Great White started their career as Dante Fox, playing their first gig in 1981 at The Troubadour in Hollywood, California. After recording several demos, the band chose as manager Alan Niven, who had worked for the independent distributor Greenworld in Torrance, California and had dealt with Mötley Crüe's debut self-release. Niven suggested the name change from Dante Fox after seeing singer Jack Russell introduce Mark Kendall (guitarist) during his solo as "Mark Kendall, the Great White", due to his naturally white-blonde hair, white Fender Telecaster guitar, white jumpsuit, and white Capezio shoes. In 1982, founding members Mark Kendall, Jack Russell, drummer Gary Holland, and bassist Lorne Black recorded and released a 5-song EP, Out of the Night, on the independent label Aegean formed by Niven. Niven then convinced the Los Angeles radio station KMET to begin adding songs from the EP to its playlist in heavy rotation. KLOS-FM soon did the same. The band suddenly went from drawing 100 people to a local club to drawing thousands in L.A. concert halls such as Perkins Palace in Pasadena, The Palace in Hollywood and the Country Club in Reseda. As an unsigned act, Great White headlined at Six Flags Magic Mountain in Valencia playing to 6,250 people. Near the end of 1983, EMI America signed the band and subsequently released Great White's eponymous debut album ('Great White') in early 1984. The band immediately toured the UK supporting Whitesnake's Slide It In tour and the entire US and Canada opening for Judas Priest's Defenders of the Faith tour. 'Shot in the Dark', their follow-up independent release, marked the arrival of drummer Audie Desbrow. By the time Capitol Records signed the band and reissued Shot in the Dark, keyboardist-guitarist Michael Lardie had come aboard. After the release of Shot in the Dark, Great White hit the road with Dokken and was on the verge of even bigger success.
The band hit the mainstream in 1987 when they released 'Once Bitten', which featured the hits "Rock Me" and "Save Your Love". Once Bitten... was certified platinum in April 1988.
The band followed up with '...Twice Shy' in 1989. The album included their biggest hit, "Once Bitten, Twice Shy", a cover of a UK hit single by Ian Hunter. They received a Grammy Award nomination for Best Hard Rock Performance. The album was certified platinum in July 1989 and then double platinum in September of that same year. The model Bobbie Brown (also known for being in Warrant's "Cherry Pie" video) appeared in the video for "Once Bitten, Twice Shy". They finished off the 80s touring in support of ...Twice Shy as headliners and with some best known bands, such as Bon Jovi.
In 1990, the band featured in the heavy metal video series Hard 'N' Heavy containing music, concert footage and interviews. The video included Slash and Duff from Guns N' Roses appearing with the band at a Children of the Night Benefit concert in L.A., the performance helping to raise money for housing abused homeless children. Both bands shared the same manager, Alan Niven at the time.
The band continued into the next decade performing the song "House of Broken Love" at the American Music Awards in January 1990. In March, Great White embarked on their first tour of Japan. They returned to the United States for the Memorial Day weekend festival dubbed The World Series of Rock, which featured Whitesnake, Skid Row, Bad English, and Hericane Alice. Great White recorded two more albums for Capitol Records, 'Hooked', which was certified gold, and 'Psycho City'. In support of Hooked, Great White did a tour as headliner tour, had a guest slot with German metal band Scorpions and travelled to Europe and Japan. Psycho City was followed by a US tour with Kiss.
Capitol issued the compilation 'The Best of Great White 1986-1992' in 1993, when Great White had already departed the label to begin work on their next studio release, 'Sail Away'. Before the release of the album, Great White spent seven months on the road headlining clubs. According to Lardie, it was "the longest stint we ever did without a break." Great White kept up the pace once Sail Away was released on Zoo Records in 1994, touring the US several times over the following year and a half. Their next release, Let It Rock, was released in 1996 through yet another label, Imago Records.
In 1999, the band released 'Can't Get There from Here' and embarked on a tour with Ratt, Poison, and L.A. Guns. The album featured the single "Rollin' Stoned", which managed to chart at No. 8 on the Billboard Mainstream Rock Tracks chart.
In a memo dated 20 January 2000 Mark Kendall announced he was leaving Great White, shortly thereafter both Audie Desbrow and Sean McNabb left Great White. Kendall was replaced by guitarist Matthew Johnson. Desbrow, clearly very unhappy with the financial state of the band posted a tirade on his website lambasting Jack Russell and Michael Lardie, while claiming to have been "fired" from Great White. Meanwhile, it was rumored that Sean McNabb was fired for going to management and asking to see the accounting books. Despite only having one original member left, the band announced plans to begin work on a new album in late 2000. Early in the process, some of the new songs were played for John Kalodner at Columbia Records. It was mutually agreed that the "magic was gone" and the band decided their heart was not in the recording process. They subsequently left Columbia Records and discontinued work on the new album. On 5 November 2001 Jack Russell announced the end of Great White, stating that he was moving on, and that Great White would play one final farewell show on 31 December 2001 at the Galaxy Theatre in Santa Ana, CA. Both Kendall and McNabb rejoined the band for the farewell show, recorded for a live CD entitled 'Thank You...Goodnight!' released by Knight Records. The live album includes two new tracks, "Back to the Rhythm" and "Play On" from their discontinued studio sessions, both of which would ultimately wind up on their reunion album 'Back to the Rhythm' in 2007.
