Early years and split (1980–1987)
After various appearances at small festivals, the band recorded two songs for the compilation album Rock from Hell in 1983. A year later, Grave Digger, now comprising Chris Boltendahl (vocals), Peter Masson (guitar), Willi Lackmann (bass) and Albert Eckardt (drums), released their debut album Heavy Metal Breakdown.
In 1985, with Lackmann having left the band, they recorded and released their second album Witch Hunter. Only after the album was completed, a replacement on bass was found in the form of C.F. Brank. Further festival appearances followed, a tour with Helloween as special guest and, finally, their third album War Games in January 1986. To promote this album, a triple headline tour with Celtic Frost and Helloween followed. Thereafter, Peter Masson gave way to Uwe Lulis; in 1987 the band's name was changed to Digger, the name under which they released the album Stronger Than Ever. The album flopped, as it was not accepted by fans or the masses. As a result, Boltendahl declared at the end of 1987, the breakup of the band.
Reformation and Middle Ages Trilogy (1991–1999)
In 1991, the band was partially reformed. Boltendahl and Lulis, along with two newcomers, Tomi Göttlich and Jörg Michael, who had been the drummer for Rage and Running Wild, released a comeback record called The Reaper in 1993. This album was a return to the true roots of Grave Digger. In the same year, the album The Best of the Eighties was released. It represented a quasi Best-of-Album of their earlier songs.
An EP titled Symphony of Death followed in 1994. In the interim, Grave Digger, now with a new drummer, Frank Ullrich, toured Germany, playing as the warm-up act for Manowar. In 1995, the album Heart of Darkness appeared. It was a very dark album with many influences from the early works of Annihilator.
In 1996, Stefan Arnold became the band's new drummer. This year also marked the release of the concept album Tunes of War, which dealt with the history of Scotland. This album was the first part of the Middle Ages Trilogy. The second album, Knights of the Cross, with Jens Becker as bass guitarist, was released in 1998 and was about the rise and fall of the Knights Templar. The final part of the trilogy finished in 1999 with Excalibur. This album explored the legend of King Arthur and the Knights of the Round Table. Shortly after, a tour soon followed through with keyboardist Hans-Peter Katzenburg, who later became a permanent band member.
The Grave Digger and Rheingold (2000–2004)
In 2000, Grave Digger celebrated their 20th anniversary. To mark the occasion, they performed at a sell-out concert at the Zeche in Bochum. Many of the band's most popular songs were played alongside other less well-known ones. There were also a number of different supporting acts appearing with Grave Digger. This concert also marked a defining chapter in the band's history, as Uwe Lulis left a short while before the concert because of personal and business reasons. Lulis finally called his new band Rebellion.
A replacement, in the form of the ex-Rage guitarist, Manni Schmidt, was found. Along with him and the new record label Nuclear Blast, the album The Grave Digger, appeared in 2001. The works of Edgar Allan Poe served as an inspiration for the lyrics of the new album. Their first live album, Tunes of Wacken, appeared in 2002. This was coupled with the release of their first DVD of the same name. The next album Rheingold was released on 26 May 2003, which centered on the opera Der Ring des Nibelungen by Richard Wagner. They embarked on a tour in support of the album into early 2004.
The Last Supper and Ballads of a Hangman (2005–2009)
After the successful Rheingold Tour, the band recorded another album, The Last Supper, which was released on 17 January 2005. The artwork was first revealed in November 2004 which received positive feedback. A number of fans were disappointed by the artwork because of the motive. The band issued a statement saying that the cover isn't a message of the Devil and not against Christians, but a representation of a depressive Jesus Christ at his last days before his death. Unlike their previous albums, The Last Supper was not a concept album, despite several songs about the last days of Jesus. A few journalists described the album as the best since Tunes of War or Heavy Metal Breakdown. According to the band, it contains "more metal, more passion and more power" than the group's previous efforts. Less than a month later, the band began a tour with Stormhammer and Astral Doors in Andernach, the birthplace of Manni Schmidt.
