Lutoslawski: Sonata For Piano: Allegro
Pianist Gloria Cheng is widely recognized as one of today's foremost interp… Read Full Bio ↴Pianist Gloria Cheng is widely recognized as one of today's foremost interpreters of contemporary music. She has premiered dozens of new compositions including works composed specifically for her by John Adams, Mark Applebaum, Pierre Boulez, Don Davis, Joan Huang, Terry Riley, Stephen Andrew Taylor, Esa-Pekka Salonen, and Andrew Waggoner. Of the world premiere of Salonen’s Dichotomie, the Los Angeles Times described her performance as “miraculous in the sheer speed and sureness of her fingers, in the rich depth of color and sonority she obtained from the piano, and in the sheer expression of joy she brought to a demanding new work.” Gramophone has described her as “technically fearless,” and the New York Times has praised her “impressive fluency and power.”
In addition to acclaimed performances of the established repertoire, Ms. Cheng’s ardent dedication to contemporary music has brought about close collaborations with Thomas Adès, Elliott Carter, George Crumb, John Harbison, György Ligeti, Magnus Lindberg, Witold Lutoslawski, and Steven Stucky. She is favored by some of the world’s most demanding composer/conductors, including Pierre Boulez, Esa-Pekka Salonen, and Oliver Knussen.
In May, 2003, Ms. Cheng was the soloist in the Los Angeles Philharmonic's historic final concerts at the Dorothy Chandler Pavilion, playing Messiaen's Oiseaux exotiques under Pierre Boulez. Other recent engagements include appearances at the Pacific Symphony’s American Composers Festival, Chicago Humanities Festival, Los Angeles Philharmonic Minimalism Festival and Green Umbrella series, San Francisco Contemporary Music Players, John Adams’ Century Rolls with the Long Beach Symphony, Stravinsky's Petrouchka with the New York Philharmonic, Lou Harrison's Piano Concerto with the Indianapolis Symphony, and her annual recital on the Los Angeles-based Piano Spheres series. Other projects have brought Ms. Cheng to festivals at Ojai, Tanglewood, Aspen, Other Minds, and Kuhmo (Finland), as well as to venues such as Carnegie Hall, Lincoln Center, and the Théâtre du Châtelet.
Ms. Cheng's solo discs include music by Messiaen on Koch and Piano Music of John Adams and Terry Riley on Telarc. Her second Telarc release, Piano Dance: A 20th-Century Portrait, was selected as Instrumental Pick of the Month by the editors of BBC Music Magazine. Ms Cheng, who holds a B.A. in Economics from Stanford University and graduate degrees in Music from University of California Los Angeles (UCLA) and the University of Southern California, is on the faculty at UCLA.
In addition to acclaimed performances of the established repertoire, Ms. Cheng’s ardent dedication to contemporary music has brought about close collaborations with Thomas Adès, Elliott Carter, George Crumb, John Harbison, György Ligeti, Magnus Lindberg, Witold Lutoslawski, and Steven Stucky. She is favored by some of the world’s most demanding composer/conductors, including Pierre Boulez, Esa-Pekka Salonen, and Oliver Knussen.
In May, 2003, Ms. Cheng was the soloist in the Los Angeles Philharmonic's historic final concerts at the Dorothy Chandler Pavilion, playing Messiaen's Oiseaux exotiques under Pierre Boulez. Other recent engagements include appearances at the Pacific Symphony’s American Composers Festival, Chicago Humanities Festival, Los Angeles Philharmonic Minimalism Festival and Green Umbrella series, San Francisco Contemporary Music Players, John Adams’ Century Rolls with the Long Beach Symphony, Stravinsky's Petrouchka with the New York Philharmonic, Lou Harrison's Piano Concerto with the Indianapolis Symphony, and her annual recital on the Los Angeles-based Piano Spheres series. Other projects have brought Ms. Cheng to festivals at Ojai, Tanglewood, Aspen, Other Minds, and Kuhmo (Finland), as well as to venues such as Carnegie Hall, Lincoln Center, and the Théâtre du Châtelet.
Ms. Cheng's solo discs include music by Messiaen on Koch and Piano Music of John Adams and Terry Riley on Telarc. Her second Telarc release, Piano Dance: A 20th-Century Portrait, was selected as Instrumental Pick of the Month by the editors of BBC Music Magazine. Ms Cheng, who holds a B.A. in Economics from Stanford University and graduate degrees in Music from University of California Los Angeles (UCLA) and the University of Southern California, is on the faculty at UCLA.
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Lutoslawski: Sonata For Piano: Allegro
Gloria Cheng Lyrics
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museicaea
great piece and wonderful visualization
Peter Marsh
Being more familiar with his post-Concerto for Orchestra music, i.e. the mature composer, this beautifully played sonata comes as an extremely pleasant surprise, thank you for posting. The late Romantic Polish sensibilities are evident, quite a world away from Chain 2 & the string quartet!
Georgian Peanuts
Yes, I thought this too. I felt like some of the melodies and harmonic structure were similar to some of Ravel's piano works
ruf11
very nice, thank you. other parts coming up? :)
maegamikirisugi
how beautiful
Georgian Peanuts
@ruf11 Whew, finally got the other two parts up :)
ruf11
@ScriabinFanatic thanks, looking forward to it.
Georgian Peanuts
@ruf11 Ya I'll try to get the rest of it up today :)
Z da Musician
Nothing like the big orchestral works and concerti .I found his early 2 etudes in college library over 3 decades ago when I first grew interested in his work .The french influence is so big here .Not charachteristic of the composer we all love but influences show when we are young and the world was so different then can u imagine how difficult it was to hear and see new music under a communist regime.Howmany remember what libraries and television resources were like even in the U.s 15 years ago before the easy too easy access to all thing s of the internet. this should give us our greatest geniuses and music yet .computer music might finally get more hearings in the audiroium .there pop music actually did the amazing : showed what the world f sense and feeling had become ...
Georgian Peanuts
1934