Godspeed You! Black Emperor (formerly punctuated Godspeed You Black Emperor… Read Full Bio ↴Godspeed You! Black Emperor (formerly punctuated Godspeed You Black Emperor! and abbreviated to GY!BE, GYBE or Godspeed) is a Canadian post-rock band based in Montreal, Quebec.
Formed in 1994 in Montreal, Canada, the band has been highly influential within the post-rock genre. Working with orchestrated arrangements, the nine-piece group created tracks with wide dynamic ranges, a highly evocative use of instrumentation and sounds and uncompromising long form compositions. Their engrossing use of art and visuals in both album packaging and live performances creates an enigmatic aura.
Godspeed You! Black Emperor took their name from a little known 1976 Japanese black-and-white documentary by director Mitsuo Yanagimachi, which follows the exploits of a Japanese biker gang, the Black Emperors.
They are most commonly classified as post-rock, but are just as well recognized outside any established scene and take influences from a range of styles including progressive rock, post-punk, classical music, soundtrack composition and the avant-garde. Each release usually consists of an entire piece divided into movements, mostly between 15 and 25 minutes, sometimes eponymously specified in the liner notes.
GY!BE, although formed around 1994 with three members, had as many as fifteen members but tended to have a core group of nine. Their instrumentation varied with the lineup but the music is mostly based around electric and bass guitars, as well as a string and a percussion section. Other instruments such as the glockenspiel or the French horn have made occasional appearances. Some of their recorded pieces have been accompanied by spoken word samples recorded across North America by the band members, including: an apocalyptic street preacher from Vancouver, BC, Canada, an announcement at a gas station, a group of children talking and singing in French, as well as recordings taken from shortwave radio.
GY!BE members have in the past been reluctant to submit themselves to the traditional self-publicizing interviews, and have openly expressed their distaste for popular culture (and its trappings of high profile record stores, iTunes, etc.) despite the wide availability of their music in easy-access mainstream. This proliferated outsider status has given them a reputation as shadowy, even unfriendly figures, and not a great deal is known about the individual histories of band members. Most of the members have also claimed to be anarchists. However, they became considerably better known after appearing on the cover of British music magazine the NME in 1999.
Efrim Menuck is the most commonly identified participant in the press process, which has resulted in him being commonly mislabeled as the front-man. He has thus repudiated this label, maybe due to the spirit of the group, which discourages the notion of having a leader.
Members of the group have formed a number of side-projects, including A Silver Mt. Zion, Fly Pan Am, Pas Chic Chic and Set Fire to Flames. GY!BE contributed the song "East Hastings" from their debut album to the soundtrack of the UK film 28 Days Later; however, it is not available on the soundtrack album, as the band refused to take part in the "mainstream, corporation-owned music industry", for which they have a great distaste.
The band released the CD versions of its first two albums on the Kranky record label, and released the LPs through Constellation Records. The LP and the CD of Yanqui U.X.O were produced by Constellation after their contract with Kranky ran out, and Constellation continues to release the band's newer material.
In 2004, long-time guitarist Roger-Tellier Craig left the band on amicable terms to devote more time to Fly Pan Am, and more recently, Pas Chic Chic, who released their debut album Au Contraire in the spring of 2008.
The band often played a then-unrecorded song entitled "Albanian" when touring. Efrim stated that when the band reformed they would record it for their next release. Another unreleased song, "Gamelan," was also rumored to be recorded for their next release. The songs, renamed "Mladic" and "We Drift Like Worried Fire" respectively, were released as tracks on their 2012 album 'Allelujah! Don't Bend! Ascend!. However, due to the band's open taping policy, both these songs were already available as high-quality audience recordings.
Godspeed You! Black Emperor announced an indefinite hiatus in the summer of 2003, and had no plans to reconvene in the immediate future. On August 24th of 2006, at an appearance for A Silver Mt. Zion, Efrim responded to a question about Godspeed's hiatus by saying that he "[does not] believe that anyone has given up on the group, but it's very complicated."