In late 2002, in part due to his failure to attract good audiences while on the road with his solo band, Jack Russell contacted Kendall, who himself was struggling to gain an audience on his own. Kendall agreed to play some dates with Russell's band, allowing Russell to use the name Great White once again. Billed as "Jack Russell's Great White," the tour was to consist primarily of classic songs from the Great White catalog with some of Russell's solo work mixed in. Eventually, more dates were added and the tour extended through the early months of 2003.
The band returned to the national spotlight on 20 February 2003. At the beginning of a Great White performance at The Station night club in Rhode Island, pyrotechnics used by the band's crew created a spray of sparks that ignited the foam soundproofing material in the ceiling around the stage. One hundred people including the band's guitarist Ty Longley, died in the fire that followed. In 2008 the band agreed to pay $1 million to survivors and victims' relatives of the fire while admitting to no wrongdoing. This amount also covers former tour manager Daniel Biechele along with the band members, record label, and management as it existed at the time of the fire. The settlement was the maximum allowed under the band's insurance plan. Victims had previously received $3.8 million raised by United Way of America.
Though the media referred to the band as "Great White" following the tragedy in Rhode Island, the band was officially performing under the moniker of "Jack Russell's Great White" at the time of the incident. In fact, prior to the fire, the band's official website posted a message stating that Great White had not re-formed. It's unclear when the band began officially going by "Great White" again.
Great White played their first full show following the Rhode Island tragedy on 22 July, starting a benefit tour for the survivors and victims of the fire. The band toured until 2005 to raise funds for the Station Family Fund, which had been set up to help the victims of the tragedy. In late 2005, citing "medical reasons", the band canceled the second half of their summer tour. The "medical reasons" turned out to be Jack Russell's addictions to alcohol and cocaine. This was the end of this version of Great White, as Jack Russell entered rehabilitation and did not perform again until 2007. Russell used the year of 2006 to get sober and get a facelift that was detailed on ExtraTV. Russell later referred to this incarnation of Great White as "Fake White", saying "It still sounded like Great White, but not – almost like we were doing a cover of ourselves."
Talk of a reunion of Great White began in a 2004 interview. Later in 2006, guitarist Mark Kendall officially announced that Great White had re-formed its classic lineup. The re-formed lineup of Russell, Kendall, Lardie, McNabb and Desbrow played their first date together in more than 5 years on 27 January 2007 at the Keyclub in Hollywood performing in the Harpseals.org Benefit Concert for the Seals 2007. In 2008, bassist Sean McNabb left Great White to concentrate on a career in theater and acting. McNabb was promptly replaced with Scott Snyder (Ramos, Accomplice). McNabb went on to join Dokken.
Great White released their album, 'Rising', on 13 March 2009 in Europe via Frontiers Records and on 21 April in the US.
In 2010, Jani Lane of Warrant filled in for Jack Russell, while Russell recuperated from surgery after suffering a perforated bowel. Terry Ilous (XYZ) replaced Jack Russell at the Coach House during the summer of 2010, and Paul Shortino (Rough Cutt, Quiet Riot, King Kobra) filled in for Russell when Great White performed at Stockholm Rock Out Festival in September. In December 2011, Russell formed a new incarnation of Great White with a brand-new lineup under the name of "Jack Russell's Great White".
On 18 March 2012 Great White announced their first new album with Ilous, 'Elation' , to be released in May that year, along with a live album ('30 Years: Live From The Sunset Strip') and a concert DVD of the band's 30th-anniversary show at the Key Club in Hollywood on 22 March.
Lorne Black, Great White's original bassist, who performed and recorded with the group up through the Once Bitten album, died on September 27, 2013. He was 50 years old.
On June 2, 2017, Great White released their most recent studio effort, 'Full Circle', on Bluez Tone Records, with Wagener as the producer. The song "Big Time" was released as the first single and video. On July 9, 2018, Great White announced that they had parted ways with Terry Illous as their singer and he was replaced by Mitch Malloy.
On May 31, 2022, Great White announced vocalist Andrew Freeman of Last In Line replaced Malloy as the band's lead singer and frontman.
Babe I'm Gonna Leave You
Great White Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I said baby, you know I'm gonna leave you
I'll leave you when the summertime
Leave you when the summer comes a rollin'
Leave you when the summer comes along
Babe, babe, babe, babe, babe, babe, baby, baby
I don't want to leave you
I ain't jokin' woman, I got to ramble
Baby, baby, babe, I believin'
We really got to ramble
I can hear it callin' me the way it used to do
I can hear it callin' me back home
Babe, I'm gonna leave you
Oh, baby, you know, I've really got to leave you
Oh I can hear it callin 'me
I said don't you hear it callin' me the way it used to do?
Oh
I know, I know
I know I never never never never never gonna leave your babe
But I got to go away from this place
I've got to quit you, yeah
Ooh, baby baby baby baby baby baby ooh
Don't you hear it callin' me?
