Formed in 1994 in Montreal, Canada, the band has been highly influential within the post-rock genre. Working with orchestrated arrangements, the nine-piece group created tracks with wide dynamic ranges, a highly evocative use of instrumentation and sounds and uncompromising long form compositions. Their engrossing use of art and visuals in both album packaging and live performances creates an enigmatic aura.
Godspeed You! Black Emperor took their name from a little known 1976 Japanese black-and-white documentary by director Mitsuo Yanagimachi, which follows the exploits of a Japanese biker gang, the Black Emperors.
They are most commonly classified as post-rock, but are just as well recognized outside any established scene and take influences from a range of styles including progressive rock, post-punk, classical music, soundtrack composition and the avant-garde. Each release usually consists of an entire piece divided into movements, mostly between 15 and 25 minutes, sometimes eponymously specified in the liner notes.
GY!BE, although formed around 1994 with three members, had as many as fifteen members but tended to have a core group of nine. Their instrumentation varied with the lineup but the music is mostly based around electric and bass guitars, as well as a string and a percussion section. Other instruments such as the glockenspiel or the French horn have made occasional appearances. Some of their recorded pieces have been accompanied by spoken word samples recorded across North America by the band members, including: an apocalyptic street preacher from Vancouver, BC, Canada, an announcement at a gas station, a group of children talking and singing in French, as well as recordings taken from shortwave radio.
GY!BE members have in the past been reluctant to submit themselves to the traditional self-publicizing interviews, and have openly expressed their distaste for popular culture (and its trappings of high profile record stores, iTunes, etc.) despite the wide availability of their music in easy-access mainstream. This proliferated outsider status has given them a reputation as shadowy, even unfriendly figures, and not a great deal is known about the individual histories of band members. Most of the members have also claimed to be anarchists. However, they became considerably better known after appearing on the cover of British music magazine the NME in 1999.
Efrim Menuck is the most commonly identified participant in the press process, which has resulted in him being commonly mislabeled as the front-man. He has thus repudiated this label, maybe due to the spirit of the group, which discourages the notion of having a leader.
Members of the group have formed a number of side-projects, including A Silver Mt. Zion, Fly Pan Am, Pas Chic Chic and Set Fire to Flames. GY!BE contributed the song "East Hastings" from their debut album to the soundtrack of the UK film 28 Days Later; however, it is not available on the soundtrack album, as the band refused to take part in the "mainstream, corporation-owned music industry", for which they have a great distaste.
The band released the CD versions of its first two albums on the Kranky record label, and released the LPs through Constellation Records. The LP and the CD of Yanqui U.X.O were produced by Constellation after their contract with Kranky ran out, and Constellation continues to release the band's newer material.
In 2004, long-time guitarist Roger-Tellier Craig left the band on amicable terms to devote more time to Fly Pan Am, and more recently, Pas Chic Chic, who released their debut album Au Contraire in the spring of 2008.
The band often played a then-unrecorded song entitled "Albanian" when touring. Efrim stated that when the band reformed they would record it for their next release. Another unreleased song, "Gamelan," was also rumored to be recorded for their next release. The songs, renamed "Mladic" and "We Drift Like Worried Fire" respectively, were released as tracks on their 2012 album 'Allelujah! Don't Bend! Ascend!. However, due to the band's open taping policy, both these songs were already available as high-quality audience recordings.
Godspeed You! Black Emperor announced an indefinite hiatus in the summer of 2003, and had no plans to reconvene in the immediate future. On August 24th of 2006, at an appearance for A Silver Mt. Zion, Efrim responded to a question about Godspeed's hiatus by saying that he "[does not] believe that anyone has given up on the group, but it's very complicated."