The group was in one instance misconstrued as being a band of terrorists. After stopping at a local Sinclair gas station in the small town of Ardmore, Oklahoma, for fuel during their 2003 tour of the United States, the station attendant working that day believed the group of Canadians to be terrorists. She quickly passed a note to another customer also getting fuel to call the police. When the local police appeared, the group was held until they could be questioned by the FBI. When no incriminating evidence was found in their various vehicles and background checks were run, the ensemble was released from custody and continued on their way to their next show in St. Louis, Missouri. Interestingly, Efrim Menuck later spoke to the crowd about what happened to them during their appearance in Missouri and said, if they were of any other race than white, they would have been detained much longer than they were originally, hinting heavily toward the suspicion of racism in the police force. The incident was mentioned in Michael Moore's book, "Dude, Where's My Country?".
On 8 February 2008, in an interview with the music website Drowned in Sound, Efrim Menuck stated that Godspeed You! Black Emperor were no more. Efrim claimed that an "existential freakout" relating to the Iraq War was one reason for the extended hiatus but also hinted at several personal issues between members of the band adding; "On a personal level I now find [Godspeed] to be inappropriate. There's a complicated back story. I reached a point whereby I was no longer willing to contribute to the steering of the ship; it was like, 'Okay now, someone else point the direction, I love you all, but I need to ride shotgun for a while'. I think that bands do have a short shelf life." In a statement by Efrim's A Silver Mt. Zion publicist, this was later said to be a misquote, adding that Godspeed You! Black Emperor had not officially disbanded as such, but were still very much on indefinite hiatus.
On 9th April 2010, they announced their comeback, starting by curating ATP The Nightmare Before Christmas, with Mike Moya playing with the band again: http://www.1119732.net/. In June 2010, a December tour of the UK was announced, with dates in Glasgow, Manchester, Bristol and London.
The band quietly started selling its fourth album, 'Allelujah! Don't Bend! Ascend!, at shows in 2012. The album was awarded the prestigious Polaris Prize, although the band criticised the extravagant cost of the ceremony during a time of austerity.
The band's fifth album, 'Asunder, Sweet and Other Distress', was released in 2015. It consists of the live piece "Behemoth", which had been performed dating back to 2012, and was split into four continuous movements for the album version. It represents the band's first single-LP release since their début.
"Luciferian Towers", the band's sixth album, was released on September 22, 2017, again to positive reviews. The album's two longer compositions, split up into three tracks each for the digital release, had been debuted live in 2015, while the two shorter ones are a split-up version of a song debuted in 2016. The album was accompanied by a press release featuring demands for "an end to foreign invasions; an end to borders; the total dismantling of the prison-industrial complex; healthcare, housing, food and water acknowledged as an inalienable human right; the expert fuckers who broke this world never get to speak again" and denunciations of environmental degradation and exploitative practices by landlords, capital, police, and the state; it also features overtly political song titles such as "Bosses Hang" and "Anthem for No State". Musically, the album features perhaps Godspeed's most optimistic music to date; its first three songs are primarily composed around major-key melodies.
The band released its seventh album, G_d's Pee AT STATE'S END!, on April 2, 2021. It was written on tour and then recorded, socially distanced, during the 2020 COVID-19 lockdowns. They stated, "this record is about all of us waiting for the end", but also, "this record is about all of us waiting for the beginning." As with "Luciferian Towers", the band issued a list of demands along with the album: "empty the prisons, take power from the police and give it to the neighbourhoods that they terrorise, end the forever wars and all other forms of imperialism, [and] tax the rich until they are impoverished." Like the band's other work, the album has received positive reviews. The band also indicated that they will return to touring once it is safe to do so.
On February 4, 2022, the band's long-coveted 1994 demo tape All Lights Fucked on the Hairy Amp Drooling was finally posted to the Internet. Stylistically, it is highly atypical of the band's later work; most of the songs feature only Menuck, with occasional bass from Pezzente and occasional guest performers. The tracks are also far shorter, and many feature vocals. The band officially re-released the demo through their Bandcamp on February 14, 2022, as part of a charity fundraiser.
