Beginning her career in 1975 as lead vocalist for the then exclusively Spanish-language band, Miami Sound Machine, before crossing over to mainstream pop success with the international hit singles "Dr. Beat" (1984) and "Conga" (1986), Estefan emerged as one of the biggest new stars in the mid-'80s, predating the still nascent Latin pop explosion by a decade, and scoring a series of propulsive dance hits rooted in the rhythms of her native Cuba, before shifting her focus to softer, more ballad-oriented fare.
Born in Havana, Cuba, the young Gloria Fajardo was raised primarily in Miami, FL, after her father, a bodyguard of Cuban president Fulgencio Batista, was forced to flee the island following the 1959 coup helmed by Fidel Castro. In the fall of 1975, Fajardo and her cousin Merci Murciano auditioned for the Miami Latin Boys, a local wedding band headed by keyboardist Emilio Estefan. With their addition, the group was rechristened Miami Sound Machine and four years later, Fajardo and Estefan were wed. As Miami Sound Machine began composing their own original material, their fusion of pop, disco, and salsa earned a devoted local following, and in 1979 the group issued their first Spanish-language LP on CBS International. Despite a growing Hispanic fan base, they did not cross over to non-Latin audiences until "Dr. Beat" topped European dance charts in 1984.
With 1985's Primitive Love, Miami Sound Machine recorded their first English-language effort, scoring three Top Ten pop hits in the U.S. alone with the infectious "Conga", "Bad Boy", and "Words Get in the Way". Following 1987's triple-platinum Let It Loose, Estefan took top billing and the group changed its name to Gloria Estefan & The Miami Sound Machine in 1988, reeling off four Top Ten hits - "Rhythm Is Gonna Get You", "Can't Stay Away from You", the chart-topping "Anything for You", and "1-2-3". 1989's Cuts Both Ways was credited to Estefan alone and generated her second #1 hit, "Don't Wanna Lose You". However, on March 20, 1990, while touring in support of the album, her bus was struck by a tractor trailer. Estefan suffered a broken vertebra that required extensive surgery and kept her off the road for over a year. Her husband Emilio and the couple's son were injured in the crash as well, but all three recovered. Estefan resurfaced in 1991 with Into the Light, again topping the charts with "Coming Out of the Dark", a single inspired by her near-fatal accident. Two more cuts from the album, "Can't Forget You" and "Live for Loving You", secured her foothold on the adult contemporary charts.
With 1993's Mi Tierra, Estefan returned to her roots, recording her first Spanish-language record in nearly a decade and earning a Grammy Award for Best Tropical Latin Album; on the follow-up 1994 covers collection, Hold Me, Thrill Me, Kiss Me, she also recalled her dance-pop origins with a rendition of the Vicki Sue Robinson disco classic, "Turn the Beat Around". Another all-Spanish effort, Abriendo Puertas (1995), earned her a Grammy as well, while Destiny featured "Reach", named the official theme of the 1996 Summer Olympics. As Latin pop made new commercial headway, thanks to the efforts of acts like Ricky Martin and Enrique Iglesias, Estefan reigned as the most successful crossover artist in Latin music history, with international record sales close to the 50 million mark. In 1999, she also made her feature film debut alongside Meryl Streep in Music of the Heart, recording the film's title song as a duet with *NSYNC, and scoring both a massive pop hit and an Oscar nomination in the process. A new Spanish-language album, Alma Caribeña, followed in the spring of 2000. Several months later, Estefan was awarded a Grammy for Best Music Video for "No Me Dehes de Querer" at the inaugural annual Latin Grammy Awards. Her husband, Emilio, won for Producer of the Year. - Jason Ankeny, All Music Guide
Appearances and tours
In April 2004, Estefan appeared on the Fox Broadcasting Company’s program, American Idol, but declined an offer to be an official judge, saying she did not like to “judge” others.
On July 28, 2004, in a press conference hosted by Donald Trump at the Trump Tower, Estefan announced that her then-upcoming tour would be her final one. The Live and Re-Wrapped Summer/Fall 2004 Tour, her first tour in eight years was produced by Clear Channel Entertainment. The tour featured Estefan’s greatest hits, along with new material from Unwrapped.
In December 2006, Estefan appeared as a special guest singer on the UK talent show The X Factor.
Gloria's 11th studio album,Miss Little Havana. The Miss Little Havana Songfacts says that the first nine tracks tells the tale of a young girl who hooks up with the wrong guy in Miami after moving there from Cuba. All of these tracks were written or co-written by Pharrell Williams of The Neptunes. It is described by Estefan as a project in the vein of her 1998 hit album gloria!.
Songfacts reports that "Hotel Nacional" debuted at #1 on Billboard's Latin countdown - the first time a female artist had achieved that feat since the chart was introduced in 1986. Both "Wepa" and "Hotel Nacional" achieved number one on Billboard Latin Songs and on Billboard Hot Dance Club Songs.
Estefan started a reality show called The Next: Fame Is at Your Doorstep opposite Joe Jonas, Nelly and John Rich on the CW Network, where she, and the other three mentors are searched for the next big star, to record an album with Atlantic Records. Unlike other music reality shows, in this program, the mentors selected the "candidates" for the show, and trained them for a live performance, where they'd be voted for the best act of the day. The first season ended in October 2012, with musician Michael Ray, as the big finalist.
This same year, Estefan appeared as a musical guest in Tony Bennett's compilation of duets with Latin-American musicians, Viva Duets with a rendition of the song, "Who Can I Turn To (When Nobody Needs Me)". Weeks later, she helped the American version of Teleton, releasing the charity single "Por Un Mundo Mejor" along with Mexican singer Lucero, Dominican rapper El Cata and Mexican pop band, Reik. A video for the song was shot, with them recording the song, which was marked as the official hymn for the foundation.
