Gillan is a rock band closely associated with but not directly arising from… Read Full Bio ↴Gillan is a rock band closely associated with but not directly arising from the New Wave Of British Heavy Metal, formed in 1978 by Ian Gillan and Colin Towns in the UK.

In 1978 Ian Gillan had become dissatisfied with the jazz fusion style of his band called Ian Gillan Band and dissolved it, retaining only keyboard player Colin Towns, and formed a new band entitled Gillan. He added Steve Byrd on guitar, Liam Glenocky on drums and John McCoy (ex-zzebra) on bass, and initially pursued a progressive rock direction, releasing their eponymous debut in 1978, although they could only get a record deal in Japan. This recording has subsequently become more widely available as THE JAPANESE ALBUM.

The album was sufficiently successful to attract more attention and in 1979 the band secured a European deal with Acrobat Records. Before a new album was recorded, Byrd was replaced by Bernie Tormé and Glenocky by Mick Underwood, Ian Gillan's former colleague in Episode Six. Torme's "screaming guitar" sound fundamentally altered the dynamics and Gillan took a heavy metal direction. This lineup's first album was released as MR. UNIVERSE and contained many re-worked songs from The Japanese Album. The band caught the rise of the NWOBHM at just the right time and the group gained popularity in Europe. At Christmas Gillan turned down an offer from Ritchie Blackmore to join Rainbow, but Blackmore did make a "legendary" guest appearance for Gillan at their Christmas show. It was the first time Ian Gillan and Blackmore had performed together since 1973.

In 1980 Gillan reached the peak of their success, releasing the successful GLORY ROAD album with the limited edition "free" LP for gillan fans only. However the band remained unknown in North America and were unable to raise any interest there despite tours.

By 1981 the band members were becoming disgruntled that their European and Japanese success was not translating into increased pay, and after the FUTURE SHOCK album tour, Torme walked out just before the band were due to appear on Top of the Pops. He was replaced by White Spirit guitarist Janick Gers and this line up releaed the live/studio combi double album DOUBLE TROUBLE at the end of the year. In 1982 final album MAGIC followed. By this time, tension over money had reached fever-pitch and Ian Gillan needed time to have nodes removed from his vocal chords. He also received and accepted an offer to replace Ronnie James Dio in Black Sabbath. After the Magic tour Ian Gillan dissolved the band to the incredulity of the other members, particularly McCoy, and the acrimony remained into the 21st century.

McCoy subsequently released compilations of studio out-takes to which he had the rights, beginning with Gillan Tapes, Vol. 1, and ensured that revenues were distributed fairly amongst the band.

Roller
Gillan Lyrics

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Get your hands onto this one
Screw it down I've never missed one
Keep alive never losing
95 I'm barely cruising

Go with the roller go
Say what the dirty roller say
Get in the roller

Do what the dirty roller do

Keep your hands on my lever
Watch it while I stab your beaver
He's no good he's no more boy
I'm the ruler he's the poor boy

When I'm dead when it's over
You can have my dirty roller

Smear my blood on your body
And you'll get no shit

Overall Meaning

The lyrics to Gillan's song Roller are highly suggestive and provocative. The song is widely believed to be about sex, with the roller being a metaphor for sexual intercourse. The first line of the song, "Get your hands onto this one," suggests that the singer is offering himself up for sex. The line, "Screw it down I've never missed one," can be interpreted to mean that the singer is skilled at sex and has never failed to satisfy his partner.

The chorus of the song, "Go with the roller go, say what the dirty roller say, get in the roller, do what the dirty roller do," is a call to action for individuals to embrace their primal instincts and engage in sexual acts without restraint. The line, "Keep your hands on my lever," refers to the singer's genitalia, while "watch it while I stab your beaver" is a crude reference to sexual penetration. The singer asserts his dominance over his sexual partner by proclaiming himself the ruler while calling his partner the "poor boy."

The final lines of the song, "When I'm dead when it's over, you can have my dirty roller, smear my blood on your body and you'll get no shit," can be interpreted as a final glorification of the act of sex. The singer encourages his partner to continue enjoying sex even after his death and suggests that sex is a transcendent experience that can elevate individuals beyond societal norms.

Line by Line Meaning

Get your hands onto this one
Take hold of this opportunity

Screw it down I've never missed one
Secure it tightly to make sure it won't go wrong

Keep alive never losing
Always stay awake, alert, and focused

95 I'm barely cruising
Moving at a comfortable pace

Go with the roller go
Join in with the group

Say what the dirty roller say
Repeat what the leader says

Get in the roller
Become a part of the group

Do what the dirty roller do
Follow the leader's actions

Keep your hands on my lever
Obey the leader

Watch it while I stab your beaver
Be careful or face the consequences

He's no good he's no more boy
You're not good enough