Members
Efrim Menuck
Mauro Pezzente
David Bryant
Aidan Girt
Thierry Amar
Bruce Cawdron
Norsola Johnson
Sophie Trudeau
Mike Moya
Former members
Roger-Tellier Craig
Official Website: http://www.brainwashed.com/godspeed/
Bandcamp: https://godspeedyoublackemperor.bandcamp.com/
Core discography
All Lights Fucked on the Hairy Amp Drooling (1994, demo; re-released 2022)
F♯ A♯ ∞ (LP: 1997; CD: 1998; the two versions are completely different performances, with some different material on each)
Slow Riot for New Zerø Kanada (1999, EP)
Lift Your Skinny Fists Like Antennas to Heaven (2000)
Yanqui U.X.O. (2002; note that the vinyl contains additional content not present on the CD)
'Allelujah! Don't Bend! Ascend! (2012)
'Asunder, Sweet and Other Distress' (2015) (see also Asunder, Sweet and Other Distress, but the quotation marks are part of the album's official title)
"Luciferian Towers" (2017) (see also Luciferian Towers, but the quotation marks are again part of the album's official title)
G_d's Pee AT STATE'S END! (see also G_d’s Pee AT STATE’S END!)
Formed in 1994 in Montreal, Canada, the band has been highly influential within the post-rock genre. Working with orchestrated arrangements, the nine-piece group created tracks with wide dynamic ranges, a highly evocative use of instrumentation and sounds and uncompromising long form compositions. Their engrossing use of art and visuals in both album packaging and live performances creates an enigmatic aura.
Godspeed You! Black Emperor took their name from a little known 1976 Japanese black-and-white documentary by director Mitsuo Yanagimachi, which follows the exploits of a Japanese biker gang, the Black Emperors.
They are most commonly classified as post-rock, but are just as well recognized outside any established scene and take influences from a range of styles including progressive rock, post-punk, classical music, soundtrack composition and the avant-garde. Each release usually consists of an entire piece divided into movements, mostly between 15 and 25 minutes, sometimes eponymously specified in the liner notes.
GY!BE, although formed around 1994 with three members, had as many as fifteen members but tended to have a core group of nine. Their instrumentation varied with the lineup but the music is mostly based around electric and bass guitars, as well as a string and a percussion section. Other instruments such as the glockenspiel or the French horn have made occasional appearances. Some of their recorded pieces have been accompanied by spoken word samples recorded across North America by the band members, including: an apocalyptic street preacher from Vancouver, BC, Canada, an announcement at a gas station, a group of children talking and singing in French, as well as recordings taken from shortwave radio.
GY!BE members have in the past been reluctant to submit themselves to the traditional self-publicizing interviews, and have openly expressed their distaste for popular culture (and its trappings of high profile record stores, iTunes, etc.) despite the wide availability of their music in easy-access mainstream. This proliferated outsider status has given them a reputation as shadowy, even unfriendly figures, and not a great deal is known about the individual histories of band members. Most of the members have also claimed to be anarchists. However, they became considerably better known after appearing on the cover of British music magazine the NME in 1999.
Efrim Menuck is the most commonly identified participant in the press process, which has resulted in him being commonly mislabeled as the front-man. He has thus repudiated this label, maybe due to the spirit of the group, which discourages the notion of having a leader.
Members of the group have formed a number of side-projects, including A Silver Mt. Zion, Fly Pan Am, Pas Chic Chic and Set Fire to Flames. GY!BE contributed the song "East Hastings" from their debut album to the soundtrack of the UK film 28 Days Later; however, it is not available on the soundtrack album, as the band refused to take part in the "mainstream, corporation-owned music industry", for which they have a great distaste.
The band released the CD versions of its first two albums on the Kranky record label, and released the LPs through Constellation Records. The LP and the CD of Yanqui U.X.O were produced by Constellation after their contract with Kranky ran out, and Constellation continues to release the band's newer material.
