History
Golden Earring was formed in 1961 in The Hague by 13-year-old George Kooymans and his 15-year-old neighbour, Rinus Gerritsen. Originally called The Tornados, the name was changed to Golden Earrings when they discovered that The Tornados was already in use by another group. The name Golden Earrings was taken from a song, originally sung by Murvyn Vye in 1947 and a hit for Peggy Lee in 1948, with which they opened their concerts. Initially a pop rock band with Frans Krassenburg as lead singer, Golden Earrings had their first chart success with their debut single "Please Go", recorded in 1965. It reached number 9 on the music charts in The Netherlands. Unsatisfied with Dutch recording studios, the band's manager and co-discoverer Fred Haayen arranged for the next single to be recorded at the Pye Records studios in London. The record cut at Pye, "That Day", reached number two on the Dutch charts, prevented from reaching number one by The Beatles' "Michelle".
In 1968, the band earned their first number one hit in the Netherlands with the pop song "Dong Dong Diki Digi Dong". This was followed by a successful psychedelic album Eight Miles High, which featured an eighteen-minute version of the title track, itself a cover of the 1966 hit song by The Byrds. The live version, which could last 45 minutes, was considered by some to be a highlight in their first and second American tours, in the middle of the hippie and flower power era in the same year Woodstock was organised: 1969.
Lead singer Barry Hay in 1974The band enjoyed brief international superstar status in the Seventies when the single version of "Radar Love", from the Gold-certified album Moontan became a hit in both Europe and the USA. Golden Earring embarked on their first major US tour in 1969 - 1970, and were among the first European bands to do so. Due to American influences, their music evolved towards hard rock, and they performed along with Led Zeppelin, Eric Clapton and Jimi Hendrix. Between 1969 and 1984, Golden Earring completed thirteen US tours. During this period, they performed as the opening act for Santana, The Doobie Brothers, Rush and .38 Special. In the early seventies, when "Radar Love" was a hit, they had KISS and Aerosmith as their opening act.
They enjoyed a brief period of US stardom but were unable to secure further chart success until 1982's "Twilight Zone". The music video of the song, directed by Dick Maas, was one of the first rock videos played on the recently-launched MTV in the United States, and helped the song to become a Top Ten hit.
"When the Lady Smiles" became an international hit in 1984, reaching #3 in Canada and becoming the band's fifth number one hit in their native country, but received a disappointing reaction in the United States. The reason for this lack of success was the that the music video of the song was banned from MTV, due to nudity and a scene portraying the rape of a nun. An edited version of the video was shown, but failed to convey its original intentions. While touring the U.S. in 1984, the band played at the Great Arena of Six Flags Great Adventure on May 11 and were in the midst of their concert when a fire at the Haunted Castle began on the opposite side of the theme park, killing eight teenagers. Following this tour, Golden Earring turned their focus toward Europe where they continue to attract standing-room-only crowds.
In 1991, Golden Earring scored another hit in the Netherlands with "Going To The Run", a rock-ballad about a Hells Angels motorcycle club member who was a friend of the band and died in a crash. A "run" is what a motorcycle club calls an event consisting of riding their bikes somewhere together. The Russian rock band Ария (Aria) made a successful cover of "Going To The Run" as "Беспечный ангел" ("Careless Angel"). From 1992 to 2004, the band released three acoustic live unplugged albums, which became an instant success. Since 1992, they have performed acoustic unplugged theater-shows which continue to this date and usually sell out. The acoustic albums feature unplugged versions of famous hits of the band, and have been some of the band's best selling albums, such as The Naked Truth, which sold over 500,000 copies in the Netherlands alone.
Known for their powerful live performances, Golden Earring perform over 200 concerts a year, mainly in their home country of the Netherlands and occasionally in Belgium, Germany and the UK. These energetic live performances have been recorded on several live albums - Live, recorded at London's Rainbow Theater in 1977; 2nd Live, 1981; Something Heavy Going Down, 1984 (also released on DVD as Live from the Twilight Zone); and Last Blast of the Century, a live recording of their last concert of the 20th century (available on both CD and DVD). Furthermore, the band's acoustic live albums include The Naked Truth (1992), Naked II (1997) and Naked III (2005). Their latest live album, Live from Ahoy 2006, is a DVD with bonus CD.