The group was in one instance misconstrued as being a band of terrorists. After stopping at a local Sinclair gas station in the small town of Ardmore, Oklahoma, for fuel during their 2003 tour of the United States, the station attendant working that day believed the group of Canadians to be terrorists. She quickly passed a note to another customer also getting fuel to call the police. When the local police appeared, the group was held until they could be questioned by the FBI. When no incriminating evidence was found in their various vehicles and background checks were run, the ensemble was released from custody and continued on their way to their next show in St. Louis, Missouri. Interestingly, Efrim Menuck later spoke to the crowd about what happened to them during their appearance in Missouri and said, if they were of any other race than white, they would have been detained much longer than they were originally, hinting heavily toward the suspicion of racism in the police force. The incident was mentioned in Michael Moore's book, "Dude, Where's My Country?".
On 8 February 2008, in an interview with the music website Drowned in Sound, Efrim Menuck stated that Godspeed You! Black Emperor were no more. Efrim claimed that an "existential freakout" relating to the Iraq War was one reason for the extended hiatus but also hinted at several personal issues between members of the band adding; "On a personal level I now find [Godspeed] to be inappropriate. There's a complicated back story. I reached a point whereby I was no longer willing to contribute to the steering of the ship; it was like, 'Okay now, someone else point the direction, I love you all, but I need to ride shotgun for a while'. I think that bands do have a short shelf life." In a statement by Efrim's A Silver Mt. Zion publicist, this was later said to be a misquote, adding that Godspeed You! Black Emperor had not officially disbanded as such, but were still very much on indefinite hiatus.
On 9th April 2010, they announced their comeback, starting by curating ATP The Nightmare Before Christmas, with Mike Moya playing with the band again: http://www.1119732.net/. In June 2010, a December tour of the UK was announced, with dates in Glasgow, Manchester, Bristol and London.
The band quietly started selling its fourth album, 'Allelujah! Don't Bend! Ascend!, at shows in 2012. The album was awarded the prestigious Polaris Prize, although the band criticised the extravagant cost of the ceremony during a time of austerity.
The band's fifth album, 'Asunder, Sweet and Other Distress', was released in 2015. It consists of the live piece "Behemoth", which had been performed dating back to 2012, and was split into four continuous movements for the album version. It represents the band's first single-LP release since their début.
"Luciferian Towers", the band's sixth album, was released on September 22, 2017, again to positive reviews. The album's two longer compositions, split up into three tracks each for the digital release, had been debuted live in 2015, while the two shorter ones are a split-up version of a song debuted in 2016. The album was accompanied by a press release featuring demands for "an end to foreign invasions; an end to borders; the total dismantling of the prison-industrial complex; healthcare, housing, food and water acknowledged as an inalienable human right; the expert fuckers who broke this world never get to speak again" and denunciations of environmental degradation and exploitative practices by landlords, capital, police, and the state; it also features overtly political song titles such as "Bosses Hang" and "Anthem for No State". Musically, the album features perhaps Godspeed's most optimistic music to date; its first three songs are primarily composed around major-key melodies.
The band released its seventh album, G_d's Pee AT STATE'S END!, on April 2, 2021. It was written on tour and then recorded, socially distanced, during the 2020 COVID-19 lockdowns. They stated, "this record is about all of us waiting for the end", but also, "this record is about all of us waiting for the beginning." As with "Luciferian Towers", the band issued a list of demands along with the album: "empty the prisons, take power from the police and give it to the neighbourhoods that they terrorise, end the forever wars and all other forms of imperialism, [and] tax the rich until they are impoverished." Like the band's other work, the album has received positive reviews. The band also indicated that they will return to touring once it is safe to do so.
On February 4, 2022, the band's long-coveted 1994 demo tape All Lights Fucked on the Hairy Amp Drooling was finally posted to the Internet. Stylistically, it is highly atypical of the band's later work; most of the songs feature only Menuck, with occasional bass from Pezzente and occasional guest performers. The tracks are also far shorter, and many feature vocals. The band officially re-released the demo through their Bandcamp on February 14, 2022, as part of a charity fundraiser.