In 2004, long-time guitarist Roger-Tellier Craig left the band on amicable terms to devote more time to Fly Pan Am, and more recently, Pas Chic Chic, who released their debut album Au Contraire in the spring of 2008.
The band often played a then-unrecorded song entitled "Albanian" when touring. Efrim stated that when the band reformed they would record it for their next release. Another unreleased song, "Gamelan," was also rumored to be recorded for their next release. The songs, renamed "Mladic" and "We Drift Like Worried Fire" respectively, were released as tracks on their 2012 album 'Allelujah! Don't Bend! Ascend!. However, due to the band's open taping policy, both these songs were already available as high-quality audience recordings.
Godspeed You! Black Emperor announced an indefinite hiatus in the summer of 2003, and had no plans to reconvene in the immediate future. On August 24th of 2006, at an appearance for A Silver Mt. Zion, Efrim responded to a question about Godspeed's hiatus by saying that he "[does not] believe that anyone has given up on the group, but it's very complicated."
The group was in one instance misconstrued as being a band of terrorists. After stopping at a local Sinclair gas station in the small town of Ardmore, Oklahoma, for fuel during their 2003 tour of the United States, the station attendant working that day believed the group of Canadians to be terrorists. She quickly passed a note to another customer also getting fuel to call the police. When the local police appeared, the group was held until they could be questioned by the FBI. When no incriminating evidence was found in their various vehicles and background checks were run, the ensemble was released from custody and continued on their way to their next show in St. Louis, Missouri. Interestingly, Efrim Menuck later spoke to the crowd about what happened to them during their appearance in Missouri and said, if they were of any other race than white, they would have been detained much longer than they were originally, hinting heavily toward the suspicion of racism in the police force. The incident was mentioned in Michael Moore's book, "Dude, Where's My Country?".
On 8 February 2008, in an interview with the music website Drowned in Sound, Efrim Menuck stated that Godspeed You! Black Emperor were no more. Efrim claimed that an "existential freakout" relating to the Iraq War was one reason for the extended hiatus but also hinted at several personal issues between members of the band adding; "On a personal level I now find [Godspeed] to be inappropriate. There's a complicated back story. I reached a point whereby I was no longer willing to contribute to the steering of the ship; it was like, 'Okay now, someone else point the direction, I love you all, but I need to ride shotgun for a while'. I think that bands do have a short shelf life." In a statement by Efrim's A Silver Mt. Zion publicist, this was later said to be a misquote, adding that Godspeed You! Black Emperor had not officially disbanded as such, but were still very much on indefinite hiatus.
On 9th April 2010, they announced their comeback, starting by curating ATP The Nightmare Before Christmas, with Mike Moya playing with the band again: http://www.1119732.net/. In June 2010, a December tour of the UK was announced, with dates in Glasgow, Manchester, Bristol and London.
The band quietly started selling its fourth album, 'Allelujah! Don't Bend! Ascend!, at shows in 2012. The album was awarded the prestigious Polaris Prize, although the band criticised the extravagant cost of the ceremony during a time of austerity.
The band's fifth album, 'Asunder, Sweet and Other Distress', was released in 2015. It consists of the live piece "Behemoth", which had been performed dating back to 2012, and was split into four continuous movements for the album version. It represents the band's first single-LP release since their début.
"Luciferian Towers", the band's sixth album, was released on September 22, 2017, again to positive reviews. The album's two longer compositions, split up into three tracks each for the digital release, had been debuted live in 2015, while the two shorter ones are a split-up version of a song debuted in 2016. The album was accompanied by a press release featuring demands for "an end to foreign invasions; an end to borders; the total dismantling of the prison-industrial complex; healthcare, housing, food and water acknowledged as an inalienable human right; the expert fuckers who broke this world never get to speak again" and denunciations of environmental degradation and exploitative practices by landlords, capital, police, and the state; it also features overtly political song titles such as "Bosses Hang" and "Anthem for No State". Musically, the album features perhaps Godspeed's most optimistic music to date; its first three songs are primarily composed around major-key melodies.
