Originally, Gregorian was conceived as a more pop-oriented group in the vein of Enigma. Under this concept, they recorded the 1991 album Sadisfaction, with lead vocals provided by The Sisters of Oz: Susana Espelleta (Peterson's wife at the time) and Birgit Freud. However, this was the only album in that style.
In 1998, Peterson and his team Jan-Eric Kohrs, Michael Soltau and Carsten Heusmann re-invented the project to perform popular songs in the Gregorian style. The criteria for song selection were strict; in order to be considered, a song needed to be translatable into the 7-tone scale. For each album, songs were carefully chosen in addition to original songs written by Jan-Eric Kohrs, Amelia Brightman and Carsten Heussman. Twelve vocalists - previously acclaimed session and choir singers - were then hired to record the tracks.
Each Gregorian album is initially digitally tracked at Nemo Studios, Peterson's Hamburg studio. The vocalists then record their parts in a church atmosphere with dimmed lights and candles, in order to escape what Peterson referred to in a 2001 interview as the "cold and technical" studio atmosphere.
The concept proved to be successful, and the group proceeded to record several more Masters of Chant albums in the same style. Their 2004 album, The Dark Side, was a slight departure from the others, featuring a darker repertoire consistent with the title.
In 2005, The Masterpieces, a compilation album with a live DVD, was released. A fifth Masters of Chant album was released on 31 March 2006. In 2006, a festive album was also released, titled Christmas Chants. A sixth Masters of Chant album was released on 28 September 2007. In 2009 a seventh Masters of Chant album followed.
Gregorian in 2009
On 8 September 2010 the next album, titled The Dark Side of Chant, was announced to be published on 15 October 2010.
The members of the Gregorian choir group are Richard Naxton (Naxos), Johnny Clucas (Johnny), Chris Tickner (Chris T.), Richard Collier (Rich), Gerry O'Beirne (Gerry), Lawrence White (Lorro) and Rob Fardell (Rob F.).
Others who contribute to the vocals or sound of Gregorian are Sarah Brightman (under the pseudonyms Hepsibah or Sarah Hellmann), Amelia Brightman (Sarah Brightman's younger sister), Frank Peterson, and staff of Nemo Studio among others.
Mercy Street
Gregorian Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Are the dreams all made solid
Are the dreams all made real
All of the buildings, all of those cars
Were once just a dream
In somebody's head
She pictures a soul
With no leak at the seam
Lets take the boat out
Wait until darkness
Let's take the boat out
Wait until darkness comes
Nowhere in the corridors of pale green and grey
Nowhere in the suburbs
In the cold light of day
There in the midst of it so alive and alone
Words support like bone
Dreaming of mercy st.
Wear your inside out
Dreaming of mercy
In your daddy('s arms again
Dreaming of mercy st.
'swear they moved that sign
Dreaming of mercy
In your daddy's arms
Pulling out the papers from the drawers that slide smooth
Tugging at the darkness, word upon word
Confessing all the secret things in the warm velvet box
To the priest-he's the doctor
He can handle the shocks
Dreaming of the tenderness-the tremble in the hips
Of kissing Mary's lips
Dreaming of mercy st.
Wear your insides out
Dreaming of mercy
In your daddy's arms again
Dreaming of mercy st.
'swear they moved that sign
Looking for mercy
In your daddy's arms
Mercy, mercy, looking for mercy
Mercy, mercy, looking for mercy
Anne, with her father is out in the boat
Riding the water
Riding the waves on the sea
The lyrics of "Mercy Street" by Gregorian paint a vivid picture of a woman looking down at empty streets, lost in thoughts of dreams made solid and real. As she pictures broken glass and steam, she imagines a soul with no leak at the seam. The lyrics then take us on a journey where the singer wishes to take a boat out and wait until darkness comes. The contrast between the daytime and the nighttime setting highlights how the night could offer respite from the mundanity of everyday life.
The song then delves into the themes of secrets, confession, and searching for mercy. The imagery of pulling out papers from drawers and confessing secret things to a priest implies that the character is seeking some form of redemption, a way to reconcile with their past. The reference to "Dreaming of Mercy Street" repeatedly emphasizes that the singer is looking for mercy, seeking solace in her father's arms.
Overall, the song is a poignant exploration of the human condition and the quest for redemption. It highlights the need for individuals to confront their past and seek solace in the face of hardships. The metaphor of the boat and the sea symbolizes the idea of venturing into the unknown, driven by a sense of adventure and risk.
Line by Line Meaning
Looking down on empty streets, all she can see
Anne is looking down from a vantage point and can only see empty streets
Are the dreams all made solid
She sees that what was once dreams have become real, tangible things
Are the dreams all made real
She confirms that indeed, the dreams have become real
All of the buildings, all of those cars
Every building and car that she sees
Were once just a dream
At some point, all the buildings and cars did not yet exist, they were just ideas in someone's mind
In somebody's head
Someone had to imagine all these things into existence
She pictures the broken glass, she pictures the steam
Anne imagines broken glass and steam, depicting a possibly violent encounter
She pictures a soul
Her imagination focuses on the human aspect of the experience
With no leak at the seam
Yet, even though the soul might be damaged, it is not destroyed
Lets take the boat out
Anne invites someone to take the boat out
Wait until darkness
Anne suggests waiting until dark before going out on the boat
Nowhere in the corridors of pale green and grey
There is nothing of interest or truth in the institutional corridors she sees around her
Nowhere in the suburbs
There is nothing of note in the suburbs either
In the cold light of day
During daylight hours when everything is illuminated and visible
There in the midst of it so alive and alone
Amidst all of that emptiness, Anne feels both alive and isolated
Words support like bone
The right words can be the framework that support someone, just like bones support the body
Dreaming of mercy st.