Members
Efrim Menuck
Mauro Pezzente
David Bryant
Aidan Girt
Thierry Amar
Bruce Cawdron
Norsola Johnson
Sophie Trudeau
Mike Moya
Former members
Roger-Tellier Craig
Official Website: http://www.brainwashed.com/godspeed/
Bandcamp: https://godspeedyoublackemperor.bandcamp.com/
Core discography
All Lights Fucked on the Hairy Amp Drooling (1994, demo; re-released 2022)
F♯ A♯ ∞ (LP: 1997; CD: 1998; the two versions are completely different performances, with some different material on each)
Slow Riot for New Zerø Kanada (1999, EP)
Lift Your Skinny Fists Like Antennas to Heaven (2000)
Yanqui U.X.O. (2002; note that the vinyl contains additional content not present on the CD)
'Allelujah! Don't Bend! Ascend! (2012)
'Asunder, Sweet and Other Distress' (2015) (see also Asunder, Sweet and Other Distress, but the quotation marks are part of the album's official title)
"Luciferian Towers" (2017) (see also Luciferian Towers, but the quotation marks are again part of the album's official title)
G_d's Pee AT STATE'S END! (see also G_d’s Pee AT STATE’S END!)
Blaise Bailey Finnegan III
Godspeed You! Black Emperor Lyrics
Jump to: Overall Meaning ↴
Interviewer: Well... Where are you coming from?
Blaise Bailey Finnegan III: (pause) Well... I don't like the way the country's ran, don't you know, and, erm... that's pretty much what i was expressing in my poem. The government... the American government - they're sneaky, they're very deceitful, they're liars, they're cheats, they're rip-offs. I mean, the American government is one systematic government that...that nobody can trust. I don't trust them myself.
Interviewer: And how long have you been writing for?
Blaise Bailey Finnegan III: Huh?
Interviewer: How long have you been writing for?
Blaise Bailey Finnegan III: Since I was four.
Interviewer: Do you do this sort of thing a lot, like, open-mic kinda questions?
Blaise Bailey Finnegan III: Oh, I love open-mics, I love coming here to do open-mics, absolutely.
Interviewer: What kind of reactions do you usually get?
Blaise Bailey Finnegan III: Usually, people are... are pretty much in agreement with what I'm saying.
Interviewer: We overheard you before talking about... you went to court today for a speeding ticket?
Blaise Bailey Finnegan III: That's accurate.
Interviewer: right. Do you wanna tell us that story?
Blaise Bailey Finnegan III: Yes, absolutely, I wouldn't mind telling you the story. Erm... I went to court today for a speeding ticket, and I told the judge, erm... "Let me tell you something, and you listen and you listen good, I'm only gonna say this one time and one time only, I don't repeat myself for nobody," I said. I says... "I'm here to pay a speeding ticket, not to listen to your lectures and hear you run your mouth for an hour." I says "I'm here to pay off my speeding ticket ...and I'm here to get my fines out of the way and get the fuck to work." The judge says "You can't talk like that in my courtroom, you're in contempt of court." then I said... I told the judge, "If that's the best you can do, I feel sorry for you." I said "Why don't you just shut your fucking mouth for once and listen." I said "I'm not gonna take any shit." I said "I'm gonna pay my speeding ticket like I said." I walked up to the god damn judge and I hand him my 25 dollars and I says "Here's my money, now I am leaving."
And I left it at that.
(At this point the interview fades whilst the music grows in intensity)
Then, before I left, I turned around and told the judge "I'm here to state who I am and be honest with you." I said "If they thought I was dangerous on the road like you're trying to accuse me of, wouldn't they have taken my license when I first got it? Yes they would." And the judge says "Yeah, you have a point," He goes "You don't need to get loud," I said "Don't get loud?" I says "I've got every right to get loud." I says "You can't do a god damn thing about it, because I'm expressing myself in your court, and there is nothing you can do about it. You think you're god because you have a robe and you can put people up the goddamn river for 20 years? Well you're not."
And I left it at that.
Interviewer: Did you walk away?