The band released its seventh album, G_d's Pee AT STATE'S END!, on April 2, 2021. It was written on tour and then recorded, socially distanced, during the 2020 COVID-19 lockdowns. They stated, "this record is about all of us waiting for the end", but also, "this record is about all of us waiting for the beginning." As with "Luciferian Towers", the band issued a list of demands along with the album: "empty the prisons, take power from the police and give it to the neighbourhoods that they terrorise, end the forever wars and all other forms of imperialism, [and] tax the rich until they are impoverished." Like the band's other work, the album has received positive reviews. The band also indicated that they will return to touring once it is safe to do so.
On February 4, 2022, the band's long-coveted 1994 demo tape All Lights Fucked on the Hairy Amp Drooling was finally posted to the Internet. Stylistically, it is highly atypical of the band's later work; most of the songs feature only Menuck, with occasional bass from Pezzente and occasional guest performers. The tracks are also far shorter, and many feature vocals. The band officially re-released the demo through their Bandcamp on February 14, 2022, as part of a charity fundraiser.
Members
Efrim Menuck
Mauro Pezzente
David Bryant
Aidan Girt
Thierry Amar
Bruce Cawdron
Norsola Johnson
Sophie Trudeau
Mike Moya
Former members
Roger-Tellier Craig
Official Website: http://www.brainwashed.com/godspeed/
Bandcamp: https://godspeedyoublackemperor.bandcamp.com/
Core discography
All Lights Fucked on the Hairy Amp Drooling (1994, demo; re-released 2022)
F♯ A♯ ∞ (LP: 1997; CD: 1998; the two versions are completely different performances, with some different material on each)
Slow Riot for New Zerø Kanada (1999, EP)
Lift Your Skinny Fists Like Antennas to Heaven (2000)
Yanqui U.X.O. (2002; note that the vinyl contains additional content not present on the CD)
'Allelujah! Don't Bend! Ascend! (2012)
'Asunder, Sweet and Other Distress' (2015) (see also Asunder, Sweet and Other Distress, but the quotation marks are part of the album's official title)
"Luciferian Towers" (2017) (see also Luciferian Towers, but the quotation marks are again part of the album's official title)
G_d's Pee AT STATE'S END! (see also G_d’s Pee AT STATE’S END!)
Antennas to Heaven
Godspeed You! Black Emperor Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What'll we do with the baby-o?
What'll we do with the baby?
What'll we do with the baby-o?
Wrap him up in a tablecloth
Throw him up in the old hayloft
That's what we do with the baby
That's what we do with the baby-o
Every time the baby grins,
Give my baby another bottle of gin
That's what we do with the baby
That's what we do with the baby-o
Every time the baby cries
Stick my finger in the babies eyes
That's what we do with the baby
That's what we do with the baby-o..
Movements:
1. moya sings "baby-o"... [00:00 - 01:00]
2. edgyswingsetacid [01:00 - 01:58]
3. [glockenspiel duet recorded on a campsite in rhinebeck, n.y.] [01:58 - 02:45]
4. "attention...mon ami...fa-lala-lala-la-la..." [55-St.Laurent] [02:45 - 04:03]
5. she dreamt she was a bulldozer, she dreamt she was alone in an empty field [04:03 - 13:46]
6. deathkamp drone [13:46 - 16:55]
7. [antennas to heaven...] [16:55 - 18:57]
What'll we do with the baby?
What'll we do with the baby-o?
Wrap him up in a tablecloth
Throw him up in the old hayloft
That's what we do with the baby
That's what we do with the baby-o
Every time the baby grins,
Give my baby another bottle of gin
That's what we do with the baby
That's what we do with the baby-o
Every time the baby cries
Stick my finger in the babies eyes
That's what we do with the baby
That's what we do with the baby-o..