October 2005 saw the release of a live DVD titled 25 to Live, which was recorded live in São Paulo, commemorating the band's 25th anniversary.
In December 2006, a number of release parties was announced for the band's follow-up album, Liberty or Death, which was released on 12 January 2007. A Double-Headline Tour together with Therion followed, beginning 17 January 2007 in Essen.
In late February 2008, Grave Digger began writing new material. In mid-August, they entered Principal studios with additional guitarist Thilo Hermann to record their 13th studio album entitled Ballads of a Hangman, which was released on 9 January 2009 under their new label Napalm Records. It was their first album with twin guitars.
In February 2009, the band parted ways with Thilo Hermann due to the built up excitement of a second guitarist and with the free space on stage and musical aspects that was observed by every old band member independently. In early October, Manni Schmidt left the band due to ongoing disagreements with Chris Boltendahl.
The Clans Will Rise Again and The Living Dead (2010–2018)
On 12 January 2010, Schmidt was replaced by Domain guitarist Axel Ritt after performing temporarily during the remaining dates of the band's previous tour. On 1 October 2010, Grave Digger released the album The Clans Will Rise Again in Europe, with a North American release following soon after. The band members explain that it is a loose sequel of the 1996 album Tunes of War, "but this time not a concept album about the Scottish history, rather a work about Scotland, its mysticism and its people." On 11 September 2011, a video for the song "Highland Farewell" was made available for streaming.
On 27 July 2012, the band released an EP entitled Home at Last with the album Clash of the Gods following on 31 August 2012. They performed a handful of shows in the UK and Europe from early to late 2012 and then toured throughout 2013 in Europe and a few shows in Brazil in support of the album.
In February 2014, the band began recording their next album titled Return of the Reaper, which was released on 11 July 2014, with later release dates elsewhere. In November 2014, keyboardist H.P. Katzenburg left the band in order to spend more time on outside projects. He was replaced by new member Marcus Kniep, who would continue performing as The Reaper.
In October 2015, Exhumation - The Early Years was released, which contains re-recorded versions of the band's "absolute classics with a dynamic and powerful sound of 2015," according to a press release.
In June 2016, Grave Digger entered the studio to begin working on their next album entitled Healed by Metal, which was released on 13 January 2017. They embarked on a tour with Blind Guardian as the support act on the second leg North American tour supporting the album Beyond the Red Mirror.
In March 2018, the band returned to the studio to record their nineteenth album The Living Dead, which was released on 14 September 2018, with a European tour taking place in January 2019. On 25 June 2018, longtime drummer Stefan Arnold departed the band. He was replaced by Marcus Kniep.
Fields of Blood (2020–present)
Grave Digger's twentieth album Fields of Blood was released on 29 May 2020, celebrating the band's 40th anniversary. The follow-up album Symbol of Eternity was released on 26 August 2022.
Full Wikipedia article: https://en.wikipedia.org/wiki/Grave_Digger_(band)
Studio albums
Heavy Metal Breakdown (1984)
Witch Hunter (1985)
War Games (1986)
Stronger Than Ever (1986) (as Digger)
The Reaper (1993)
Heart of Darkness (1995)
Tunes of War (1996)
Knights of the Cross (1998)
Excalibur (1999)
The Grave Digger (2001)
Rheingold (2003)
The Last Supper (2005)
Liberty or Death (2007)
Ballads of a Hangman (2009)
The Clans Will Rise Again (2010)
Clash of the Gods (2012)
Return of the Reaper (2014)
Healed by Metal (2017)
The Living Dead (2018)
Fields of Blood (2020)
Symbol of Eternity (2022)
Sin City
Grave Digger Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Poor man last, rich man first
Lambourginis, caviar
Dry martinis, Shangri-la
I got a burning feeling
Deep inside of me
It's yearning
But I'm going to set it free
CHORUS:
I'm going in to sin city
I'm gonna win in sin city
Where the lights are bright
Do the town tonight
I'm gonna win in sin city
(I'm gonna rule you baby)
Ladders and snakes
Ladders give, snakes take
Rich man, poor man, beggarman, thief
Ain't got a hope in hell, that's my belief
Fingers Freddy, Diamond Jim
They're getting ready, look out I'm coming in
So spin that wheel, cut that pack
And roll those loaded dice
Bring on the dancing girls
And put the champaign on ice
CHORUS
The lyrics to Grave Digger's song "Sin City" depict the allure and excitement of the gambling and entertainment scene in a city that never sleeps. The opening lines highlight the stark contrasts between social classes, with the rich enjoying extravagant luxuries, while the poor struggle to survive with whatever little they have. The references to Lambourginis, caviar, and dry martinis portray the lavish lifestyle of the wealthy, while the burning feeling inside the singer is an indication of his own desire for a taste of this lifestyle.