Anne is dreaming of a place called Mercy Street
Wear your inside out
She is exposing her vulnerabilities and emotions, rather than hiding them or putting on a facade.
Dreaming of mercy
Anne hopes to receive mercy at Mercy Street
In your daddy('s arms again
She reminisces about feeling safe and secure, like a child in her father's arms
'swear they moved that sign
Anne isn't sure if the sign promising mercy has been moved or gone missing
Pulling out the papers from the drawers that slide smooth
Anne is taking out some documents from a drawer that is easy to open
Tugging at the darkness, word upon word
She is struggling to express herself, pulling words out one by one from her internal darkness
Confessing all the secret things in the warm velvet box
She is opening up and revealing all her deepest secrets in the imaginary box that symbolizes the act of confession
To the priest-he's the doctor
The priest, much like a doctor, is there to help and heal, possibly through absolution
He can handle the shocks
The priest is able to take in and offer advice for her difficult revelations
Dreaming of the tenderness-the tremble in the hips
Anne dreams of tenderness and embraces the physical and emotional sensations that come with it
Of kissing Mary's lips
She imagines a romantic encounter with someone named Mary
Looking for mercy
Anne is still searching for Mercy Street and for mercy itself
Mercy, mercy, looking for mercy
The repetition of the word highlights how important mercy is to Anne and how much she is still searching for it
Anne, with her father is out in the boat
The song comes full circle and ends with Anne and her father out on the boat, enjoying the sea
Riding the water
Anne and her father are allowing the boat to move them along the water
Riding the waves on the sea
The waves of the sea are carrying them along their journey
Contributed by Amelia K. Suggest a correction in the comments below.
jerry haydel
Looking down on empty streets, all she can see
Are the dreams all made solid
Are the dreams all made real
All of the buildings, all of those cars
Were once just a dream
In somebody's head
She pictures the broken glass, she pictures the steam
She pictures a soul
With no leak at the seam
Lets take the boat out
Wait until darkness
Let's take the boat out
Wait until darkness comes
Nowhere in the corridors of pale green and grey
Nowhere in the suburbs
In the cold light of day
There in the midst of it so alive and alone
Words support like bone
Dreaming of mercy st.
Wear your inside out
Dreaming of mercy
In your daddy('s arms again
Dreaming of mercy st.
'Swear they moved that sign
Dreaming of mercy
In your daddy's arms
Pulling out the papers from the drawers that slide smooth
Tugging at the darkness, word upon word
Confessing all the secret things in the warm velvet box
To the priest-he's the doctor
He can handle the shocks
Dreaming of the tenderness-the tremble in the hips
Of kissing Mary's lips
Dreaming of mercy st.
Wear your insides out
Dreaming of mercy
In your daddy's arms again
Dreaming of mercy st.
'Swear they moved that sign
Looking for mercy
In your daddy's arms
Mercy, mercy, looking for mercy
Mercy, mercy, looking for mercy
Anne, with her father is out in the boat
Riding the water
Riding the waves on the sea
SheWoreLemon83
This is one of my absolute favorite songs by Peter Gabriel and I couldn't imagine anyone doing anything to this song that I would actually like, but this is really gorgeous, I can't believe these guys actually do this.
jerry haydel
Looking down on empty streets, all she can see
Are the dreams all made solid
Are the dreams all made real
All of the buildings, all of those cars
Were once just a dream
In somebody's head
She pictures the broken glass, she pictures the steam
She pictures a soul
With no leak at the seam
Lets take the boat out
Wait until darkness
Let's take the boat out
Wait until darkness comes
Nowhere in the corridors of pale green and grey
Nowhere in the suburbs
In the cold light of day
There in the midst of it so alive and alone
Words support like bone
Dreaming of mercy st.
Wear your inside out
Dreaming of mercy
In your daddy('s arms again
Dreaming of mercy st.
'Swear they moved that sign
Dreaming of mercy
In your daddy's arms
Pulling out the papers from the drawers that slide smooth
Tugging at the darkness, word upon word
Confessing all the secret things in the warm velvet box
To the priest-he's the doctor
He can handle the shocks
Dreaming of the tenderness-the tremble in the hips
Of kissing Mary's lips
Dreaming of mercy st.
Wear your insides out
Dreaming of mercy
In your daddy's arms again
Dreaming of mercy st.
'Swear they moved that sign
Looking for mercy
In your daddy's arms
Mercy, mercy, looking for mercy
Mercy, mercy, looking for mercy
Anne, with her father is out in the boat
Riding the water
Riding the waves on the sea
RentallyChallenged
This is a phenomenal cover! One of their best. 🥰
Osvaldir Santos Silva
maravilha , minha esposa é louca por gregoriano .
Mó Lopes
Bom gosto.
Eduardo Ayres
Belíssimo
Winthrop Frame
Great composition to HEAR Mercy Street by the Peter Gabriel, Your version is totally wonderful to enjoy and listen to. You should sing a couple songs by Neil Young. You and Me, Harvest Moon. RAZOR LOVE. Thank you Gregorian. Be well and Have a good day. to all as well.
Pawel Tulik
My favorite is version made by Miriam Stockley (but may be subjective as I have some great memories tied with this song)
Matthieu Deltombe
J'aimerai tant entendre cette musique dans une église, rien que pour l'admirer dans une acoustique appropriée! =)
bukster1
I remember saying years ago they should do this song.