Movements:
1. moya sings "baby-o"... [00:00 - 01:00]
2. edgyswingsetacid [01:00 - 01:58]
3. [glockenspiel duet recorded on a campsite in rhinebeck, n.y.] [01:58 - 02:45]
4. "attention...mon ami...fa-lala-lala-la-la..." [55-St.Laurent] [02:45 - 04:03]
5. she dreamt she was a bulldozer, she dreamt she was alone in an empty field [04:03 - 13:46]
6. deathkamp drone [13:46 - 16:55]
7. [antennas to heaven...] [16:55 - 18:57]
The lyrics to Godspeed You! Black Emperor's song Antennas to Heaven are a distorted and dark take on the traditional folk song "What'll We Do with the Baby-O?" The lyrics suggest a disturbing image of child abuse, with lines like "stick my finger in the babies' eyes" and "give my baby another bottle of gin" indicating neglectful and harmful treatment of the baby. However, it's important to note that these lyrics are not meant to be taken at face value. Instead, they represent a larger narrative about the cyclical nature of human history and the perpetuation of violence through generations.
Overall, the song Antennas to Heaven is a complex and multi-layered piece of music that blends elements of ambient, post-rock, and classical music to create a haunting, cinematic sound. The movements within the song are varied, with each section contributing to a larger journey through different sonic landscapes. From the distorted guitars of "edgyswingsetacid" to the samples of French dialogue in "attention...mon ami...fa-lala-lala-la-la," the song showcases Godspeed You! Black Emperor's talent for genre-blending and experimental sound design.
Line by Line Meaning
What'll we do with the baby-o?
The first line sets the stage for the song and creates a suggestive atmosphere. The singer asks what they should do with a baby, implying that the situation is dire and they must consider drastic measures.
Wrap him up in a tablecloth
One possible solution to the problem of the unwanted baby is to wrap it up in a tablecloth. This line suggests that the baby is seen as a burden that needs to be dealt with rather than cared for.
Throw him up in the old hayloft
Another option for getting rid of the baby is to throw it into a hayloft. This line adds to the macabre tone of the song and reinforces the idea that the baby is unwanted and disposable.
That's what we do with the baby
This line repeats after each solution is given, emphasizing the lack of empathy or caring for the baby. It implies that disposing of it is the only solution and the situation is beyond repair.
Every time the baby grins,
This line introduces the idea of the baby's emotions and how they affect the people around it. The artist suggests that the baby's happiness is met with their own indulgence in alcohol. It implies that the baby's well-being is not a priority.
Give my baby another bottle of gin
In response to the baby grinning, the solution presented is to give it another bottle of gin. This line implies that the singer cares more about their own pleasure than the baby's health and safety.
Every time the baby cries
This line now introduces the baby's pain and how it affects those around it. The singer responds to the baby's cries with violence, suggesting a lack of patience and compassion.
Stick my finger in the baby's eyes
The response to the baby's cries is to inflict pain, which highlights the artist's disregard for the baby's well-being. This line is shocking and grotesque and reinforces the song's theme of violence and suffering.
Contributed by Elena W. Suggest a correction in the comments below.
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@oleksiishekhovtsov1564
Every time I listen to this song I try to consciously forget how 05:32 sounds, so I can relive the experience of listening to it over and over again.
@Zlarel
Check out their 2010-12-05 "Nightmare Before Christmas" performance. It's such a beautiful explosion of sound it's hard to imagine it didn't blast the audience off their feet.
@martinharrison1504
Agree. It's a massive and beautiful pay-off.
@elwiwi4638
did not expect it
@cinqtonic504
Everyone's talking about how powerful and beautiful bulldozer is, but the track of the French children playfully singing with ambient music playing is exactly what this album is for me. It is the essence of what makes life worth living. Family, play and art.
@ManuelGutman
10:10 is the best music moment of all time, literally a 10/10...
@Userrrrrrrrrrrrrrrrrrrrrrrrr.r
Holy shit yes! That drum pattern might seriously be the best I ever heard
@josharpe5605
It's definitely up there.
@holyreality02
i feel like the drummer on this album is so fricking underrated. they're always so crucial
@kioro4221
He's Jesus himself