Golden Earring have not toured in North America or other continents since 1984. They have never toured Asia, South America or Australia.
Currently, the band is working on their latest studio release, their first studio album since the 2003 album Millbrook USA. This album was recorded in Millbrook, New York state, at the studio of fellow musician Frank Carillo.
March 2009 Golden Earring will do two gigs in the UK for the first time in thirty years, with one concert on 14 March 2009 at The Shepherd's Bush Empire in London and one show at Ipswich Regent Theatre on March 13, 2009.
Golden Earring celebrated their 47th anniversary in 2008 and have been performing almost continuously since their foundation in 1961. They have had the same unchanged line-up of the same four musicians and friends since 1970, augmented time to time with a fifth member (Dutch keyboardist and leader of legendary band Supersister, Robert Jan Stips). Along with the Rolling Stones, the Beach Boys, and Germany's The Lords, Golden Earring are the oldest rock band that are still performing today, and Golden Earring has arguably the most stable lineup of these veteran bands. For now, Golden Earring's gigs are scheduled on a "one month on - one month off" basis. This is mainly due to lead singer Barry Hay's relocation to the Dutch Antilles island of Curacao in the Caribbean, where he put up his new residence and lives during the band's time off.
Music
Golden Earring was one of the first major European rock bands to tour the United States, in 1969. They were at first inspired by The Beatles and other sixties pop groups like The Kinks. In 1966, Golden Earring performed together with The Kinks (famous for "Lola") during a legendary concert in The Hague, Holland. On their first USA tour bands like Led Zeppelin and The Doors inspired Golden Earring's music and professionality. They saw that the Americans had very good soundsystems and electrical equipment. Later, they were influenced by Pink Floyd, Santana, and The Who when they performed together during their many American tours. In total, the band has been in over 40 US states, including Hawaii.
Golden Earring has used many styles of rock and pop music, and in many of the over 400 songs they have recorded, influences of hard rock, rap, disco, folk, country, gospel and even Latin can be heard. In the past, their music was more psychedelic and progressive; this can be heard on albums like Moontan, Wall of Dolls and Eight Miles High. Golden Earring always seek ways to experiment with new styles and variations in the music they make. The band has always used the newest fashion in gear and equipment and have experimented with several PA systems, such as quadrophonia, which made Barry's flute sing through a whole venue from all four directions where the speakers were positioned. Usually they are their own producers, backed up by other professionals. The band has developed a strong influence in the studio, because they feel that it is very important to create the typical Earring-sound in the recording studio. This is why the band often plays together "live" in the studio, so that the original live sound is approached in the best way possible, instead of recording every vocal and instrument separately and putting them together in the final mix.
Discography
[edit] Studio albums
Just Earrings (1965)
Winter-Harvest (1966)
Miracle Mirror (1967)
On the Double (double album) (1968)
Eight Miles High (1969)
Golden Earring (aka Wall of Dolls) (1970)
Seven Tears (1971)
Together (1972)
Moontan (1973)
Switch (1975)
To the Hilt (1976)
Contraband (1976, titled Mad Love with different cover art and alternate track listing in the USA)
Grab It for a Second (1978)
No Promises...No Debts (1979)
Prisoner of the Night (1980)
Cut (1982)
N.E.W.S. (1984)
The Hole (1986)
Keeper of the Flame (1989)
Bloody Buccaneers (1991)
Face It (1994, partially acoustic)
Love Sweat (1995, cover album)
Paradise in Distress (1999)
Millbrook U.S.A. (2003)
[edit] Live albums
Live (1977, double album)
2nd Live (1981, double album)
Something Heavy Going Down (1984)
The Naked Truth (1992, acoustic album)
Naked II (1997, acoustic album)
Last Blast of the Century (2000)
Naked III, Live at the Panama (2005, acoustic album)
Live In Ahoy (2006)
[edit] Compilation albums
Greatest Hits (1968, Polydor)
The Best of Golden Earring (1970, US)
Hearing Earring (1973)
Story (1977)
Greatest Hits, Vol. 3 (1981)
The Very Best, Vol. 1 (1988)
The Very Best, Vol. 2 (1988)
The Continuing Story of Radar Love (1989)
Radar Love (1992)
Best of Golden Earring (1994, Europe only)
The Complete Naked Truth (1998)
70s & 80s, Vol. 35 (1998)
