From a musical family, his father was a big band musician. Gino Vannelli played drums at a young age and after finishing high school studied musical theory at McGill University.
In the late 60s, he signed to RCA Canada under the name Van Elli. He eventually went to Los Angeles, California where he signed with Herb Alpert's A&M Records after chasing Alpert down in the parking lot of A&M Studios. He released his first album with that record label in 1973. Gino's brother, Joe, served as arranger and keyboardist for most of his recording career. At a time when polyphonic synthesizers were non-existent, Joe overdubbed multiple parts to create a texture of sound that was largely progressive for the early 1970s. Gino's 1978 song, "I Just Wanna Stop," written by his brother Joe, earned him an American Grammy Award nomination and reached #4 on the Billboard charts and #1 in Canada. He won Canada's Juno Award for Best Male Artist in 1976 and 1979. Also, Gino and Joe Vannelli shared the Juno Award for Recording Engineer of the Year three times: in 1986 for "Black Cars," in 1987 for "Wild Horses"/"Young Lover," and in 1991 for "The Time of Day"/"Sunset on L.A.". Gino is also noted for being the first Caucasian singer to appear on Soul Train in 1974.
Vannelli's other hits include "Living Inside Myself" (1980) and "Wild Horses" (1987).
In 1990 Gino recorded the album 'Inconsolable man' and toured extensively for the first time in well over a decade. His 'Live in Montreal' album was released in 1991.
In 1993, Québécoise singer Martine St. Clair recorded "Wheels of Life" as a duet with Vanelli as well as a French-language version called "L'Amour Est Loi".
It was some 4 years since his last 'Live' album before Gino released one of his best albums ever, the heavily jazz influenced album 'Yonder Tree'. Issued in 1995 the album received rave reviews from critics and fans alike.
Never one to stand still in terms of style, Gino subsequently released his 'Slow Love' album in 1998. A collection of beautifully crafted romantic songs, slightly more MOR than his previous album.
We had to wait until 2003 for the release of Gino's 'Canto' album. A collection of classical and operatic songs which exemplified his compositional skills as well as his incredible voice. With a symphonic Orchestra he sings in English, Spanish, Italian and French. This album reflected an artist freed from the shackles of commerciality and one able to concentrate on just the music. The result was acclaimed around the world and proved particularly successful in Europe. From the album, Parole Per Mio Padre" (Words For My Father), was so loved by Pope John Paul II that Gino performed the song live at the Vatican in a televised event.
In 2006 Gino released a best of album but again not one to follow the norm, this album entitled 'These are the Days' contained many of his previously best known songs together with 7 completely new pop songs.
He has since released four more albums, the latest of which was released in 2019.
Gino now lives in Oregon with his family where he actively teaches music. He continues to perform across the country today.
Gino Vannelli's official website
Wikipedia entry on Gino Vannelli
Shame
Gino Vannelli Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
High-heeled chicks turnin' tricks in a trance
Pin-stripe zombies on fire
Sayin' hey baby, here's a dime for a dance
(out on the street)
I see innocent faces in the rain
(out on the street)
I see make-up runnin' down from tears of pain
Shame
Now mama tell it like it is
It's a shame
For what papa did
It's a shame
Your sister should've told you so
It's a shame
'cause nobody wants to know
The neon moon turns red around midnight
Junior junkies and runaway girls
Blue eyed babies posing in the headlights
Another stray cat in a dog eat dog world
(out on the street)
Ain't no room for no cheap talkin' prayer
(out on the street)
You don't know what it's like 'till you're there
And you're runnin' scared
Shame
Now mama tell it like it is
It's a shame
The way papa hurt his kid
It's a shame
Your sister should've told you so
It's a shame
C'mon man let her go
So young
Yet so old
So hard to find a friend
She lives from lover to lover
'till there's nothing left of her
Yeah sweet daddy scores again
Shame
Now mama tell it like it is
It's a shame
The way papa hurt his kid
It's a shame
Your sister should've told you so
It's a shame
C'mon man let her go
The world should've let you know
C'mon man let her go
Shame on the school
Shame on the teacher
Shame on those sticky little fingers all over that helpless creature
Shame on the parish
Shame on the preacher
From where he stands that man don't have half a chance to reach her
Shame shame shame
On me and you
Shame shame shame
Now what are we goin' to do
The song 'Shame' by Gino Vannelli expresses the feeling of sadness and regret for the condition of society. The lyrics describe the harsh realities of life on the streets, where women sell their bodies for money, drug addiction is rampant, and children are left to fend for themselves. The city is painted as a dystopian world where people have lost their innocence and are caught up in the rat race of survival. The chorus, 'Shame', reinforces the message that society is to blame for this situation and that we must acknowledge our responsibility for it.
The opening lines of the song paint a vivid picture of the city burning with desire, and the use of 'high-heeled chicks' and 'pin-stripe zombies' to describe the people on the streets is powerful. The lyrics describe the desperation and hopelessness of those living on the streets, and the chorus reminds us that we should feel regret for our lack of action to change the situation. The verse that starts with 'The neon moon turns red around midnight' talks about the plight of young girls who are forced into prostitution, and the reference to 'another stray cat in a dog eat dog world' highlights the struggle to survive in such an environment.
