in The National Stadium in Dublin in October of '72. Around this time, the singer jettisoned his so-called "Bisto Kid" image in favour of an endless series of collegiate-styled sweaters embossed with the letter "G". As quickly as O'Sullivan ascended to fame, however, his star began to fall , although singles like Ooh Baby and Happiness Is Me and You continued to chart, they sold increasingly fewer copies, and after 1973 his overseas popularity essentially ceased altogether. At home, he notched his final Top 20 hit with 1975's I Don't Love You But I Think I Like You. After a Greatest Hits album in 1976, and Southpaw in 1977, by which time the hit singles had dried up, disagreements over future direction led to a bitter split between O'Sullivan and Mills, which effectively sidelined the former as a recording artist for five years. The gruelling court case between O'Sullivan and his erstwhile manager, producer, music publisher and record company boss finally gave him control of his own recordings and the copyright in his songs, although it exacted an inevitable toll on his energy and his creativity during it's precedent-setting course.
Gilbert returned to CBS in 1980 and released Off Centre (1980) and Life & Rhymes (1982) but maintained a low profile during much of the 1980s, recharging his batteries and moving to Jersey, where he still lives with his wife and two children. Off Centre provided his 13th UK Top 20 single, What's In A Kiss?, after which legal proceedings monopolised his time. However, he continued writing songs, performing what he called "concepts within four walls" rather than starting back on the road before it was appropriate. He later recalled that the lyrics he wrote during that period were too heavily influenced by his personal emotions - having been extremely close to Mills before their disagreement, he was highly distressed to discover that his dear friend had been guilty of considerable financial greed at Gilbert's expense. Even so, he applied himself to his lonely creativity, working from 9 to 5 each day "just like Goffin & King and people like Neil Sedaka & Howard Greenfield at the Brill Building in New York used to do", although he later confessed "Really, the words were no good, because my mind was cluttered with all the problems". Lyrics have always been O'Sullivan's most unique facet, reflecting what's going on in his mind, and the strain under which he found himself was hardly conducive to much positive artistic or commercial creativity.
The first release for five years was Frobisher Drive and was only available in Germany. The same album with a slightly different track listing was released in the UK in 1989 under the title In The Key Of G, and included So What, his first chart single in almost a decade. Since the low-key comeback, the pace has increased, with five more albums. Gilbert also made a return to live performances in the early nineties, playing regularly in both Europe and Japan. In 1991, Gilbert was again in court, this time he sued American rapper Biz Markie and won the decision after Markie's unauthorized sample of "Alone Again (Naturally)" on his 1991 album I Need a Haircut. A 1992 single, Tomorrow Today had topped the Japanese charts for nine weeks, and this success led to a tour of Japan in early 1993 with his newly formed backing group, during which he recorded and filmed his first ever live album Tomorrow Today. Gilbert's newfound success in Japan led to the Japanese only release of The Little Album (1992) and Rare Tracks (1992). 1993's critical acclaimed Sounds Of The Loop (Daily Telegraph's Record Of The Week) included a duet with the legendary Peggy Lee on Can't Think Straight and even a solo version of the same song in Japanese. This album was recorded almost entirely at his home in Jersey in the Channel Islands.
By Larry (with a similar track listing to the Japanese released The Little Album) was released in 1994. Larry is a famous English cartoonist, much admired by Gilbert. Larry provided original cartoons for the album sleeve and booklet. Every Song Has It's Play was released the following year and was the soundtrack of the semi-autobiographical stage show that Gilbert had acted and sang in, in 1991. Singer Sowing Machine was released in 1997. The title is a humorous reaction by Gilbert to being constantly referred to as a singer/ songwriter. Irlish was released in 2000 and yielded three singles, Have It, Say Goodbye and Two's Company (Three Is Allowed). The album title Irlish, combination of the words Irish and English, appropriate for someone born in Ireland and raised in England. Gilbert's family was part of this migration. In 2001 The Official Gilbert O'Sullivan Website was launched as well as his own record label ByGum Records.
Gilbert continued to tour and he played a series of concerts in Ireland in 2001 and in the UK in 2002 to promote the Irlish album. A new studio album Piano Foreplay followed in 2003. In 2004 Rhino Handmade Records released a 3 CD anthology in the USA of Gilbert's music entitled Caricature: The Box. It contains 73 tracks which span the years 1967-2001. This is the first in-depth survey of Gilbert's lengthy career. It contains numerous singles and B-sides, tracks from 16 of his albums, and five previously unreleased tracks. A b-side collection entitled The Other Sides of Gilbert O'Sullivan was released in Japan in 2004 and contained many tracks available on CD for the first time. A series of concerts followed in Japan in June 2004 followed by a 20 date European Tour of the UK, Ireland, Norway and Denmark in November and December. In February 2005 a DVD/CD set of the 2004 Japanese show was released in Japan. Gilbert returned to Japan in June 2005 for a series of 13 shows. Gilbert spent the end of 2005 and the beginning of 2006 recording his next studio album "A Scruff At Heart" which was released in Japan on 25 October 2006.