Greatest Hits (2000)
The Devil Made Us Do It: 35 Years (2000)
Singles 1965-1967 (2002)
Bloody Buccaneers/Face It (2002)
3 Originals (2003)
Collected (2009, triple CD)
[edit] Singles
Please Go / Chunk of Steel (1965)
Lonely Everyday / Not to Find (1965)
That Day / The Words I Need (1966)
You Leave Me / Waiting for You (1966)
Things Go Better / Rum and Coca Cola (1966)
Daddy Buy Me a Girl / What You Gonna Tell (1966)
Don't Run Too Far / Wings (1966)
In My House / Smoking Cigarettes (1967)
Sound of the Screaming Day / She Won't Come to Me (1967)
Together We Live Together We Love / I Wonder (1967)
The Truth About Arthur / Gipsy Rhapsody (1968)
I've Just Lost Somebody / The Truth About Arthur (1968)
Dong-dong-di-ki-di-gi-dong / Wake Up - Breakfast! (1968)
Just a Little Bit of Peace in My Heart / Remember My Friend (1968)
Where Will I Be / It's Alright, But I Admit Could Be Better (1969)
It's Alright, But I Admit Could Be Better / Song of a Devil's Servant (1969)
Another 45 Miles / I Can't Get a Hold on Her (1969)
Eight Miles High / One High Road (1970)
Back Home / This Is the Time of the Year (1970)
Holy Holy Life / Jessica (1971)
She Flies on Strange Wings, Part 1 & 2 (1971)
Buddy Joe / Avalanche of Love (1972)
Stand by Me / All Day Watcher (1972)
Radar Love / The Song Is Over (1973)
Instant Poetry / From Heaven From Hell (1974)
Candy's Going Bad / She Flies on Strange Wings (1974)
Tons of Time / Love Is a Rodeo (1975)
Ce soir / Lucky Number (1975)
The Switch / The Lonesome D.J. (1975)
Sleepwalkin' / Babylon (1976)
To the Hilt / Violins (1976)
Bombay / Faded Jeans (1976)
Radar Love (live) / Just Like Vince Taylor (live) (1977)
Movin' Down Life / Can't Talk Now (1978)
Weekend Love / It's Only a Matter of Time (1979)
I Do Rock 'n Roll / Sellin' Out (1979)
Long Blond Animal / Triple Treat (1980)
No for an Answer / Annie (1980)
Slow Down / Heartbeat (1981)
Twilight Zone / King Dark (1982)
The Devil Made Me Do It / Shadow Avenue (1982)
When the Lady Smiles / Orwell's Year (1984)
Clear Night Moonlight / Fist in Glove (1984)
N.E.W.S. / It's All Over (1984)
Something Heavy Going Down / I'll Make It All Up to You (1984)
Quiet Eyes / Gimme a Break (1986)
Why Do I / Gimme a Break (Rock Version) (1986)
Why Do I / Love In Motion (1986)
They Dance / Love in Motion (1986)
My Killer, My Shadow / My Killer, My Shadow (alternative version) (1988)
Turn the World Around / You Gun My Love (1989)
Distant Love / Nighthawks (1989)
Going to the Run / Time Warp (1991)
Temporary Madness / One Shot Away From Paradise (1991)
Pouring My Heart Out Again / Planet Blue (1991)
Making Love to Yourself / In a Bad Mood (1992)
Another 45 Miles (Live) (1992)
Radar Love / Bloody Bucaneers (1992)
I Can't Sleep Without You (1992)
Long Blond Animal (live - acoustic) / Twilight Zone (live - acoustic) / Jangalane(live-acoustic) / Don't Stop the Show (live - acoustic) (1993)
As Long as the Wind Blows (live - acoustic) / Please Go (live - acoustic) / Sound of the Screaming Day (live - acoustic) (1993)
Johnny Make Believe / Minute by Minute (1994)
Hold Me Now / Freedom Don't Last Forever / Livin' With Me (Ain't That Easy) (1994)
Gotta See Jane / Try a Little Tenderness (1996)
This Wheel's on Fire / My Little Red Book (1996)
Burning Stuntman / Bombay (1997)
The Devil Made Me Do It [unplugged] / Mood Indigo (1998)
Paradise in Distress / Are You Receiving Me? (1999)
Whisper in a Crowd / The Vanilla Queen (1999)
Miles Away From Nowhere (2000)
Yes! We're on Fire / Yes! We're on Fire (orchestral version) (2000)
Albino Moon (2003)
Colourblind (2003)
I've Just Lost Somebody (2005)
Angel (2005)
Source http://en.wikipedia.org/wiki/Golden_Earring
Eight Miles High
Golden Earing Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And when you touch down
You'll find that it's stranger than known
Signs in the street
That say where you're going
Are somewhere, just being there own
Nowhere is, there warmth to be found
Among those, afraid of losing their ground
In places, small faces unbound
'Round the squares, huddled in storms
Some laughing, some just shapeless forms
Sidewalks scenes, and black limousines
Some living, some standing alone
The song "Eight Miles High" by Golden Earing is an ode to the concept of journeying and experiencing the unfamiliar. The title of the song seems to imply being high up in the sky, far removed from the normal world below. The characters in the song have journeyed beyond their familiar surroundings, and they have found a world that is unknown to them. The signs in the street offer some guidance, but ultimately, the individuals are on their own to navigate this foreign territory.