Woman, woman, I know, I know
It feels good to have you back again
And I know that one day baby, it's really gonna grow, yes it is
We gonna go walkin' through the park every day
Come what may, every day
Oh, mama baby
I'm gonna leave you go away
It was really, really good
You made me happy every single day
But now
I've got to go away
Baby, baby, baby
That's when it's callin' me
I said that's when it's callin' me back home
The lyrics to Great White's song "Babe" are about a conflicted lover who is struggling to leave the person they care about but knows it is necessary because he has to "ramble." The singer of the song expresses a desire to stay with his lover but understands that his wandering spirit cannot be contained. Furthermore, the repeated phrases "Babe, baby, baby" and "Don't you hear it callin' me?" suggest that the singer is both comforting and attempting to convince himself to go through with his decision.
The song's melancholic guitar riffs and slow chord progressions perfectly capture the singer's sense of longing and conflict. The combination of raw and emotive vocals by Jack Russell with the passionate music creates a sense of desperation that adds complexity to the song's narrative. Finally, the chorus's line, "I'm gonna leave you," is particularly poignant because it both affirms the singer's commitment to leaving and highlights his inner turmoil.
Overall, Great White's "Babe" is a song about the struggle between love and the call of the open road. The song's slow, emotionally charged music, and tormented lyrics combine to create a moving portrait of a man at a crossroads in his life.
Line by Line Meaning
Babe, baby, baby, I'm gonna leave you
I'm sorry, but I have to break up with you
I said baby, you know I'm gonna leave you
I hope you understand that I have to leave you
I'll leave you when the summertime
I'll leave you when the summer arrives
Leave you when the summer comes a rollin'
I'll leave you when the summer begins
Leave you when the summer comes along
I'll leave you when the summer arrives
Babe, babe, babe, babe, babe, babe, baby, baby
I'm trying to soften the blow, but I still have to leave you
I don't want to leave you
I don't enjoy breaking up with you
I ain't jokin' woman, I got to ramble
I'm not joking, I really have to leave
Oh yeah
I'm serious
Baby, baby, babe, I believin'
I believe that we have to break up
We really got to ramble
We really have to go our separate ways
I can hear it callin' me the way it used to do
I feel the pull of my desire to travel like I used to do
I can hear it callin' me back home
I feel the pull of my home calling me back
Babe, I'm gonna leave you
I'm going to leave you
Oh, baby, you know, I've really got to leave you
I'm sorry, but I have to leave you
Oh I can hear it callin 'me
I feel the pull of my desire to travel
I said don't you hear it callin' me the way it used to do?
Don't you feel the pull of my desire to travel like I used to do?
Oh
I feel the urge to leave
I know, I know
I understand that this is hard for you
I know I never never never never never gonna leave your babe
I know that you'll always be in my heart and mind
But I got to go away from this place
But I have to leave this town
I've got to quit you, yeah
I have to stop seeing you
Ooh, baby baby baby baby baby baby ooh
I'm sorry, but I have to break up with you
Don't you hear it callin' me?
Can't you feel my desire to travel?
Woman, woman, I know, I know
I understand that this is hard for you
It feels good to have you back again
It's nice to be with you again
And I know that one day baby, it's really gonna grow, yes it is
I know that you will find someone else and move on
We gonna go walkin' through the park every day
We used to take daily walks in the park
Come what may, every day
No matter what happens, we'll always walk together
Oh, mama baby
Oh, my dear love
I'm gonna leave you go away
I'm going to leave you and go away
It was really, really good
Our relationship was really good
You made me happy every single day
You brought me joy every day
But now
But things have changed
I've got to go away
I have to leave
Baby, baby, baby
I'm sorry, my love
That's when it's callin' me
That's when my desire to travel is strongest
I said that's when it's callin' me back home
That's when I feel the pull of my home calling me back
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Robert Anthony Plant, James Patrick Page, Anne L. Bredon
Lyrics Licensed & Provided by LyricFind
@bigphil3326
This is 100%, wholly, and undoubtedly the absolute best Led Zeppelin cover to ever surface. They did it justice and then some. I’m beyond blown away... wow!
@emirofshmoe
I remember when I first heard it on the radio. I thought it was Led Zeppelin. 😳🤯
@chrissala2498
Absolutley! 🤘🖤
@travisgordon7253
100!! Agree. Here I am 2023 still talking about it
@yosefavraham9819
This is amazing. What a great cover. What a great band....Led Zeppelin still inspires other musicians to cover their masterpiece.
@69Eyetalian
no fn doubt sounds like plant so much haha
@nothingbuttart3230
The single greatest Led Zeppelin cover ever recorded
@nf616
They were excellent at covers. Especially Led Zep ones.
@joshl.8950
Heart at Kennedy Honors.
@mothygryphon9111
Gary Berger, I love how there us no ambiguity in your comment. No "might be," "probably," "in my opinion." Firmly and confidently stated what you think. And I am in full agreement. It isn't a matter of opinion in this case. Empirically, it IS the greatest Zepplin cover of all time.