Too Bad
Gilbert O'Sullivan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It's too bad you decided to stay away
(Too bad baby)
It's too bad you couldn't come
It's too bad I really thought you were okay
(Too bad baby)
You admit you were wrong
Yet you still had the nerve
To go leading me on
It's too bad baby
But not especially for me
It's no good us going on
It's no good you trying to soft-soap me
(No good baby)
It's no good I'm telling you
It's no good all we ever do is disagree
(No good baby)
What am I supposed to do
How can I forgive you
If you won't even bother
To tell me the truth
It's no good baby
But not especially for good ol' me
I wanna say I've enjoyed
All the nights we've employed
And the pleasure it's given me
But I cannot except with the greatest respect
Anybody to termine me
Do I make myself perfectly clear
It's too bad you couldn't come
It's too bad you decided to stay away
(Too bad baby)
It's too bad you couldn't come
It's too bad I really thought you were okay
(Too bad baby)
Said you'd be there at nine
Well I got there on time
But you didn't show up
Because you changed your mind
It's too bad baby
But not especially for me
Too bad for you and not for me
(Too bad baby)
And not for me
(Too bad baby)
Too bad for you and not for me baby
Too bad baby
Too bad baby
The song "Too Bad" by Gilbert O'Sullivan talks about a failed relationship where one person couldn't make it but still leading the other person on. The opening lines of the song, "It's too bad you couldn't come, It's too bad you decided to stay away" demonstrates the disappointment and sadness Gilbert feels for the person who couldn't come. He thought the person was okay, but they let him down. The chorus repeats, "It's too bad baby," emphasizing Gilbert's frustration.
The second verse reveals that the person who didn't show up knew all along that they couldn't make it. Despite this, they chose to lead Gilbert on. Gilbert is fed up with this behavior, and the line "What am I supposed to do, How can I forgive you" shows his disbelief and disappointment. The third verse is Gilbert's attempt at showing respect and gratitude for the good times they had but reiterates that the current situation is just "too bad" for him to handle.
Overall, the song is about Gilbert's frustration with not being able to move forward due to the other person's actions. Despite the upbeat tempo, the lyrics convey a sense of sadness and disappointment.
Line by Line Meaning
It's too bad you couldn't come
I'm disappointed that you didn't come
It's too bad you decided to stay away
I don't understand why you chose not to come
(Too bad baby)
I am expressing my regret over the situation
It's too bad I really thought you were okay
I thought you were a reliable person
You admit you were wrong
You have acknowledged that you made a mistake
That you knew all along
You were aware of the issue from the beginning
Yet you still had the nerve
But you still had the audacity
To go leading me on
To pretend like everything was fine
It's too bad baby
I am disappointed
But not especially for me
However, I am not the one who suffers from this
It's no good us going on
It's not worth continuing this way
It's no good you trying to soft-soap me
You can't persuade me with flattery
(No good baby)
This is a bad situation
It's no good I'm telling you
I am acknowledging the reality of the situation
It's no good all we ever do is disagree
Our interactions are never positive
What am I supposed to do
I don't know how to handle this
How can I forgive you
I can't just forget what happened
If you won't even bother
Especially since you won't explain yourself
To tell me the truth
To be honest with me
It's no good baby
This situation is bad
But not especially for good ol' me
But I'm not personally affected
I wanna say I've enjoyed
I want to express my appreciation
All the nights we've employed
For the time we spent together
And the pleasure it's given me
And the happiness it brought me
But I cannot except with the greatest respect
But I cannot accept it if you won't be honest
Anybody to termine me
I won't allow myself to be mistreated
Do I make myself perfectly clear
Do you understand me completely?
Said you'd be there at nine
You promised to arrive at nine
Well I got there on time
And I arrived early
But you didn't show up
But you didn't come
Because you changed your mind
Because you changed your plans
Too bad for you and not for me
This doesn't affect me negatively, but it's unfortunate for you
(Too bad baby)
I am expressing my disappointment
And not for me
But I won't suffer from this
Too bad for you and not for me baby
This is unfortunate for you, but it doesn't concern me
Too bad baby
I am still disappointed
Lyrics © BMG Rights Management
Written by: GILBERT O'SULLIVAN
Lyrics Licensed & Provided by LyricFind
@yurinosarev2574
Beautiful song!!!☘️👍
@flatop47
Thanks Again
@EdmundoASPinto
Great Hit of FM rádios in Brazil 1974
@flatop47
Thanks For Looking
@thomasnmarthinussen1175
B side to the highly underrated A Womans Place. Gilbert moving heavily into more R and B sounding songs without losing the distinct appeal of his originality.
@jamesthomson7129
Too bad this is not in the charts now.
@flatop47
+James Thomson ..Thanks For Looking