In May 2013, she appears doing another duet with the song "Think I'm In Love Again" as part of the albums Duets released by Paul Anka.
Estefan has announced she was working on a new album of covers, The Standards, released in September 2013. The album will feature some collaborations with artists like Laura Pausini, Dave Koz and Joshua Bell, and the selection of songs are mostly songs from the Great American songbook. Estefan released the first single, "How Long Has This Been Going On?", digitally on Amazon and iTunes on July 9, 2013
Official website: http://www.gloriaestefan.com
On
Gloria Estefan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Licky, licky, take it easy, I might lose control
Only I know if you touch me there, game over
Oh licky, licky, take it easy, I might lose control
He do it so good, ookoo nookoo nookoo
He turns me over, vin pou mwen kale ou la
Judging by the moon I might be changin' for the night
[Repeat: x2]
You turn me on, on, on, on, on, on, on, on, on, on
On, on, on, on, on, on, on
You turn me on
Look in my eyes and you know they don't lie
Think I'm the kind of woman you just might like
Just make me feel good touch me anywhere
The way my body's movin' you'd better beware
You turn me on like a light does in the dark, oh
Licky, licky, take it easy I might lose control-a
The way you touch me all over my body
Oh licky, licky, take it easy, I might lose control
He do it so good, ookoo nookoo nookoo
He turns me over, vin pou mwen kale ou la
Look in my eyes, you know that they won't lie
Judging by the moon I might be changin' for the night
[Repeat: x2]
You turn me on, on, on, on, on, on, on, on, on, on
On, on, on, on, on, on, on
You turn me on
Ok she burnin' up
Bass and treble turn it up
So tell the bartender
Tonight, I won't remember
She said her name was April
I thought it was December
Sexy as ever like she was in the calendar
Look in my eyes and you know they don't lie
Think I'm the kind of woman you just might like
Just make me feel good touch me anywhere
The way my body's movin' you'd better beware
[Repeat: x2]
You turn me on, on, on, on, on, on, on, on, on, on
On, on, on, on, on, on, on
You turn me on
Look in my eyes and you know they don't lie
Think I'm the kind of woman you just might like
Just make me feel good touch me anywhere
The way my body's movin' you'd better beware
You turn me on
In the song "On" by Gloria Estefan, the singer expresses her desire and arousal towards her lover. She warns him to take it easy because she might lose control if he touches her in certain areas. She also talks about how her body moves and she might be changing for the night. Moreover, the chorus repeats the phrase “You turn me on” continuously, which indicates her attraction towards her partner. The song's lyrics overall convey the seductive and passionate emotions of the singer.
One interesting fact about the song is that it was released as a single in 1989 from her album Cuts Both Ways. It was a commercial success, reaching the top 10 in several countries, including the US, UK, and Spain. The song's music video also features Estefan dancing and performing with a live band.
Another interesting fact about the song is that it has a Latin-inspired melody, which was a signature sound for Gloria Estefan's music. The song mixes various Latin rhythms, such as salsa and merengue, with pop elements. Moreover, the songwriters of the song are Gloria Estefan and her husband Emilio Estefan.
The song also received a Grammy nomination in 1990 for Best Female Pop Vocal Performance. It was also performed by Estefan during her Evolution Tour, which was a worldwide commercial success. Additionally, the song was featured in multiple television shows, such as Glee and Dancing with the Stars.
The song's lyrics and melody showcase Gloria Estefan's Cuban heritage and cultural roots. She often sings about love and relationships, which are common themes in Latin music. Furthermore, her music has been influential in spreading awareness about Latin music and culture to a wider audience.
Apart from English, the song's lyrics also have a few phrases in Haitian Creole, such as "vin pou mwen kale ou la," which means "come and caress me here." This incorporation of multiple languages in her music is another example of Estefan's appreciation for her cultural background.
Overall, "On" is a seductive song that showcases Gloria Estefan's musical style and cultural roots. It has remained a classic hit among her fans and a masterpiece in Latin pop music.
Chords (unofficial):
Verse: Am, F, G, E
Chorus: Dm, G, C, G, F, G, Am.
Line by Line Meaning
You never know how fast that I may go, oh
You never know what I might do, I could be unpredictable
Licky, licky, take it easy, I might lose control
Slow down, I might not be able to handle my impulses
Only I know if you touch me there, game over
If you touch me in that spot, I will be completely won over
He do it so good, ookoo nookoo nookoo
He does it so well, I can't explain it
He turns me over, vin pou mwen kale ou la
He flips me over, makes me dizzy with pleasure
Look in my eyes, you know that they won't lie
My eyes reflect my true emotions
Judging by the moon I might be changin' for the night
My behavior might change depending on the circumstances
You turn me on
You excite me
Ok she burnin' up
She's hot and bothered
Bass and treble turn it up
Increase the volume of the music
So tell the bartender
Ask the bartender
Tonight, I won't remember
I'll be too caught up in the moment to recall this night
She said her name was April
She introduced herself as April
I thought it was December
I'm so caught up in the moment that I can't keep track of time and seasons
Sexy as ever like she was in the calendar
She's sexy and alluring, just like a model in a calendar
You turn me on like a light does in the dark, oh
You excite me in a way that's akin to a light turning on in the darkness
The way you touch me all over my body
The way you caress every part of my body
The way my body's movin' you'd better beware
My movements might be a warning sign to you
Lyrics © Universal Music Publishing Group
Written by: DANNY PONCE, DAVIDSON PIERRE, EMILIO JR. ESTEFAN
Lyrics Licensed & Provided by LyricFind