Blaise Bailey Finnegan III: Yes I did... I don't like the judicial system, I don't like the government system, I don't like the police, I don't like anything to do with this country's government. I just don't like it, because... they're sneaky, like I said - they're deceitful, they're lying, they're cheats, they rip people off. That's the American government for you. America is a third world country, and people don't recognise it... and I think that that's pretty god damn sad, that they don't recognise their own country as a third world, third rate, third class slum.
Interviewer: Well... Do you have any weapons?
Blaise Bailey Finnegan III: Yes, I do. I own a high-powered assault rifle, I own a 12-gauge double barrel shotgun, I own a regular shotgun, I own a regular hunting rifle, I own a 9mm, a 357, a 45 handgun, a 38 special, and, erm... I own an m-16 fully automatic ground assault rifle...
Interviewer: Do you think things are gonna get better before they get worse?
Blaise Bailey Finnegan III: No way. Things are just gonna get worse and keep on getting worse. Like I said, America's a third world country as it is and... and we're just basically in a hopeless situation as it stands.
Interviewer: What do you think this country's gonna look like in the year 2003?
Blaise Bailey Finnegan III: Y'know, I'll tell you the truth - nothing against you guys, but I don't wanna answer that question because... I haven't even got a mind that's that...that inhumane.
Interviewer: are you ready for what's coming?
Blaise Bailey Finnegan III: Ready as I'll ever be.
Most people aren't.
There's a little saying... Dates back for generations...
Interviewer: Go on...
Blaise Bailey Finnegan III: Be prepared for anything at any time from anybody, don't take no shit, always stand your ground. People wanna come up to me and run their mouth - guess what? I'll throw them through the fucking window... I won't think a thing of it.
Interviewer: Would you mind reciting your poem for us?
Blaise Bailey Finnegan III: Not at all, I don't see why... I don't see why I couldn't.
There's an evil virus that's threatening mankind
It's not state of the art, it's a serious state of the mind
The muggers, the backstabbers, the two faced elite
A menace to society, a social disease
To brainwash the mind is a social disorder
The cynics, the apathy one-upmanship order
Watching beginnings of social decay
Gloating and sneering at life's disarray
Eating away at your own self esteem
Pouncing on every word that you might be saying
To attack someone's mind is a social disorder
The constitution, the government, martial law order
Superficially smiling a shake of the hand
As soon as your back is turned treason is planned
When every good thing's laid to rest
By the governments hate, by the constitution and their lies
And every time you think you're safe
And when you go to turn away
You know they're sharpening all their knives
All in your mind
All in your head
Try to relate it
All in your mind
All in your head
Try to escape it
Without a conscience they destroy
And that's a thing that they enjoy
They're a sickness that's in all of our minds
They want to sink the ship and leave
The way they laugh at you and me
You know it happens all the time
But it only happens in your mind
The rats in the cellar you know who you are...
Or do you?
Watching beginnings of social decay...
Interviewer: Thank you for your time.
The Godspeed You! Black Emperor's song Blaise Bailey Finnegan III takes the form of an interview with Iron Maiden vocalist of the same name. The conversation reveals Finnegan III's deep-rooted distrust and disdain for the American government, which he regards as a systematic, deceitful, and rip-off entity that no one can trust. Finnegan III claims to be ready for whatever is coming, as most people are not, and that he is always prepared to stand his ground to defend his person and ideals. He ends the interview by reciting the lyrics of Iron Maiden's Virus, a song that deals with social decay, corruption, and the erosion of people's individual and collective consciousness.
The interview provides insight into the political disillusionment that has been shaping people's perceptions of governments for decades. Finnegan III's conviction that the American government is untrustworthy, sneaky, and corrupt echoes the views of many who believe that governments operate with their interests, not people's interests, at heart. Finnegan III's readiness to defend himself and his ideas demonstrates the growing sense of mistrust and alienation from social and political institutions, bringing the message that the times are changing, and people need to be aware and prepared.
Lyrics © ROUGH TRADE PUBLISHING
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