The song describes a place that is cold and uninviting. The people who inhabit this space are also uninviting, as they are fearful of change and unable to adapt to new situations. The rain that often falls in this town contributes to the bleakness of the environment. Despite the coldness of the town and its people, however, there are still individuals who find joy in the journey. These individuals are able to laugh and find beauty in the small things, such as the huddled groups on the sidewalks or the black limousines that drive past. The song is ultimately a celebration of exploration and the ability to find beauty in the unexpected.
Line by Line Meaning
Eight miles high
The singer is high up, being elevated in altitude.
And when you touch down
When the singer comes down from their high.
You'll find that it's stranger than known
The reality the singer faces when they come down is more bizarre than they expected.
Signs in the street
Actual signage that the artist sees within the city.
That say where you're going
The signage indicates specific destinations or directions.
Are somewhere, just being there own
The signs exist without any personal relationship to the singer.
Nowhere is, there warmth to be found
The singer doesn't find comfort in any particular place.
Among those, afraid of losing their ground
The people around the artist are scared of failing, and are trying their best to remain grounded.
Rain, grey town, known for it's sound
The town is dreary, with sad undertones, and known for its sad, downbeat music.
In places, small faces unbound
There are small faces, likely of children, that are free-spirited and carefree.
'Round the squares, huddled in storms
People are gathered together in the town center,surviving together through trouble and hardship.
Some laughing, some just shapeless forms
Some members of the group are enjoying life, while others don't have a lot of energy.
Sidewalks scenes, and black limousines
The singer observes city life, including luxury cars and accessible urban streets.
Some living, some standing alone
Some individuals in the area are highly independent, while others are more willing to conform to group standards.
Contributed by Isaiah M. Suggest a correction in the comments below.
@loveistruth5713
I'm a 70-year-old hippie just smoked a bowl and this is fantastic🎉
@MegaSchlappohr
Einfach wunderbar ..was waren wir verdammt jung
@joachimwitusch9626
Und heute 70
@MegaSchlappohr
@Joachim Witusch 62 grins
@k.-h.k.1315
We all was sometimes 8 miles high.....
@rainermoddemann3771
I've seen them live in the early 70s performing that song .... unforgettable. That more than 10-minute-long bass solo blew me away.
@t55esss
Me too
@danielwilson6665
By some miracle I still have this magnificent work of art on the original vinyl album. It has battle scars from so many wonderful nights when we were all too wasted to see straight but it will still play without skipping. I first became aware of this version of Eight Miles High around 1972 and now in 2020 it still touches my inner soul like very few others could possibly do. The range of the bass solo is amazing. This song has been dissected by myself while tripping on window pane acid, mescaline and the usual mind expanding methods back in the day and everything always goes back together quite nicely. I don’t know if laboratory grade LSD is even available currently but if tripping is something that you can wrap your head around then Eight Miles High is like an old friend worthy of a nice long visit.
@Pappyjerry1
My copy is about the same way. Pick it up in 72 also just because I liked the cover, been a fan ever since.
@suspicionofdeceit
1000 mic 4 way windowpane?