The final verse addresses the audience directly, questioning what we can do to address this situation. The lines 'Shame on me and you, shame shame shame, now what are we going to do' are a call to action, reminding us that we cannot sit idly by and let these things happen. Overall, the lyrics are insightful and thought-provoking, forcing us to confront the ugly realities of society.
Line by Line Meaning
The city's burning with desire
The city is filled with people who are in a state of intense craving and longing.
High-heeled chicks turnin' tricks in a trance
Women dressed in high heels are selling their bodies in a hypnotic state.
Pin-stripe zombies on fire
Men in suits are like mindless creatures who are driven by a burning desire.
Sayin' hey baby, here's a dime for a dance
Men are paying women to dance, seeking relief from their desolation and emptiness.
(out on the street)
I see innocent faces in the rain
Amidst the chaos and desire, there are still innocent people standing helplessly in the rain.
(out on the street)
I see make-up runnin' down from tears of pain
Down the drain
I see women's makeup melting away as they cry tears of pain which disappear down the drain.
Shame
Now mama tell it like it is
The situation is a disgraceful one, and the singer urges his mother to reveal the truth.
It's a shame
For what papa did
It's a shameful thing for what the father has done.
It's a shame
Your sister should've told you so
It's a pity that the singer's sister did not warn the subject of the song about the situation she now finds herself in.
It's a shame
'cause nobody wants to know
It's shameful that no one wants to acknowledge or help the subject of the song.
The neon moon turns red around midnight
As the night deepens, the neon lights take on a reddish hue.
Junior junkies and runaway girls
Young drug addicts and girls who have run away from home are on the streets.
Blue eyed babies posing in the headlights
Young and vulnerable children are being exploited and exposed to danger.
Another stray cat in a dog eat dog world
Another person who is lost and forgotten in a ruthless and competitive world.
(out on the street)
Ain't no room for no cheap talkin' prayer
There is no place on the streets for empty promises and words that offer no help.
(out on the street)
You don't know what it's like 'till you're there
And you're runnin' scared
You cannot understand the experience unless you have been there yourself, and the fear it instills in you.
C'mon man let her go
The singer urges any man who is holding onto the subject of the song to let her leave this miserable situation.
So young
Yet so old
The subject of the song is still young, but is already burdened with the weight of experience and trauma.
So hard to find a friend
It is difficult for the subject of the song to find a true friend who will help her escape this situation.
She lives from lover to lover
'till there's nothing left of her
The subject of the song is going from one relationship to another, but none of them are good for her and they are slowly destroying her.
Yeah sweet daddy scores again
The men who take advantage of the subject of the song are virtually getting away with their actions scot-free.
Shame on the school
Shame on the teacher
Those who should have been in charge of protecting the subject of the song, haven't; and should be ashamed of themselves.
Shame on those sticky little fingers all over that helpless creature
People who have used and abused the subject of the song are disgusting and shameful.
Shame on the parish
Shame on the preacher
From where he stands that man don't have half a chance to reach her
Those who should have been leading members of society have been too weak to help the subject of the song, which is shameful.
Shame shame shame
On me and you
The fact that this situation was allowed to exist is the fault of everyone in society, not just those directly involved.
Now what are we goin' to do
The singer implores people to take action and do something to help those who are being victimized in similar ways.
Lyrics © Peermusic Publishing, BMG RIGHTS MANAGEMENT US, LLC
Written by: GINO VANNELLI, JOE VANNELLI, ROY FREELAND
Lyrics Licensed & Provided by LyricFind
14 XI 2022
Absolutely right, friend! Maestro Gino Vannelli, a "guiding light through stormy seas". Greetings from Mexico!
Magamiam
Great job, dear Mary, as usual! Great lyrics! Thank you!
Katheren Reizel
You just can’t stop watching him; listening to his amazing voice; and contemplating each and every sweet lyric. GINO. ❤️
Pat Conneen
Hey ! I was at alot of those shows...GREAT job Mary !!! Great show's Gino !!!
music4life
YES! More cowbell by the way! Perfect example of the subtlety of the cowbell carrying a large part of the essence of the song. Notice when it goes away in the choruses, there's just a tiny little someting missing. But when it comes back in the Verse - POW! LOL, seriously love this tune
Gary Abshire
Classic jam! Heavy 4 time! Still love it!
Kathy Knochel
Nice job Mary! This is one of my favorites too! Great pics....what a man!
Pat Conneen
Outstanding job Mary ! The montage brings back alot of great memories. PACO
Mick Ruzz
I was in New Jersey 10 years ago,and I went to Atlantic City and didn't lost the concert at Caesar's Casino,it was awesome,Gino you're a Genius! Greetings from Mexico,City!
Kenneth green
Gino is one of my favorite people in music 🎶 and will always be thanks 😊 for all the help with my me 😁❤️❤️❤️