The chorus reveals the singer's intent to delve into the city's sinful pleasures, with a determination to win big. The bright lights of the city evoke the sense of adventure and the thrill of taking risks, while the mention of ruling someone portrays the singer's self-confidence in his ability to attain dominance in this enticing world.
The second verse makes use of the game of snakes and ladders as an analogy for the unpredictability of life, where fortunes can change drastically in a moment's notice. The singer's belief that no one has a hope in hell indicates the cutthroat environment of the city where only the strong survive. The names Fingers Freddy and Diamond Jim are references to legendary gamblers, heightening the sense of competition and anticipation.
Overall, the lyrics to "Sin City" depict the excitement and risks associated with gambling, while also highlighting the harsh realities of social inequality and the struggle for survival.
Line by Line Meaning
Diamonds and dust
Things that are perceived as luxurious or of high value are not permanent and will eventually decay or fade away.
Poor man last, rich man first
Society often rewards those who are wealthy and living in excess, leaving those who are less fortunate behind.
Lambourginis, caviar
Luxury items that are perceived as exclusive or high-end.
Dry martinis, Shangri-la
A reference to a paradise or utopia, where life is perfect and free of any problems or stress.
I got a burning feeling
A strong and intense desire or need for something that cannot be ignored.
Deep inside of me
The feeling is personal and a part of who the person is at their core.
It's yearning
The feeling is a strong longing or craving that cannot be fulfilled until it is satiated.
But I'm going to set it free
The person is willing to take risks and do what it takes to fulfill their desire, regardless of consequences.
I'm going in to sin city
The person is knowingly entering into a place or lifestyle that is considered morally questionable or frowned upon by society.
I'm gonna win in sin city
The person is confident in their ability to thrive and succeed within this morally ambiguous environment.
Where the lights are bright
A reference to the glamorous and flashy atmosphere that is often associated with places like Las Vegas or other cities known for their gambling and nightlife.
Do the town tonight
To fully experience and indulge in all the pleasures and activities that the city has to offer.
Ladders and snakes
A metaphor for the ups and downs, or the risks and rewards, of engaging in gambling or other risky behaviors.
Ladders give, snakes take
Gambling or other risky behaviors can provide opportunities for success or prosperity, but also carry great risks and potential for loss.
Rich man, poor man, beggarman, thief
No matter what one's status or background is, everyone is susceptible to the allure and risks of gambling and other morally questionable behaviors.
Ain't got a hope in hell, that's my belief
The person believes that everyone who participates in this lifestyle is destined to fail or suffer negative consequences.
Fingers Freddy, Diamond Jim
Names that are associated with successful or notorious gamblers.
They're getting ready, look out I'm coming in
The person is confident in their ability to compete and succeed against even the most skilled or seasoned gamblers.
So spin that wheel, cut that pack
A call to action or challenge to engage in gambling or other risky behaviors.
And roll those loaded dice
A phrase that implies cheating or manipulating outcomes in one's favor, despite the risks involved.
Bring on the dancing girls
A reference to the hedonistic and indulgent lifestyle that is often associated with gambling and nightlife.
And put the champaign on ice
A celebration of the perceived success and decadence that comes with participating in this lifestyle.
Contributed by Lila P. Suggest a correction in the comments below.